A Moment With Hannah Vincent
Hannah Vincent, whose debut novel, Alarm Girl was released by Myriad Editions in August last year tells us about her writing room.
I write in bed. I could justify this with the excuse that this way I am closer to the dream state and an unconscious mode in which words and feeling flow but the truth is, my bed is comfy, smells nice and my cat likes it when I write there. It is highly un-ergonomic: I lie with my neck crooked on cushions, typing straight onto an ancient laptop with Twiggy the Siamese pinning down one arm.
I once read that humans crave greenery because of our outdoor ancestry. The view from my bedroom window is bland and grey, which is useful in that it’s not a distraction but sometimes I move to the kitchen table to work. Ours is a topsy-turvy house with an upstairs kitchen that is slightly above the level of the garden, so when I look out of the windows I feel as if I am in the trees with the squabbling sparrows and busy blue-tits. Continue reading
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A Moment With: Holly Martin
Holly Martin is the author or The Guestbook, The Sentinel and One Hundred Proposals (as well as One Hundred Christmas Proposals. All published by Carina.) She lives in Bedfordshire in a house with round windows.
She shares her five writing tips:
Read everything, the good, the bad, the ugly, the amazing. See how things work and how things don’t.
Watch people, listen to what they talk about, how they talk, walk and dress so you can create real life characters
Get people you trust to read it and give you feedback.
Don’t take any criticism or feedback personally
Never, ever give up
Learn more about Holly and her books at her blog: https://hollymartinwriter.wordpress.com
by A Moment With: Laura Elliot
Vintage: New Ed Edition, July 1996
The Enduring Memory of a Handmaid’s Tale
I like books that scare me. The ones that keep my heart racing and my finger compulsively turning the pages – or, in in this era of Kindle, twitching on the next-page command. Such books usually conjure up a grim, dystopian world and leave me wondering if they could actually materialise as science advances and technology reaches further and further into our personal lives.
It must be twenty years since I read The Handmaid’s Tale by Margaret Atwood yet I can still bring the details of that story vividly to mind. Briefly, it’s about a totalitarian society that reforms after a nuclear explosion lays most of the United States to waste. The land is contaminated and many of the women who survived the catastrophe have become infertile. In this new, male dominated society these women are sent to clear up the nuclear waste and suffer obvious consequences as a result. The only ones to avoid this fate are the wives of the men in power –these men are known as The Commanders –and the ‘handmaids,’ young women like Offred, the narrator, who have remained fertile and are capable of producing children to populate this new world order.
The self-imposed belief in The Republic of Gilead is that only women are infertile, men remain fertile. This, of course, is untrue so many of these handmaids are unable to conceive and live in dread of being sent to the contaminated wastelands. Their babies, if they do conceive, will belong to The Commanders and their wives.
by Blog Tour: Writing Rituals and Inspriations by Rachel Abbott
Hello Rachel, thank you for joining us. We’re delighted to be part of your blog tour. Your new novel is called Stranger Child. What’s it about and what inspired it?
If I had to find one word which sums up what Stranger Child is about, it would have to be revenge – but that nowhere near covers it.
Emma Jacobs met David – now her husband – several years ago, but they lost touch when she went to Australia. When she came back, she was horrified to learn that David’s first wife had been killed in a car accident, and his six-year-old daughter had disappeared from the scene. Now, six years later, Emma and David have put the past behind them and are happily married with a new baby, Ollie.
And then a stranger walks into their lives, and their world falls apart.
Emma discovers things about her own past that shock her, and when she contacts her old friend DCI Tom Douglas for help, their pursuit of the truth sets in motion a series of terrifying events that neither of them could have imagined.
Emotions run high in this book, and each of the main characters has to face a dilemma that nobody should ever have to deal with.
Can you tell us a little about your route to publication?
I am extremely fortunate in having an amazing agent who really looks after me well. I start with an idea of the story and the characters, and I send it to her. She mulls it over and comes back with the things she likes and the things she hates, and somehow or other we knock the outline into shape.
And then I write. I do nothing else – just sit at my desk and write. I love it, but the first draft is always pretty dire. However, it creates the framework, and from there I can go back and work out the detail.
When I’m happy, it goes for first edit – and I know that there will be lots of changes to be made. These are structural – sometimes quite major – but always good. There are a couple of rounds with the editors, and then it goes to line edit where we argue about the detail. Is this sentence necessary? Would we lose anything if we chopped out this paragraph? Then finally the copy edit – when I’m always surprised at the little details that I’ve missed.
We have Advance Review Copies prepared in paperback – this is something we have started with Stranger Child – and my publicists send out copies to anybody who is keen to review the book.
And as an independent author, I also have to think about the marketing, the cover, the blurb – it’s very much a full time job at every stage.
by Guy Mankowski on Writing How I Left The National Grid
The writing process for How I Left The National was so distinct from that of my two previous novels, that it was almost like learning to play the keyboard after you’ve been playing guitar. This seems an apt, if somewhat pretentious description, given that this novel follows the story of an eighties post-punk musician, Robert Wardner. Wardner vanishes after a particularly controversial appearance on Top Of The Pops. During this performance he commits a shocking act which, during the more buttoned-up era of 80s Britain, causes enough of an impact that he never recovers.
My first novel, The Intimates, was mostly written over an intense eight-week period when I was 21. I lived and breathed the novel every single day almost in a hallucinogenic way. My second novel, Letters from Yelena, was written over a year and a half, and its writing coincided with a research trip to Russia in which a great deal of information about the world of Russian ballet was absorbed. This novel was set mainly in 80s Manchester, only a few hours away from me.
Somehow, it took over three years.
by A Moment With Jacqueline Harvey
My writing day varies depending on where I am in the world. When I’m at home in Sydney I usually work in my study. It looks out onto two sunny courtyards and across to the upper storey of a beautiful Queen Anne style home. Some days if I’m editing I might walk up to one of the local coffee shops and work there – I like to be around the hum of people depending on what stage of the writing process I’m at.
I start my day with a skinny latte but try to limit myself to one coffee, so after that I’ll have one or two cups of tea.
I’m usually at my desk by 8am and often work until 6pm. I’ve only been writing full-time for two years and one thing I’ve found problematic is my lack of movement! I have to make sure that I get up and walk every half hour or so. To that end I investigated a brilliant standing desk arrangement last year. It has a large flexible arm to hold the computer screen and keyboard so you can adjust it to a sitting position and then push it up so you can stand. The negative impact of sitting for long periods is frightening, apart from the inevitable weight gain, so I hope the standing desk will work for me.
by Carla Curuso’s Five Writing Tips
Carla Curuso lives in Adelaide and as well as being the author of Catch of the Day, Mommy Blogger and Unlucky for Some, she is also involved in the Adelaide Chick-Lit Book Club and the Life, Love & Laugh blog. Her novel, A Pretty Mess is available on Amazon and Pretty Famous will be available on 1st February 2015.
Carla shares her five writing tips…
1. Don’t follow trends.
2. Be yourself and find your own unique voice.
3. Write every day – it’s the best way to keep ‘inside the head’ of a story/character and stay excited by it. Even if you only write 300-600 words a day, it’s amazing how the word count builds up overtime. I find I can only write in a few-hour blocks anyway, then I’m not inspired anymore! It’s a marathon not a sprint. Plus, you’ll have a better story if you have ‘creative thinking time’ in between, pushing the novel in different directions you might not have thought of earlier.
4. Write the kind of book you’d feel excited to pick up from a shelf. (Sophie Kinsella said something like that and it’s so true!)
5. Write your ‘own’ story. Your life experience might seem boring to you, as compared to, say, Gwyneth Paltrow’s life, but it’s actually a goldmine. Nobody has experienced exactly the same kind of things as you have – the people you’ve met, the places you’ve been, the emotions you’ve felt. Draw on it and you’ll write authentically and keep people captivated!
Read our interview with Carla.
Find Carla at www.carlacaruso.com.au and information about her latest works at http://www.harpercollins.com.au
The Adelaide Chick-Lit Book Club is on Facebook and the Life, Love and Laughs blog can be found at http://www.lifeluvnlaughs.blogspot.com.au/
by A Moment With…Rob Pateman
Rob Pateman (Photo Paul Stuart)
Author, Rob Pateman is with us today (day 24 of NaNoWriMo,) to talk about creating believeable characters.
The grit in the oyster cell makes the pearl – and it’s the friction between the antagonist and the protagonist that lies at the heart of a good book.
The conflict between them drives the narrative, so establish early on what’s at stake for both characters. It could be life or death, financial ruin, the moral high ground, the end of civilisation as we know it, property, family happiness or something more tenuous, like love or truth.
With the basic tension set up, your characters’ personalities, attitudes, beliefs, and life circumstances will begin to follow. One might be demure, conventional, social and funny. The other more calculating, secretive and moody. And the social and funny one might not necessarily be your protagonist!
People aren’t all black and white – so your characters can’t be either. There has to be some light and shade to make them believable and make your readers more likely to engage with them.
Rob writes under the name, R.S Pateman and is the author of The Second Life of Amy Archer. His new book, The Prophecy of Bees was released earlier this month (both published by Orion.) For more information on Rob and his novels, visit his website: http://rspateman.com/
by A Moment With…Kelly Florentia
Kelly Florentia is the second author to join us today for our collection of posts to coincide with NaNoWriMo. Kelly joins us to talk about short stories.
I love reading short stories. There’s something quite gratifying about a sharp, tight tale with a satisfying or clever ending. Although not as widely read as novels, short stories are a lot more prominent than some people may think. Breakfast at Tiffany’s is a film adaptation of Truman Capote’s novella (1958). And Alfred Hitchcock’s 1963 classic The Birds was inspired by Daphne Du Maurier’s short story of the same name taken from her anthology The Apple Tree (1952). Oscar Wilde, one of my favourite authors of all time, mainly wrote plays and short stories.
Producing fine, short literature requires great skill and tenacity. Unlike a novel, you only have a few hundred or a few thousand words to create a strong, believable plot with convincing characters and a fulfilling conclusion. Your aim is to engage readers within the first sentence, keep them connected, and not let them down in the last paragraph with a poor or predictable finish. Most of the stories I write have a twist or surprise ending simply because that’s what I like to read, but not all short stories need to take this form. Stories can be humorous, moving, romantic, inspirational or chilling. But, primarily, they must be entertaining.
Personally, the most challenging aspect of short story writing is coming up with new ideas. Magazine editors are always on the lookout for fresh material, and the last thing you want is for your reader to find your story predictable or worn. So when ideas arise I jot them down and work on them later. Ideas are everywhere. A comment someone makes, a newspaper article, a conversation, something I see on T.V. or read on the internet.
by A Moment With…Christina Jones
In our second post today to coincide with National Novel Writing Month, we talk to author, Christina Jones about her route to publication and how all started with a boy called Tony…
My route to publication was – to quote every contestant X-Factor has ever had – a bit of a roller-coaster… And a lifelong roller-coaster at that… I’d always enjoyed writing stories and making things up, and I had my first short story published when I was 14 (in a teenage magazine – remember them?). I wrote about Tony from the chip shop who I was madly in love with and who ignored me and went out with my best friend instead. I poured every bit of teenage heartbroken angst into that story I can tell you! I sent it to the magazine without ever thinking it’d be published – but they loved it, bought it and paid what was a fortune to me then, and it opened up a nice little niche for me – and I carried on writing short stories, serials, articles (I became the pop correspondent for “Jackie” – was the envy of all my friends!), and anything else they’d pay me for (!) for the teenage mags while I was still at school, and then did the same for the women’s magazines for years. It was my hobby – and I was earning enough pocket money from it to have a couple of nice holidays each year – and that was about as far as I ever imagined my writing career was going.
by A Moment With…Rob Sinclair
We are now into the last week of National Novel Writing Month. I can’t believe we are almost at the end already. If you’re having a month like me, it’s going to be a marathon to the end or if you’re near the end or have finished already, I applaud you. Today, we chat with author Rob Sinclair about the challenges of writing his debut novel.
For Dance with the Enemy, the biggest challenge for me was that I when I first started writing it I hadn’t really learned the craft properly. Writing was something entirely new to me. I’d never been on any courses or anything like that. I’m certainly no expert now even, with only three books under my belt, but I know I’ve learnt a lot on the way already. So Dance with the Enemy was a really steep learning curve for me – there were things I tried which didn’t work, mistakes I made in terms of my approach to writing including style, plotting, structure etc. All those have been ironed out over time but it meant that Dance with the Enemy was really quite a belaboured project by the end. Continue reading
by A Moment With…Hannah Beckerman
We are twenty days into National Novel Writing Month. How is everyone getting on? Today, we have the author of The Dead Wife’s Handbook, Hannah Beckerman who is sharing her five writing tips…
1. Write a lot. That’s not meant to sound glib. Writing’s like a game of pass the parcel: you have to wade through all the boring, tedious layers of wrapping on the outside before you get to the prize in the middle. And with writing, it can take an inordinate amount of time to reach that prize.
2. Be brave. I don’t just mean in terms of what you write (although obviously that too). But allow other people you trust to read and comment on what you’ve written. It’s scary putting yourself out there but it can be invaluable in helping your work develop.
3. Suit yourself. Some people will insist that you have to write in a particular place or according to a particular routine. But writing’s one of the most personal things you can do and you need to find what works for you.
4. Be disciplined. Wherever you choose to work on your writing, don’t forget that it is work. Lots of people ask me if I wait for inspiration to write. The answer is a resounding no. You have to write through the days when you’re not in the mood and when you know what you’re writing will end up in the virtual (or even the real) bin. But that’s how you get to the days when you write something that you know just might be okay. Sometimes, on really good days, something that’s even better than okay.
by A Moment With…Nicci Gerrard
Nicci Gerrard is one half of the writing team, Nicci French. On day nineteen of National Novel Writing Month, Nicci talks to us about the challenges and advantages of writing as part of a team
Writing can be solitary and also rather frightening – and sometimes it can feel like going mad (and I write in an attic). Writing with Sean is less solitary and less frightening, and there’s something rather exhilarating about going mad with another person – folie a deux. In many ways the actual process of writing isn’t so different from when I write solo novels, because Sean and I actually never write together (we did try once, at the end of our first book, The Memory Game, in an act of symbolic unity – but it was dreadful: we took about an hour to come up with one drab sentence, and squabbled throughout).
There are things that are straightforwardly lovely and fun – like the planning, when we go for long walks, or sit over coffee and tea and wine, and bounce ideas off each other without fear of being ridiculous. But usually the advantages are also the challenges – what’s good about writing together can also be what’s hard. We have to trust each other and to be vulnerable in front of each other. We have to allow the other to edit an even to erase our precious words. And there’s nowhere to hide – most relationships thrive with areas of separation, with boundaries .
by A Moment With…Cathy Kelly
Earlier, we heard from author, Deborah Lawrenson about how she deals with the mid-book slump and now we catch up with Cathy Kelly to see how she deals with that dreaded mid-book stall…
I keep writing and tell myself I am an idiot about a hundred times. It’s such a dreadful thing to go through and I go through many of them with each book, and I force myself to stay at the computer, when really, a good walk helps. What I’ve written still looks dreadful when I come back but I am somehow calmed!
Cathy Kelly is the best-selling author of The Honey Queen, Just Between Us and The House on Willow Street. Her latest novel, It Started With Paris was released by Orion in October 2014. Read our interview with her by clicking here.
by A Moment With: Nell Dixon.
Nell is a member of the Romantic Novelists’ Association. Her books include Christmas Ever After, The New Bay Series and Radio Gaga. Today, Nell shares her five tips for new writers.
Read lots.
Keep writing.
Write what you love.
Don’t be scared to reach out to other writers.
Never be scared to edit.
For more information about Nell and her books, visit her website: www.nelldixon.com
Follow Nell on Twitter.
For more information on the Romantic Novelists’ Association, visit their website: www.rna-uk.org
by A Moment With Carole Matthews
Carole Matthews is the best-selling author whose books include Summer Daydreams (which was nominated for the Melissa Nathan award,) and A Place to Call Home (which was released earlier this year.)
Today, Carole shares her five writing tips…
1. Write every day.
2. Write what’s in your heart.
3. Don’t follow the latest trend. By the time you’ve written your book, it will have passed.
4. Don’t make excuses about why you can’t find time to write.
5. Don’t give up. Determination is the key. And a great story, of course.
Carole can be found at her website, www.carolematthews.com
by A Moment With…Paige Toon
Paige Toon worked at various magazines before becoming Reviews Editor at Heat Magazine. Her novels include The Longest Holiday and One Perfect Summer. Her new book, Thirteen Weddings was released in May. Today, Paige shares her five writing tips with us.
1. Write what you want to, not what you think you should.
2. If you’re stuck on a tricky scene, move on to something you want to write about and come back later.
3. Make sure your grammar and spelling is perfect before you even think about sending your book off to an agent. Ask someone you trust to check it over.
4. Consult the Writers & Artists’ Yearbook to find a few agents that are right for you – there are tips inside to help you draft a letter.
5. Don’t feel too disheartened about rejection – you can always self-publish your book and spread the word that way. It might just be that what you have written is not quite right for an agent at that particular time, but that’s not to say you won’t ever get a book deal. Don’t give up!
You can find out more about Paige by visiting www.paigetoon.com
Follow Paige on Twitter: @PaigeToonAuthor
by A Moment With Marianne Kavanagh
Marianne Kavanagh is the author of For Once In My Life. She shares her writing tips for new writers.
- Read a lot, and think about how other people write.
- Find a writers’ organisation that suits you. I went along to seminars and events organised by Spread the Word in London, which I really recommend.
- Find a good plot. Most novels tell a story. It’s not enough just to write well.
- Remember that writing a novel is 1% inspiration and 99% perspiration.
- Don’t give up.
Buy For Once In My Life from Amazon.
For Once In My Life is published by Text Publishing, 29th May 2014.
by A Moment With Lilian Carmine
Lilian Carmine is the author of The Lost Boys. The second in that series, The Lost Girl, was recently released by Ebury and is available in paperback and e-book.
Lilian, do you have any writing rituals? Do you prefer silence when you work?
I must have music to inspire me when I’m writing and a lot of coffee too. Those are the two essentials I must have before I begin to write anything.
What’s your best writing moment so far?
I love Tristan’s letter in The Lost Boys, it was a special emotional moment for me. And the ‘Without a word’ chapter in The Lost Girl was also very special to write.
by A Moment With Talli Roland
From My Head to the Page: Creating Main Characters.
Every book is different, but when it came to developing the main character for THE NO-KIDS CLUB, the ideas just flowed. Clare was there, waiting inside my head, already fully formed and biding her time under I finally sat down at the computer and started typing.
As with many of my characters, Clare contains a little piece of me. Like Clare, I never wanted to have children – for many of the reasons she outlines in the novel (although it’s fair to say I didn’t feel quite so vehemently about it!). I’d watched many of my friends become parents, marveled at how their lives changed, and wondered if having a baby really was worth all that upheaval. When Clare spilled out onto the page, a lot of my own sentiments did, too.
Of course, it’s never that easy. In any story, characters need to inhabit a world beyond their creator. I needed to figure out why Clare felt so strongly about not having kids, and how her character would transform and grow over the course of the novel. With each book, I ask myself what the main character wants in the beginning, who will stand in their way, and how their desires will change by the end. From there, I come up with ideas and scenarios that will either hinder or help the character’s development. I won’t give away the plot here, but let’s just say Clare’s notion of the life she thinks she wants is severely challenged!
by A Moment With Janey Lewis
Janey is the author of The Sweetness of Liberty James, released by The Book Guild in March 2014. Her book is about Liberty deciding to open up her own patisserie after going through a traumatic life changing event.
Today, Janey shares her five writing tips.
Only write for yourself.
Write about something you are passionate about. Books, like food, show if you put love into them.
Only write if you feel like it.
Read.
Read more.
The Sweetness of Liberty James is available to buy in hardback and e-book.
by A Moment With Renita D’Silva
Renita D’ Silva
Renita D’Silva’s novel, Monsoon Memories was released in 2013 and her second novel, The Forgotten Daughter was recently released by Bookouture. Renita talks about the books that she’s read that have made an impact on her.
Oh there are so many. I am reading constantly and I try and read as variedly as I can. While writing ‘MonsoonMemories’, some of the books that made a huge impact were Julie Myerson’s ‘Something might happen’,Chimamanda Ngosi Adichie’s ‘Purple Hibiscus’, MaggieO’Farrell’s ‘The Vanishing Act of Esme Lennox’ and Rose Tremain’s ‘The Road Home’.
While writing ‘The Forgotten Daughter’ I read Margaret Atwood’s ‘The Blind Assassin’ and was blown away by the sheer beauty of her prose.
The book that made a big impact on me growing up was Arundhati Roy’s ‘The God of Small Things’. I obsessed over it – the plot, her prose, her beautifully evocative descriptions, Continue reading
by Novel Kicks Chats With William Thacker
Charm Offensive was published by Legend Press in March 2014.
William is an author and scriptwriter and this book is his debut novel. We chat with him about Charm Offensive, his writing rituals and his favourite word.
Can you tell us about Charm Offensive?
It’s a contemporary novel about a retired politician’s recovery from a scandal. It contains tragedy and comedy – two of my favourite bedfellows.
Which authors do you admire?
I admire many of the novelists and playwrights who are closely associated with the 1930s and 1940s – the likes of Steinbeck, Orwell and the neglected-until-recently Patrick Hamilton. I admire the moral integrity to their works which came amid economic depression and war. They had soul as well as style. I once wrote my dissertation on the great American playwrights – Arthur Miller, Eugene O’Neill and Tennessee Williams – for the same reasons.
by A Moment With…Michelle Scott
The author of the Lilith Straight series, talks about writing urban fantasy.
I’ve always liked books that take me away from the humdrum of everyday life and into a world of monsters and heroes, demons and angels. My first introduction to these books came in the form of my mother’s old copy of Grimm’s Fairytales. Mind you, these weren’t the sanitized, Disney versions, but the raw, scary tales. There was a murder in nearly every story. Fingers were cut off. Eyes gouged out. People were eaten…
Fun times.
Yes, I was drawn to the scariness of the stories as much as I was the incredible world of fairies and giants and talking animals. I liked to think that one day I might run across something as rare and wonderful as a magic horse or a house made of sweets. I guess, in some ways, I’m still waiting for that day.
As I matured, so did my tastes. As a teenager, I fell in love with Anne Rice’s vampire novels. Instead of dreaming about knights and princes, I started dreaming about the vampire Lestat and his friend Louis. After those books, it was Sunshine by Robin McKinley. And then Mercy Thompson and Sookie Stackhouse.
Years have passed since then, but I’m still as into the supernatural now as I ever was. Of course, I’ve upgraded to werewolves and vampires and demons, but still. The same principles apply. Scary is good and the fantastic is awesome.
by A Moment With CL Taylor – Five Writing Tips
CL Taylor’s novel, The Accident, was released in April by Harper Collins.
Today, she shares with us her five tips for new writers…
1.Don’t write what you know, write about something you feel passionately about. When I wrote THE ACCIDENT I wanted to explore how an abusive relationship continues to affect the victim long after it ends. I think readers can sense when the writer feels passionately about a theme and it makes the novel a more powerful, compelling read.
2.Wait for the voice of the character to appear in your head before you write a word. It makes writing your novel a million times easier. Don’t force it, just wait. She or he will speak to you when you least expect it, just make sure you write down whatever they say as quickly as you can.
3.Don’t compare yourself to other writers or assume that they have it easy or are brimming with confidence. Published authors blog and tweet about their successes and keep their failures to themselves. I know so many authors who’ve had books rejected by their agents and their editors, even after they’ve been published to critical acclaim. EVERYONE, even multi-published and award-winning authors, feel insecure about their writing ability at some time and we all reach a certain point when writing a book where we’re utterly convinced that it’s rubbish and we should ditch it and start something new. The secret is to keep writing through those insecure periods (and stock up on chocolate and wine).
by A Moment With Pippa Croft
Pippa Croft is the author of The First Time We Met.
What was that first moment that you realized you wanted to become a writer?
I can tell you exactly. I was watching a BBC period drama called North & South in November 2004. Although I’d always worked as a journalist and copywriter, I’d shied away from writing fiction. I was worried that I’d be rubbish at it and I didn’t have any inspiration. North & South suddenly – and out of blue – inspired me to have a go at writing some fan fiction, which was quite a new thing back then. I shared my story on an Internet forum and haven’t stopped writing since. In my role as a journalist, I also actually got to do a phone interview with the sexy star of North & South, Richard Armitage.
What authors, books, or ideas have influenced you most?
Jane Austen, definitely, Continue reading
by Two nations, divided by a common book cover
By Michele Gorman.
I’ll never forget the day I first saw the cover for my debut novel back in early 2010. My editor emailed it to me while I was waiting to meet with my agent. I was sitting in a beautiful café on Piccadilly on a sunny February day (a rare thing in London). Excitement, tinged with nerves, fizzed when I opened that image. For months I’d wondered how Penguin would package the book that I’d spent years writing and rewriting until it was as perfect as could be. Would they take the same care over the cover? Would it reflect the story, about a young American woman named Hannah who moves to London only to find that she’s completely ill-equipped to live there?
It did, and I loved it. The cover fit perfectly with the story and perfectly with the romantic comedy genre in the UK – a pretty illustrated pastel cover. It reflected Hannah’s uncertainty, swept along and buffeted by London.
Then, about a month later, my agent took me out for dinner. “You’re not going to like what I have to tell you,” she said, pushing the cake we were sharing in my direction. “Penguin wants to change the title. To Single in the City. They feel that it has broader appeal.”
That explained why she’d been plying me with wine for two hours.
by My Advice: Anna Stothard
Anna Stothard offers her five writing tips.
I often imagine I’m dying. It stops me from Googling pointless things.
When you’ve finished a first draft, put it away for a month before showing any one.
Read your book out loud, or at least some of it. How things sound, the rhythms, make a difference.
You can’t please everyone and shouldn’t aim to. Write for yourself, but ideally with humility (don’t be boring!).
Keep a notebook and record overheard Continue reading
by Portia MacIntosh
My Constantly Changing Writing Space.
I started writing novels as a way to tell the world about my experiences touring with bands – something I have been doing since I was fifteen-years-old, and I’m in my mid twenties now. I wanted to tell my stories anonymously, so using them to inspire works of fiction seemed like the best way to do it.
The thing is, when I started working on Between a Rockstar and a Hard Place and How Not to be Starstruck, I had no idea that one day a publisher like Carina would pick them up, so I had to keep up the day job, and I had to keep myself in material. This meant touring with more bands (I’m not complaining, I love it) and trying to fit writing in around that, which was tricky at first.
When Novel Kicks asked me about my writing space, I realised that I didn’t have one. I hadn’t give it much thought, but soon realised that most people have their desk or place where they write and that’s where the magic happens – one thing I can say for certain, I haven’t ever written at a desk.
by Lynne North
Lynne North
Lynne North’s Best Writing Moment.
That has to be having my first book accepted by Ghostly Publishing, and having it launched at Earl’s Court Book Fair in London. You don’t get much bigger than that for a launch, do you?
Lynne North is the author of two children’s books, Caution: Witch in Progress’ and ‘Zac’s Destiny. For more information on Lynne and her books, visit her website.
by Book Club
