Hi Jenni, thank you for joining me today. Your novel is called The Hopes and Dreams of Lucy Baker. Can you tell me about it and what inspired the story?
You are very welcome – it’s lovely to be here. Your virtual sofa is very comfy!
Hmm… how to sum up my book. I guess The Hopes and Dreams of Lucy Baker is a heart-warming story with a variety of themes. I set out to write a romance but the book became so much more and, in a way, is two love stories; Lucy and George, but also Lucy and Brenda. It was the powerful intergenerational friendship between these two women and how they deal very differently with Brenda’s dementia diagnosis, that became the central theme. For the romance, I was initially inspired by a locket of my mother’s and my working title was Lucy’s Locket until it was picked up by the publisher. This mysterious piece of jewellery leads to lots of mishaps and comedy moments for Lucy but also makes her reassess her romantic options in life. It was a fun book to write.
What’s your typical writing day like? Do you need coffee? Silence?
I weave my writing around part-time work, care for my mum and the hectic taxi service I appear to be running for my four teenage sons. My most productive times are during the school day – when the house is silent, and evenings – when it is not. I also work at the weekends when I can. I’ve developed a cunning strategy that involves wearing enormous headphones as a signal that I’m writing. If there is a lot of noise, I play music (I have a playlist of familiar songs so I’m not distracted by them) but I also cheat and pretend I’ve got music on so the boys leave me alone. It’s coffee during the day, and wine or tonic water at night – although the wine is only for weekends. Interestingly, some of the best comedy scenes have been wine-fuelled.
The other thing I do, to combat the isolation and to spur me on, is to meet up with my writing buddy, Clare Marchant, in our “virtual” office. It means we check in throughout the day with wordcounts and this accountability helps us both to focus. I do hate it when she leaves the virtual biscuit tin empty though…
Do you have a certain place you like to write?
I have an office – which is actually a desk in the corridor between the living room and the downstairs loo. I’m lucky to have this permanent space as a lot of writers work on the kitchen table or on their laps. It’s a total mess, like Lucy’s desk, but it’s mine. I have two screens set up (invaluable for editing) so it’s tricky for me to move. Research and planning I can do anywhere.
What’s your writing process like from planning to editing?
Planning – ha ha ha. You are funny. I am such a pantser and every time I begin a new novel I’m determined to plan. My second book for Avon (out next summer) was the first time I’d had to write a synopsis before writing the book and boy was that hard – but I did it. I’d like to get better at planning, but my brain doesn’t work that way and I’m what I like to call “an onion writer” – I write in layers. I get a rough first draft down and then I go over and over and over it, perfecting, editing, adding description etc. until I’m happy. Luckily, I love editing and always see it as an opportunity to make the story even better. Some of my best ideas come right at the end of the process and then I have to go back and weave it all in. I honestly don’t know how people plan.by