London, 1905. A show. A stuttering romance. Two squabbling actresses.
Is it Shakespeare? Is it Vaudeville?
Not quite. It is Mrs Morphett’s Macaroons, a satirical play about suffragettes which its creators – friends and would-be lovers Robbie Robinson and Violet Graham – are preparing to mount in London’s West End.
It is the play rival actresses Merry and Gaye would kill to be in, if only they hadn’t insulted the producer all those years ago.
For Robbie and Violet however the road to West End glory is not smooth. There are backers to be appeased, actors to be tamed and a theatre to be found; and in the midst of it all a budding romance that risks being undermined by professional differences.
Never mix business with pleasure?
Maybe, maybe not.
Patsy has shared an extract with us today so enjoy!
*****beginning of extract*****
Extract from Chapter 24 of ‘Mrs Morphett’s Macaroons’- Mrs Santenoy goes to gaol.
It is 1905. Mrs Santenoy is an elderly suffragist in the early days of the suffrage movement, before Mrs Pankhurst appeared on the scene and when the demand for votes for women were largely peaceful. The protest Mrs Santenoy took part in was perfectly orderly until the police moved in on horseback to disperse it, and a handful of the lady protesters were rounded up and sent to prison for two weeks.
When Mrs Santenoy arrived at Holloway Prison she was in a state of high excitement. For a woman from what society termed ‘a privileged background’, married for nearly forty years, the experience of going to prison was without question the most extraordinary event in the sixty-eight years of her life. Even as she was lined up against a wall with her fellow protestors and given a rudimentary medical examination, Mrs Santenoy still felt the strangest thrill of adventure. She saw herself as an actress in a play, going through the rudiments of being sent to prison without any idea of what lay ahead of her.
On instruction from the prison wardress she was made to undress – ‘Completely?’ – ‘Completely’ – and given some old, stained underclothing, brown woollen stockings and a green serge dress that really was stamped all over with broad arrows. She hunted for but did not find a matching pair of shoes to wear from a huge basket, after which, laden with sheets, a towel, a mug of water and a thick slice of rough bread she was shown to her cell. Even then it all felt quite unreal and startlingly melodramatic. She sank exhausted onto the hard wooden bed and closed her eyes and, surprisingly, slept.
The following day, having requested some reading matter she was given the Bible and an atlas of the world. She embarked on the first with interest and glanced through the second. During the obligatory hour’s exercise in the prison yard she kept her head held high and, as instructed, avoided contact with her fellow prisoners. She managed to keep this up for two whole days without too much pain.
It was around the third day that the excitement faded. It was not until then that she became fully aware of a kind of sour, stale odour seeping through the walls from centuries of poor ventilation and prevailing damp. Her cell was both stuffy and cold. She sensed the presence of something that moved and scuffled. She dare not leave what food she was given on the floor lest her fear of mice and rats became real.
In the exercise yard she observed her fellow detainees with dulled curiosity. Apart from the suffragettes, whom she recognised only vaguely by sight, the women kept their eyes on the ground, and she was struck by the thought that many if not most of them had possibly spent more of their lives in prison than out; that a good half of them were no more than girls, and that there was a kind of resigned doggedness to the way they walked, shoulders slumped, feet dragging, as if tramping mindlessly in a circle was all they knew how to do or would ever do in the future. There were very few outbreaks, or protests; they didn’t seem to have the energy.by
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