You have an imagination, so use it! My second novel, The Darlings, is written mainly from the point of view of a thirty-something male comedian. I’m not in my thirties, I’m not a man, and I’d be stretching it to claim to be a comedian, but I did my research. One of our jobs as writers is to head down research rabbit holes to find out why people have affairs, sail around the world, change their religion, leave their partners, change careers, kill people. If you find yourself losing track of time as you research your subject area, it’s a good sign you’ll enjoy writing about the subject. If I’d have stuck to writing solely what I know about, I’d have submitted 70,000 words on the merits of a good cup of tea.
I once spent a whole academic year silencing my voice. After a buoyant start to an MSc in Creative Writing, once I was ‘put in my place’ by a particular tutor a couple of times, I sat in classes cowed and uncharacteristically silent. Even though I won a prestigious writing award during the same year, I didn’t trust myself to write another good sentence. I started to believe the ridiculous idea that commercial fiction, which is what I write, wasn’t good enough. If you find yourself thinking along these lines: STOP! You don’t need to be a ‘heavyweight’. You don’t need to produce a classic. I look at material I wrote during that wretched year, and it feels utterly forced and lifeless. That’s because I was trying to be someone else. I was trying to be a ‘serious’ writer. It didn’t work. You don’t need to write what you know, but you DO need to allow your own writing voice to emerge.by
Toby could… and Toby would.
‘Enjoy yourself as you rot, old man. And you’re not my dad – you never were.’ Southern England, September 1957
When thirteen-year-old Toby Mitcher’s mum collapses, never to wake up, Toby’s alcoholic stepfather becomes his legal guardian. He thought life couldn’t get much worse, but was he wrong.
Time passes, and an orderly direction comes into his life. That is until problems start and the disappearances begin.
No more being put upon or allowing bad situations to happen.
From now on, Toby is in control. Or is he?
To celebrate the release of his novel, Dave has joined me today to talk about his favourite things about being an author. Over to you, Dave.
Up until eight years ago, I never imagined being an author. To me, the most significant challenge and excitement came when I sat in front of my computer with an idea. It could be a drabble of 100 words, a short story for a competition or something else. As to the completed novel, straight away, I can say, seeing my book out there and knowing I wrote it has to be a Wow factor! When I first entered into the writing world at my local writers’ group, I was surprised how individuals, authors and people who enjoyed turning up relished advising others, encouraging them to go for what they wanted to write about. Within six months of joining that group and never before having done anything like it. I knew I wanted to write a book. My second novel is underway, and I have more stories that require attention that I have shelved.
Favourite things about being an author are still unknown to me at this stage, other than what I have said. But the feeling I got when I won a short story prize was at my first attempt was amazing. At the award ceremony, listening to those people clapping for me was something I have never experienced before. Members of my writing group and others who were authors I had never seen before congratulated me that evening. Having your photo taken, and giving a speech was brilliant if not unreal for me. I still have the large cheque presented to me under my bed from that time, something I will keep knowing I can accomplish a written work.by
About The Man in Room 423…
In a heady cocktail of passion and poison, who can you really trust?
When Lizzie Aspinall and her sister meet for cocktails in a high-rise bar, the last thing she’s expecting is to spend the night in the arms of the nameless man in room 423. As a one-night stand with a stranger turns into a steamy affair with a dedicated detective, Lizzie finds herself in the sights of a stalker.
Ben Finneran has spent ten years pursuing a ruthless serial killer who poisons victims at random before disappearing into the shadows. He wants to believe that the attraction he and Lizzie share is just physical, but when they find themselves falling for each other, is Ben unwittingly leading a murderer straight to her door?
Pursued by the past and threatened by the present, who can Lizzie and Ben really trust?
Catherine and Eleanor have joined me to talk about what it’s like to co-write a book, the highs, challenges and how the work is divided. Over to you, ladies.
Catherine and I first crossed each others’ paths about three years ago when we were writing historical non-fiction for the same publisher, Pen and Sword. We got into a conversation one day about joint fiction writing, and after some hilarious conversations about Georgian gentlemen, we started to write a sandbox.
It started off with a plot but as we wrote it, it became huge and sprawling, written with the sort of freedom that isn’t possible with something that’s aimed for publication, and to be honest, written entirely to entertain ourselves. We’d written a huge amount in only a few weeks, by which point Catherine said maybe we should aim for publication.
Catherine had had a couple of titles out with Pride, who publish LGBT+ fiction, and we realised that the sandbox had some wonderful moments that could be developed into fully-fledged novels. The first novel to emerge was The Captain and the Cavalry Trooper, a romance about First World War soldiers, which was published in April 2018. Since then, Pride have published five more Captivating Captains novels, and five short stories. Our first title for their Totally Bound imprint was The Ghost Garden. It was published early in 2019, and we were very excited when it was shortlisted for the Romantic Novelists’ Association Romantic Novel Awards 2020. This year, we have two romantic suspense novels out from Totally Bound – The Colour of Mermaids and The Man in Room 423.
As to the how of our writing… we talk about ideas for stories in Messenger, then before we get writing, we’ll often have a Skype first. Then we write in Google Docs, which gives us a great deal of freedom because you can access the same document on a computer or a mobile device. I end up writing on my phone in all sorts of places – on the bus, in the tearoom at work, in the waiting room at the doctor’s, in the chair at the hairdresser’s waiting for my dye to finish!by
Nia Rose and Octavia J. Riley are co-authors of Spellbound and Hellhounds and Secrets of the Sanctuary, the first two novels in the Coven Chronicles.
About Spellbound and Hellhounds, book one in the Coven Chronicles.
Enter the world of Raen, turn left at the land of dragons, and you’ll find yourself in the country of Aeristria. A place overflowing with magic and creatures that were once only heard of in fairy-tales. In the heart of Aeristria is the capital city, Tolvade. Here you will find shops and taverns, laughter and fun, runesmiths looking for their next job and sneaky pickpocketing imps. Steer clear of the galloping gang of centaurs and you will see the headquarters of the prestigious Coven.
Within the Coven’s lower ranks, you’ll find Vanessa, a third-year Hunter itching to become a Spellweaver. Her and her trusted demon partner, Botobolbilian, must investigate an explosion at the academy and bring the culprit responsible in. Easy job, right?
Vanessa and her partner find that this investigation runs deep in black magic and sprinkled with feral demon summonings. With countless lives on the line, Vanessa struggles with self-doubt and following her heart (and laws) as she tries to right the wrongs of these heinous criminals and bring them to justice before they do any more harm.
But, with an oncoming yearly blizzard just days away, is it too late? Even with all the magic, spells, and power on Raen, this job might be the last that this duo ever faces…
About Secrets of the Sanctuary, book two in the Coven Chronicles.
Thea Bauer has earned her way to being a highly skilled member of the Coven. Ranked as a Spellweaver, she’s assigned the more dangerous missions. Corralling a herd of wild unicorns? No problem. Taking down a witch riding the high of black magic? Piece of cake. Finding out why magic-based creatures are suddenly flooding the local sanctuary, protected by a powerful sorceress with a hatred for the Coven? Thea might need more than her tethered demonic partner to see this mission through.
She calls upon Summoner Rafe MacBain, a trusted colleague she’s known for years whose dreamy eyes might keep her up at night—but she’s not admitting that to anyone. He’s got his own demonic companion, and altogether they’re a force to be reckoned with. But, even with their combined strength, it might not be enough against feral demons escaping some of the farthest reaches of Hell.
As if that weren’t bad enough, Thea must conquer her own demons residing within herself that conjure up a painful past. Will she be able to overcome herself, or will the memories she’s tried to stray from keep her from fighting enemies in the physical realm? Thea is starting to wonder if the sorceress may be one of those enemies too. What secret is she hiding at the bottom of the sanctuary, and how will it affect everything Thea has come to know?
Octavia has joined me today to talk about duel writing and the challenges both she and Nia face. Thank you for joining me. Over to you.
Nia and I get asked quite frequently how we go about writing a dual-trilogy of the same world in the same timeline. We always look at each other and agree: challenging. Not in the “Oh, this is so hard“ or “You can’t do that, it doesn’t work with MY story” sort of way (not to say we haven’t said that once or twice…). It’s challenging in a way that forces us to think, adapt, grow, and roll with what we’re given. It challenges us as authors and puts our imaginations to the test, which is invaluable when delving into fantasy.
There’s definitely flaws and loopholes when writing in a world shared by another author, but the beauty of that is that there’s two set of eyes to catch these loopholes. I remember we were so engrossed in our stories that we kind of got carried away, and Nia came up to me and was like, “Uh…hold on, was I at the Grim Bean the same time you were talking to the imp?” We realized that our characters did, in deed, come into close contact with each other, and this gave birth to our first cameo appearance in Spellbound & Hellhounds. We were able to sneak one more cameo appearance in when both of our characters were in Tasgall’s at the same time (something that we both realized later when we read over the story, because we clearly didn’t learn about paying attention to the timeline the first time). We’re those authors who don’t know exactly where the story’s going when we write it. We just write it however it comes to us. Neil Gaiman once said “Write down everything that happens in the story, and then in your second draft make it look like you knew what you were doing all along.”by
Three friendships torn apart by one chance meeting. By autumn 1984 Sharon and Pip are in their final years of school and on the verge of adulthood. Best friends for as long as they can remember, the two young women befriend their badly bullied schoolmate, Gavin.
Their futures are bright until a chance meeting leads to a path of corruption, anger and malicious betrayal. Sometimes, when we can’t rely on those we love, our only hope is in the kindness of strangers. All three teens are driven from their homes to follow very different paths. They face dark times of heartbreak and new temptations.
But there may be ways out and better futures, if they are willing to take risks. What will they choose, and will they ever see each other again?
The Wild Roses is a coming-of-age drama for all ages that speaks honestly of love, loss, jealousy, coercion and self-discovery.
D.B. Carter has joined me today to chat about writing contemporary drama and romance and the challenges he faces. Over to you.
With two published novels, The Cherries and The Wild Roses, I’m starting to accept I may use “author” to refer to myself. I’ve worked in many sectors, including art, computer sciences, and business, but I felt I had come home to the place where I was meant to be when I started writing. My parents were artists and a creative drive runs deep in my psyche, but it took nearly half a century for fulfil my lifelong desire to write the kind of drama-romances that I’ve enjoyed for so long.
I’ve always enjoyed listening to people’s true-life stories. They give so many fascinating details and perspectives on society that the history books will never tell. When I was a lad, I would go with my mum to visit my grandmother, whereupon I’d be presented with a comic (generally the Beano or Dandy) and sent to read in the corner of the room while they chatted about life or reminisced about the past; even then, I realised how many anecdotes they had to relate and how many of life’s pleasures are to be discovered in small details. Since then, I’ve stored away decades of chats and reminiscences and they help me remember the rich assortment of people I’ve had the pleasure of knowing.
I hope I’ve carried these observations into my work as a writer. I’d never replicate anyone’s true story, but I draw inspiration from them. It seems to me we tell most about a character from how they react in a situation – the remarks they make or the tears they shed are testaments to their very souls. To me, the people who inhabit my books are real, and I often miss them when I finish writing.
I get so many kind messages from readers of my books, some of which touch me deeply. It’s a wonderful thing when someone says your writing has helped them in some way. I often cover difficult subjects, but I hope I do so in a compassionate and respectful manner, and I believe creating believable and relatable characters helps foster empathy.by
There are no hard and fast rules for writing that all-important first sentence of a novel, but I like to think of it as an invitation to a reader that will make them want to read on, a hint of what is too come without revealing too much.
An effective first sentence establishes an important aspect of the book. You could begin with a short statement of a fact that plunges the reader headlong into the story, or a line of dialogue that establishes the character of story’s narrator.
I think it’s best to avoid long, waffling description as this tends to put readers off, but a short, effective first sentence can set the style and mood of a novel, if it is comical, serious or even shocking!
What a writer is doing with a first sentence is showing the reader that something interesting is going on, encouraging them to take their first step into the world of the book.
Good luck to everyone taking part in NaNoWriMo.
With October being Black History Month, I am pleased to be welcoming Steve to Novel Kicks. He is here to talk about his book, Severus: The Black Caesar who was the first African Emperor.
About the book:
Severus follows the amazing true story of a rebellious boy who grew up in an African province and became the first Black Caesar of the Roman Empire, the head of a dynasty that would lead Rome through bloody civil wars and rapidly changing times.
As a young man, Severus hates the Romans and conspires to humiliate them. What begins as a childish prank unfurls into a bloodbath that sends Severus careening into his future.
Through a tragic love affair, dangerously close battles and threats both internal and external, Severus accrues power — and enemies — in his unlikely rise to become the most powerful man in the ancient world.
Without further ado, chatting about his book and the fascinating history behind it, it’s over to you, Steve. Welcome.
I was encouraged and excited to see that notable historian Patrick Vernon included the Roman Emperor Septimius Severus on his list of 100 Great Black Britons and that he ended up ranking as highly as 25 in the final list.
Severus died in York in 211 BC and was arguably the first black man to set foot on British soil, but he came not as a slave, but as Emperor. Behind this still little-known fact there is the incredible tale of someone who grew from rebellious youth to the most powerful man in the ancient world.by
It’s been over half a century since the Phoenix rose in the City of Light. Accused of grave crimes against the Obsidian Throne, Nathaniel Grey is cast out of Obsidia and forced to seek refuge with his peoples’ sworn enemies, the Lycans.
With the Szar and Necromancers plotting in the shadows, Nathaniel must mount a swift return to his homeland before war breaks out between the Regals and Lycans.
Whoever bears the Obsidian Crown, shall hold the fate of Horizon in their hands…
Chatting about his journey into self-publishing, it’s over to you, Farrell…
When I first started writing, I never imagined that there would be anything as time-consuming and difficult as my chosen passion. Indeed, even when it came to the day of publishing – after months of editing and finding the right cover to slap over the manuscript – I remained blissfully unaware of what lay around the corner.
But I’m getting ahead of myself.
How did I make the decision to go into self-publishing, you might ask? Well, to put it quite simply – through a complete lack of patience. Not to say that lacking patience can necessarily be a bad thing sometimes. Certainly not, when it comes to the seemingly unnavigable mire that is self-publishing.
Like many other aspiring authors, I finished summer with my first, brand spanking new novel, Thorne Grey and the City of Darkness, ready to send out into the world. I bought the latest edition of the ‘Writers’ & Artists’ Yearbook’ and started compiling a list of the most relevant agents in my genre. For those determined to go through publishers, I would not discourage it, but I do feel personally that it can’t hurt to have someone experienced within the industry backing your submission.
I sent out a lot of emails – and I mean A LOT – quietly optimistic that I would at least get some feedback. It might not be the desired backing, but at least something that would help improve my manuscript. Around 40% never replied. Of those that did, the vast majority sent back short but polite refusals. However, I was fortunate enough to receive a couple of emails with positive, encouraging feedback.by
IT’S CRUNCH TIME AND JENNIFER BARNES MUST SEIZE THE DAY
She’s stumbling through the mid-life crisis from hell…and then she receives a diagnosis that puts her future in jeopardy.
She has two choices. Crumble or follow the call of her heart. She chooses life, and embarks on an adventure trip to India armed with pick-pocket-proof knickers and a shewee.
To add to her woes she must travel with a group of seven strangers.
Among her travelling companions are an upper-class toff with bossy tendencies, and a wisecracking, gorgeous Glaswegian who says he’s in it for the adventure.
During the journey from one end of the Ganges to the other, Jen experiences the magic of the biggest festival on earth; rides the river’s rapids; and glimpses the wilder side of Varanasi.
Wanting pity from no-one, she hides her illness, and during the journey learns she’s not the only one with secrets.
Will opposites attract? Does Jen have the strength to resist the temptation of forbidden fruits? What will she discover about herself and others and, can she master the shewee?
Talking about her start as a writer, without further ado, over to you, Nell.
I’d like to welcome you with a quote from Ernest Hemingway.
“There is nothing to writing. All you do is sit down at a typewriter and bleed”.
Sounds easy doesn’t it? Yes, I thought so too.
Well, now I know why so many people who start writing a book never actually finish it.
The seed was planted six years ago when I wrote a blog about my adventure trip to India. I knew with my series of anecdotes I had a powerful story begging to be told. “I’ll write that book one day” I kept telling myself, and for four years my anecdotes gathered dust on the hard drive of my laptop. Then something happened out of the blue which changed everything.
Two years ago I got the exciting opportunity to help make a pilot television show, which involved pitching the idea of my story as a comedy drama series to a panel of tv experts. Although the pilot wasn’t screened the production company loved my story, and that was the catalyst which compelled me to pick up where I left off.
I stopped telling myself “one day blah, blah, blah” and my mantra became “now is the time”.
I’ve learned to create and flesh out characters, master dialogue and outline compelling plot and structure. I’ve tested my writing mettle with descriptive prose, subtext and point of view. Crafting beginnings and endings and discovering theme and premise, I’ve found my voice.
I knew of the obvious trials and tribulations before I embarked on my writing journey; finding the time; writer’s block; self-belief; getting published amongst others. But I hadn’t anticipated the challenge of waking up in the dead of night when my Muse decides to burst into activity. Believe me, when that happens you can say goodbye to sleep – you’re not the one in control.
Without further ado, over to you, Barbara.
Hi! Thank you for letting me visit.
I’m going to share with you a little secret. As much as writers love telling stories, the actual process of writing a book can be a long and boring process. After all, you try and spend months with the same two people in your head. Therefore we sometimes – okay I sometimes – make up little inside jokes and references as a way of making the work fun.
What I’d thought I’d do today is share some of those behind the scenes facts. I’m also sharing some of the great historical facts I learned while doing research. Provence and Nantucket are both rich with history. Because Philippe is an historian, I was able to weave in a few facts, but just as many ended up discarded. (Until now.)
Lastly, I decided to share a deleted scene with you all as well. I thought it might be fun for you to see the kinds of things that editors suggest we cut.
So, without further ado, let me present, Ten Fun Facts About One Night in Provence (whether you wanted to know them or not.)
The Destination Brides series was originally named Bucket List Brides. We conceived the idea during a brainstorming session on Facebook Messenger. It began as an excuse for Donna Alward, Nina Singh and I to work together on a project. We asked Liz Fielding to join us because working with her was on our personal bucket lists.
Jenna Brown and her colleagues Shirley and Donna were named for my fellow romance authors Jenna Bayley Burke, Shirley Jump and Donna Alward.
In the book, Shirley is dating a man named Joe. In real life, Shirley will be marrying her fiancé Joe this fall.
Chateau de Beauchamp is based on a real five star French hotel: La Bastide de Gordes. Sadly, I haven’t been there. Never been to Provence either. I’ve spent exactly eight hours in France. Long enough to do a hop on/hop off tour of Paris.
Equally sad is the fact that those eight hours are more than I ever spent in Nantucket – despite living four hours away. By the way, The Whaler Inn in Nantucket – the Merchant auction takes place – is also based on a real hotel. The Ocean House Resort in Westerly, Rhode Island. That hotel was recently named one of the best in the country. Oh yeah, and Taylor Swift lives down the street.
The White Terror that Philippe refers to when he first meets Jenna was an uprising staged by the royalists following the French revolution. Members of the noble classes briefly fought back by conducting nighttime terror raids.
The Tour Magne in Nimes is real and you can climb the stairs. It was built by the Romans in 15 BC.
Philippe’s apartment is located in Arles. Vincent Van Gogh also lived in Arles. In fact, I imagined Philippe’s apartment overlooking the park near Van Gogh’s famous yellow house. While living in the Arles, Van Gogh decided to focus many of his paintings on a single theme: Sunflowers. Arles is also where Van Gogh severed his ear.by
Laura Bradford is the author of A Daughter’s Truth and I am very happy to be welcoming her to the blog today.
Emma Lapp tries to be the perfect daughter, to earn the loving embrace of her family and her Amish community in Pennsylvania. Yet she can’t quite win her mother’s smile–or her forgiveness for a transgression Emma can’t quite place . . .
Emma knows she’s the source of her mother’s greatest sorrow, having been born on the same day Mamm lost her beloved sister. The one bright spot has been the odd trinkets anonymously left at her aunt’s grave each year on Emma’s birthday–gifts Emma secretly hides because they upset her parents. But the day she turns 22, a locket bears a surprise that sends her on an unexpected journey . . .
Searching for answers, Emma travels to the English world and finds a kinship as intriguing as it is forbidden. But is this newfound connection enough to leave behind the future she’d expected? The answers are as mysterious, and as devastating, as the truth that divides Emma from the only family, and the only life, she’s ever known . . .
Talking about the birth of a story, it’s over to you, Laura.
With thirty-three published books under my belt to date, it’s not any wonder that readers are curious as to how I get my ideas. Do I keep a notebook by the bed? Do I pick the brains of my friends and family? Do I spend hours thinking about the next book?
The quick answers are no, no, and…no.
My ideas generally are born on a conversation I’ve overheard, the juiciest part of a 30-second radio newsbyte that piqued my interest, and/or, oftentimes, my own imagination.
A conversation, you ask? Sure. I think it was the sixth book in one of my earlier mystery series that came about after listening to someone talk about a co-worker with a penchant for pinching things off people’s desks. There was more to this woman’s story than just that, but that initial nugget was enough to send my thoughts racing. By the time I was back home that afternoon, one of my beloved series characters had an elderly mother with that same affliction…
A 30-second radio newsbyte? Absolutely. Think about it. When you’re listening to a favorite music station on the radio, the disc jockey likes to share quirky little news stories between songs. And it’s always the juiciest part, because they don’t have time to drone on for too long. So when I heard a story about a decades-old letter found during the renovation of a post office, my personal antennae shot straight up. What was in the letter? Who had sent it? What did/didn’t happen because it had never reached its intended destination? These were the kinds of answers the newsbyte didn’t give, but that was okay. Because, once again, the writer part of my brain filled in the answers all on its own. And, before long, I had the plot for what became my first ever romance novel.
Fun stuff, for sure.by
It’s finally the weekend. Julie Caplin joins me today with the blog tour for her novel, The Secret Cove in Croatia.
Sail away to beautiful Croatia for summer sun, sparkling turquoise seas and a holiday romance that’s forever…
When no-nonsense, down-to-earth Maddie Wilcox is offered the chance to work on a luxury yacht for the summer, she can’t say no. Yes she’ll be waiting on the posh guests… But island-hopping around the Adriatic sea will more than make up for it – especially when Nick, her best friend Nina’s brother, is one of them.
Sparks fly when they meet on board and Maddie can’t believe self-entitled jerk Nick is really related to Nina.
But in a secret, picture-perfect cove, away from the real world, Maddie and Nick discover they might have more in common than they realise…
Talking about the value of research, it’s over to you, Julie…
As I set my Romantic Escapes series in interesting, overseas locations, I’m often asked how I research my books.
These days with the internet at the tips of our fingers, it is so easy for authors to do their research from the comfort of their own homes and it is amazing what you can find out without ever having to leave home. However, as a writer, I’ve found that nothing quite beats proper first hand research thanks to those interesting little facts and insights that you pick up when you actually visit a place.
I’ve been to Italy, France, Spain, Portugal and Germany many times and I feel I have a reasonable understanding of the cultures of those countries, however when it came to writing my first book in the Romantic Escape series, The Little Café in Copenhagen, I had never been to Scandinavia let alone Denmark, so it felt really important that I visited Copenhagen to get a feel for the country and it’s people.
And it was exactly the right decision, I felt much more confident to write about the city once I’d been there.
With book five in the series, I decided to set the story in the beautiful country of Croatia. This was inspired by my lovely work colleague, Gordana, who grew up in Croatia. In our quieter moments (not many in a school office admittedly) she would show us the most wonderful pictures of the islands, the sea and the beautiful little towns. When my editor gave an enthusiastic thumbs up to Croatia as the next setting, I immediately knew that I needed a research trip to Croatia and specifically the Dalmatian Islands.by
The fantastic Sue Moorcroft has popped into Novel Kicks today.
Now summer is here, I’m very pleased to announce that one of our favourite books of the summer, ‘A Summer to Remember’, by The Sunday Times Best Selling author Sue Moorcroft is available to read and to make things even better, it is now only 99p on eBook.
As a special treat, Sue as written the description below of what a hero is to her. I hope you enjoy reading it as much as I did. Over to you, Sue.
What do I look for in a hero of one of my books? Decent but no pushover – in fact, a man with a bit of edge. He’s loyal to those who deserve it, probably a leader in his way, a man with admirable qualities including, you’ll be unsurprised to learn, good looks! He’ll invoke emotions in my heroine, whether that’s making her laugh, cry or steam with rage. And I like something a little less-usual about him, if possible.
Aaron de Silva’s a landscape gardener, creating or regenerating beautiful gardens in stately homes. He also hand-makes guitars. He’s one of the few people in Nelson’s Bar to be able to get satellite broadband and is constantly changing the password or finding half the village in his garden ‘borrowing’ his internet access. His own garden looks out directly over the cliffs to the sea far below and whether he’s sitting on the bench alone playing his guitar or hosting an outdoor party, his garden is Aaron’s happy place.
Aaron has lived all his life in the seaside village of Nelson’s Bar, Norfolk. His family are around him, including a lively younger cousin, Harry, who causes Aaron a few hair-raising moments, and his much-loved brother, Lee, who Aaron spends much of the book looking out for. Lee’s emotionally fragile after being jilted six years earlier and he returns to Nelson’s Bar to live just as heroine Clancy Moss comes to the village too. And it’s Clancy’s cousin Alice who jilted Lee. That Aaron was wildly attracted to Clancy at the wedding-that-never-was only feeds his emotional maelstrom when he’s constantly forced into her company.by
A lovely huge welcome and hello to Lynne Shelby and the blog tour for her new novel, There She Goes.
When aspiring actress Julie Farrell meets actor Zac Diaz, she is instantly attracted to him, but he shows no interest in her. Julie, who has yet to land her first professional acting role, can’t help wishing that her life was more like a musical, and that she could meet a handsome man who’d sweep her into his arms and tap-dance her along the street…
After early success on the stage, Zac has spent the last three years in Hollywood, but has failed to forge a film career. Now back in London, he is determined to re-establish himself as a theatre actor. Focused solely on his work, he has no time for distractions, and certainly no intention of getting entangled in a committed relationship…
Auditioning for a new West End show, Julie and Zac act out a love scene, but will they ever share more than a stage kiss?
Lynne is chatting about her five favourite fictional characters today. Over to you.
Reading a novel, I find that some characters simply leap off the page and hang around in my imagination long after I’ve read the last chapter of their story. Not that they’d all be people you’d want to meet in real life, but here are five of my favourites:
In books, governesses are often prim and pitiful creatures but Jane Eyre, the heroine of Charlotte Bronte’s novel, is neither. Outwardly conventional, Jane is actually a rebel against the constraints society imposed on women of her time – her then-radical ideas about equality between the sexes, shocked many of the novel’s Victorian readers! The way Jane remains true to herself while overcoming hardship, and the fact she refuses to become the mistress of the man she loves, not because of her society’s morals, but because it would mean she would lose her own sense of her place in the world, make her one of the most memorable characters in English literature. I first read the book in school when I was a teenager, and have re-read it many times – I’m always delighted to renew my acquaintance with the subversive Jane.
The charming heroine of JoJo Moyes ‘Me Before You,’ Lou describes herself as ‘an ordinary girl leading an ordinary life.’ She is actually a wonderfully quirky girl, cheerful and optimistic, who could do all sorts of things, but the small town where she’s always lived is stifling her potential. When she takes a job as a carer for quadriplegic Will Traynor, she shows that she is both kind and resourceful – someone you simply have to root for, and hope that her life will get better, the whole way through her story. I don’t want to say too much and give away the plot of the book, but Lou Clark is a character that makes you both laugh and cry.by
Iain Maitland has joined me today with the blog tour for his latest novel, Mr Todd’s Reckoning.
Norman Bates is alive and well… He’s living just next door
Behind the normal door of a normal house, in a normal street, two men are slowly driving each other insane. One of them is a psychopath.
The father: Mr Todd is at his wits end. He’s been robbed of his job as a tax inspector and is now stuck at home… with him. Frustrated. Lonely. Angry. Really angry.
The son: Adrian has no job, no friends. He is at home all day, obsessively chopping vegetables and tap-tap-tapping on his computer. And he’s getting worse, disappearing for hours at a time, sneaking off to who-knows-where?
The unholy spirit: in the safety of suburbia, one man has developed a taste for killing. And he’ll kill again.
Iain is chatting today about getting into Mr Todd’s head for the novel. Over to you, Iain.
Mr Todd’s Reckoning tells the story of two men, Mr Todd, the father, and Mr Todd, the son, living in a small, rundown bungalow during a long and endless summer heatwave. The younger Mr Todd is unemployed and has various mental health issues. The older Mr Todd has just lost his job and is angry and frustrated. Each man drives the other mad.
Getting inside Mr Todd’s head – both heads really, the father and the son – was easy to do. The two men were based, at least to begin with, on my eldest son, Michael, and me. I was writing from deep within myself.
Michael went to university, as so many teenagers do, away from home. He struggled with issues of low self-esteem and anxiety when he was there. Left unchecked, these turned eventually into depression and anorexia. He spent time in hospital and five months in The Priory. For a while, we thought we would lose him, either through anorexia or by taking his own life.
I understand now, to some degree, how someone with mental health issues thinks and acts. I read some of Michael’s diary entries from when he was in the Priory – they were the basis of a memoir we wrote together when he was getting better, Out Of The Madhouse (JKP Books). The younger Todd began as a fictionalised version of Michael, or someone much like him – someone with some of his issues anyway.
I’ve written in the national media, The Guardian etc, and in a memoir, Dear Michael, Love Dad (Hodder) about my childhood. My father brought his teenage mistress to live in the family home with him, my mother and me when I was six. Strange times, and they got much worse over the years. Lots of intense and negative feelings that I had in my childhood – being unwanted, feeling like an outsider, believing I was useless – were easy to dredge up when I wanted them.by