Beyond the Yew Tree was inspired in part by a spell of jury service. It wasn’t the trial itself but location: an old courthouse with a semi-circular courtroom which has scaffolding propping up one wall, wooden panelling and a painted ceiling. If anywhere needed haunting, this place did. The next challenge was the nature of the spirit, who and how does it attract the attention of a juror who is focused on the trial? From there, the idea spiralled out and I picked Lincoln Castle for the location as it has everything I needed for the story: prison, graveyard and an old courthouse.
What drew you to this particular genre and what are the challenges when writing?
I seem to write cross-genre – mystery, magical realism and women’s fiction. Appealing to all those readers in one book is the biggest challenge. Some like the magical supernatural aspects, others don’t, which is fine. I also inject a little romance into the story as ultimately the themes are about people and love is the best theme of all.
Do you think character or plot is more important?
It’s the chicken and egg scenario. An interesting character will create a good plot, and likewise the other way around. Which comes first? My first book it was the plot, the second the characters. This time, it’s a bit of both.
What’s your favourite word and why?
I don’t think I have one! Most writers spend a lot of time avoiding repetitions, weak words, poor adverbs etc. It leaves you focused on the negative when you’re editing, especially when your editor points out you’ve used the same word multiple times on the same page. Then that word shouts at you to be changed. If I had to pick a favourite, it would be ‘love’. Writers tend to use the word sparingly so that it has the biggest impact when put to use.
What’s your writing process like – from idea, to first draft, to final edit? How long does the process take overall?
My first book took four years from draft to published. Most of that was spent editing then putting it to one side for a duration. The process becomes cyclic and hard to break. At some point, you have to be brave and finish the book. Beyond the Yew Tree was two years in the making. I can write quite quickly, but I edit slowly as I find it harder to stick at it. I don’t think I’m alone with finding editing challenging.
How has the process changed since you first started writing?by
Novel Kicks is a blog for story tellers and book lovers.