Hi Peter, thank you for joining me on Novel Kicks. When did you start writing?
I have been writing since I was seven years old – my original ambition was to be a scriptwriter. I find the world we live in very interesting and I enjoy observing human behaviour, and that’s really my approach. I’m constantly taking note of what’s happening around me as you never know where you might find inspiration for a character or piece of plot.
How did you get your big break?
My first ‘break’ was at age seventeen, when I won a national short story competition run by the BBC and got to read my story out on air. It was hugely exciting! However, my first professional writing job came along a few years later whilst I was living in Toronto and working on a children’s television series called Polka Dot Door. I was a gopher – it was my job to basically run errands. One day we were due to film an episode, but the writer hadn’t turned in the script. The producer asked if I could write one there and then, and I said ‘okay!’
How much research do you do for each novel?
My novels tend to be very research-driven. I first had the seed of an idea for Absolute Proof when I received a mysterious call from someone claiming to have proof of the existence of god – just like Ross does – thirty years ago. In the decades that followed I did a great deal of research, ranging from speaking to religious leaders about the consequences absolute proof would have for believers, to living as a monk for five days in the extraordinary monastic commune of Mount Athos. It’s been an extraordinary journey!
Who inspires you?
When I was 14, I read Graeme Greene’s Brighton Rock, and it totally changed my life. It’s the book that made me realise I wanted to be a writer, and also the reason that my Roy Grace series is based in Brighton. Greene has a way of describing characters, in just a few sentences, which makes you feel you know them inside out, and his sense of “place” is almost palpable. Brighton Rock is for me an almost perfect novel. It has one of the most gripping opening lines ever written too – ‘Hale knew, before he had been in Brighton three hours, that they meant to kill him.’
What advice would you give to new and aspiring writers?
Reading extensively and intelligently is the most important thing – read books that have done well in the genre you want to write in and analyse what you like about the author’s style. Once you’ve started writing, make time to write every single day. Find a comfortable number of words to do each day and stick to that number. I am comfortable with 1,000 words. For some it might be 500, 200 or even 2,000 – as long as you are consistent, the number doesn’t matter.
And you must love your characters – or no one else will!
Hi Emily. Thank you for joining me today. Can you tell me a little about your novel, Bells and Bows on Mistletoe Row (I love this title) and what inspired it?
It’s lovely to be here. Thank you for inviting me.
I’m so pleased you love the title. The wonderful members of my Facebook group helped me choose it. There were three options and this was the most popular.
The idea of Bells and Bows came to me as I was staring at one of the churches I can see from my office. The bells were ringing because it was a Sunday morning. I love listening to church bells, so my mind was drifting as it so often does. Juliet Bell and Harrison Bow popped up in front of me and introduced themselves. I loved the fact that their names had a Christmas ring to them (excuse the pun) and because they both had siblings, Bells and Bows was born.
I firmly believe in love at first sight. I also believe a person can love another their whole life, even if they’re not actually together. I can tell you many true stories relating to both!
Anyway, because I adore Christmas, and because of their names, I decided to put all those things together and see where it went. Both main families in this book need to learn to discuss issues and to open up about their feelings.
They believe in ‘a stiff upper lip’ and tend not to talk to one another about anything meaningful. This Christmas, that’s all about to change.
One of the secondary characters is based on a dear friend of mine who is no longer with us, and he is the cause of a few misunderstandings in the novel.
From planning to edit, what’s your writing process like and how has it changed since the first book?
I don’t plan. I never have. I get an idea and I sit down and write whatever comes into my head, or whatever appears in front of me.
I often say that the story unfolds before my eyes and I simply type what I’m seeing. I write a very quick first draft and make notes about the characters, settings etc. along the way.
Then I leave it for a few days or so, do any research that’s necessary, and then write the second draft. I write as many drafts as it takes before I feel happy with the book. After that, it goes to my editor.
Any changes or suggestions she has, are discussed and if I need to rewrite anything, I do.
Which Christmas tradition is your favourite?
That’s a difficult question because I love them all. Preparing the Christmas cake and all having a stir of the mixture and making a wish is one I’ve loved all my life. Opening one present on Christmas Eve, is another.
Finding a Yule log, bringing it home and burning it is one I can’t do at the moment because I no longer have a real fire. I miss that.
I need to move home before next year. I want a real fire again. Buying about two hundred more Christmas cards than I’ll ever need – and then doing exactly the same every year. (I’ve got boxes and boxes of cards…but I’ve already bought more this year!) Hanging wreaths on the doors, front and back.
Putting up the Christmas decorations in November. Going to a carol concert. Christmas crackers. Making mulled wine and eggnog.
Not together in the same pot, obviously. Hohoho! Setting the Christmas pud alight. Baking mince pies. Playing Christmas songs from October onwards. Yes, honestly. Ask my friends. It drives them nuts.
Ooh nuts! Spending hours trying to crack a brazil nut open and nearly losing an eye, or breaking several ornaments in the process. That’s a tradition not to be missed! Sorry. You only wanted one thing, didn’t you?by
Hello Pernille, thank you so much for joining me on Novel Kicks today. Your book is called Him With The Beard. Can you tell me a little about it?
Hi Laura, I´m so glad you would have me!
In Him With The Beard, we follow a little family whose life is turned upside down when the daughter Mille stops believing in Santa. We read the story from the mother´s, Stella, perspective.
It’s a sweet Christmas story about family, Santa Claus and the big question whether it’s possible to find a way back to the joy of Christmas when you discover that Santa isn’t who you thought.
What is your writing process like from planning to editing?
I always begin with a vague idea, often a funny scene, and work with the idea in my head for some while, before I begin writing it down on paper. I love the process of getting all the small pieces in the puzzle to fit.
And then I begin writing, writing, writing and writing. I´m one of those unwise people that edit and write at the same time, but I just know when something doesn’t work, and I would rather change it when I know what I can do differently than forgetting it and try to change it later.
From then on it’s off to beta readers and the editor and I do changes based on what they find. I´m not perfect, so I love getting feedback that can help me get my story better across to readers.
Is there a certain place you like to write and are there certain things you need like coffee/tea/music/silence?
I´m pretty easy to please. I just need my computer to write 🙂
I always write late at night or very early in the morning when it’s quiet. I´m also pretty tired at this point so it’s like writing drunk which can be a good thing because then my inner critic has gone to bed. Ha!
What elements do you feel need to be present in a novel?
I really like when a book has humour and a twinkle in the eye because I feel like the book becomes your friend and you share all these inside jokes that no one else understands (Even if the author wrote them like that).
I often wonder what kind of relationship other readers have with my favourite books, and now also what my book will give people.
What’s your favourite word and why?
I love this question! And I don´t know!
I´m such kind of person that often stops up to repeat a word because it sounds funny or delicious in the way it leave my lips.
I´m a Dane so the word “Hygge” is a word I use at least ten times a day. At least!
English words I like is: Dazzle, giggle or the hilarious Flabbergasted. I feel like I have to do the flabbergasted face to say this word!
Is there a fictional character you’d like to meet? What would you both do?
I´m thinking I would have a lovely day with Lily from Pictures of Lily by Paige Toon. Just walking around in an Australian conservation park, and say hello to kangaroos, wombats and koalas (NO SPIDERS PLEASE) and then have lunch in the shade of a big eucalyptus tree. If I’m lucky I might even get the chance to say hello to Lily´s sexy husband Ben.
Hi Julie. Thank you so much for joining me today. Your new novel is called A Village Affair. Can you tell me about it and what inspired it?
Hi, and thank you so much for having me on your blog today. It’s much appreciated.
As writers, we’re always advised to write about what we know and “AVillage Affair”began its life under the guise of ‘Not in My backyard’ influenced, very much, by a real-life fight in my village where acres of fields and greenbelt land were in danger of having hundreds, if not thousands, of houses built upon them. As the main focus of the plot moved and centred upon the village school, the novel took on the handle “Little Acorns” and many of the school incidents are based on real happenings in the primary schools I have taught in over the years. Eventually Aria came up with the title “A Village Affair”which I love and which, I think, encompasses the different strands of the book.
What’s your writing process like (idea, research etc.) How do you approach editing?
At the start of a new idea/novel I sit at my desk with a brand-new exercise book. I like my novels to be very much character-based and so I come up with characters’ names, write what they look like and actually give them a family tree. This is important as I’m mainly writing about the characters in one town and one village and so I have to make sure they’re not too related to each other, especially if they’re going to end up together!! With “Holly Close Farm”,as nearly half of it is set during WW2, I did a huge amount of research about the WAAFs and Bomber Command. I really enjoyed this bit and it was quite hard work leaving the reading to actually write. I love editing. I must be the only writer who enjoys this bit. I love going back over what I’ve written, tweaking and adding and crossing out. In my early days as a writer I would write one chapter and then edit it to death the next day because I was so proud that I’d actually written another chapter. Now, with deadlines, I tend to just write and edit at the end. Editing means I’ve finished, which is always wonderful.
What’s your typical writing day like? Do you have a place to write? Cup of coffee? Write in silence?
I’m a lark: I’m much better writing at 6am than later in the day. I had the most beautiful writing room at one end of the house but my husband is now working from home and has commandeered it for his office. I’m in a cupboard – not literally, but it feels like it after the lovely office with views down the valley. I actually quite like my cupboard: it’s jampacked with books, piles of papers, computer and, usually, the dog. I write, plan for school if I’m teaching a couple of days and do some private tuition in there. It does tend to get a bit cosy. One day, I’ll have my office back!
I need silence, tons of coffee (morning) and Earl Grey tea (afternoon).
So, basically, if it’s a writing day, I’ll get up early, have a mug of hot water and lemon (my mum always did and I’ve done this for the past 30 years) answer emails, decide whether it’s a swim or a run, shower, have breakfast and read the paper about eleven and then really get stuck in. If I can write 2-3000 words a day I’m more than happy.
What’s the most challenging thing with writing a novel?
The start of any new novel. By the end of a novel I love my characters so much I can’t bear to leave them and start again. I feel very disloyal to my old friends and it takes a while to love the new ones.
How do you pick names for your characters?
Probably with names I wanted to call my own children but for which my husband didn’t share the same enthusiasm. So India, Clementine, Kit, Theadora and Fin were born! My daughter, Georgia, is really cross I didn’t stick to my guns and call her Theadora – shortened to Teddy – that Harriet names one of her twins.
In my “Work in Progress“(Book 7 and desperate for inspiration for an actual title) it’s been easy to come up with names because I have Patrick, the father – a bit of a lothario – who is a Cambridge educated Classics professor and gives all his four daughters names from Greek literature. I’ve ended up with Isolde, Pandora, Juno and Lexia.
What elements make up a good novel?
When I read, I want a thumping good story. I want to know what happens next. I want to want to go to bed read to know what’s going to happen. I do like humour in a novel. It doesn’t have to be overtly laugh out loud. I think Liane Moriarty and Kate Atkinson are both superb writers, not only at weaving good stories but at having the ability to include some quite subtle humour. I aspire to both these wonderful novelists!!by
Amelia Mandeville joins me today. Her debut novel, Every Colour of You is released tomorrow by Sphere. Hi Amelia, thank you so much for joining me today. Your book is called Every Colour of You. Can you tell me a bit about it and what inspired the story?
Hello, thanks so much for having me!
My book follows the journey of Tristan, who is struggling with his mental health, and Zoe, who is the most positive person you’ll meet. It’s all about their friendship as very different people. I think my own personal struggles with mental health made me write this story. I also think it’s important for boys to be able to know that they can cry, they are allowed to not be okay, and talk about it.
What is your writing process like from research and plot development to editing?
It’s different for each book. This one, I spent a little bit of time planning, writing down certain lines I really wanted Zoe or Tristan to say, their characteristics. Then when I had the ending set in stone, I started writing. The editing was thorough, we did a lot of drafts before it got to my final draft, and I felt it just got better and better. My book would not be how it is, without Abby and Manpreet who edited.
Do you have any rituals when writing – a certain place to write, coffee, music, silence?
Music. I always have to listen to music. I think of my most chapters to myself when I’m driving on my own, listening to a song. There’s something about music. It really just gets me in my zone. Specifically sad, emotional, music.
Which author/book has most influenced you?
I think I always found Veronica Roth so successful, writing at such a young age. And obviously JK Rowling. Despite all those rejections, but her true talent eventually was recognized. I tried to remind myself that whenever I got rejections (I got a lot). I’m not saying I will ever be on the level of JK Rowling, but if she gave up, we would never have Harry Potter.
What is the best part of writing and what did you find the most challenging?
The best part is creating characters that you feel so much emotion and love with, its lovely. The hard part is the self-criticism, and comparison. Also when you hitting a writing block. I really do doubt my writing abilities when I’m in that state of mind. But once you’re out it’s back into doing what you love again.
Are you working on a new book? Are you able to tell me a bit about it?
I am! I’m keeping it secret. But I’m 20 thousand words in, and it will focus on duel narratives again. But it’s a very different story, with a very different situation.by
I am pleased to be kicking off the blog tour for You Let Me In and I am pleased to welcome its author Lucy Clarke to Novel Kicks today. Hello Lucy. Can you tell me about your new novel, You Let Me In and what inspired it?
The novel is about a bestselling author, Elle, who rents out her beautiful cliff-top home in Cornwall. When she returns, she immediately senses a shift in the atmosphere: a shard of broken glass embedded in the carpet; her writing room left unlocked; the word LIAR scratched into her desk. As Elle’s unease mounts, she begins to wonder exactly who has been in her home . . . and what they’ve discovered.
The idea for the novel came when I was in my own writing room, daydreaming about travelling. My husband and I had been chatting about the possibility of renting our house to fund a longer trip. From the corner of my eye, I noticed the ancient oak trunk that houses all my diaries, journals, photos, notebooks, and old love-letters. I began to wonder what I’d do with it if the house were rented to strangers. There is no lock on the trunk, and it’s so heavy that it’d be almost impossible to heave it through the hatch to our loft. I realised I’d just have to leave it where it was – sitting in the corner of my writing room. But what if, chimed my writer’s voice, someone went through the trunk? What then? That was my starting point for YOU LET ME IN.
What’s your approach to the writing process like and how has it changed since your first novel?
I always write my first draft by hand – I love the connectivity of ideas to page. I typically write several drafts, layering as I go. I might focus on a particular theme in one draft, or the pace in another, and it’s a way of helping me dive deeper to create more complex characters and plot lines.
YOU LET ME IN is my fifth novel and I suppose one of the key ways my writing process has changed is that I don’t tend to plot out the second half of my novels. I think I have the confidence to know it’s okay to be led by my characters and to allow myself to be surprised.
What’s your typical writing day like? Do you prefer to write in silence? Need coffee etc.
I write Monday-Friday, 7.30am-12.30pm. During those five hours, I turn off the internet and my phone. I can write anywhere – at my desk, in a café, on a train – but my favourite place to write is from our beach hut, which is where I spend most of the summer. In the afternoons, I’m back to being ‘mama’ to my two young children.
What’s your favourite word and why?
I’ve never thought about this . . . but I’m going to say, SHERBERT. Now there’s a word that fizzes on the tongue!by
Hi Riley. Thank you for joining me today. Your new book is called Last Time I Lied and was released in the UK on 10th July by Ebury Publishing. Can you tell me about it?
LAST TIME I LIED is about an artist named Emma who went to a fancy all-girl’s camp when she was 13 and watched her three cabinmates leave in the middle of the night. They never returned.
Fifteen years later, she returns to that same camp as a painting instructor, hoping to learn more about what happened to her friends. Nothing goes according to plan. I think of it as my version of “Picnic at Hanging Rock.”
What’s your writing process like from idea, to planning, to writing and finally editing?
For me, it varies from book to book. FINAL GIRLS, for example, was a bolt of lightning. From writing to revising to finding it a good home, everything about that book was fast. I’m usually much slower. Once I get an idea, I spend a lot of time thinking, taking notes and trying to figure out how to turn it into a book.
LAST TIME I LIED took twice as long to write because I still didn’t quite know what to do with it even after I started written. Like some of the characters in the book, I spent a lot of time lost in the woods, trying to find my way out.
What advice do you have for when you’ve finished your book and want to try and get it published?
The act of trying to get a book published can be so difficult that it’s easy to overlook the obvious—You’ve written a book! It’s such a huge accomplishment that quickly gets overshadowed by the rest of it. So I advise writers to remember to pat themselves on the back.
There’s a lot of negative involved in trying to get a book published. Rejections come fast and furious. At least they did for me. And I wish I had taken the time to be more proud of what I’d already accomplished instead of agonizing over what I had yet to accomplish.
Which fictional character would you like to meet and why?
Mary Poppins. She’d fly in, we’d go on a grand adventure and when it’s over I’ll hopefully have learned an important life lesson or two.
Do you have advice for someone who may be experiencing writer’s block?
I find reading helps. Just pick up a book, open it and start reading. If it’s good, you’ll be inspired to be just as good. But I’ve found it’s more helpful if the book is bad. Because I can tell myself, “If this dreck can get published, then what I’m doing also has a fair shot of making it!”
What are you currently working on?
I can’t say very much. It’s still a work in progress and I’m still trying to figure it out. But it features a very ornate, very famous apartment building in New York City where horrible things happen.by
Hello Louise, thank you so much for joining me on Novel Kicks today. Your debut novel is called Wilde Like Me. Can you tell me a bit about it and what inspired it?
It’s so thrilling to be a published author, I feel truly honoured to be involved in the publishing industry which I can tell you has some of the nicest people in the world in it. I feel really excited to write more and have a few more books under my belt!
Wilde Like Me is a love story with a difference. It’s not your typical fair maiden being rescued by a prince on his stead. The book’s heroine is 29-year-old single Mum called Robin Wilde, and when we first meet her, she’s finding the gig of being a single parent really tough and is struggling to keep on top of things. Throughout the book, we see Robin battle with what she calls, The Emptiness, and discover the real key to what makes her happy. It’s fun and exciting but also has some really poignant moments which I love. I can also tell you there are definitely some real life inspirations in this book. When I began writing Robin’s story, I was a single working Mum myself, trying out the dating game again, and I knew first-hand what a struggle it can be!
What are the challenges with writing a novel especially the first novel? What’s the best part?
I’ve found juggling my time hardest when writing the first novel. I’m a full-time vlogger and a Mummy to 2 little girls so squeezing it all in has been a bit tricky but so worth it when I hear readers tell me what they thought of the characters or what the book has meant to them- that’s by far the best part.
What was the planning process like and how has your writing process evolved since your first book compared to the second?
When I first sat down to write Wilde Like Me I really didn’t know how to put a whole book together. I had all these ideas buzzing around but no real skill in making a story arc or keeping it flowing. My editor Eli taught me how to sew chapters together and how to make sure it kept a good momentum so the second book has been much smoother in that respect- and less phone calls to Eli!
What is your typical writing day like? Do you have any rituals or habits?
I write best first thing in the morning before I’ve looked at anything else or I’ve distracted myself with other work like editing videos or updating social media, so I try to do a couple of hours as soon as I wake up.by
Your book is called The Snow White Effect. Can you tell me about it and what inspired the story?
My sister was diagnosed with leiomyosarcoma in 2013 after having a laparoscopic hysterectomy. We learned shortly after her diagnosis that her cancer had been made worse by the tool used in her procedure. As a writer, I wanted to help tell her story to prevent it from happening to more women. It’s a love story wrapped in a medical drama. Being told through four different vantage points allows the reader to see the story from more than one angle.
What elements do you think make a good novel?
Twists. In every story I write, I try to have at least one twist the reader didn’t see coming.
Can you talk me through your writing process from idea to editing to pitch.
All of my writing starts with one main idea. I have a basic idea of where I would like to see the story go, but I never hold myself to any one path. Instead, I allow for the characters to develop and tell their stories through me. I am blessed to have a supportive family. My mom and sister always read the first version of my manuscript and offer their brutally honest opinions. From there, I make changes and edits. At that point I usually walk away from it for about to weeks. After a couple of weeks, I come back to it and re-read it. If I’m happy with it, I’ll send it to my editor. I’ve been fortunate enough to work with a great editor who challenges my writing and thought process at every level. The editing process with her takes about two months, after which I know my book is ready. The pitching process is my least favorite because I don’t like to talk about myself. But I believe in my writing, which helps me pitch my stories.
What is your typical writing day like? Do you have any rituals like lots of coffee or writing in silence?
Tea and music. I love tea. I am a big tea drinker. So when I start writing, I always have a steaming fresh cup next to my computer. I’d like to say I have a writing ritual, but with young children I write when I can. Most of my writing is done at night when everyone is asleep. I tend to become an insomniac when I am in the middle of a story. Music is also important for me because it helps me feel the mood I am writing. By the time my manuscript is complete, I have a playlist to go along with it.
What is your favourite word and why?
Hope. Life is full of lows and high. Hope bridges the gap between the two. It gets us through the lows so we can attain the highs.by
Hi Catherine, it’s lovely to welcome you and the blog tour for your new book Love Among The Treetops to Novel Kicks today. What is your typical day as a writer?
I work best in the early mornings, so I like to reach for my laptop (and lots of tea) almost as soon as I wake up. On a good day, I’ll write five hundred words before breakfast, and to make it easier to face that blank page every day, I like to make rough notes on the next part of my story the night before. I usually write between 500 – 1500 words a day and I aim to finish by ‘lunch-time’, which can be anything from midday to mid-afternoon! By then, I find all the emotion of living the story with my characters has taken a bit of a toll on my energy levels. (I’m always amazed by how exhausting it can be, writing on emotional subjects – particularly when your main character has hit rock bottom. You feel all the see-saw emotions she’s going through and it’s almost as if you’ve been through it yourself.)
What inspired Love Among the Treetops?
I live near a place called Alnwick Garden in Northumberland. It’s incredibly magical and they have a beautiful restaurant in a fairytale tree house. I wanted an unusual setting for my café in this book, and I suddenly thought what a romantic setting a tree house would be!
How do you pick your names in a novel?
For my heroine, I like to choose a name that really appeals to me – and if it can be that little bit different (therefore memorable), then so much the better. Sometimes the name just slots into my head when I’m dreaming up the character. It just seems to fit. And that’s what happened when I was imagining my main character in Love Among the Treetops. The name ‘Twilight’ came to me and it was perfect!
Is plot or character more important?
With me, what tends to happen is I have a basic idea at the start of what’s going to happen in my book and a rough idea of my main character’s personality. So at that point they’re equally important. But then I think character takes over and to some extent dictates the way the story progresses. Once I’m immersed in seeing things through the eyes of my heroine, surprising plot twists seem to happen. That’s why I never start out with a plot that’s set in stone because it always changes – I have to obey my main character!by
Welcome to Jean McNeil and the blog tour for her novel, Fire on the Mountain which was released on 15th February by Legend Press.
Hello Jean. Thank you so much for joining me on Novel Kicks today. Your latest book is called Fire on the Mountain. Can you tell me a bit about it and what inspired the story?
Hi Laura, thanks very much for your interest in the novel and for your questions.
Fire on the Mountain is a contained and intense story about masculinity and desire. It focuses on three men: Pieter Lisson, a celebrated writer in an unnamed post-colonial country who has never quite found the fame and acceptance he might have experienced had he been a more ‘serious’, political writer; his son, Riaan, who lives in the desertified north of the country, and Nick, a British (although he has grown up all over the world) NGO worker, who comes to stay with Pieter and his wife for a few days and ends up staying for four months. He and Riaan develop a wary friendship, then a much closer mutuality, and finally their relationship is transformed into something neither of them every would have expected.
The inspiration for the story is the landscapes of southern Africa, in particular Cape Town, where I lived on and off for years, and Namaqualand, the Kalahari and the Namib deserts. Another inspiration was the years I spent gaining professional safari guide qualifications. This wasn’t a completely masculine environment, but the sort of masculine consciousness I encountered in men in southern Africa fascinated me. Strength and an awareness of vulnerability are both needed to survive in the bush. You have to be intuitive and attuned to other creatures. It’s a way of life that creates a different kind of man than I had encountered elsewhere. I wanted to try to capture that in the novel.
If you could drop into the life of any fictional character which one would it be and why?
My characters are me and I am them, so I do live their lives. Like Pieter I am a writer, and like Riaan I know the African bush. Like Nick I’ve worked in NGOs and international development. I consider that I live all their lives, simultaneously.
What’s your writing process like – from planning to edit.
I write quite quickly, meaning I can write a novel within a couple of months if I really put my mind to it, as well as working. But then I tend to rewrite very extensively, doing at least 12 drafts, adding and subtracting and crucially getting the structure right. Because I’m a fast and intuitive writer I rely on sane, intelligent people called editors to help smooth out contradictions and fill gaps. I wish I could be more methodical, punctilious, perfectionist, but I’m just not. Thank god for good editors…
Do you have an writing rituals or routines?
No, I can write anywhere and at any time. I do like to be able to see the sky as I’m writing. My flat in London has a good view so I can stare at seagulls and the Shard.
What’s your favourite word and why?
Aha, tough one. There are so many choices… Orphic, probably, as in musical, but also a tinge of the quality of underworld, or submerged – from Orpheus. Closely followed by heliotrope.by
Only Child is the debut novel from Rhiannon Navin (released by Mantle on 8th February,) and I am so pleased to welcome her blog tour to Novel Kicks today. Rhiannon, your novel sounds like such a powerful read. Can you tell me about Only Child and what inspired it?
ONLY CHILD is the story of six-year old Zach, told from his perspective, who lives through the terrifying trauma of a shooting at his school. During his rampage, the gunman takes nineteen lives and Zach’s formerly tight-knit community is left shattered. While the adults in Zach’s life, especially his parents, deal with their grief in all-consuming ways, Zach is mostly left to his own devices to confront the after effects of the trauma he’s had to endure and his feelings of grief and fear. I found the inspiration for ONLY CHILD in a personal experience that occurred in my life a couple of years ago, when my twins were five years old. They had just started Kindergarten when they had to participate in their first “lockdown drill” at school. Lockdown drills are a common practice here in the U.S. where, unfortunately, mass shootings happen on an almost daily basis. Children as young as five years old, or even younger, have to practice how to take cover in the event that a shooter might come to their school and try to kill them. On the day of my twins’ first drill I found my little Garrett hiding underneath our dining room table. He said he was “hiding from the bad guy,” and he was petrified. That really hit me incredibly hard and led me to want to explore what living through an actual horrifying event like a school shooting and its aftermath would look and feel like through the eyes of a child.
Can you describe your writing process from idea, planning, writing and editing.
ONLY CHILD was my first writing experience, so I really made up my writing “process” as I went along. The idea for the story came to me in a flash and I scribbled down the first few scenes rather furiously in one of my children’s school notebooks. A few chapters in I realized that I should probably take a step back and plan out my story a little; get to know my characters and picture where they might be headed. I read a few books on writing (Stephen King, Anne Lamott!) and a few more technical books on outlining a novel and I went to work creating a loose game plan for the book. I found that, at times, the game plan helped me navigate my way through the story and other times, the story itself took me down a totally unexpected path. I was incredibly fortunate to find a fantastic writing coach who helped guide me throughout the entire journey of writing my first, second, third…I don’t quite remember how many drafts exactly. I wrote ONLY CHILD in about a year, give or take, and when my writing coach and I thought I was in a good place with it, she also helped guide me through the querying process.
Do you have any writing rituals – coffee? Writing in silence?
No real rituals, but I try to set myself up in a situation that (theoretically) eliminates any excuses to get up for at least a couple of hours. That begins with having walked the dog, checked and responded to all urgent emails, having gone to the bathroom, and prepared a cup of tea (to be sipped slowly in order to not repeat the previous step too soon.) It also includes placing my phone clearly out of my reach—that’s one of the toughies. It’s incredible, the kind of pull your phone has on you, especially on the days when your mind wanders and you’re looking for an excuse to do anything BUT write. I need to know that I have a long, interruption-free window ahead of me; otherwise I can’t relax enough to dive in.
What are the most challenging things about being a writer?
When I first started writing ONLY CHILD, I wrote without any expectations. I didn’t expect anyone to necessarily even read it, let alone to find an agent, or a publisher. It was a wonderful first writing experience for me because I had found this story that grabbed me and pulled me in, and I only focused on that. If anything was challenging for me at the time, it was allowing myself to take the time to write the story, and to justify putting writing ahead of other things in my life—the laundry, the dirty dishes in the sink. Now, the most challenging thing about being a writer is the question: “How is book number two coming?”
Which authors do you admire and why?
Wow—there are so many authors I admire. I don’t even know where to begin. Anne Lamott pops into my head immediately. I just love how authentic she is and unapologetic about how messy and unglamorous and hard writing is. And she is absolutely hilarious. I love any writer who can make me laugh out loud. Amor Towles falls into that same category. I’m currently reading “A Gentleman in Moscow” (yes, I know I’m very late to the party) and this story makes me laugh all the time. His writing is absolutely beautiful, every word is placed just so. I admire J.K. Rowling so very much. Her personal story of overcoming adversity is very inspiring and I’m in awe of how she’s managed to turn a whole generation—and many more generations to come—of children into lovers of books. And adults, too! I’ve seen it happen first-hand with my older son. He read the whole series when he was quite young, in first grade, and he’s been hooked on books ever since. J.K. Rowling literally helped my son discover his love for reading.
What’s your favourite word and why?
If I really have to choose one (!) favourite word, it will have to be “Wanderlust.” Which is a German word that doesn’t really have an English equivalent or literal translation. It means “a strong desire to travel;” and I do love to travel more than anything. But beyond just the literal sense of feeling the urge to travel, I like to use the word “Wanderlust” to describe the desire, or the bravery, to step outside of your comfort zone, to explore and try out new things, to expand your horizon. So, I hope to always have “Wanderlust,” in all aspects of my life. My second favourite word is champagne.
Are you working on anything at the moment? Are you able to tell me a little about it?
Yes, I am and I’m beginning to feel it pulling me in the way ONLY CHILD did at the beginning. But I’m going to wait a while longer to talk about it if that’s OK.by
Daniela Tully’s debut novel, Hotel on Shadow Lake was released by Legend Press on 1st February. It’s lovely to welcome you and the blog tour to Novel Kicks today, Daniela. What’s your book about and what inspired the story?
Thank you for having me! Let me start with what inspired the story: my grandmother had a twin brother, a German fighter plane pilot, who died during WWII. As he felt his death nearing, he wrote a farewell letter to my grandmother and their mother, at the end of 1944. That letter, however, was held up in the East, when the Berlin Wall was erected, and only reached my grandmother in 1990, after the Wall had come down. The letter in my novel contains much more than a “simple” good bye (the reader doesn’t learn the content until the end). In my novel, the recipient disappears without a trace after receiving the letter. Twenty-seven years later, a landslide in upstate New York uncovers her remains. Her granddaughter back in Germany thought she had come to terms with the disappearance of her grandmother, who was her surrogate mother, her best friend, and a storyteller of spellbinding, mystical fairy tales. But when her grandmother’s body is found in a country her grandmother had no connections with, the granddaughter begins to question everything. Who was this woman? What made her leave Germany? What were her ties to the captivating yet chilling Montgomery Hotel, located near the site of her death? As Maya seeks answers in the States, she finds herself sidetracked by her own assumed identity—and how much it enchants the charming heir of the Montgomery dynasty. She soon discovers that the best way to the truth about her grandmother might be through surrendering herself to the majestic Montgomery Hotel, the strange family that owns it, and the spirits that live on in the dark surrounding wilderness…
In the plot strand set in the past, the reader travels with Maya’s grandmother, Martha Wiesberg (Martha was also my grandmother’s Christian name) to a Germany on the cusp of World War II. And later in the novel we return there again, but for reasons that I cannot disclose here, as they are not only connected to the twist in my story, but also deliver some of the reasons why Martha Wiesberg disappeared in 1990 – and why she had to die. It also sheds light on a historical aspect of the Second World War that hasn’t received too much attention yet, but one I find a fascinating angle.
What’s your typical writing day like? Do you have any writing rituals?
I often made attempts to write from home, but they have never been as fruitful as those times when I leave the house to write. I write best on the move (road trips, planes, trains) and second best in a public setting like a coffee shop.
What planning did you do prior to beginning the novel? Do you have any planning tips to share?
I don’t know the entire plot before I start writing. With Hotel on Shadow Lake, I knew the first scene and the final one, but not every plot point in between. And my writing process got hung up on that at first. My husband, who is a screenwriter himself, suggested to me to just start writing those scenes I already had in my head, a wise piece of advice, because from then on the flow became natural; the characters, as clichéd as this might sound, did start talking to me at some point, telling me what to do.
Did you prefer to have a complete first draft before editing and how do you think is the best way to approach the editing process?
Yes, I do prefer to have a complete draft before digging into changes. As this is my debut novel, I was probably more protective of my words than other more seasoned writers, so at first I was always on the defensive, instead of embracing those changes that improved the pacing.by
Hi Thomas, thank you for joining me today. Your book is called Pimp in the Pulpit. Can you tell me a little about it and what inspired the story?
First please accept my gratitude for granting me the honour and privilege to be doing this interview with you. Secondly Pimp in the Pulpit is a book based on a dysfunctional family that has very limited spiritual and moral foundation. This book has some person experiences of my life along with other people I know and even quite a bit of fiction to give the story a little more flair.
What’s your typical writing day like? Do you have any writing rituals?
I don’t have any rituals. I just write whenever I’m feeling in the mood or inspiration instantly hits me. I write about life, family and friends some personal experiences of my own and even scenarios that may have happened in the past that I wish I had handled differently.
Can you tell me a little about your route to publication.
I’ve been trying for some time to get published with no success in the traditional sense. So I decided to go the self-publishing route and it was challenging at times and it even took me a while to get my confidence all the way up. But with this book I feel great and determine to officially make a name for myself in the publishing industry and hopefully all around the world.
Which authors do you admire and why?
I admire Nikki Giovanni, Langston Hughes, Maya Angela and W E B Dubois. Because they are some of the unforgotten heroes in today’s and modern literature. People like them help paved the way for individuals such as myself and that is why I will always honour our unforgettable heroes.by
I am pleased to be welcoming Liv Constantine (the writing duo of Lynne and Valerie) to Novel Kicks and the blog tour for their latest novel, The Last Mrs Parrish.
What’s your typical writing day like and as a duo, how do you approach the writing process?
We are in touch everyday via email and FaceTime. We both write in the mornings and email that day’s work to each other. Late afternoon, we jump on FaceTime and give each other feedback on the pages we’ve each read. During these talks, we’ll also bring up any issues either of us is having with character or plot, and brainstorm solutions. Then we assign scenes for the next day. This goes on every day, usually even Saturdays, and occasional Sundays depending on our deadline.
What are the advantages of writing together and also, what are the challenges?
The advantages are numerous. Firstly, we get along great and enjoy each other’s company so we have a wonderful time coming up with the story, the characters, and twists and turns along the way. Our sessions are infused with a great deal of laughter and fun. When we get stuck writing a scene, a simple MORE HERE in the middle of a paragraph and an email to the other results in it coming back all filled in! It’s also great to be able to bounce ideas off your co-writer and to get input when you’re at a loss for where to go next. The biggest challenge is making sure our scenes mesh, both contextually and emotionally. A lesser challenge for us (fortunately) is the need to be open to hearing criticism and the other’s point of view.
The Last Mrs Parrish is your debut thriller. Can you tell me a little about it?
It’s a story of two women: one who has “everything”, the other who has “nothing”. The story was born of a conversation we were having concerning the phenomenon of the “trophy wife”. We began to imagine how this trope might be turned on its head, and the more we talked, the more intriguing the idea sounded. It was then that we decided to write the story of a woman who befriends a wealthy woman with the intent of stealing her life and giving it a big twist.
How do you approach the editing process? What are the challenges of this with the physical distance between you?
There’s no question that editing is the most time consuming and tedious process for us. This is often a four or five-hour exercise as we facetime, both of us with the document open on our computers, and go through the manuscript line by line. More than once!
What elements do you think make up a good thriller?
Suspense is critical– keeping the reader wanting answers to questions and turning those pages; but it’s vital that you play fair with the reader. Authenticity in character and action is a must. Nothing pulls the reader out of a story more quickly than a cheap plot device that doesn’t ring true, or when a character does something totally contrary to her nature. Pacing is also a key element in a good thriller.
What do you think is the most important – Plot or Character?
This is such a tough question and one that is debated over and over. The two are so intertwined that it’s almost impossible to choose, for without a good plot you have no story and without believable characters the story doesn’t matter. We begin with an overall plot, however, we let the characters drive the story. We’re always asking the question “Would she do this, say this, believe this.” And if the answer is no, then the plot has to change. If you think about the stories that move us, it’s usually the character that’s most memorable. Elizabeth Bennet, Scarlett O’Hara, Katniss Everdeen, Eliza Doolittle, Michael Corleone, Hannibal Lecter, Atticus Finch, James Bond, and Jay Gatsby are all examples of characters that live on. Does that mean that character is more important than plot? We go back and forth on this one.by