Bella is a member of the RNA’s new writer’s scheme. She has recently finished her first novel, Acting on Impulse and she’s represented by The Kate Nash Agency. She lives with her husband, daughter and a deaf geriatric cat.
Every fortnight, Bella will be sharing tales and experiences from her writing journey.
Bella Osborne
I can write a novel, I have proved it by doing it twice. Neither are published yet but that’s not the point. The point is I can write circa 100,000 words relatively easily but when I have to write something in a card my mind goes blank. The worst scenario is when you are under pressure. When someone sidles up to your desk, plonks a card down and says ‘Freda is leaving, write something funny’. I actually think one of my brain cells dies and it is most definitely one devoted to writing funny things.
I generally manage the situation by panicking and asking for more time, which results in lots of huffing and eye rolling until they eventually slope off, leaving me to sweat over the card. So then I start to read what everyone else has put – this does not help. All this does is waste more time, highlight that most of the office are just like you and have nothing funny to say, not that this has stopped them penning it in the card.
However, there is even more pressure if you have to go first, always try to avoid this scenario. There will be the odd one or two who have put in something slightly humorous and right there is the spark that I needed. I now have a challenge and I have a target to beat (not that I am in anyway competitive, you understand). At this point I find it works well to pretend you have a meeting and head off carrying papers or laptop, supporting a purposeful stride. Find an empty meeting room and get to work.
I will start by having a one woman brainstorm – What is Freda known for? Are there any funny stories already that I just need to recall? Is there an opportunity to play on words here? What did she get up to at the last office party? After much head scratching an idea will alight. I write it out in draft and see if it needs editing to make it punchy. Once I am happy with it I need to find a space in the card. (Why do the people who say the dullest things have the biggest writing?) Eventually I reach the point where my mission is accomplished and I return the card with a smug look to the card co-ordinator.
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Bella Osborne
I love Mr Potato Head – there I’ve said it out loud (this isn’t a pet name for my husband in case you were wondering). The character in Toy Story is exactly the way I would have expected that toy to be had it come to life. Believe it or not this is a column about writing, I know sometimes you have to get a shovel to dig it out but trust me I will get there eventually.
Anyway, Mr Potato Head, sadly my eight year old informs me that she is too big to play with him now and he can go to the charity shop. It is such a shame, he was a brilliant toy. We had hours of fun swapping over his assorted limbs and accessories. Thanks to Disney, Mr Potato Head now has a ridiculous amount of outfits and extras, he can be a king or a chef or even Mickey Mouse from Fantasia! In my day you had to use an actual potato and stick bits into it (yes I am that old, please stop sniggering).
Whilst playing with the modern version it struck me that building characters is very similar (see I told you there was a connection to writing, my sincerest thanks for bearing with me). He has a selection of different coloured eyes one of which is a scary frowny pair. Just like Mr PH a character’s features change when they are angry, they may have a particular way that their face contorts. Perhaps their face doesn’t change much, they may keep their emotions concealed. Perhaps they think that they conceal them well but there is a chink, a flicker of something that gives away their true feelings.
I had some feedback a while ago that my main characters were strong but that my supporting ones needed to be more rounded. I assumed that they didn’t mean just fatten them up with cake. So I pondered this for a while because I feel that the approach I use to make my main characters rounded is by exploring their emotional connections and the underlying reasons as to why they react the way they do in each situation I place them in. How they reveal themselves, their thoughts and feelings all helps to develop them for the reader. This is tricky to do with the supporting cast.
by Bella Osborne
My husband rolls his eyes when I mention that Book Club evening is approaching as his opinion of our book club is that it’s a boozy night out with the girls. This opinion may have been influenced by the rare occasions that I have fallen giggling into the house at some late hour.
Many pieces of advice that you will see for writers often say that you need to read. My writing tutor is forever drumming into us the benefits of reading and more importantly reading as a writer. By that she means, doing a bit of analysis as you read. Looking for things like how it starts, pace, seeing where the author have added description and where they have left it out, where they have utilised dialogue and how it develops the characters. Also trying to understand what the key things are that make you want to keep reading. That elusive page turning quality that is so often referred to but nobody can quite put their finger on exactly was it is. And also what it is for different people. This is, without doubt, great advice.
As a writer there is sometimes an expectation that you are well read, this is so not the case with me. I read the books I had to at school and ever since I have read the books I liked. So as an adult I have indulged my love of chick lit, or women’s fiction if you prefer, and this is a path from which I have rarely strayed.
So being the girly swot that I am, last year I joined a Book Club or more accurately I tagged along with a group of friends who decided that reading a book each month might be a nice thing to do. The aim was to become more widely read, to experience different genres and to do some analysis. We agreed we would put in random suggestions for the next book and draw one out each month. So far we have read a great selection from thrillers, to ghost stories, to historicals and a classic.
by Bella Osborne
As young children many of us were lucky enough to enjoy a bedtime story, read to us by our parents and many of us will have kept up this tradition. But once a child is able to read competently the gift of being read to somehow slips away. You don’t necessarily miss it as it’s part of you growing independent but I think there is a magic in being read to that disappears.
I have been known on occasion to partake of a frivolous extra holiday with a female friend and during those we would read to each other. Often it was magazine articles although some of the glossies are mainly photographs in which case it’s very difficult to make a soap stars kitchen sound exciting. However, it was still a relaxing and pleasurable experience all the same. At the time we felt it was the height of laziness!
I am in my second year of attending a local ‘Writing Fiction’ class where, those that would like to, read out short pieces or extracts each week for feedback and critique. As a new writer it is totally terrifying to read out your own work to twelve people (give me a PowerPoint deck, a microphone and five hundred in the audience any day!) However, as one of the listeners it is an enriching experience. Hearing something written and read by the author, usually for the very first time is quite a privilege and we are lucky enough to have a talented group of writers so each piece is a gem.
by Bella Osborne
When it comes to swearing in books I think it’s fair to say that most of us who write will have found ourselves swearing at our books but is it right to use swearing IN the book?
I think this is an interesting dilemma when we live in a society where swear words are frequently used by pretty much all members of society. It is no longer a shock to hear someone swear. There is no longer a Mary Whitehouse or equivalent to protest bitterly about such things (for anyone that ticks the first two age boxes on surveys you may need to Google Mary Whitehouse). Swear words are scattered liberally in films and television which normalises them further. However, I still agonise over it in my writing.
I am not a very sweary person but when a particular set of circumstances convene I too will utter something my grandmother would not have approved of.
I know of an author who received a letter from a reader complaining about the swearing in one of her books and how it was unnecessary and unacceptable. It made the author look at their writing differently and they responded by cutting out swearing considerably in future books.
I used the ‘find’ function for swear words in my first novel and found initially twelve instances of strong swearing and was quite shocked. However, this isn’t me swearing this is the characters and right there is the nub of the discussion (sorry did it take a while to get there?) You see it’s not about how I am as a person or the people that hopefully will one day read my books, it’s about the characters depicted within the pages.
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