Hi! Thanks for having me. A lot of my ideas begin with an image and in the case of The Silence it was the image of a woman jumping into the sea with her toes pointed downward. I’d been reading a lot about gaslighting – a covert form of emotional manipulation – and how easily it could be used to isolate someone from their friends and family.
The two ideas came together almost at the same time. Stella (the central character) is a former child star and I liked the idea of her trying to untangle herself from her former fame.
What were the challenges of writing this novel?
Ha. All of them. All the challenges! Time, for one. I squeezed writing The Silence into every moment my daughter was asleep and then again when I forced myself to wake up early. It’s the commitment, I think. Financial, emotional, mental.
Sometimes the story was so suffocating I would happily have drop kicked my computer into the sun. Other than that, you know, it was a breeze!
What’s your writing day like? Do you have any writing rituals?
A cup of tea. We live in a cold, cold house and so in the winter I started writing in bed with a hot water bottle so now that is where I write 99 percent of the time. I’m told it’s terrible for my sleep hygiene but I’m stuck in it now.
I work in a library, so I write in between the end of my work day and school pick-up and then again in the evenings. There’s a lot of opportunity for procrastination so I try to be really disciplined.
Which fictional character would you like to meet and why?
This is a great question and I’ve got two terrible answers for it. One, is Nanny Ogg’s cat Greebo from the Discworld novels but only – only – when he turns into a piratical man. The other is all the kids from the Losers club from the novel IT, the people I most identified with as an adolescent.
NK: My husband is a huge fan of The Discworld and I also think he would like to meet Greebo.
In your opinion, what’s the most important thing to remember when developing characters?
Personally, I like to see flaws in a character. Jealousy, anger, bitterness. I need to see them as human and I need to care if they live or die. That’s what carries me through a book. I don’t neccessarily need to relate to them but I do need to know they’re not entirely whole. That helps, for me.
Which author has made the most impact on you as a writer?by
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