NK Chats To….
Our Author Interviews and Guest Posts.
NK Chats To… Eliza J. Scott
Hello Eliza. I am so happy to be chatting to you today. I am excited to be heading back to Lytell Stangdale with A Christmas Kiss. What is this one about and how does it fit in with the others in the Life on the Moors series?
Hi there Laura, thank you for taking part in the Publication Day Blog Tour for A Christmas Kiss; I’m very happy to be chatting to you, too! So, this book sees us getting better acquainted with Zander Gillespie, who briefly featured in The Secret – Violet’s Story.
After a last-minute change of plans with his girlfriend, he finds himself – and his adorable black Labrador Alf – driving through a snow storm to his holiday cottage in a very wintry Lytell Stangdale. There, in an unusual set of circumstances, he meets Livvie.
Thanks to her boyfriend, she’s also had a last-minute change of plans and has come to Lytell Stangdale to lick her wounds. It soon becomes apparent that fate may have had a hand in their situation and they find themselves fighting a powerful mutual attraction.
Over the course of their story, we get to see all of the usual characters once again – Kitty, Molly, Vi, Jimby, Ollie and Camm feature heavily; a Life on the Moors book wouldn’t be complete without them! Hopefully, A Christmas Kiss should slot in rather well.
What is your writing process like from idea to the final draft, where do you like to write and do you have any writing rituals?
I have notebooks allocated to all of my different story ideas, it makes them easy for me to locate if an idea suddenly pops into my head. When it eventually comes to writing that story, I’ll grab the relevant notebook, sit at my laptop and start to plot it properly.
After that, I’ll then work on developing the characters – I go into quite a lot of detail for this so I get a really clear idea of each one of them in my head.
Once this is done, I launch into the actual writing of the story. I’ve learnt that I’m not the sort of writer who can just get anything down on a page for the first draft; I have to do as clean a first draft as possible, then go back and do a little editing the following day.
Once I’ve got that first draft done, I print it off and read through, making lots of notes along the way. I then edit the first draft and repeat the process of reading through and editing several times before I send it off to my editor.
Once it’s returned, I get stuck into her edits, check through them, amend them, get them proof read, then convert the document to a mobi and send it to my Kindle for another read through. Phew! It involves an awful lot of reading!
As far as writing rituals are concerned, I don’t have any as such, though I do need a regular supply of Yorkshire tea and plenty of ginger biscuits to nibble on!
How has your process evolved since your first novel? Is there anything you know now that you wished you’d known then?
I’d say I’ve become much more organised in my writing process since my first novel, which makes it much more enjoyable for me. Though, I wish I’d known that everyone has their own system that works for them, and that there isn’t a right or a wrong way; it’s okay not to just get words down if that process doesn’t work for you. Of course, if I’m pushed for time, I will just list ideas, conversations etc. so when I go back to my manuscript, I can flesh it all out and get it to make sense.
How important is planning when writing a series like this and what challenges did you face?
For me it was very important to plan, particularly for the first three books, as I had to ensure that time-lines matched. I’d say the challenges for making sure everyone’s age was right leading from one story to the next.
Do you think character or plot is more important?
For me, I think a story needs to have a good plot, otherwise there’ll be nothing to keep the reader interested. Though well-rounded characters are important, too; I feel they can help move the story along – does that make sense? I hope so!
Which fictional character (other than any of yours) would you like to spend Christmas with?
by 
A Moment With… Steve Exeter
Welcome to author, Steve Exeter.
With October being Black History Month, I am pleased to be welcoming Steve to Novel Kicks. He is here to talk about his book, Severus: The Black Caesar who was the first African Emperor.
About the book:
Severus follows the amazing true story of a rebellious boy who grew up in an African province and became the first Black Caesar of the Roman Empire, the head of a dynasty that would lead Rome through bloody civil wars and rapidly changing times.
As a young man, Severus hates the Romans and conspires to humiliate them. What begins as a childish prank unfurls into a bloodbath that sends Severus careening into his future.
Through a tragic love affair, dangerously close battles and threats both internal and external, Severus accrues power — and enemies — in his unlikely rise to become the most powerful man in the ancient world.
Without further ado, chatting about his book and the fascinating history behind it, it’s over to you, Steve. Welcome.
I was encouraged and excited to see that notable historian Patrick Vernon included the Roman Emperor Septimius Severus on his list of 100 Great Black Britons and that he ended up ranking as highly as 25 in the final list.
Severus died in York in 211 BC and was arguably the first black man to set foot on British soil, but he came not as a slave, but as Emperor. Behind this still little-known fact there is the incredible tale of someone who grew from rebellious youth to the most powerful man in the ancient world.
by A Moment With… Farrell Keeling
Happy Monday all. I’m happy to be welcoming Farrell Keeling to Novel Kicks today. His book, Nathaniel Grey and the Obsidian Crown is the second novel in the Phoenix saga.
It’s been over half a century since the Phoenix rose in the City of Light. Accused of grave crimes against the Obsidian Throne, Nathaniel Grey is cast out of Obsidia and forced to seek refuge with his peoples’ sworn enemies, the Lycans.
With the Szar and Necromancers plotting in the shadows, Nathaniel must mount a swift return to his homeland before war breaks out between the Regals and Lycans.
Whoever bears the Obsidian Crown, shall hold the fate of Horizon in their hands…
Chatting about his journey into self-publishing, it’s over to you, Farrell…
When I first started writing, I never imagined that there would be anything as time-consuming and difficult as my chosen passion. Indeed, even when it came to the day of publishing – after months of editing and finding the right cover to slap over the manuscript – I remained blissfully unaware of what lay around the corner.
But I’m getting ahead of myself.
How did I make the decision to go into self-publishing, you might ask? Well, to put it quite simply – through a complete lack of patience. Not to say that lacking patience can necessarily be a bad thing sometimes. Certainly not, when it comes to the seemingly unnavigable mire that is self-publishing.
Like many other aspiring authors, I finished summer with my first, brand spanking new novel, Thorne Grey and the City of Darkness, ready to send out into the world. I bought the latest edition of the ‘Writers’ & Artists’ Yearbook’ and started compiling a list of the most relevant agents in my genre. For those determined to go through publishers, I would not discourage it, but I do feel personally that it can’t hurt to have someone experienced within the industry backing your submission.
I sent out a lot of emails – and I mean A LOT – quietly optimistic that I would at least get some feedback. It might not be the desired backing, but at least something that would help improve my manuscript. Around 40% never replied. Of those that did, the vast majority sent back short but polite refusals. However, I was fortunate enough to receive a couple of emails with positive, encouraging feedback.
by A Moment With… Nell Cook
I’m excited to be welcoming Nell Cook to Novel Kicks today to chat about her novel, A Georgie Up the Ganges.
IT’S CRUNCH TIME AND JENNIFER BARNES MUST SEIZE THE DAY
She’s stumbling through the mid-life crisis from hell…and then she receives a diagnosis that puts her future in jeopardy.
She has two choices. Crumble or follow the call of her heart. She chooses life, and embarks on an adventure trip to India armed with pick-pocket-proof knickers and a shewee.
To add to her woes she must travel with a group of seven strangers.
Among her travelling companions are an upper-class toff with bossy tendencies, and a wisecracking, gorgeous Glaswegian who says he’s in it for the adventure.
During the journey from one end of the Ganges to the other, Jen experiences the magic of the biggest festival on earth; rides the river’s rapids; and glimpses the wilder side of Varanasi.
Wanting pity from no-one, she hides her illness, and during the journey learns she’s not the only one with secrets.
Will opposites attract? Does Jen have the strength to resist the temptation of forbidden fruits? What will she discover about herself and others and, can she master the shewee?
Talking about her start as a writer, without further ado, over to you, Nell.
I’d like to welcome you with a quote from Ernest Hemingway.
“There is nothing to writing. All you do is sit down at a typewriter and bleed”.
Sounds easy doesn’t it? Yes, I thought so too.
Well, now I know why so many people who start writing a book never actually finish it.
The seed was planted six years ago when I wrote a blog about my adventure trip to India. I knew with my series of anecdotes I had a powerful story begging to be told. “I’ll write that book one day” I kept telling myself, and for four years my anecdotes gathered dust on the hard drive of my laptop. Then something happened out of the blue which changed everything.
Two years ago I got the exciting opportunity to help make a pilot television show, which involved pitching the idea of my story as a comedy drama series to a panel of tv experts. Although the pilot wasn’t screened the production company loved my story, and that was the catalyst which compelled me to pick up where I left off.
I stopped telling myself “one day blah, blah, blah” and my mantra became “now is the time”.
So, the spare room in our home became my writing cave, I put aside my obsession with photography and stopped watching television (apart from Game of Thrones of course).
I’ve learned to create and flesh out characters, master dialogue and outline compelling plot and structure. I’ve tested my writing mettle with descriptive prose, subtext and point of view. Crafting beginnings and endings and discovering theme and premise, I’ve found my voice.
I knew of the obvious trials and tribulations before I embarked on my writing journey; finding the time; writer’s block; self-belief; getting published amongst others. But I hadn’t anticipated the challenge of waking up in the dead of night when my Muse decides to burst into activity. Believe me, when that happens you can say goodbye to sleep – you’re not the one in control.
DECISIONS, DECISIONS
by NK Chats To… Stephen Clark
Hi Stephen, thank you for joining me. Can you tell me about your writing day, where you like to write and do you have any writing rituals?
Thanks so much for having me. When it’s time to write, that’s when I hunker down in front of the TV or get on Twitter or remember that I have a wife and kid. Basically, I procrastinate as long as possible until the muse possesses me and compels me to burn the midnight oil in the solitude of my den.
It’s not that I like to write in my den or any place of isolation for that matter. But when I’m in the zone, it’s best to leave me alone. I don’t have any writing rituals per se, but I need to create some, especially when the muse goes MIA.
Your novel is called Hands Up. What is it about?
Hands Up follows three characters from different worlds on are on collision course after a deadly police shooting spins their lives into chaos. Officer Ryan Quinn is on the fast track to detective until he shoots an unarmed black male. Now he embarks on a quest for redemption that forces him to choose between conscience or silence.
Jade Wakefield is an emotionally damaged college student who lives in one of the city’s worst neighbourhoods. She sets out to find the truth and get revenge after learning that there’s more to her brother’s death than the official police account.
While mourning the death of his son, Kelly Randolph returns to his hometown broke and broken to seek forgiveness for abandoning his family 10 years earlier. But when he is thrust into the spotlight as the face of the protest movement, his disavowed criminal past resurfaces and threatens to derail the family’s pursuit of justice.
What’s your writing process like from idea to final draft?
It’s like a sausage factory on fire. It’s not pretty or safe. As Ernest Hemingway said, the first draft of anything is s***. My writing process aims to turn that s***, speck by speck, into gold.
What music would be on a playlist for Hands Up?
by A Moment With… Barbara Wallace
A big welcome to Barbara Wallace who is here to share some fun facts about her novel, One Night in Provence, plus she’s sharing a deleted scene!
Without further ado, over to you, Barbara.
Hi! Thank you for letting me visit.
I’m going to share with you a little secret. As much as writers love telling stories, the actual process of writing a book can be a long and boring process. After all, you try and spend months with the same two people in your head. Therefore we sometimes – okay I sometimes – make up little inside jokes and references as a way of making the work fun.
What I’d thought I’d do today is share some of those behind the scenes facts. I’m also sharing some of the great historical facts I learned while doing research. Provence and Nantucket are both rich with history. Because Philippe is an historian, I was able to weave in a few facts, but just as many ended up discarded. (Until now.)
Lastly, I decided to share a deleted scene with you all as well. I thought it might be fun for you to see the kinds of things that editors suggest we cut.
So, without further ado, let me present, Ten Fun Facts About One Night in Provence (whether you wanted to know them or not.)
The Destination Brides series was originally named Bucket List Brides. We conceived the idea during a brainstorming session on Facebook Messenger. It began as an excuse for Donna Alward, Nina Singh and I to work together on a project. We asked Liz Fielding to join us because working with her was on our personal bucket lists.
Jenna Brown and her colleagues Shirley and Donna were named for my fellow romance authors Jenna Bayley Burke, Shirley Jump and Donna Alward.
In the book, Shirley is dating a man named Joe. In real life, Shirley will be marrying her fiancé Joe this fall.
Chateau de Beauchamp is based on a real five star French hotel: La Bastide de Gordes. Sadly, I haven’t been there. Never been to Provence either. I’ve spent exactly eight hours in France. Long enough to do a hop on/hop off tour of Paris.
Equally sad is the fact that those eight hours are more than I ever spent in Nantucket – despite living four hours away. By the way, The Whaler Inn in Nantucket – the Merchant auction takes place – is also based on a real hotel. The Ocean House Resort in Westerly, Rhode Island. That hotel was recently named one of the best in the country. Oh yeah, and Taylor Swift lives down the street.
The White Terror that Philippe refers to when he first meets Jenna was an uprising staged by the royalists following the French revolution. Members of the noble classes briefly fought back by conducting nighttime terror raids.
The Tour Magne in Nimes is real and you can climb the stairs. It was built by the Romans in 15 BC.
Philippe’s apartment is located in Arles. Vincent Van Gogh also lived in Arles. In fact, I imagined Philippe’s apartment overlooking the park near Van Gogh’s famous yellow house. While living in the Arles, Van Gogh decided to focus many of his paintings on a single theme: Sunflowers. Arles is also where Van Gogh severed his ear.
by NK Chats To… Laura Briggs
Hi Laura. It’s lovely to welcome you to Novel Kicks today and happy book birthday for A Wedding in Cornwall. Can you tell me a little about it and what inspired it?
Thanks so much, and very excited to share with your readers today! The romance read A Wedding in Cornwall is the first novella in a series that focuses on an American event planner’s adventures working at a Cornish manor house in a remote village. It was heavily inspired by other Cornish-themed stories, including the television shows Poldark and Doc Martin.
What’s your writing process like, from idea to final draft and how has it evolved from your first novel?
My writing process is actually much the same as when I first started. I usually start with brainstorming some notes, and then create an outline. This can range from anything from a few lines to describe each scene to a more full-blown, descriptive document outlining what happens in the story. From there, it’s just a matter of getting it all on paper and then onto revisions and editing for the final draft.
Where do you like to write, do you prefer silence and do you write longhand? Need coffee?
I work with a laptop, but my work station is most often in my living room (usually with a cat or two on hand for company!). I often work to music or sometimes a favourite television program, although silence is okay too. No coffee, but occasionally a cup of hot chocolate in the winter time!
What elements need to be in place for beginning a novel?
For me, the basic events of the story need to be outlined, so I don’t get too off track, so to speak! And I need to have some basic notes on character background too, even though certain things about both plot or characters may change as the story goes on paper.
Do you think plot or character is more important?
by NK Chats To… Ann Morgan
Photo credit: Steve Lennon
Hi Ann, thank you so much for joining me today. Your book is called Crossing Over. Can you tell me a bit about it and what inspired the story?
Thanks for having me! Crossing Over is the story of an unlikely friendship between an elderly woman living alone on the Kent coast and a traumatized Malawian migrant hiding in her barn. On the surface, the two characters have little in common and in some ways they can never fully understand one another, but through their interaction they gain new perspectives on their own experiences and uncover more similarities between their lives than you might expect.
For several years, I’d wanted to write about the little ships manned by civilians that were sent to rescue soldiers from the beaches in Dunkirk early in the second world war. I knew this would probably involve an elderly character who had been involved in the evacuation effort. Then, when reports started to surface of refugees attempting to cross the Mediterranean and more recently the Channel in small boats, the parallels and contrasts between the two types of crossings seemed powerful.
In addition, I’m fascinated by representing altered mental states in narrative and how mental illness affects storytelling (something I explored with bipolar disorder in my first novel, Beside Myself). Many therapies are built on the theory that telling a story can help a person move past a traumatic event – so what are the implications for people who are unable to articulate what has happened to them coherently? It struck me that bringing together two characters whose storytelling is compromised – one through PTSD and the other through dementia – might provide an interesting way to explore this.
What challenges did you face in regards to the themes of the book?
I was representing the story from the point of view of two characters with markedly different life experiences to my own. It required sensitivity and a great deal of thought. Indeed, for a long time I would have doubted my entitlement as white British writer to try and tell the story of a Malawian character.
However, recent books such as The Good Immigrant and Reni Eddo-Lodge’s Why I’m No Longer Talking to White People About Race challenged my thinking on this and made me see that it’s important for writers of all backgrounds to do what we can to increase representation and diversity in storytelling.
The key is to do your best to do it well – in fact that is always a writer’s job. In the case of Jonah and Edie, this involved a huge amount of research and time spent talking to people with direct knowledge of and insight into many of the things I was writing about.
I then had to filter all this research through my own imagination and sensibility to try to make sure that it lived in the story as human experience, rather than two-dimensional information.
What’s your typical writing day like? Is there somewhere specific you like to write?
I get up very early and start at 5am in my writing room looking out over the hills and the white cliffs. Those early hours when the house is quiet are golden. If I have all day and am not going out for meetings, I will work in two- or three-hour stints, with breaks for meals and probably a run in the middle of the day, until around 6pm.
What’s your favourite word and why?
by NK Chats To… Holly Tierney-Bedford
Hi Holly, I am so pleased you’ve joined me today. Can you tell me a little about your book, I Will Follow Him?
My story is about Francie, a private detective hired to follow a groom-to-be and his groomsmen as they go on a cruise. It’s a romantic comedy about a singles’ cruise, so there are lots of laughs, surprises, and (naturally) love.
What have been the challenges of writing within the Oceanic Dreams book series?
No challenges! It’s been great!
Do you need to have read the other books to read yours?
No. Every book can be read as a standalone story.
What is your writing process like, from idea to first draft? (If you are happy to provide a photo as an example of any part of the process, then that would be fantastic.)
I just jump in and start writing. I’m a total pantser, meaning I fly by the seat of my pants. Every story has a “feeling” to it, a mood, of those particular characters, setting, etc. When I signed on to the Oceanic Dreams project, I loved the light, fun premise. Although I didn’t have a particular plot or character in my mind until I sat down to write and saw what showed up, the series had been on my mind, percolating, for months before I started and I’m sure that helped me.
Is character or plot more important?
Character. I’d read a book about a fascinating person cleaning their house. I would not want to read a book with a great plot but characters who are boring.
How important is it to pick character names and how do you pick yours?
Important. I often change my characters’ names (find and replace) several times before I get it right.
Which authors do you admire?
by NK Chats To… Sophie Tanner
Your book is called Reader, I Married Me (I love this title.) Can you tell me a little about it and what inspired it?
I wrote this book after going through a bad break up – being cheated on, lied to and rejected by the person I trusted the most. But, you know what, looking back I realise it was one of the best things that ever happened to me. Romantic love is wonderful and all, but realising that I didn’t need ‘another half’ to make me happy or ‘complete’ me was an awesome revelation to have. So much so that I decided to take vows of self-commitment and marry myself in Brighton! I know it sounds bonkers but the idea was to start conversations and ask the question ‘why shouldn’t self-love be AS important as romantic love?!’ After all, your relationship with yourself deserves as much attention as any other – and the more you deal with your own crap the less other people have to, right?
So, my new novel is loosely based on my own experience of sologamy because it turns out that loving yourself so publicly is not easy – in fact, it got me a lot of haters. Which kind of highlights the complex attitude our culture has to self-love in the first place! The title slightly adulterates the words of literary heroine Jane Eyre 🙂
What’s your favourite word and why?
Discombobulate. I love this word because it sounds amazing in your mouth and describes the rather marvellous state of being tumbled from your comfort zone. It kind of reminds me of how Winnie the Pooh thinks.
What’s your writing process like from idea to final draft?
Well, I’m still figuring that out actually. Writing the novel was such a great learning curve and I think the next book I write should be a lot more streamlined. Because there is a certain formula to plot and character development and I think if you can pin that down first then your writing becomes a lot less chaotic!
Where do you normally write and do you need coffee, silence, noise?
by A Moment With… Laura Bradford
Kensington Publishing (28 May 2019)
Laura Bradford is the author of A Daughter’s Truth and I am very happy to be welcoming her to the blog today.
Emma Lapp tries to be the perfect daughter, to earn the loving embrace of her family and her Amish community in Pennsylvania. Yet she can’t quite win her mother’s smile–or her forgiveness for a transgression Emma can’t quite place . . .
Emma knows she’s the source of her mother’s greatest sorrow, having been born on the same day Mamm lost her beloved sister. The one bright spot has been the odd trinkets anonymously left at her aunt’s grave each year on Emma’s birthday–gifts Emma secretly hides because they upset her parents. But the day she turns 22, a locket bears a surprise that sends her on an unexpected journey . . .
Searching for answers, Emma travels to the English world and finds a kinship as intriguing as it is forbidden. But is this newfound connection enough to leave behind the future she’d expected? The answers are as mysterious, and as devastating, as the truth that divides Emma from the only family, and the only life, she’s ever known . . .
Talking about the birth of a story, it’s over to you, Laura.
With thirty-three published books under my belt to date, it’s not any wonder that readers are curious as to how I get my ideas. Do I keep a notebook by the bed? Do I pick the brains of my friends and family? Do I spend hours thinking about the next book?
The quick answers are no, no, and…no.
My ideas generally are born on a conversation I’ve overheard, the juiciest part of a 30-second radio newsbyte that piqued my interest, and/or, oftentimes, my own imagination.
A conversation, you ask? Sure. I think it was the sixth book in one of my earlier mystery series that came about after listening to someone talk about a co-worker with a penchant for pinching things off people’s desks. There was more to this woman’s story than just that, but that initial nugget was enough to send my thoughts racing. By the time I was back home that afternoon, one of my beloved series characters had an elderly mother with that same affliction…
A 30-second radio newsbyte? Absolutely. Think about it. When you’re listening to a favorite music station on the radio, the disc jockey likes to share quirky little news stories between songs. And it’s always the juiciest part, because they don’t have time to drone on for too long. So when I heard a story about a decades-old letter found during the renovation of a post office, my personal antennae shot straight up. What was in the letter? Who had sent it? What did/didn’t happen because it had never reached its intended destination? These were the kinds of answers the newsbyte didn’t give, but that was okay. Because, once again, the writer part of my brain filled in the answers all on its own. And, before long, I had the plot for what became my first ever romance novel.
Fun stuff, for sure.
by A Moment With… Julie Caplin
It’s finally the weekend. Julie Caplin joins me today with the blog tour for her novel, The Secret Cove in Croatia.
Sail away to beautiful Croatia for summer sun, sparkling turquoise seas and a holiday romance that’s forever…
When no-nonsense, down-to-earth Maddie Wilcox is offered the chance to work on a luxury yacht for the summer, she can’t say no. Yes she’ll be waiting on the posh guests… But island-hopping around the Adriatic sea will more than make up for it – especially when Nick, her best friend Nina’s brother, is one of them.
Sparks fly when they meet on board and Maddie can’t believe self-entitled jerk Nick is really related to Nina.
But in a secret, picture-perfect cove, away from the real world, Maddie and Nick discover they might have more in common than they realise…
Talking about the value of research, it’s over to you, Julie…
As I set my Romantic Escapes series in interesting, overseas locations, I’m often asked how I research my books.
These days with the internet at the tips of our fingers, it is so easy for authors to do their research from the comfort of their own homes and it is amazing what you can find out without ever having to leave home. However, as a writer, I’ve found that nothing quite beats proper first hand research thanks to those interesting little facts and insights that you pick up when you actually visit a place.
I’ve been to Italy, France, Spain, Portugal and Germany many times and I feel I have a reasonable understanding of the cultures of those countries, however when it came to writing my first book in the Romantic Escape series, The Little Café in Copenhagen, I had never been to Scandinavia let alone Denmark, so it felt really important that I visited Copenhagen to get a feel for the country and it’s people.
And it was exactly the right decision, I felt much more confident to write about the city once I’d been there.
With book five in the series, I decided to set the story in the beautiful country of Croatia. This was inspired by my lovely work colleague, Gordana, who grew up in Croatia. In our quieter moments (not many in a school office admittedly) she would show us the most wonderful pictures of the islands, the sea and the beautiful little towns. When my editor gave an enthusiastic thumbs up to Croatia as the next setting, I immediately knew that I needed a research trip to Croatia and specifically the Dalmatian Islands.
by NK Chats To… Alex Brown
Thank you so much for joining me today, Alex. Can you tell me a little about A Postcard From Italy and what inspired it?
Thanks for inviting me. A Postcard From Italy is my eighth full length novel and it’s a love story that spans nearly ninety years. Connie is harbouring a secret at the onset of the Second World War and then we fast forward to today where Grace opens a storage unit containing a lifetime of treasured belongings.
She then sets out to unravel the secret in a quest to right the wrongs meted out to Connie all those years ago and maybe find love for herself when she travels to the breathtakingly beautiful Italian Riviera.
What’s your writing process like (from idea to final draft) and how has it evolved since your first novel?
I’m not much of planner so I usually have an idea which I brainstorm with my editor before writing a synopsis which I then use as a rough guide to get me started. I write Monday to Friday and aim for at least a thousand words unless my deadline is looming and then I’ll write every day and into the night too for a week or two until the book is finished.
I start the day by editing the previous day’s words before writing on. My writing process hasn’t changed much since my first novel, although I procrastinate a lot less these days, I don’t have the time, and I always end the day by writing the outline for the following day … I like to know what’s happening next.
Which elements do you think are important for a successful novel?
There are so many variations but if you have a good story with a cliffhanger at the end of each chapter, so your reader feels compelled to read on, then you’re off to a good start. If you have wit and a sprinkle of wisdom too then even better.
Which fictional character would you like to meet?
Georgie Hart from my Carrington’s department store series. I love her so much and think we’d be the best of friends. It might sound daft but after writing four books she really does feel real to me and I miss her sometimes.
What other advice would you give to new writers like me?
by NK Chats To… Des Burkinshaw
Hi Des, thank you so much for joining me today. Can you tell me a little about your book, Dead and Talking and what inspired it?
It’s lovely to be here. Thank you for the invite. The novel is about a man who is forced to atone for the “sins” of his family by a sort of ghost – think It’s a Wonderful Life’s Clarence! – And he can only do that by righting some historical wrongs. He’s given the gift of being able to peer into the last moments of dead people’s lives if he’s near their remains. Which sort of helps. He’s a natural sceptic and thinks he’s going a bit mad but picks up some fellow travellers who help him. It quickly becomes an ensemble piece. Although set today, the first case he has to solve is of a private shot for desertion in WW1. He soon finds it is linked to his own family history.
It’s dark in places but is also funny because he and his helpers are all so reluctant to believe any of it is happening. There are some Ealing Comedy moments too. Tone-wise, it’s in the same ballpark as Hitchhiker’s Guide to the Galaxy. Though, as I say, the dark moments are pretty dark.
It was inspired by a few actual events from WW1. After I started plotting it, I also had to make a film about the role of soldiers from the Empire who fought for the British. I spent some time in Ypres, at the In Flanders Fields Museum and at some locations not open to tourists. It all sort of fitted together. Actually, doesn’t this show how research doesn’t just adorn the plot, it can become the plot?
What’s your typical writing day like? Is there somewhere specific you like to write?
I nearly always get up and go to a local coffee shop to get started for an hour or two on my laptop. I like to see the world go by before I hunker down behind the closed doors of my office. I write between 1-4 hours a day because I’m a filmmaker by trade and that takes up a lot of time. I wish I could spend more time writing.
How did your background in journalism help with writing your book?
Many ways. Not having a fear of the blank page helps a lot. Knowing how to plan, how to sub, how to edit. Knowing the importance of drafts and revisions. Welcoming constructive criticism and actually acting on it.
But it’s also in the people I’ve met. I’ve spent a lot of quality time with Normandy veterans and other soldiers. Also, my starting point has always been a journalistic one of trying to see both sides of an argument and so, though a natural sceptic myself, I’m able to suspend that disbelief while writing, simply by putting myself in the mind of someone who does believe. Sceptic or not, who doesn’t love the idea that there are ghosts?
What would your reaction be to a ghost? It would scare the hell out of me.
I’m a journalist. A sceptical journalist. But not a cynical one. I will never, ever believe there are ghosts until I see one myself though. I don’t care who else tells me. But if I did see one, I would use it as a basis to explore how I’d been wrong all this time. Sadly, I haven’t seen one – though I’ve seen quite a bit of death and spent a ridiculous amount of my life in cemeteries when I was younger. Always been a bit morbid.
I’d kill to see one. Even if I was afraid, I’d be delighted.
What’s your favourite word and why?
by A Moment With… Sue Moorcroft & A Modern Literary Hero.
The fantastic Sue Moorcroft has popped into Novel Kicks today.
Now summer is here, I’m very pleased to announce that one of our favourite books of the summer, ‘A Summer to Remember’, by The Sunday Times Best Selling author Sue Moorcroft is available to read and to make things even better, it is now only 99p on eBook.
As a special treat, Sue as written the description below of what a hero is to her. I hope you enjoy reading it as much as I did. Over to you, Sue.
My hero!
What do I look for in a hero of one of my books? Decent but no pushover – in fact, a man with a bit of edge. He’s loyal to those who deserve it, probably a leader in his way, a man with admirable qualities including, you’ll be unsurprised to learn, good looks! He’ll invoke emotions in my heroine, whether that’s making her laugh, cry or steam with rage. And I like something a little less-usual about him, if possible.
Aaron de Silva’s a landscape gardener, creating or regenerating beautiful gardens in stately homes. He also hand-makes guitars. He’s one of the few people in Nelson’s Bar to be able to get satellite broadband and is constantly changing the password or finding half the village in his garden ‘borrowing’ his internet access. His own garden looks out directly over the cliffs to the sea far below and whether he’s sitting on the bench alone playing his guitar or hosting an outdoor party, his garden is Aaron’s happy place.
Aaron has lived all his life in the seaside village of Nelson’s Bar, Norfolk. His family are around him, including a lively younger cousin, Harry, who causes Aaron a few hair-raising moments, and his much-loved brother, Lee, who Aaron spends much of the book looking out for. Lee’s emotionally fragile after being jilted six years earlier and he returns to Nelson’s Bar to live just as heroine Clancy Moss comes to the village too. And it’s Clancy’s cousin Alice who jilted Lee. That Aaron was wildly attracted to Clancy at the wedding-that-never-was only feeds his emotional maelstrom when he’s constantly forced into her company.
by NK Chats To: Mandy Baggott
Hello Mandy. Thank you so much for joining me today. Can you tell me about your new book, One Last Greek Summer and what inspired it?
One Last Greek Summer is a perfect summer read set on the Greek island of Corfu. It’s the story of newly divorced thirty-something Beth Martin and her friend, Heidi, having one last holiday before they both re-evaluate the next stage of their lives. Except Heidi has picked the destination they both first visited when they were 21, and there just might be a few familiar faces waiting for them…
How has your writing process changed since writing your first novel?
*laughs* Seriously, it hasn’t changed that much! The only thing that has changed slightly is I now write two books every year as opposed to one when I first started out. I still initially come up with main characters and setting, the very bare bones of an idea, and then I literally start to write. I am not a plan it all and stick Post It notes around the room kind of writer, I just haven’t got that in me. I think if I knew the beginning, middle and end of each story I’d get bored writing it.
Where do you like to write? Do you have any writing rituals?
I have two main places I write. I have an office at home and I also visit my husband’s office at Numeric Accounting in Salisbury three days a week to give me that true ‘getting up and going to work’ feeling. It’s amazing how productive you can be surrounded by a team of accountants… As for writing rituals, I don’t really have any of those, just keep the coffee coming! Oh, and we always go to the pub at lunchtimes on a Friday! That surely counts, doesn’t it?
How important is it to pick the right names for your characters?
This is SUPER important to me otherwise the characters don’t come alive or feel real to me. I remember one publisher (who shall remain nameless) at the very last moment, I think at the proofreading stage of things, wanted me to change the name and nationality of my hero. I was so shocked and I was absolutely not happy about it. I stuck to my guns and obviously I was right! It doesn’t usually take me long to come up with names but they do have to feel right for the characters.
What’s next for you?
I’m currently finishing writing Christmas! One Christmas Star comes out in e-book on 12 September and I am really excited about this book. It’s the story of schoolteacher, Emily and down-on-his-luck singer, Ray. It’s set in a festive London and involves a full-on school Christmas show – think Nativity meets A Star is Born – that’s how I pitched it to Aria Fiction.
by NK Chats to… Jenni Keer
Jenni Keer
Hi Jenni, it’s great to be welcoming you back to Novel Kicks.
Thank you so much for having me back. I can’t believe my second book is out already. I had a real thrill ride with The Hopes and Dreams of Lucy Baker. The book had so many amazing reviews and I was delighted to get an Amazon bestseller flag. Let’s hope The Unlikely Life of Maisie Meadowsis as enthusiastically received.
Which fictional character would you like to spend the day with? What would you do?
This is such a hard question. In fact, I left answering it until the end because there are so many characters I could have chosen. I considered people from historical novels where I would get the opportunity to spend some time in an exciting period of history – perhaps with a Regency lady or a certain Victorian cotton mill owner *wink*. I thought about characters with special powers, like Harry Potter and various superheroes (flying through the air with Superman would be a blast). I considered the simple rural idyll that would be spending a day with Anne Shirley at Green Gables, or Miss Marple in her beloved St Mary Mead. Perhaps I could pamper myself and spend the day with someone wealthy or influential, perhaps party with Jay Gatsby, or Holly Golightly? So many fabulous characters, so many choices…
In the end (wait for it…) it’s a toss up between Mr Daydream (who could give my imagination a boost and therefore some fabulous material for my novels) and Mr Impossible (so I can do EVERYTHING and ANYTHING) from the fabulous Mr Men. These were the very first books I read by myself and they have a special place in my heart. I’m sure I could have some up with something more intellectual but I’m embracing my inner child. Besides, I’m curious to see how they mange to drink a cup of tea with those stumpy little arms (Mr Tickle being the obvious exception).
Which songs would be on a playlist for The Unlikely Life of Maisie Meadows?
This is quite an easy question because Theo, who works with Maisie at the auction house, has a particular penchant for the 1980s. Although he is an expert in modern design (i.e. post-war) that’s the decade that really interests him, and this is reflected in his music taste. He plays a lot of The Jam, The Police, The Clash (late Seventies/Eighties) so a soundtrack would have to include these bands. This contrasts with the flamboyant Johnny (Maisie’s boss) who has more classical tastes, so perhaps some Mozart and a sprinkling of Shostakovich (as it is mentioned in the book). And then, to keep the author happy, I’d have to throw in a few recent dance tracks – which is largely what I listen to when I write. So it would be quite an eclectic mix.
How did your writing process differ from your previous novel?
In many ways it was quite similar. I’m a pantser, not a plotter, so apart from the bare bones of the story and a definite idea of the ending, I do tend to launch myself in rather randomly, not even writing chronologically. However, for Maisie I had to produce a synopsis for the publisher before I began writing and this did help me focus my ideas a bit more. There was also a time pressure for Maisie, whereas Lucy was written before I had a publishing deal so I had longer to play about with it. However, deadlines are Good Things. They help you focus.
The only thing I really did differently was a mid-book plan. I always refer to my first draft as the Bowl of Dropped Spaghetti stage – because in my head that’s what it feels like. After that, I need to pick all the jumbled spaghetti up and sort it out. Writing Maisie was the first time I’d produced a coherent plan but it was only at this post first-draft stage. I put all the scenes I’d written on Post-it notes and then planned the book – a bit backwards but it worked. My clever techie son set me up with two screens and I simply pulled across sections in order onto a blank document. I am at the Bowl of Dropped Spaghetti stage with Book 3 now so shall employ this method again.
Which authors have inspired you?
by NK Chats To: Elizabeth Crocket
Hi Elizabeth, thank you so much for joining me today. Can you tell me a little about your book, Full of Grace and what inspired it?
In Full of Grace, Angela keeps a roof over her head, albeit a leaking one, by writing romance novels. But Angela’s never really believed in the traditional happily ever after ending. So, she begins writing the story of Grace, who has recently been diagnosed with cancer shortly after finding out her husband Rick is having an affair. Again.
As she writes the story to dispel the myth of happily ever after, Angela begins a relationship with Mark, the contractor who comes to fix her leaking roof, and ironically, it looks like she may be on the way to her own happy ending. But Angela’s had a difficult past and has a cynical outlook, while Mark’s life has just gotten messy. Angela wonders if this is all going to work out.
Grace lies in bed at night, wondering if what Rick wants to give her, and what he is capable of giving her, are two different things. She asks Rick to move out temporarily, while they try to assess their marriage. She wonders how she can get such comfort and security from a man who cheated on her.
My inspiration for this book came when I was daydreaming one day, thinking it would be fun to write a book about two women with different story-lines, and two different personalities. I started to think of the character Angela, and what she would write about next. I decided she should write about a character who has cancer, as I could draw on my vast experience, having lost my parents to cancer, and having had cancer myself. I wanted a story-line about cancer to sound authentic, because I’ve read some that didn’t ring true to me. However, it isn’t all doom and gloom, there is some romance, fun and humour as well!
What’s your typical writing day like? Is there somewhere specific you like to write?
When I’m working on a novel, or writing anything for that matter, I don’t have a typical writing day. I tend to live and breathe what I’m working on. I’ve been known to be sitting at my kitchen table at 3:00 in the morning, jotting down something I’ve thought of in the night.
What’s your favourite word and why?
My favourite word. Hmm. This is where I’m wondering if I should be honest and say that it probably isn’t printable. (grin) But, I’ll choose a more suitable response and say that it’s each of my grandchildren’s names. That would be six words, though, so I’ll say “grandchildren”. Or “grace”, a quality I so admire. I really love words, we could be here all day!
Which authors have inspired you?
So many authors have inspired me. I jump between reading fiction, non-fiction and poetry. So, I’ll choose someone in those three categories that I’ve read this year. Elizabeth Berg, Michelle Obama, and Billy Collins. What a dinner party that would be!
What are you currently working on?
I have two books that should be released in the next year or so. Soon I will start edits on my third women’s fiction, The Smell of Roses. I also have my first children’s picture book, Happy Haiku, coming out within a year or so. And I am always working on some type of Japanese short form poetry, which is a great interest and love of mine.
What song best describes you?
by NK Chats To… Jon Rance (Plus Book Review)
Hello Jon, welcome back to Novel Kicks. Congratulations on the new book Good Grief, which has been released today. What are you doing to celebrate?
Firstly, thank you so much for having me! It’s always a pleasure. I don’t know about other authors, but I don’t do much to celebrate new books because I’m usually too anxious and worried about getting reviews and what people will think of it. I usually just have a meal with my family and a couple of drinks, and then it’s back to stressing about it! That’s the life of an author – 95% stress 5% enjoyment!
Can you tell me a little of what Good Grief is all about?
Good Grief is my eighth novel and it’s about two very different people trying to get over losing their partners. Holly Moon is twenty-seven and a year before the start of the book her husband died suddenly of a heart attack. Holly thought she had it all and suddenly her life is nothing like she had planned. Phil Turner is sixty and he’s been married to Bev for nearly forty years. She’s all he’s ever known. When she dies of cancer, he doesn’t know what life is about anymore. Holly and Phil meet at Good Grief counselling group and strike up an unlikely friendship. Together they help each other move on and find a purpose in life again. Good Grief is a love letter to the healing power of friendship. It might sound a bit sad, and it is in places, but ultimately it’s a feel-good, uplifting story.
Which songs would be on a playlist for Good Grief?
Haha that’s great. I actually made one on Spotify! Queen play an important role in the book and so definitely some Queen. I’d go for Another One Bites The Dust and I Want To Break Free. There’s the Snow Patrol song, What If This Is All The Love You Ever Get? Love Will Tear Us Apart by Joy Division, Your Song by Elton John, Nothing Lasts Forever by Echo & The Bunnymen, Hey Jude by The Beatles and One Day by Kodaline. You can find the playlist on Spotify. It’s called Good Grief Playlist. Enjoy!
What’s your favourite word and why?
Ooo that’s a tough one. I think my all-time favourite word is bivouac. I’ve never actually used it in a book, but one day! The way it just sort of rolls off the tongue.
When you are beginning a new project, how much planning needs to be in place before you decide it’s enough to begin? Do you use software like Scrivener or a notebook?
by A Moment With… Lynne Shelby
A lovely huge welcome and hello to Lynne Shelby and the blog tour for her new novel, There She Goes.
When aspiring actress Julie Farrell meets actor Zac Diaz, she is instantly attracted to him, but he shows no interest in her. Julie, who has yet to land her first professional acting role, can’t help wishing that her life was more like a musical, and that she could meet a handsome man who’d sweep her into his arms and tap-dance her along the street…
After early success on the stage, Zac has spent the last three years in Hollywood, but has failed to forge a film career. Now back in London, he is determined to re-establish himself as a theatre actor. Focused solely on his work, he has no time for distractions, and certainly no intention of getting entangled in a committed relationship…
Auditioning for a new West End show, Julie and Zac act out a love scene, but will they ever share more than a stage kiss?
Lynne is chatting about her five favourite fictional characters today. Over to you.
Reading a novel, I find that some characters simply leap off the page and hang around in my imagination long after I’ve read the last chapter of their story. Not that they’d all be people you’d want to meet in real life, but here are five of my favourites:
Jane Eyre
In books, governesses are often prim and pitiful creatures but Jane Eyre, the heroine of Charlotte Bronte’s novel, is neither. Outwardly conventional, Jane is actually a rebel against the constraints society imposed on women of her time – her then-radical ideas about equality between the sexes, shocked many of the novel’s Victorian readers! The way Jane remains true to herself while overcoming hardship, and the fact she refuses to become the mistress of the man she loves, not because of her society’s morals, but because it would mean she would lose her own sense of her place in the world, make her one of the most memorable characters in English literature. I first read the book in school when I was a teenager, and have re-read it many times – I’m always delighted to renew my acquaintance with the subversive Jane.
Lou Clark
The charming heroine of JoJo Moyes ‘Me Before You,’ Lou describes herself as ‘an ordinary girl leading an ordinary life.’ She is actually a wonderfully quirky girl, cheerful and optimistic, who could do all sorts of things, but the small town where she’s always lived is stifling her potential. When she takes a job as a carer for quadriplegic Will Traynor, she shows that she is both kind and resourceful – someone you simply have to root for, and hope that her life will get better, the whole way through her story. I don’t want to say too much and give away the plot of the book, but Lou Clark is a character that makes you both laugh and cry.
by NK Chats To… Claire Wingfield
Hi Claire, thank you so much for joining me today. Can you tell me a little about your book, Saving Francesca Maier and what inspired it?
Saving Francesca Maier takes place over a summer in Berlin, when a family arrive to visit old friends in the city, disturbing secrets that have long lain dormant.
Having grown up in the UK, my first job as a young graduate was in Berlin and the book was inspired by those two transformative years in my life, during which I felt an exhilarating – and at times terrifying – sense of freedom. It seemed natural to put those intense emotions into the character of Francesca, an adolescent girl on the cusp of change when she’s brought to her father’s home country for the first time.
What’s your typical writing day like? Is there somewhere specific you like to write?
With two young children and a busy editorial business, my writing is often squeezed in at the edges of the day. I like to write before the rest of my family is awake but also find many of my ideas come when I’m not at my desk. Writing Saving Francesca Maier, quite a few plot ideas came to me whilst swimming and at least one of the scenes is inspired by a yoga pose!
What’s your favourite word and why?
Change.
In writing and in life I am always reminding myself to appreciate that people can make quite incredible transformations. It’s those transformations that can provide a lift and new momentum to a narrative and a sense of hope in life. Some of us are too often told that people can’t change and that’s when we get stuck in our place in life and our emotions. Reading novels can remind us that other paths are possible, and part of my writing has been inspired by the personal transformations of people I’ve known – especially those that come after many years of one way of being. There’s an important shift in mindset for one of the characters in Saving Francesca Maier which needed a catalyst but also required incredible bravery to stick to, once my character glimpsed that change was possible.
Which books have inspired you?
by NK Chats To: Liv Constantine
Welcome Back Lynne and Valerie. I am so happy to be chatting to you on publication day for The Last Time I Saw You. What are the challenges of co-writing a novel and how do you divide responsibilities from idea to final draft? How long does it take you to write a novel?
We love writing together and feel the advantages far outweigh the challenges, however there are definitely aspects of co-authoring that present more difficulty than writing solo. Because we live in different states, one of the biggest of these is scheduling. We speak every morning to determine the day’s “assignment” and then FaceTime at the end of the day to discuss the work for the day, and so we need to be strict and precise about the time for these appointments. That means looking at our calendars and determining times that mesh with our respective schedules.
With everyday life commitments , sometimes finding a mutually workable time can be frustrating, and could hamper the flow of work. Then there is the challenge of resolving a disagreement regarding plot line or character. Fortunately, this is a fairly rare occurrence, and when we have disagreed, we’ve been able thus far to listen to each other’s reasoning with respect and an open mind. Hence the solutions have always been arrived at without rancor or resentment. Lastly, the job of editing can be challenging because it’s something that must be done together, page by page, line by line. This part of the job can easily keep us on FaceTime for six to eight continual hours at a time. So…pretty minor challenges given how much we enjoy working together.
We talk through an idea for two months or so before we write the first sentence, and so we have a general idea of where we want to go and what the twist will be. We also develop our characters together. We don’t have a detailed outline of the story, preferring to let it unfold more organically––to let the characters dictate the action as it were. We work equally on all aspects of the book, so even though we have two protagonists, we both write for each of them. The process has now evolved to the point where Lynne might start a scene and then send it to Valerie to finish or vice versa. There are times when the beginning of a sentence is written by one of us and the end by the other. And of course we edit each other’s work as well.
The Last Mrs. Parrish took us a year from start to final edits, however, The Last Time I Saw You took eighteen months. The book in progress has taken us four months, and we are now in final edits.
What’s your favourite word and why?
Lynne – Gobemouche – it sounds just like what it is – extremely gullible. It’s a fun word to say and it reminds me of something my father would make up. He was a great kidder and loved to come up with crazy nicknames and words.
Valerie – mulligrubs. First of all because it sounds so delicious on the tongue and secondly because it so perfectly describes someone who is sullen and has the grumps.
Which song would each describe each of you?
Lynne – Break My Stride – Matthew Wilder
Val –Time of my Life – Bill Medley & Jennifer Warens
What elements do you feel need to be present to make a believable, good suspense novel?
Good character development, plausibility, tight pacing, and surprising but inevitable twists.
What book do you wished you’d written?
Val – Pride and Prejudice
Lynne – Murder on the Orient Express
by NK Chats To: Elle Nash
Hi Elle, thank you for joining me today. Can you tell me a little about your book, Animals Eat Each Other and what inspired the story?
Hi Laura, thanks so much for having me. Animals Eat Each Other is a book about a girl who falls into a relationship with a couple, right after graduating high school. The couple, Matt and Frances, find themselves enamored with her, so much so that Frances even renames her: Lilith. Things become complicated when the three of them become dishonest with each other about their true feelings, and Lilith must explore these new boundaries in the wake of her own nihilism about herself and how she gives and receive love, raising questions about her own self-worth.
The biggest inspiration for the story was just how I felt at the age of nineteen. I felt lost, had been burned in love by a couple different people through high school up until that point, and became very jaded. I wanted to write the sort of book about not just love but also about bisexuality that I would have wanted to read as a young woman, without tokenizing the ‘sexual awakening’ aspect of the coming of age story we’re all so used to.
What’s your typical writing day like? Is there somewhere specific you like to write?
My typical writing day is haphazard and on the fly. I am the mother of a young and vivacious toddler so I tend to write whenever I can get it in. In the morning before she wakes up, it’s 15 minutes here or there, during naps if I can, at night when everyone is asleep. I’ll even bring my laptop with me in my car if we’re running errands. If she naps before we get to our destination, I’ll sit in parking lots and type up notes and write then, too. I also write into my notes app on my phone a lot, and even dictate thoughts to myself to transcribe later. I feel a bit like I’m collaging most of the time.
What’s your favourite word and why?
Very tough question. Probably the word “spell.” There’s a lot to it. I view the practice of writing as a form of magic— like manifesting, conjuring something from the ether. The very idea of “spelling” a word, like carving something down onto a piece of paper or an object (or the internet) is a form of making a spell, of manifesting. You can out people under a spell with your words, by transmitting the feeling of a thing through atmosphere and character and mood. It’s a pretty powerful thing to think about.
Which authors have inspired you?
So many! Elizabeth Ellen, author of Person/a; Juliet Escoria, whose book Juliet the Maniac was just released; Mary Gaitskill, who has a great number of short story collections. Tom Spanbauer and Chuck Palahniuk’s early work were very inspiring to me as a young aspiring writer, along with Octavia Butler, whose book “The Parable of the Sower” really changed my life.
What are you currently working on?
I just shoved aside a second novel manuscript for a bit so I could focus on some short stories. It’s been fun.
What songs would be in the playlist for this novel?
Oh, so many, but here is a shortened list:
“10 or a 2 Way” by Korn
“F*** the Pain Away” by Peaches
“Tourniquet” by Marilyn Manson
“I’m Not Okay (I Promise)” My Chemical Romance
“Screaming Infidelities” by Dashboard Confessional
“With Teeth” by NIN
“King of the Closet” by Blindside
“Blood Pig” by OTEP
“WOW” by Marilyn Manson
What is your writing process like from idea to final draft? How long does it take you to write a book?
My first book took three years to finish a first draft, and then another year to get it to a publishable, final draft. I had never written a novel before and I had zero planning put in it whatsoever. It just kind of started as a short story and I kept expanding and expanding until it was more of a novel. The current book I’ve been writing, I actually planned out a lot beforehand, and challenged myself to finish a first draft in twelve weeks, which I finished in eleven, then spent a couple of weeks revising. I’m currently letting it sit for a bit before I go back to do more revisions and see if there are other structural issues I need to take care of.
by A Moment With… Iain Maitland
Iain Maitland has joined me today with the blog tour for his latest novel, Mr Todd’s Reckoning.
Norman Bates is alive and well… He’s living just next door
Behind the normal door of a normal house, in a normal street, two men are slowly driving each other insane. One of them is a psychopath.
The father: Mr Todd is at his wits end. He’s been robbed of his job as a tax inspector and is now stuck at home… with him. Frustrated. Lonely. Angry. Really angry.
The son: Adrian has no job, no friends. He is at home all day, obsessively chopping vegetables and tap-tap-tapping on his computer. And he’s getting worse, disappearing for hours at a time, sneaking off to who-knows-where?
The unholy spirit: in the safety of suburbia, one man has developed a taste for killing. And he’ll kill again.
Iain is chatting today about getting into Mr Todd’s head for the novel. Over to you, Iain.
Mr Todd’s Reckoning tells the story of two men, Mr Todd, the father, and Mr Todd, the son, living in a small, rundown bungalow during a long and endless summer heatwave. The younger Mr Todd is unemployed and has various mental health issues. The older Mr Todd has just lost his job and is angry and frustrated. Each man drives the other mad.
Getting inside Mr Todd’s head – both heads really, the father and the son – was easy to do. The two men were based, at least to begin with, on my eldest son, Michael, and me. I was writing from deep within myself.
Michael went to university, as so many teenagers do, away from home. He struggled with issues of low self-esteem and anxiety when he was there. Left unchecked, these turned eventually into depression and anorexia. He spent time in hospital and five months in The Priory. For a while, we thought we would lose him, either through anorexia or by taking his own life.
I understand now, to some degree, how someone with mental health issues thinks and acts. I read some of Michael’s diary entries from when he was in the Priory – they were the basis of a memoir we wrote together when he was getting better, Out Of The Madhouse (JKP Books). The younger Todd began as a fictionalised version of Michael, or someone much like him – someone with some of his issues anyway.
I’ve written in the national media, The Guardian etc, and in a memoir, Dear Michael, Love Dad (Hodder) about my childhood. My father brought his teenage mistress to live in the family home with him, my mother and me when I was six. Strange times, and they got much worse over the years. Lots of intense and negative feelings that I had in my childhood – being unwanted, feeling like an outsider, believing I was useless – were easy to dredge up when I wanted them.
by A Moment With… Effrosyni Moschoudi
Effrosyni Moschoudi is the author of The Raven Witch of Corfu series.
She is joining me today to talk about how Corfu has inspired her writing.
*****
My love affair with Corfu began when I was only a child. Ever since I was about five years old, my Corfiot grandparents used to have me over for long periods every summer, first in Corfu town, then in the village of Moraitika.
Moraitika is situated on the southeast coast of the island between Benitses and the port of Lefkimmi. Back in the 1980s, Moraitika was a bustling holiday spot. My family ran both a souvenir shop and a small business of room rentals at the time, which meant I had plenty of opportunities to mingle with tourists on a daily basis, Brits mostly.
My sister and I often spent three-month holidays in Moraitika as youngsters, where we helped our grandmother with the cleaning of the rented rooms. Yet, there was always time for plenty of swimming and sunbathing, as well as for having fun in the evenings with a host of cousins and friends. This time of my life remains the most precious I hold in my heart, and this is even more so the case now that my grandparents have passed away.
I have strong family roots in Moraitika. My great-grandfather, the teacher and priest of the village in the turn of the 20thcentury is buried beside the old church. Part of his home that’s still standing in its entirety near the church was originally used as the school of the village. Today, it has been split up into small apartments which stay closed for most of the year and only come to life for 1-2 weeks at a time when descendants of my great-grandfather (my cousins, aunts and uncles) arrive for a short holiday. Having inherited the part of the house that once belonged to my grandparents, it is a precious bond with that special part of my life that literally comes to life for a few days every summer when I stay there.
Beside Moraitika, and across the river of Messonghi, lies a small fishing village of the same name. Unlike Moraitika that kept getting more built up over time, Messonghi has changed very little since I’d first laid eyes on it in the 1970s.
by 5 Modern Protagonists I’d Like To See
Del Ray; Film Tie In Edition, August 2015
Writers’ ability to create new characters never ceases to astound me. Indeed, for as much as we hear that Hollywood is “out of ideas,” the literary world seems to be full to bursting with them. In just the last few years some of the most noteworthy books I’ve read have concerned a girl on a semi-fantastical journey launched from her family’s Everglades gator-wrestling attraction (Swamplandia! by Karen Russell); a tale of President Lincoln’s son in a state of purgatory (Lincoln In The Bardo by George Saunders); and a spellbinding narrative in which trees are as much main characters as people (The Overstory by Richard Powers).
A great written story can be spun out of just about any sort of character, provided a writer has a good idea, a bit of talent, and a great deal of imagination. Even with the innumerable ideas that have been tried though, I still catch myself daydreaming now and then about the characters or stories I’d like to read (or perhaps write). Lately, I’ve been musing about some more modern ideas for protagonists that – to my knowledge – haven’t really been tried yet.
Here are a few I’ve come up with.
1. A Space Voyager’s Spouse
Space travel is nothing new in fiction. From realistic stories to full-fledged science fiction and everything in between, there have been all kinds of tales written about people venturing out into space. What we don’t see too much of though is writing about the people who might one day be left behind by those heading out on deep space explorations. For instance, imagine Mark Watney, the central character in The Martian, had had a wife on Earth. Wouldn’t her story be fascinating as well? A few years ago, when people were signing up for a highly publicized one-way ticket to Mars, there was actually a profile about one woman’s husband who was coming to grips with never seeing her again. I’d love to see this sort of character fleshed out more in a full-length, realistic, yet fictional account. It feels like an aspect of modern space exploration we don’t consider, yet one of the most deeply human components of it all.
Credit: Kate Mango Star
2. A DJ
Personally I’m not wildly into the DJ or electronic music scene. Nevertheless, we have works of fiction pertaining to most every genre of music that’s ever dominated our culture – save for modern DJs (to my knowledge, at least). This just seems to be leaving something of a gap, and I would imagine that the right author could spin a fascinating story out of a character like this. Most of these people are fairly young when they make it big, and from that point forward they travel the world playing shows and festivals, with crowds full of people responding to their every whim. It’s an interesting life whether or not you like the music.
3. A VR World Architect
Virtual reality has been a hot topic for years now, and it’s had a place in popular fiction for decades. There’s fairly little talk, however, about who might design and control VR worlds if and when they become more sophisticated. In fact, the closest example I could think of in fiction (never mind books specifically) is the vaguely comical “Architect” character in The Matrix films. I’d be curious to see an inventive author draw up such a character though – someone with a god-like ability to control, manipulate, and monitor a VR world catering to thousands or millions of users in the near future. It’s not exactly a comfortable idea, but it’s an interesting character outline that could make for a fun read.
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by NK Chats To… Beth O’ Leary
Hi Beth, thank you so much for joining me today. Can you tell me about your book, The Flatshare and what inspired it?
Thank you so much for having me! The Flatshare is a story about two people who share a one-bed flat but don’t meet: one works nights, the other works regular hours. It was inspired by my own experiences of moving in with my boyfriend when he’d just started work as a junior doctor and was working lots of night shifts. We would go days on end without seeing one another – he’d get home from work just after I’d leave in the morning and vice versa, so we passed like ships in the night. It got me wondering what might happen if two strangers lived that way…
What’s your writing process like from idea to final draft?
For me, the basic concept is often what comes into my head first: in this case, two people sharing a bed but not meeting. The main characters come next, growing out of that: so here, I asked, why might two people be willing to do that? What sorts of people would they be?
I generally do a rough plan after that point, which features some key moments I want to happen in the novel, but then I rarely look at that plan again once I get writing. For me, first drafts tend to snowball – I write very quickly, almost with the sense that I’m trying to keep up with the story, and then when I hit the end of the book I go back and do a lot of work from that point onwards. The first draft gets the raw, emotional stuff down, the clay of the story – the second draft is all about shaping that into something.
Do you have any writing rituals and somewhere special you like to write?
Well, I wrote The Flatshare on my commute to and from work, so after a while that became my writing ritual – it took me ages to get used to writing full-time at a desk at home after that! I often listen to music while I write, and tend to create playlists for stories. These playlists are especially useful when I’m editing, because they get me back into the character’s heads even when I’m looking at the book more analytically.
by A Moment with… Tony Lee Moral
Welcome to Tony Lee Moral who is here to talk about his new novel, The Haunting of Alice May, released on 12th March.
Alice May Parker moves with her family to the sleepy town of Pacific Grove after her Mom dies, but little does she know the strange and terrifying events to come.When she falls into the bay during a kayaking trip, she is rescued from drowning by the mysterious Henry Raphael.
Handsome, old-fashioned and cordial, he is unlike any other boy she has known before. Intelligent and romantic, he sees straight into her soul.
Soon Alice and Henry are swept up in a passionate and decidedly unorthodox romance until she finds out that Henry is not all what he seems.
Tony is here to talk about the inspiration and process behind The Haunting of Alice May.
In my new novel The Haunting of Alice May, I blend mystery, with suspense and the supernatural. The central character, Alice Parker, moves to Pacific Grove, California, with her father and little sister after her mother dies. Whilst kayaking in the bay, she paddles towards a mysterious island, but capsizes and is drowning when a young man, Henry Raphael, magically appears, delivering her safely to the beach. Against all rules, they begin seeing each other.
The novel is partly inspired by J.M. Barrie’s supernatural 1920 play Mary Rose, about a woman who disappears on a Scottish island and reappears many years later in a ghostly form, while all her loved ones and those around her have grown old. Barrie is best known for writing Peter Pan or The Boy Who Wouldn’t Grow Up in 1904, about a boy who has an overwhelming desire to remain young forever.
I first read Mary Rose when I was researching my books on Alfred Hitchcock, as it was the Master of Suspense’s favourite and he wanted to make it into a film. He thought about the challenges of creating Mary Rose as a ghost with neon lights, but unfortunately was never able to realize his passion project. So Henry, in my novel is a version of Mary Rose — someone who never grows old, doesn’t become an adult, is from a different era, and is tied to a mysterious island.
Taking this premise, I thought, wouldn’t it be fascinating and sad if the ghost never grew old, while those around him had died? When Henry falls in love with a human, the dilemma is that they are not only from two different times, but also from two different worlds. While Alice is a contemporary teenage girl with a romantic nostalgia for past literature, Henry’s values are from the turn of the 20th Century, and he is bound by a sense of old-fashioned duty.
When writing for it is important to distinguish between mystery and suspense. Many readers become confused by the two terms. Having written three books on Alfred Hitchcock, I learned that they are actually two very different processes. Mystery is an intellectual process like a riddle or a whodunit. The mystery of Henry, who saves Alice from drowning, is who is he really? Is he a ghost? Where does he come from? What secrets does this island hold on which he inhabits? These are all mysteries that run through the book.
Each of the main characters has their own personal mystery to unravel, whether it be Alice, Henry, Emily, or Heather. Mystery is a central part of being a teenager. Teens are faced with such questions as: What will happen to me when I grow up? Will I find a partner? Will I fulfil my ambitions? Will I do well at school? When Henry asks Alice, “What are you afraid of then?”, she doesn’t immediately answer. Yet inside, she knows she is afraid of many things: concerns for her family, their future, and growing up without a mother. For me, this is the crux of the novel. Part of the fear of growing older is not having fulfilled your life’s ambitions.
by NK Chats To: Eleanor Anstruther
Hello Eleanor, welcome to Novel Kicks. Can you tell me a little about your book, A Perfect Explanation and what inspired it?
A Perfect Explanation is based on the true story of Enid Campbell, granddaughter to the 8th Duke of Argyll, who sold her son to her sister for £500.
She was my grandmother, and the son she sold, my father. I’d always known the basic fact of this story, but no more than that. Thirteen years ago, I asked my father to tell me about his mother, and his response inspired the novel.
How much of a challenge was it to write a fictional story around historical events?
It was a huge challenge, not least because the characters in the book, who behave so badly and make such terrible mistakes, are my relations, and the urge to take sides was almost overwhelming. Added to that was the difficulty of first making sense of a complicated story, and then picking a narrative out of that complex weave of real life events.
A narrative must have a beginning and an end, whereas in reality, the scenes of our lives trail endlessly into one another. I had to choose where to start and stop, which of the many points of view to take, and essentially, what story to tell. Everybody wanted to have their say, but having spent a decade listening to them all, and writing many versions, I stood back and wrote the story as I wanted it told. It became as much my perfect explanation as it is theirs.
What is your typical writing day like? Do you write in silence? Have a specific place to write?
It depends where I am with a piece of work. I have a studio in the garden, and I’ll be up there every morning for two or three hours while working on a first draft. Often once I’m in the editing process, I’ll start at four or five in the morning, and work much longer days. It’s gruelling and relentless, but nothing else gets a book written.
I write in silence, although another vital part of my writing day is thinking about the work in the evening, my notepad beside me. I have playlists for everything I write, and listening to the music which goes with the novel I’m thinking about, often produces new ideas or solves that day’s problem.
I also do some sort of exercise most days, either running, walking or swimming. As with listening to playlists, I often solve problems when away from my desk, either out in the fresh air, or ploughing up and down a pool.
What’s your writing process like (from idea to final draft?)
Ideas come and niggle at me until I pick up my pen and write them down, and then it’s too late to do anything but think of how they might grow. It’s a trick really, of stories, to get themselves written. They pretend they’re just an itch, but as soon as you scratch them, they turn into a full blown illness that can only be cured by completion. So I write down ideas, and then at some point I take an idea up to my studio where the whole thing becomes more serious and I start to think about what it is and how it can be.
Salt, 15th March 2019
Julie Cohen gives the best advice for writing; it is simply to “finish the damn book” which is easier than it sounds. Knowing how tough first drafts are, when I’ve decided to take the plunge, I just hold my breath and get on with it until I have what Graham Linehan calls “the screaming skinless babe” that is a completed first draft.
After that it’s months and months of editing, reading it back aloud – this is crucial, by the way, to hearing flow, tone and rhythms – and leaving it to rest for weeks at a time too, so that I can go back to it with fresh eyes. When I feel I can do more, I’ll send it a trusted freelance editor I’ve been using for years, to get his take on it, and only after that, and more editing, does it go to my agent. I also usually run it past a couple of beta-readers, chosen specifically for that material.
Having now been through the process to completion, I know that it isn’t truly finished until I’m holding the printed book in my hands.
What inspired you to be a writer?
I come from a family of writers; it’s in my blood. I’ve always written and can’t imagine life without it. I did, however, take a long time to recognise it as a career. It wasn’t until I was in my thirties that I thought, why not do this as a profession?
Which author/book has influenced you the most?
That’s a very tough question – can I have two?! Henry James and George Eliot.
by NK Chats To: Roxie Cooper
Hi Roxie, it’s a pleasure to welcome you to Novel Kicks today. Your book is called The Day We Met (released today. Yay.) What’s it about and what inspired it?
Hi, thanks for having me! The Day We Met is novel about meeting the right person at the wrong time and it asks the question; what happens if you meet your soulmate when you’re just about to marry someone else? Stephanie and Jamie are both happy with other people when they meet each other, but they can’t ignore the strong connection and chemistry between them. Unwilling to slip into a typical affair, they decide to meet on the same weekend every year, as friends. The novel spans a ten-year period and we see how the relationship affects them, their marriages, and careers.
I wanted to write a different kind of love story, one which reflected modern times and attitudes. I’ve always been intrigued by people’s varying opinions on physical and emotional infidelity; is one worse than the other? How do emotional affairs start and just how damaging are they? It’s a huge grey area which sparks monumental discussion and, as a former lawyer, they’re something I love exploring. But it was when I heard Paloma Faith’s Only Love Can Hurt Like This one day that the novel became fully alive in my mind. I knew this had to be an epic love story about two people who couldn’t be together but couldn’t be apart either. That was also the moment I decided that the novel would have to be set to music.
What’s your typical writing day like, where do you like to write, do you prefer silence and is there something you need to do/have before you begin writing (coffee for example?)
Sorry to be really awkward, but I have different routines for different stages of the writing process! When I’m writing the actual book, I adopt a fairly strict routine but it’s carried out in a nice environment. So, I’ll drop both my kids at school then dash to a coffee shop on my local high street. Both of my previous books were written there. I don’t stop until I’ve written at least 1000 words and I need my iPod on with people walking around. I like being in the middle of the hustle of it all and I stay there until it’s time to pick the kids up again. Once I move onto edits, however, everything changes. I lock myself in the house and have the TV on at a barely audible volume – I need a tiny amount of white noise. I have to drink coffee in the morning, switching to tea in the afternoon. I turn into a complete recluse in this period, I don’t see my friends for months. It’s very extreme but it works for me!
Which author or book has most influenced you?
I’ve read so many books by authors I’ve admired, but in terms of ones who have influenced my career, I’d have to say Adele Parks. I read her novel, Playing Away, in my 20s and thought it was such a standout, brave debut. I researched the author and discovered that she, too, was from Teesside – I couldn’t believe it! That was the moment I thought ‘Wow – if someone from Boro can become an author, there’s hope for any of us.’ It was around this time I started to have ideas about a novel of my own but hadn’t started writing it yet (that book turned out to be my debut The Law of Attraction), but each time I read another of Adele’s books, it cemented my ambition.
What made you first realise that you wanted to be a writer?
I’ve always loved reading, but I was never one of those kids who wanted to write – or an adult, for that matter. The idea came to me after I became disillusioned with my former career as a criminal barrister. I come from a very working class background and would tell all my friends about the outrageously silly traditions and rituals I had to participate in at the Bar. Coming from Teesside, I’d tell the stories through a very unimpressed ‘Boro lens’ and they’d all say to me “You need to write a book about this!” I also got so fed up with people saying to me “You really don’t look like a barrister!” so in 2009 I started writing my debut novel The Law of Attraction – a book about a blonde, working class, intelligent, sassy girl from Teesside who is propelled into the posh world of barristers. I hadn’t even considered writing a book before I was 31 years old.
What’s your route to publication?
I did a lot of research before I submitted my debut novel to agents. My first novel was the only book I’d ever written and took me about 16 months to write. When I felt it was polished enough to allow an agent to read, I sent it off to three I had my eye on (which was terrifying!). Sarah Hornsley from The Bent Agency requested a full manuscript within 24 hours. I was a nervous wreck! Sarah called me and we had the most amazing chat. I knew then that she was the right agent for me. She made suggestions on how I could improve the manuscript (which I did) and six weeks later she offered representation. The next step was submitting the novel to publishers. I had offers from two publishing houses and The Law of Attraction was eventually published in June 2017 with the Harper Collins imprint, HQ Digital.
by NK Chats To: N. Lombardi Jr
Hello Nicholas. It’s great to welcome you to the blog today. Please tell me a little about your new book, Justice Gone and what inspired it?
Justice Gone was inspired by a true event, the fatal beating of a homeless man in a small Californian town. This was such an extreme case, and one which did not include any racial elements, that it exposed the utter abuse of authority in which an outraged public reaction was inevitable. The town was Fullerton, the man’s name was Kelly Thomas, and the year was 2011. Although the police officers were indicted by a grand jury, they were acquitted in their trial. So I asked myself a question: if someone felt that justice was denied the deceased, would they take it in their own hands? This became the seed for the story.
What elements do you feel need to be present in a thriller novel? What are the challenges?
Suspense, that is, the anticipation of what is going to come next, and this is usually accompanied by actions to some degree, although if you have enough skill, words alone can create this tension. Whichever way you accomplish this, the challenge is to persuade the reader to invest their interest in what is going on, and this includes sympathy for the protagonists.
This is the first part of a series featuring Dr Tessa Thorpe. What advice do you have for someone trying to develop a series and a strong character that will keep them coming back to read their story?
You need to become friends, or even love the character, knowing their faults as well as their admirable traits. In this way you know what they will say and can predict what they’ll do in any situation.
Actually Tessa first appeared in Journey Towards a Falling Sun, a story I wrote over 30 years ago, but eventually got published in 2014. It was a minor role, but one in which she was born, so to speak.
What’s your typical writing day like, where do you like to write and do you prefer silence?
I can write in the early mornings when I’m fresh, or in the evenings when I’m relaxed. usually the time between is non-productive. Silence is mandatory.
What’s your favourite word and why?
I don’t have a favourite word. I have a favourite colour, blue. Can I then say that “blue” is my favourite word?
by NK Chats To… Susan Lewis
Hello Susan. Thank you for joining me today. What inspired One Minute Later?
It was meeting twenty-one-year-old Jim Lynskey who is waiting for a new heart.
How has your approach to the writing process changed since your first novel?
I think it’s more or less the same. I explore ideas, let my gut instinct decide which is the right one to go with and then I devise the characters I think will be best to tell the story.
Is there a particular place you like to write? Do you need coffee to write? Music?
I always write in my study at home – I can’t seem to do it anywhere else – I tend to drink tea more than coffee, and I work in silence apart from the comforting snores of my little dogs. I also have a lovely view of the countryside through the French windows which can be very nourishing.
Which three characters from fiction would you invite to dinner and why?
I’d invite Thorfinn from King Hereafter because he could tell us the true story of Macbeth. Any hero from Georgette Heyer because they’re so dashing and romantic and probably Elizabeth Bennett because she’s so sharp and witty.
by NK Chats To… Amanda Brooke
Hi Amanda, thank you so much for joining me today. I am very happy to be part of the blog tour for your book, Don’t Turn Around. Can you tell me about it?
My latest book is set ten years after the death of seventeen year-old Megan McCoy and is told from the perspectives of Meg’s mum, Ruth and her cousin, Jen who was also her best friend. Meg died from suicide and her parents have established a helpline in her memory to reach out to young people in crisis who need someone to talk to.
The family are trying to rebuild their lives but there are questions that haunt them. What hold did her boyfriend have over her and why did she protect him to the very end? Was the brief note she left meant to be a cryptic message or did someone destroy part of the note before her father found her body?
The family think they have accepted there will be no answers until a young woman phones the helpline and reveals things that only Meg could know. Is she suffering as Meg had suffered and can they save her?
What’s your writing day like, where do you like to write, do you prefer silence and what keeps you motivated throughout your writing time?
I gave up a career in local government two years ago to become a fulltime writer and it’s so much easier having a set routine rather than fitting writing in around the day job.
My writing room was my son’s bedroom but working from home can be quite sedentary and I adapted my treadmill so I could walk and type on my laptop for the first hour or two each day. It was a great plan but as you know, it was a very hot summer last year, and my treadmill started billowing smoke! Unsurprisingly, I haven’t used it since but I have a dog now and we go out for long walks once I’ve met my daily word count. She’s the incentive I need to keep the words flowing so that we can escape together.
What elements do you believe make a good suspense novel? What are the common mistakes made if you’re writing one for the first time?
The best compliment you can give a writer is that their book was a page turner and that’s particularly important when it comes to suspense novels. Making the reader want to read on is an art and to get it right you have to consider the pace and structure of your story.
Each chapter should give the reader something but also leave them wanting to know more.
The characters are also key as the reader has to be invested in them. Protagonists should be relatable and that means giving them flaws as well as strengths, whilst the reverse is true of antagonists who can benefit from having something about them that makes them human.
What is your favourite word and why?
Having a favourite word can be problematic if it sticks in your mind and you find it appearing in one page after another. Hopefully, the repetitions are picked up during editing but often it’s a surprise to see how many times your copyeditor has to flag up overused words.
One word that I fell in love with at the start of my writing journey was ‘unfettered.’ It described perfectly the decision one of my characters had to make in my first novel, Yesterday’s Sun. She was to sacrifice her life for that of her child and her decision needed to be unfettered by other influences, such as the love for her husband or the dreams she had beyond becoming a mother.
by NK Chats To… Steven J. Gill
Hi Steven. Welcome to Novel Kicks. Can you tell me about your novel, The Rock ‘N’ The Roll ‘N’ That and what inspired it?
The novel in very simple terms is about a band.
A middle-aged man stumbles across said band as they prop up the bill in a subterranean haunt in Manchester.
He offers to manage them, and their journeys begin.
The backdrop is essentially to highlight love and friendship and the insecurities/successes/predicaments that middle-age can bring.
In terms of what inspired the novel, I’d previously read a book that used the music industry as a backdrop but felt it could be done better. I then attended the inaugural Festival Number 6. In North Wales and after an enjoyable afternoon at the literary stage, had somewhat of an epiphany and decided I would set to and get my book written.
The coupling of the music industry and this ‘new-breed’ of middle-aged felt like it had a lot mileage. Forty-something is now such a different beast in comparison to previous generations. And that opens a wealth of possibilities and jacking your job in to mange a band is well within the realms of possibility this day and age.
What’s your typical writing day like, where do you like to write and do you prefer silence? What keeps you motivated when writing?
It tends to fit in around work and I work in a room with a table, a huge bookcase and a stereo. I like to write for a couple of hours at a time. And I do very little in silence!
A perfect writing day involves no work. Get up and do a couple of hours. Go to the gym. Come back and eat couple more hours writing. Go for a walk for an hour mid afternoon and then a couple more hours writing. Breaking the creative process up allows for thinking time.
Motivation is progress in simple terms – be it writing or editing etc.
What’s your route to publication?
I ran a social media crowdfund campaign to gauge interest and to ‘out’ myself as a writer. The response was great, and I used the monies to get the book professionally edited and launched via Clink Street.
Do you have a favourite word?
Tough question and it can easily change from day-to-day – much like my favourite Beatles track – but let’s say preternaturally today.
by NK Chats To… Hanna Jameson
Hanna Jameson is the author of The Last, published by Viking, 31st January.
Hi Hanna, thank you so much for joining me today. Your book is called The Last and it’s been released today. Can you tell me a little about it and what inspired it?
The Last is a murder mystery narrated by an American academic, stranded in a remote hotel in Switzerland following the outbreak of nuclear war. It was inspired by me needing to write something else before I ran out of money, and also our political landscape. I started writing it almost immediately after the 2016 US presidential election, an event that I think many still haven’t recovered from. I tried to channel that sadness and anger, and also the ever-looming dread and grief about the impending climate apocalypse, into something constructive. Otherwise I’d just be yelling on Twitter.
Which author has inspired you the most and why?
This is a tough one, but taking someone’s work as a whole, probably J.G. Ballard. His work affected me profoundly when I was a teenager and it dictated a lot of my future taste. People describe The Last by referencing Agatha Christie but I’ve never read Agatha Christie. The influence I was drawing from was actually Ballardian; novels like Concrete Island and High-Rise, which create this atmosphere of extreme claustrophobia in an intimidating – almost devastating – amount of abandoned space. I was obsessed with his particular brand of near-future dystopia and I think he is still unparalleled.
What’s your typical writing day like, where do you like to write and do you prefer to write in silence?
I either write at home with headphones on, or at a coffee shop with headphones on. The latter gets expensive so I only do it when I need to get words out quickly, or when I’ve been struggling to focus. I like coffee shops because, even though I put my headphones on to lock down my emotional space with my own playlists or even a TV show in the background, I can still see and hear activity, which is very motivating and distracts the part of my brain that likes the distract me. I only work in silence when reading my work out-loud, which I always do when editing.
What is your route to publication?
Same as everyone else’s. A lot of hard work and perseverance, deluded levels of self-belief, that only amounted to anything due to luck.
What elements do you feel make a good novel?
Character, character, character. I could not give less of a shit about your plot or how good it is if I don’t care about your characters. If I realise I don’t care, I shut the book. In terms of creating good characters, there are many ways to do that. It mostly involves being honest, aware of how your limited perspective could cause you to rely on harmful stereotypes instead of empathy and genuine attempts at research and emotional interpretation.
What is your favourite word and why?
It changes all the time according to mood, but I love the word ‘epicaricacy,’ which is the English word for ‘schadenfreude.’
Are you able to tell me a little about your current work in progress?
I’m working on two projects currently. One is a TV show, a historical drama. The other is my fifth novel, which – like The Last – is also a near-future dystopian thriller.
by NK Chats To: Jenni Keer
Hi Jenni, thank you for joining me today. Your novel is called The Hopes and Dreams of Lucy Baker. Can you tell me about it and what inspired the story?
You are very welcome – it’s lovely to be here. Your virtual sofa is very comfy!
Hmm… how to sum up my book. I guess The Hopes and Dreams of Lucy Baker is a heart-warming story with a variety of themes. I set out to write a romance but the book became so much more and, in a way, is two love stories; Lucy and George, but also Lucy and Brenda. It was the powerful intergenerational friendship between these two women and how they deal very differently with Brenda’s dementia diagnosis, that became the central theme. For the romance, I was initially inspired by a locket of my mother’s and my working title was Lucy’s Locket until it was picked up by the publisher. This mysterious piece of jewellery leads to lots of mishaps and comedy moments for Lucy but also makes her reassess her romantic options in life. It was a fun book to write.
What’s your typical writing day like? Do you need coffee? Silence?
I weave my writing around part-time work, care for my mum and the hectic taxi service I appear to be running for my four teenage sons. My most productive times are during the school day – when the house is silent, and evenings – when it is not. I also work at the weekends when I can. I’ve developed a cunning strategy that involves wearing enormous headphones as a signal that I’m writing. If there is a lot of noise, I play music (I have a playlist of familiar songs so I’m not distracted by them) but I also cheat and pretend I’ve got music on so the boys leave me alone. It’s coffee during the day, and wine or tonic water at night – although the wine is only for weekends. Interestingly, some of the best comedy scenes have been wine-fuelled.
The other thing I do, to combat the isolation and to spur me on, is to meet up with my writing buddy, Clare Marchant, in our “virtual” office. It means we check in throughout the day with wordcounts and this accountability helps us both to focus. I do hate it when she leaves the virtual biscuit tin empty though…
Do you have a certain place you like to write?
I have an office – which is actually a desk in the corridor between the living room and the downstairs loo. I’m lucky to have this permanent space as a lot of writers work on the kitchen table or on their laps. It’s a total mess, like Lucy’s desk, but it’s mine. I have two screens set up (invaluable for editing) so it’s tricky for me to move. Research and planning I can do anywhere.
What’s your writing process like from planning to editing?
Planning – ha ha ha. You are funny. I am such a pantser and every time I begin a new novel I’m determined to plan. My second book for Avon (out next summer) was the first time I’d had to write a synopsis before writing the book and boy was that hard – but I did it. I’d like to get better at planning, but my brain doesn’t work that way and I’m what I like to call “an onion writer” – I write in layers. I get a rough first draft down and then I go over and over and over it, perfecting, editing, adding description etc. until I’m happy. Luckily, I love editing and always see it as an opportunity to make the story even better. Some of my best ideas come right at the end of the process and then I have to go back and weave it all in. I honestly don’t know how people plan.
by NK Chats To… Rachel Burge
Hello Rachel. Thank you for joining me today. Can you tell me a little about your debut novel, The Twisted Tree?
Hi, thank you so much for having me.
The story is about a girl called Martha who can tell things about people just by touching their clothes, as if their thoughts and emotions have been absorbed into the material. It started the day she fell from the tree at her grandma’s cabin in Norway. The day she became blind in one eye.
Determined to find out why she has this strange ability, Martha returns to Norway, hoping that her grandma can give her answers. But when she gets there, she finds her grandma is dead and a peculiar boy is hiding out in her cabin. From then on, things start to get spooky!
What inspired you to write it?
The book is based on Norse mythology, in particular the story of Odin hanging from the world tree, Yggdrasil, and finding the runes in the well.
As I began to research the myths, I came across the Norns, three mythical women who dwell in Yggdrasil and weave fate. In Viking culture, magic was the preserve of women and associated with their work, predominantly spinning and weaving. Odin’s wife Frigg was a practitioner of magic and a weaver (of clouds), and is often depicted at a spinning wheel.
Putting the two ideas together – weaving cloth and magical ability, I came up with the idea of being able to tell things about people by touching their clothes. It was then a journey of discovery for me to figure out why my main character had this gift.
Which came first: character, theme, setting, etc?
I started out with the genre I wanted to write (a ghost story) and a theme that interested me (darkness) and brainstormed ideas from there. This led to me wanting to write about a blind/partially sighted character – which later happened to work beautifully with Norse mythology.
The story takes place in winter in the Lofoten Islands, when there is near-permanent darkness. The theme also influenced Martha’s character arc. She refuses to ‘see’ the truth about her mother and grandmother’s relationship, and her journey is about finding the courage to accept the darkness within her / the parts of herself that she doesn’t like.
The theme came first, but the story only clicked into place once I decided to use Norse myth.
What was your writing process like?
Once I was confident I had a ‘high concept’ idea and a strong character arc, I worked out a rough outline. That makes it sound like the process was straightforward, but I took numerous wrong turns and introduced and abandoned many story elements along the way.
How do you work: music or silence?
I prefer to write to music, or if there’s a really great storm outside, the howl of the wind.
There were a few pieces of music I listened to on a loop while writing The Twisted Tree, most of them by the Norwegian band Wardruna. If I’m working on a particularly scary scene, I will listen to a horror movie soundtrack and also light candles and burn incense – which has the added advantage of warning everyone in the house not to disturb me!
by NK Chats To… Peter James
Hi Peter, thank you for joining me on Novel Kicks. When did you start writing?
I have been writing since I was seven years old – my original ambition was to be a scriptwriter. I find the world we live in very interesting and I enjoy observing human behaviour, and that’s really my approach. I’m constantly taking note of what’s happening around me as you never know where you might find inspiration for a character or piece of plot.
How did you get your big break?
My first ‘break’ was at age seventeen, when I won a national short story competition run by the BBC and got to read my story out on air. It was hugely exciting! However, my first professional writing job came along a few years later whilst I was living in Toronto and working on a children’s television series called Polka Dot Door. I was a gopher – it was my job to basically run errands. One day we were due to film an episode, but the writer hadn’t turned in the script. The producer asked if I could write one there and then, and I said ‘okay!’
How much research do you do for each novel?
My novels tend to be very research-driven. I first had the seed of an idea for Absolute Proof when I received a mysterious call from someone claiming to have proof of the existence of god – just like Ross does – thirty years ago. In the decades that followed I did a great deal of research, ranging from speaking to religious leaders about the consequences absolute proof would have for believers, to living as a monk for five days in the extraordinary monastic commune of Mount Athos. It’s been an extraordinary journey!
Who inspires you?
When I was 14, I read Graeme Greene’s Brighton Rock, and it totally changed my life. It’s the book that made me realise I wanted to be a writer, and also the reason that my Roy Grace series is based in Brighton. Greene has a way of describing characters, in just a few sentences, which makes you feel you know them inside out, and his sense of “place” is almost palpable. Brighton Rock is for me an almost perfect novel. It has one of the most gripping opening lines ever written too – ‘Hale knew, before he had been in Brighton three hours, that they meant to kill him.’
What advice would you give to new and aspiring writers?
Reading extensively and intelligently is the most important thing – read books that have done well in the genre you want to write in and analyse what you like about the author’s style. Once you’ve started writing, make time to write every single day. Find a comfortable number of words to do each day and stick to that number. I am comfortable with 1,000 words. For some it might be 500, 200 or even 2,000 – as long as you are consistent, the number doesn’t matter.
And you must love your characters – or no one else will!
by NK Chats To… Gila Green
Hi Gila, thank you for joining me today. Your novel is called Passport Control. Can you tell me about it and what inspired the story?
Passport Control is a coming of age novel about a twenty year old Canadian girl who feels forced to leave the home she shares with her father and, in her desire for revenge, goes to the one place he’s kept a secret all of his life, his home country Israel. Other than odds and ends, she doesn’t know anything about his past life there.
She finds herself in a dormitory with a range of Israelis from Jewish to Arab and struggles to navigate her way through the politics and culture around her. Along the road she falls in love, encounters murder, and discovers a shocking family secret.
The story was originally a short story written in a creative writing class with author Steve Stern. It was inspired by my own experience coming to Haifa University around the same age as my heroine, Miriam Gil and similarly struggling to navigate my various roommates, who all came from different cultures and backgrounds. At least that was the initial kernel behind my twelve-page short story. It evolved over time into a father-daughter story, and a family betrayal story with a side order of romance.
What’s your typical writing day like? Do you need coffee? Silence? Do you have a certain place you like to write?
I have five children between the ages of 11 and 20. So my writing day has evolved over time with the ages of my children.
In the early days, I used to type a lot one-handed while nursing and later had to be done by 1 p.m. when nursery school closed.
Now, I have a lot more quiet during the day–which is vital for me to write–and yes, rivers of coffee. I write in my converted bomb shelter adjacent to the front door, so my writing is punctuated all day with, “Mom, is there any food?” as the kids come and go and the snoring of my dog.
What’s your writing process like from planning to editing?
My writing process has changed a lot over the years. I am much more of a planner these days.
I try to write at least two sentences for each chapter that explain the point of each one. At a certain point, I just write and usually the first three or four chapters are the first to go later on as I “write myself into the story.” But not always. Each novel is its own journey.
I don’t wait for perfection if that’s what you mean. You just have to dive in.
What’s your favourite word and why?
My favorite word is balagan. That’s a Hebrew word with no single English translation.
It means mess, disorder, confusion but also problem and difficulty.
So, you could say, “today was a balagan,” or “my thoughts are a balagan” or “your room is a balagan!”
Try it! It’s a fun word to say.
Which song best describes you?
“Shout” by Tears for Fears.
What elements do you think make up a good novel?
Great novels are written by authors who excel at location in time and space.
If you feel as if you are really in Elizabethan England or in South Africa during Apartheid, or in downtown Toronto…you’ve got the elements of a great novel. I can’t think of a time when someone told me they loved a short story or novel and couldn’t tell me exactly where and when it was taking place.
Full disclosure: I teach an online Setting & Description course and I can’t believe how many new writers send me first drafts that take place Anywhere / Anytime. It’s not as intuitive as you might think.
by NK Chats To… Emily Harvale
Hi Emily. Thank you for joining me today. Can you tell me a little about your novel, Bells and Bows on Mistletoe Row (I love this title) and what inspired it?
It’s lovely to be here. Thank you for inviting me.
I’m so pleased you love the title. The wonderful members of my Facebook group helped me choose it. There were three options and this was the most popular.
The idea of Bells and Bows came to me as I was staring at one of the churches I can see from my office. The bells were ringing because it was a Sunday morning. I love listening to church bells, so my mind was drifting as it so often does. Juliet Bell and Harrison Bow popped up in front of me and introduced themselves. I loved the fact that their names had a Christmas ring to them (excuse the pun) and because they both had siblings, Bells and Bows was born.
I firmly believe in love at first sight. I also believe a person can love another their whole life, even if they’re not actually together. I can tell you many true stories relating to both!
Anyway, because I adore Christmas, and because of their names, I decided to put all those things together and see where it went. Both main families in this book need to learn to discuss issues and to open up about their feelings.
They believe in ‘a stiff upper lip’ and tend not to talk to one another about anything meaningful. This Christmas, that’s all about to change.
One of the secondary characters is based on a dear friend of mine who is no longer with us, and he is the cause of a few misunderstandings in the novel.
From planning to edit, what’s your writing process like and how has it changed since the first book?
I don’t plan. I never have. I get an idea and I sit down and write whatever comes into my head, or whatever appears in front of me.
I often say that the story unfolds before my eyes and I simply type what I’m seeing. I write a very quick first draft and make notes about the characters, settings etc. along the way.
Then I leave it for a few days or so, do any research that’s necessary, and then write the second draft. I write as many drafts as it takes before I feel happy with the book. After that, it goes to my editor.
Any changes or suggestions she has, are discussed and if I need to rewrite anything, I do.
Which Christmas tradition is your favourite?
That’s a difficult question because I love them all. Preparing the Christmas cake and all having a stir of the mixture and making a wish is one I’ve loved all my life. Opening one present on Christmas Eve, is another.
Finding a Yule log, bringing it home and burning it is one I can’t do at the moment because I no longer have a real fire. I miss that.
I need to move home before next year. I want a real fire again. Buying about two hundred more Christmas cards than I’ll ever need – and then doing exactly the same every year. (I’ve got boxes and boxes of cards…but I’ve already bought more this year!) Hanging wreaths on the doors, front and back.
Putting up the Christmas decorations in November. Going to a carol concert. Christmas crackers. Making mulled wine and eggnog.
Not together in the same pot, obviously. Hohoho! Setting the Christmas pud alight. Baking mince pies. Playing Christmas songs from October onwards. Yes, honestly. Ask my friends. It drives them nuts.
Ooh nuts! Spending hours trying to crack a brazil nut open and nearly losing an eye, or breaking several ornaments in the process. That’s a tradition not to be missed! Sorry. You only wanted one thing, didn’t you?
by Book Club
