NK Chats To….
Our Author Interviews and Guest Posts.
Our Author Interviews and Guest Posts.
I started off writing for Harlequin years ago. Then I moved on to YA Urban Fantasy/Paranormal books. I love writing YA, but it was nice to write about adults for a change. The Business Engagement is Contemporary Romance, a story of two lawyers that can’t stand each other. When the story begins, they are both experiencing huge problems at work. Skylar decides a fake engagement would solve everything. I have always loved Marriage of Convenience stories. That’s what inspired me to do this book.
What’s your typical writing day like?
Well, sometimes I get up before dawn to start writing. But when I get up late, I catch up on emails first. I do some marketing and whatever else that needs doing. I usually don’t really start to write until evening, and then I am usually up until midnight working on a book.
What are the challenges you found when writing your novel?
It’s always difficult to get to know the characters well enough that you know how they’ll react in any given situation. There are just so many moving parts when it comes to writing and endless challenges.
Which fictional character would you like to meet and why?
From this book, it would be Grandma Dot. She’s a pistol. From any of my books, it would be Nick Gallos/Tyler Beck from Bait: Van Helsing Academy because he is a gorgeous rock star with a bigger than life persona. He tours the world killing vampires.
From idea to finished book, what’s your writing process like?
After I get the idea, I make a list of possible scenes. I have to check to make sure all the romance elements are there. Then I dive in. When the book is finished, I put it aside for a while and work on something else. After I’ve forgotten how the story goes, I read it as a reader would, but I pay special attention to what’s wrong. I rewrite. Then I send it out to my wonderful beta readers. They let me know all the problems they spy out, and I rewrite again. Eventually, it gets looked at by an editor. The book goes through several rounds of revisions and editing before it’s ready to go.
Which authors do you admire?
S.E. Hinton got me started writing back when I was in the 7th grade. Her books inspired me. I also love to read Cassandra Clare, JK Rowling, Stephen King, Sarah Rees Brennan, and Nora Roberts.
What’s your favourite word and why?by
Hi Laura. Many thanks for inviting me onto Novel Kicks to discuss my first novel. It’s lovely to be here.
Can you tell me about your novel, Blooming Murder and what inspired it?
Blooming Murder is set in the fictitious market town of Mortiforde, somewhere on the Welsh Borders, and tells the story of two towns fighting it out in the annual Borders in Blossom competition, to become the Borders Most Blossoming Market Town. For the fifteenth successive year, Mortiforde is up against their arch rivals Portley Ridge in this flower competition final.
My main character, Lord Mortiforde, (Aldermaston to friends and family), who is still finding his feet as the new 8th Marquess of Mortiforde, is tasked with helping Mortiforde win this year. Unfortunately for Aldermaston, Portley Ridge is determined to secure their fifteenth successive win, and have a few deadly tricks up their sleeve.
The inspiration came from an old news item I discovered on the BBC News website once, although I won’t say too much, because it might spoil the plot!
But I’m also inspired by my home county of Shropshire. When I moved here from the outskirts of London over 20 years ago, I was struck by the strong sense of community here. There’s a determination in the people who live here. When something needs doing, the community gets up and does it!
What’s your typical writing day like?
It doesn’t always happen, but I try to spend most of my mornings working on my bigger writing projects, such as the Marquess of Mortiforde Mystery series. Then, before lunch, I’ll go for a walk. Being hunched up over a keyboard all day isn’t good, and I’m fortunate to live amongst the beautiful scenery of the Welsh Borders.
My walking time is often some of my best creative time because walking is great for thinking. Charles Dickens sometimes walked twenty miles a day when he was writing. (I’m not sure how he found the time to write – I’d be too exhausted to write after walking that far!)
In the afternoons, I work on commissioned article features for magazines like The People’s Friend, BBC Countryfile, and Writing Magazine.
I’m a discovery writer, rather than a detailed planner, so although I have a rough idea of how things will develop, it’s not until I sit down and start writing that I discover where the characters are going to take me. They don’t always take me where I expect them to, so there were times when I found myself getting stuck. And while walking is great for creatively resolving problems, I don’t always resolve my current dilemma on the first walk!
What songs would make up a playlist for your book?by
You have an imagination, so use it! My second novel, The Darlings, is written mainly from the point of view of a thirty-something male comedian. I’m not in my thirties, I’m not a man, and I’d be stretching it to claim to be a comedian, but I did my research. One of our jobs as writers is to head down research rabbit holes to find out why people have affairs, sail around the world, change their religion, leave their partners, change careers, kill people. If you find yourself losing track of time as you research your subject area, it’s a good sign you’ll enjoy writing about the subject. If I’d have stuck to writing solely what I know about, I’d have submitted 70,000 words on the merits of a good cup of tea.
I once spent a whole academic year silencing my voice. After a buoyant start to an MSc in Creative Writing, once I was ‘put in my place’ by a particular tutor a couple of times, I sat in classes cowed and uncharacteristically silent. Even though I won a prestigious writing award during the same year, I didn’t trust myself to write another good sentence. I started to believe the ridiculous idea that commercial fiction, which is what I write, wasn’t good enough. If you find yourself thinking along these lines: STOP! You don’t need to be a ‘heavyweight’. You don’t need to produce a classic. I look at material I wrote during that wretched year, and it feels utterly forced and lifeless. That’s because I was trying to be someone else. I was trying to be a ‘serious’ writer. It didn’t work. You don’t need to write what you know, but you DO need to allow your own writing voice to emerge.by
I was inspired to write my dystopian novella High Wired On by a state of extreme despair and negativity. I was inspired to try romance by some powerful efforts on the part of a friend of mine.
What’s your typical writing day like?
For many years I did not have a typical writing day. There were brief snatches of evening time, after a multiplicity of daytime work. That changed with the onset of Covid: with this I generally get up at 6 am and have a solid stretch until about 9.30 am. There are parallel slots in the afternoon and evening.
How long does it typically take you to write a book?
Anything from weeks to years.
What are the challenges you found when writing?
To convey suspense and tension while trying to maintain stylistic accuracy.
Which fictional character would you like to meet and why?
I’d like to meet Selene, the Greek Moon Goddess – the supreme Dream Girl.
What elements make up a good story?by
Thank you for having us. We are fans.
Can you tell me a bit about your book, Wrong Guy, Right Room and what inspired the story?
Twenty years ago, we started a book club and fell in love with the romance novels our group read. Inspired, and wanting to work together, we immediately started dreaming up characters.
Unlike traditional rom-coms on the market, we wanted side characters that had agency and strong voices. Together, we imagined scenarios involving two lost loves forced together in impossible situations. We all have a “WHAT IF” person from our past and it was fun to fantasize about a reunion.
Once we started writing this book, the characters presented themselves. Wrong Guy, Right Room is a stand-alone contemporary romantic comedy about second chances and reconnecting with your soulmate.
What’s your typical writing day like and do you have any pre writing rituals like needing coffee and silence?
First, we begin with an ancient chant, and then do an incense ritual to clear our space. Totally JOKING! Between juggling kids, husbands, and part-time jobs, the writing time happens when it can. Luckily, we have one another on speed dial and chat often about crazy ideas. There is rarely a hello, just diving into work the moment we answer the phone. Since we write together, we share docs and emails constantly. While there is no specific ritual, there might be a little mind reading.
What are the challenges of co-writing a novel and what’s the most valuable thing you’ve learnt about the process since starting?
Honestly, the biggest challenge is the writing software. Our first novel was eaten by Google Docs. Trust us, it was an AMAZING book. Otherwise, we both feel super lucky to have a balanced and creative partnership. We have different skills sets and they match up perfectly.
What songs would be on a playlist for this novel?by
Hello, Laura, and thank you for inviting me to be on your blog.
Cornwall has always inspired me. As a teenager, I holidayed on the North Cornish coast in a thatched cottage with impressive, uninterrupted views over a wooded valley down to the cliffs and the sea beyond. It made a huge impression and it’s this cottage that features in my fourth novel with Aria.
I like to write books that have a message; hopefully, readers will think Beneath Cornish Skies delivers. It’s not simply a contemporary romance, but also a story about a young woman’s journey in finding herself, with a little help from friends, nature, ancient magic and spirits in the landscape.
What’s your typical writing day like?
I like to be at my desk by 9am, working through to lunch when I meet up with my husband (who also has a home office). In the afternoon I catch up on any writerly loose ends, social media posts, etc., or if I have a WIP I concentrate on that. Our kitten-cat regularly visits and, having been turfed off the keyboard on numerous occasions, she settles on the printer and watches out for any pieces of paper to attack!
How do you approach the process from first draft to final edit and how has this changed since writing your first novel?
I’d like to be a plotter, but as my characters develop I’m often put in the pantser camp! I think I may be a plantser – a little of both.
Hopefully, the first draft is an unhindered stream of imagination. I’ve worked as a proof-reader, copy-editor and writer, so, at the final edit I put on my objective ‘editorial’ hat and heavily prune, removing any superfluous words and anything that hinders the story’s momentum.
Since writing my first novel there have been no major changes to the process, apart from having a keener idea about deadlines and pacing myself. I don’t panic so much and approach each ‘challenge’ a word at a time.
Many people believe writing a novel is easy. You put pen to paper, or fingers to keyboard, and a publisher will soon snap you up and success will follow… but that couldn’t be further from the truth! To write, you have to master self-discipline, even when the words refuse to flow. It’s a hard way to make a living, but if you’re drawn to writing you cannot deny it. At the start of my writing journey, a more experienced author gave me this advice: ‘Have patience. Each novel is your apprenticeship.’
Do you feel character or plot is more important? Why?by
I had an idea for a character who, despite trying to do the best for everyone he encounters, feels his life to be one of disappointment and failure. Eventually, we discover that his decisions and actions have had a profound, beneficial effect on the lives of others. You could say it’s a modern-day interpretation of the film ‘It’s A Wonderful Life’.
I am also intrigued by quests and the twilight world of things that may or may not be. I am a great admirer of David Lynch and his ability to suggest that things are not as they seem was influential.
As for the story, it’s set in a secretive, hidden corner of Middle England, combining folklore, legends and ancient beliefs with the contemporary issue of what it means to be human in an increasingly technological world.
Thirty years ago, Oliver Merryweather is intrigued by a woman who waves to him from the window of a house in a village he discovers by accident.
In the present day, Oliver believes his life to be a series of failures and regrets. When the same woman appears to him in a dream, Oliver embarks on an obsessive quest to find her. With the village inexplicably absent from all maps, all he has to go on is the unusual mark on her wrist.
Journeying back into his past, Oliver finds himself inextricably drawn into a decades-old mystery involving missing children, pagan beliefs and the Green Man of folklore, while coming face to face with the disappointments and tragedies of his own life. As the story draws towards its unexpected and uplifting conclusion, the line between reality, dreams and memory begins to blur and Oliver gains an insight into the true purpose of his existence.
What were the challenges you faced whilst writing Another Life?
The bringing together of disparate ideas presented several difficulties. The biggest challenge was how to link my protagonist’s ordinary family life to the idea of the myths and legends associated with the Green Man.
The border between dreams and reality is a key theme in Another Life. This needed care, to avoid confusing the reader. There is the suggestion that something on the edge of the supernatural may be involved. It was essential to keep this as no more than a possibility in the mind of the reader. I’m not interested in writing pure fantasy – there has to be a grounding in reality, the possibility that the weirdest of events has a rational explanation. This was also important in creating a hidden community in Middle England, where the normal rules do not apply. I addressed this using a combination of geography and historical fact.
Finally, there was the challenge of the resolution: how to explain the mysteries and strange events encountered by the protagonist. Two-thirds of the way through the book the reader encounters a major change that makes sense of what comes before.
In summary, Another Life combines elements of family life, myths and legends, a quest and cutting-edge science. These elements are introduced in a natural, uncomplicated way, avoiding technical explanations, so as not to alienate the reader.
What’s your typical writing day like? Do you need things like coffee? Do you prefer to write in silence?
I’m an early morning person, whether it be writing and related activities, walking, running, photography. Writing comes first; it’s a passion that can never fully be satisfied.
A typical pattern is revision of the previous day’s work, followed by new words, including necessary research and then more research, finishing with a review of the current day’s progress.
I have to work in silence, other than birdsong. Music is too distracting. Any breaks have to be at a time of my choosing, usually ten minutes out of every hour. The exception is when I’m engaged in a long passage that’s going well. You have to take advantage of those occasions.
What’s your favourite word and why?
Apricot. I like the falling rhythm of the three syllables with a pause between the first and second. It’s like a musical phrase, sensuous, as is the shape and texture of the fruit.
How do you approach a writing project from idea to final draft and how long does it typically take you to get from the beginning of the process to the end?
A new book begins with a lot of thinking. A primordial soup of apparently unrelated ideas seeking to connect with the ideal partner. I write a few experimental passages, in isolation, to test whether they work, or at least have promise. Even at this early stage, I’m keen to ensure I can write engaging prose and believe in the idea. Much research follows until I’m happy that there is a story, a voyage embracing change. It is good to have an early idea for one or more endings. Much more important to let the characters lead you on a journey.
A new book takes me between nine and twelve months, including long periods of revision, particularly in the latter stages.
Which fictional world would you like to escape to for a while and why?by
Hi Laura, thank you for inviting me to Novel Kicks and giving me this opportunity to talk about my book.
Love & Pollination is about an extremely naïve young woman called Perdita whose Catholic education and convent upbringing did not prepare her for having an intimate relationship. Being so innocent, she makes mistakes – and she ends up pregnant. Then she loses her job – and her home. But she’s optimistic and makes the best of things despite the intrusion of Saul Hadley into her life. She thinks that she can get the better of him – and readers will have to see if she succeeds!
The story was inspired by the fact that faith schools in the UK are not required to have Sex and Relationship Education (the government has now changed it to Relationship and Sex Education as they probably realised the revised word order was more appropriate for young people). So students in religious schools can end up being pretty ignorant about the birds and the bees – and how to spot a no-good womaniser.
I thought it would be fun to have a character who was brought up by nuns in an orphanage attached to a convent – and who had a Catholic convent education – to explain her innocence. And the plot set-up relies on her naïveté as do many of the jokes. That aside, she is still a unique character as you will see if you read the book – she has an interesting approach to problem-solving.
How long did it take you to write Love and Pollination and what’s your process like from idea to final draft?
I began the idea of the book about thirty years ago – I tried for Mills & Boon and had no luck. I worked on other things and, on and off, came back to this novel. But it wasn’t until about eight years ago that I decided to completely re-write it and change the tone of my writing. Then something seemed to click – and I started to make people laugh at the writers’ group I’d recently joined. I decided the plot worked far better as a comedy.
I bought some books on writing comedy, and I watch a lot of comedy on TV. But I didn’t labour on the book continuously over the eight years – I had other comedy romance ideas and began work on those. It took a great deal of slog to get Love & Pollination to the stage where it was finally published and I’m incredibly grateful to DuBois Publishing for giving me the opportunity to present my book to the world. I am hoping that I will be quicker getting my next book out. I just have to find a publisher…
You were a member of the Romantic Novelists’ New Writers’ Scheme. How did that help you write your novel? Is this something you’d recommend to new writers?
I belong to a writers’ group – we read out a piece of our work for ten minutes and get feedback for another ten minutes or so. This is very valuable but people giving feedback in a writers’ group can only see snippets of the novel at a time. The great thing about the New Writers’ Scheme is that the entire novel gets read by one person and they give a comprehensive critique. This gives feedback on plot and character development and can identify problems that a writers’ group can’t.
I recommend the NWS unreservedly. I think it’s fantastic. The membership fee is small compared to what it would cost to have someone from, for example, a critique company read the book – it makes getting personalised help much more affordable.
What’s your typical writing day like?
I don’t have a typical day – my writing is erratic. Sometimes I go through a fertile period and make a great deal of progress and then I can go for weeks with not being able to work on my manuscript at all for one reason or another.
What elements do you feel make a good story?by
Hi Laura, it’s wonderful to be back celebrating my second novel, I’m delighted to be here. It’s never easy to obtain a contract for a book, and for some reason, in my opinion, if it’s not already in place, obtaining that second one is always the most nerve-shredding. When the email offer came through for this one, it was like a weight lifting from my mind.
Can you tell me a little about your first historical saga, ‘A Wing and a Prayer’ and what inspired the story?
Because of ill health, I hadn’t been writing, I’d wanted to but it hadn’t been working. My author friends had all been encouraging me to try, so when a friend suggested I try something new rather than to pick up an unfinished project, it was like a serendipitous moment. I was watching a program on tv called, Spitfire Women, about the lady pilots of the Air Transport Auxiliary in WW2. Before I was even aware I was doing it, I found myself scrolling around the internet and the beginning of a story idea reared its head. For this prod up the proverbial, I have two excellent authors and good friends to thank; best-selling romance author Sue Moorcroft and historical saga author par excellence, Elaine Everest. Also, after finding out so much about the brave women and men of the ATA, I wanted to write a kind of tribute to them. I hope I’ve done so.
What are the challenges of setting your novel in WWII?
Getting your facts right. Well, that’s only partially true, as in this day and age of the internet, you really shouldn’t be getting anything wrong, though it does happen. The other part, at least so far as I’m concerned, is making sure your characters behave and talk as they did back then. Compared to my romance, which was set in contemporary times, this was initially much harder to write until I got into the swing of it and now, it’s quite natural. Now I’m well into writing the third book in the series, writing as if my mind is back in the 1940’s seems natural. My main issue is, and will probably remain, writing in US English, as my publisher is based in the USA and prefers this. It still looks strange to me.
A lot of my ideas, when I first tried my hand at writing, came from listening to Radio. I’d hear a song and that would spark an idea. I still have a folder with about 20 idea for stories, some are brief outlines, a few lines, some are up to 6 or 7 pages, quite full of detail, a few even with a start, a middle and an end. I’d like think I can get back to some of those at some point. For this saga series, once the idea came, I was able to start writing pretty fast. I like to begin a story as soon as the idea hits me and as I’m more of a panster than a planster, I can get the first draft down pretty quickly, even taking into account that my first drafts are more akin to between a second and third draft, as I edit as I go along; each chapter has to read right before I can move on to the next one. I also keep each chapter as its own file, as I find it much easier to go to what I need to if, well, I need to.
So far as writing a series is concerned, this is my first series as ‘The Season for Love’ was a standalone romance, I’m kind of learning my own way as I go along. I’m sure everyone who writes a series has their own ways, so there may be an easier way than the one I’m using, but so far, it works for me. I like to, if it’s possible, to leave each chapter on a cliffhanger. That’s not possible with a series of books, so far as the end of the book is concerned. I’d like to, but each book has to be able to be read as a standalone too, so that’s out of the question. What I have to do is give the reader an enjoyable reading experience, whilst making them want to find out what the characters get up to next. It’s a nice feeling to know that I’ll be coming back to these characters again too.
You are a member of the Romantic Novelists’ Association Do you feel that the RNA New Writers’ Scheme is worth joining if you’re wanting to start writing a novel?
My route to publication was through this esteemed scheme so, yes, very much so. I know so many authors who became published by joining the NWS scheme of the Romantic Novelists Association. It’s one of the hardest things to accomplish, having a book published and the support which this scheme provides is invaluable. I would recommend it to anyone who wishes to become an author.
What’s your favourite word and why?by
Thanks for having me! It’s funny, I don’t seem to have a typical writing day, which is something I actually enjoy. I will say, I’m not an early morning writer. Not a morning person in the least. I like to wake up, drink coffee and eat, get my son off to school and then exercise. Then I’m ready to sit down at the computer. I don’t really have rituals, but I do like to have the TV running in the background – a show or movie that I’ve seen before or don’t have to pay attention to. For some reason my brain likes multi-tasking in that way. Recently, I’ve been re-watching Peaky Blinders and it’s nice to, every once in a while, look up and go, “Oh, hello, Cillian Murphy, how’s the crime going?” I do firmly believe in hitting a minimum word count every day while I’m drafting a new novel. But if I don’t get my words, or I go weeks without writing, it’s fine. I kind of trust my creativity to lead the way and ask for what it needs.
Can you tell me about your novel, Reviving the Hawthorn Sisters and what inspired the story?
I had just finished my fourth book UNTIL THE DAY I DIE, which was an adventure-thriller, and I was feeling the need to get back to my Southern gothic, family focused work. I decided to write a sequel or follow up to my first book “Burying the Honeysuckle Girls” because there was still so much I wanted to explore with those characters. I toyed with some ideas, but it was when an author friend of mine said to me that this story was really about Dove Jarrod from “Honeysuckle Girls”, that it all came together.
The story is about Eve Candler (Dove’s granddaughter) who is in charge of administering her grandmother’s family foundation when she discovers that Dove may have been a con woman, thief and possibly a murderer. She has three days in Alabama to clear her grandmother’s name and protect her family’s legacy.
What elements do you feel make a good story?
Something unusual, that I haven’t seen before. I want a main character who’s dealt with very specific troubles from her past and who’s up against a really unique and specific problem in the present. You need the suspense and ticking clock and a vivid setting, yes, but unless your character and their problem isn’t specific, I find myself bored. I think it’s so fascinating how, the more unique those elements are, the more universal the story ends up being.
What were the biggest challenges you faced whilst writing Reviving the Hawthorn Sisters?
It was challenging to make the character of Eve, who’s living a quite unusual life, feel realistic and relatable. Eve’s a young woman but her job is maintaining her grandmother’s legacy as a beloved, famous tent evangelist / tent healer / miracle worker from the 1930s and 40s. Eve isn’t personally religious, doesn’t even believe that her grandmother actually ever worked a miracle, but she’s surrounded with people, like her mother, and all these donors who are true believers—and also it’s her job to raise money for the foundation. She doesn’t want to be disrespectful, but she’s dying to escape. She wants to fly – go to graduate school, have a romance, be a normal twenty-something. But she’s got to be this cheerleader for the memory of an old-time religious preacher.
Which authors do you admire and why?
Oh. So many writers today are just brilliant and creative and then, on the business side, just impress me daily with their marketing savvy. I think Ruth Ware tells epic stories. Riley Sager has his finger on the pulse of what people want to read. Shannon Kirk writes these vivid, incredibly poetic horror books that have created a fictional network of uber-rich American families whose descendants get away with murder.
Different books have different journeys. Some books take a lot of thought before I write. Some I’ll start writing the minute I have the idea. I am a bit superstitious about not talking about a book until it’s written. It’s taken me anywhere from a year to six months to one month to write different books.
Which fictional world would you like to visit and why?
Well, I say I’d like to visit 18th century Scotland like in Outlander but only if Jamie is there and also, honestly, I’d probably end up complaining about the lack of hot running water and electricity and constant danger.
What’s your favourite word and why?by
Hi Nia, thank you so much for joining me for a chat today. It’s great to welcome you back to Novel Kicks with the blog tour for your new novel. Can you tell me a little about Choices, Shape, Losses Break and what inspired the book?
‘Choices Shape, Losses Break’ is a real shift in tone from my first novel ‘Love Punked’. I’ve described it as My So Called Life meets Top Boy meets Skins! It’s a Contemporary Fiction/Contemporary romance hybrid and it’s interwoven with some challenging themes and issues which aim to get the reader continually re-evaluating their assumptions about risk and threat.
It’s set firmly in the 90’s where, shunned and struggling at home and school, teenager Lorna Davies clatters into chaotic and charismatic Shay O’Driscoll and Leon Barrett at an illegal rave. As Lorna’s talent for dancing sees her unexpectedly employed in the strobe-lit heart of 90’s club culture, her world is turned on its head by her budding friendship with Shay and Leon. For the boys, their high-risk lives endanger all three of them in an association that blurs the lines between friendship and dependency.
As the risks escalate, Lorna’s best friend Hannah, her brother Dan, her bully-turned-protector Nico and her unexpected friend Rosa watch with concern as she is thrust ever closer to harm in an intoxicating new landscape. When life-threatening events threaten to separate them permanently, Lorna, Leon and Shay juggle love, loyalty, sacrifice and exploitation as their lives change beyond recognition. Will the losses they face break them all?
‘Choices’ was inspired by some of my own experiences of rave culture in the 90’s and the people and places that I knew back then. I actually sat down to write it back in 2016 when I realised that two people who were really important to me back in those days, would have turned 40 that year. Their impact on my life has been pretty significant but we lost touch. I guess in some ways, ‘Choices’ started off as a bit of a tribute to them but in typical ‘pantser’ style, it turned into something very much unexpected. ‘Choices;’ is written to be a standalone novel but there are 3 further books in the series. The next one is due for release later this year.
Which songs would feature on a playlist for this novel?
Music is a massive part of ‘Choices Shape, Losses Break’. 90’s club culture was- and remains- an important part of my life. My friendships and experiences of that world were huge inspirations for the characters and events in the novel. This playlist could go on indefinitely and so I’ll pick my top 10:
Paul Van Dyk- For an Angel
Prodigy- No Good, Start the dance
DJ Taucher- Ayla
Dodgy- If you’re thinking of me
DJ Flavours- Your Caress
Dub Pistols- Cyclone
Faithless- Salva Mea
Marc and Claude- I need your loving
I work full time in an incredibly busy inner-London social work team. Writing is truly my escape from the madness and demands of my work life! I have terrible insomnia and only need 4/5 hours sleep a night so my writing process is that I write while everyone else sleeps- I love the coziness of sitting in the gloom tapping away and creating characters and places.
I’m absolutely a pantser, I never plan anything when it comes to my novels. I’ve written 4 books and both ‘Love Punked’ and ‘Choices Shape, Losses Break’ are available right now on Kindle and Kindle Unlimited, rated 5 stars, I have another two finished novels that are due for release later this year. I’m finishing one that’s nearly complete and I’m working on 3 other ‘new’ ones that are only 20 or so pages long each so far. I do like flitting between them all and I genuinely work out the plot as I go.
I guess one thing that’s changed is that I am far more conscious of streamlining my writing as I go- I had a real journey to edit down ‘Choices Shape, Losses Break’ and I’ve learnt lots of lessons from that heartbreaking process! I definitely challenge myself as I go now (“Does this actually progress the plot?” “Is this scene truly necessary?” “Is this character essential?”) . I’m definitely more succinct in my style!
What’s a typical writing day like for you? Do you prefer silence? Coffee?by
Twin sisters. One scorching summer.
A bucketful of secrets.
Diana’s life is perfect. Her twin sister, Josie’s – not so much.
Diana has a rich and successful husband, two talented youngsters and an adorable dog. She always looks as if she’s stepped from the cover of a magazine. Her immaculate second home by the sea, for idyllic summers with her perfect family, was actually featured in one.
Josie has a messy, compact flat, dates, but not relationships, and she can’t even keep a houseplant alive. She moves from job to job, goes clubbing with her friends and often looks as if she’s fallen through a hedge.
Although Josie loves Diana deeply, each year she declines the invitation to spend the summer with her sister. Or any other family holiday. Because Josie has a secret.
But is Diana’s life so perfect? Or is she also hiding something? When secrets are revealed this summer, everything will change. Josie could finally have the life she’s always wanted … if she’s brave enough to take a chance.
To celebrate the release of her new book, Emily has some exciting news to share but first, here is an extract from Summer at my Sister’s. Enjoy.
*****beginning of extract*****
Thank you so much for allowing me to share a little extract from my new book, Summer at my Sister’s.
This is where Josie Parnell arrives at her twin sister, Diana’s house. Liam Fulbright, who Josie has bumped into after last seeing him on his wedding day when he was nineteen, has helped her with her cases and Diana has just opened the front door of Sea View Cottage.
I wasn’t sure who was the most pleased to see me: Diana, Becca, or Henry the crazy, mixed up dog. I say ‘mixed up’ because Henry isn’t just a cross-breed. I think there must be at least four different breeds in his make-up. He’s brown and white and tan and there’s a big autumn-red shape over one of his eyes. He’s got the face and wiry brows of an Irish Wolfhound, the long fur coat of a Briard, the legs of a Great Dane and the tail of a Golden Retriever. That tail can clear a coffee table in seconds. Judging by the size of him I think there may also be a little bit of horse. He comes up to my waist when he’s got all four paws on the ground. When he’s got two of them on my shoulders, almost knocking me over, he’s about seven feet tall. You’d have thought I would have known that this is how he would greet me. He’s done it every time I’ve seen him, although thankfully, Diana doesn’t always bring him with her when we meet up.
Diana and Becca attempted to pull him off as he started to eat me. They said he was just being friendly and trying to lick my face but I wasn’t completely convinced. I tried to push him off me with both hands and he wasn’t budging an inch.
I shot a look at Liam, who seemed to find it rather amusing.
‘A little help … would … be nice,’ I said between mouthfuls of fur and trying to avoid dog drool.
‘Henry. Down boy.’ My nephew Toby wandered into the hall and with three little words, did what Diana, Becca and I couldn’t, using all our strength.
Henry launched himself off me and trotted over to his master without a backward glance while the force of his retreating paws shoved me backwards, sending me tumbling ungainly towards the floor. Luckily, Liam caught me in his arms before I landed on my arse.
‘Thanks,’ I said, scowling up at him. ‘You were no help at all.’
He was laughing but as he stood me upright, one hand cupped my right breast. I’m not sure who was more surprised but he quickly rectified the situation almost dropping me flat on my back in the process. Somehow he managed to save me – again, and this time was extra careful as he helped me straighten up.
The strange thing was, the feel of his hand on my breast sent all sorts of odd sensations darting through me and I was a bit embarrassed. But whenever I feel like that I overcompensate.
‘Blimey, Liam,’ I said, shaking my head and tutting. ‘I’ve only been back in Seahorse Harbour for an hour or two and you’re already trying it on.’
I swear I could see red beneath that tan. Was the man actually blushing?
‘I … er … sorry. It was an accident. I wouldn’t dream of … er.’
‘I was teasing you, Liam.’ I grinned at him and after giving me another very odd look, he grinned back.
***** end of extract*****
****An exciting update from Emily Harvale****
I apologise if you haven’t seen me on social media very much recently but I’ve been exceptionally busy working on lots of exciting stuff (technical term) 😂🤩 for my new book, my website … and a map for my new series of standalone stories set in the tiny village of Seahorse Harbour.
The map will ‘go live’ on July 31st, publication day for the first in the series, which is … yep, you guessed it, Summer at my sister’s. Let me explain a bit more.
Summer at my sister’s was originally a standalone, but then I had an idea for a Christmas book, so it became a two-book series, with Book 2 featuring a couple of new characters and most of the characters from Summer at my sister’s (with me so far?) ……
Then …. I had an idea for another completely separate story set in the same village (which I’m writing at the mo.) This one has new characters.
So now, each story in this series will be a standalone with new characters … but as each book is set in Seahorse Harbour, you’ll be able to ‘see’ what’s going on with the characters from the previous books, because you can’t help but bump into people in a tiny village, can you?
I have to say, I LOVE THIS SERIES!!!!😍🤩💖🥰 I’ve got so many story ideas, although I’ve only written 2 of the books so far, Summer at my sister’s and the Christmas book, which is called …..
Wait for it……(no, that’s not the title)
Christmas at Aunt Elsie’s
This Christmas book will be available for pre-order from early August. 💖🤩🥰😍
Did I mention that I love this series? And yes – I’m just a little bit over-excited. I can’t wait to share these fabulously feel-good stories with you. I hope you’re a little bit excited too. 🤩💖 xxx
About Emily Harvale…
Emily writes novels, novellas and short stories about friendship, family and falling in love. She loves a happy ending but knows that life doesn’t always go to plan. Her stories are sure to bring a smile to your face and a warmth to your heart.
Emily loves to connect with her readers and has a readers’ group in which many have become good friends. To catch up with Emily, find out about the group, or connect with her on social media, go to her website at www.emilyharvale.com.
Having lived and worked in London for several years, Emily returned to her home town of Hastings where she now writes full-time. She’s a member of the SoA, an Amazon bestseller and a Kindle All Star. When not writing, she can be found enjoying the stunning East Sussex coast and countryside, or in a wine bar with friends, discussing life, love and the latest TV shows. Chocolate cake is often eaten. She dislikes housework almost as much as she dislikes anchovies – and will do anything to avoid both. Emily has two mischievous rescue cats that like to sprawl across her keyboard, regardless of whether Emily is typing on it, or not.
Summer at my Sister’s was released by Crescent Gate Publishing on 31st July 2020. Click to view on Amazon UK.
Toby could… and Toby would.
‘Enjoy yourself as you rot, old man. And you’re not my dad – you never were.’ Southern England, September 1957
When thirteen-year-old Toby Mitcher’s mum collapses, never to wake up, Toby’s alcoholic stepfather becomes his legal guardian. He thought life couldn’t get much worse, but was he wrong.
Time passes, and an orderly direction comes into his life. That is until problems start and the disappearances begin.
No more being put upon or allowing bad situations to happen.
From now on, Toby is in control. Or is he?
To celebrate the release of his novel, Dave has joined me today to talk about his favourite things about being an author. Over to you, Dave.
Up until eight years ago, I never imagined being an author. To me, the most significant challenge and excitement came when I sat in front of my computer with an idea. It could be a drabble of 100 words, a short story for a competition or something else. As to the completed novel, straight away, I can say, seeing my book out there and knowing I wrote it has to be a Wow factor! When I first entered into the writing world at my local writers’ group, I was surprised how individuals, authors and people who enjoyed turning up relished advising others, encouraging them to go for what they wanted to write about. Within six months of joining that group and never before having done anything like it. I knew I wanted to write a book. My second novel is underway, and I have more stories that require attention that I have shelved.
Favourite things about being an author are still unknown to me at this stage, other than what I have said. But the feeling I got when I won a short story prize was at my first attempt was amazing. At the award ceremony, listening to those people clapping for me was something I have never experienced before. Members of my writing group and others who were authors I had never seen before congratulated me that evening. Having your photo taken, and giving a speech was brilliant if not unreal for me. I still have the large cheque presented to me under my bed from that time, something I will keep knowing I can accomplish a written work.by
You come into this world alone and you leave this world alone, which got me thinking about whether that world even existed before I came into it and will it exist after I leave it.
What’s your typical writing day like? Do you prefer silence? Lots of coffee?
I like to write in the afternoon. I prefer total silence, no distractions. I write on a desktop computer with a huge screen. Can’t do it on a laptop.
How do you approach the writing process, from idea, to planning, to final draft? How much prep do you feel you need to do before you feel ready to start writing?
For me, it all starts with the first paragraph of the book. Once I get that down on paper, then it’s off to the races. As all authors know, I don’t write the book; the book writes itself and goes in whatever direction it wants to. Kind of like a runaway train.
What is your favourite word and why?
Really. It’s a noun and a verb and an adjective and even an exclamation point.
What songs would feature on a playlist for your novel?by
The whole series was inspired by my father who was a military policeman in Singapore during the 1950s.
What prompted you to start writing the Singapore Series?
I read a Lee Child novel and thought: I can do that. I have a character and an exotic setting – plus the seeds for a plot. However I subsequently found it harder than I expected.
How much research did you do before starting?
I took my dad to Singapore for his 75th birthday. He thought it was a holiday but I never stopped asking questions. I’ve been again since. I’ve and also been to Kuala Lumpur and Penang, both of which feature in the series.
So no further research as you work?
Lots of research! I have a number of good reference books for the period including a fabulous one full of photographs. Of course I use the internet, but I also have a few readers who can also be called upon to help.
Singapore Killer is book 5. Can it be read as a stand-alone?
I hope so. It’ll help to read them in order, but it really shouldn’t matter.
Will there be a sixth book?
Yes, it’s called Singapore Fire, and it will be the last of the series. However Ash Carter may well appear in Hong Kong if he does resurface.
Map of the Dead which had flashbacks to ancient Egypt, was an Amazon best seller. Your dad didn’t inspire that one?by