Book Reviews

From Non-Fiction to Thrillers, Review and Extract: White Bodies by Jane Robins

whitebodiesWhite Bodies is the new novel from author, Jane Robins and is due to be released by HQ on 28th December 2017. 

‘He’s so handsome and clever and romantic. I just wished he hadn’t forced Tilda under the water and held her there so long.’

Callie loves Tilda. She’s her sister, after all. And she’s beautiful and successful.

Tilda loves Felix. He’s her husband. Successful and charismatic, he is also controlling, suspicious and, possibly, dangerous. Still, Tilda loves Felix.

And Callie loves Tilda. Very, very much.

So she’s determined to save her. But the cost could destroy them all…

Sometimes we love too much.

I’ve reviewed the book below and we also have an extract but first, Jane joins me to chat about going from narrative non-fiction to psychological suspense. Thank you for joining me, Jane. Over to you. 

When I was young (just out of university young) I thought ‘one day I’ll write a book’ and I think I had in mind a novel, though I’m not sure what type of novel. Then I shelved the idea for twenty years because, like most of us, I had to make a living. I became a journalist and worked for some great organisations including The Economist, the BBC, and The Independent. It was only when I found myself, in my early 40s, with a small child and wanting to work from home, that I allowed that dream of writing a book to resurface. At that stage I didn’t feel able to write fiction because I couldn’t afford two years or so, with no income, writing something that might sell for a very low sum, or not at all. It was simply too risky. With non-fiction you sell your book to a publisher on the basis of a proposal, and get a chunk of money up front.

Writers rarely talk about the financial side of their careers – the filthy lucre. But the truth is that most of us are not prepared to starve in a garret for our art. It’s not that we lack commitment, I think. It’s rather that we’re not convinced that we have a talent so almighty that it’s worth sacrificing everything else. Not just our income, but duties to our friends and families and duty to be a reasonably productive member of society.

So, when I was offered a contract to write historical non-fiction, I was thrilled. Money up front! Working from home! Over the following years I unlearned my punchy journalistic writing style and tried to write in a more relaxed and lyrical way, hoping that the reader would be happy to stay in my company over hundreds of pages. I found it a very different craft from that required to hold someone’s attention for a mere 600 or 800 words – the length of a newspaper article.

From the beginning, I thought a lot about structure and how to present my historical facts in such a way that the story had a strong narrative pull. I wanted to introduce as much suspense and tension as possible without distorting the underlying, factual story. All three of my non-fiction books have a natural narrative arc – ending in dramatic trials. The first is about the crazy life of Queen Caroline who was put on trial for adultery by her husband, King George IV (the silly Prince Regent in Blackadder.) The other two are about serial killers – George Smith, The Brides in the Bath murderer, who faced trial in 1915, and Dr John Bodkin Adams, an Eastbourne family doctor accused of killing hundreds of his patients. He was tried at the Old Bailey in 1957.

It took ten years to write these three books, and by the end I felt sufficiently confident of my storytelling skills to attempt a novel. At last! Money was still a problem, but with my son now a teenager at secondary school I was able to take a part-time job teaching at the London School of Economics. With that income in the bank, I could spend my spare time writing White Bodies.

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Extract: The Perfect Victim by Corrie Jackson

The Perfect VictimA big welcome and hello to Corrie Jackson and the blog tour for her new novel, The Perfect Victim which was released by Zaffre on 16th November. 

Husband, friend, colleague . . . killer?

Charlie and Emily Swift are the Instagram-perfect couple: gorgeous, successful and in love. But then Charlie is named as the prime suspect in a gruesome murder and Emily’s world falls apart. Desperate for answers, she turns to Charlie’s troubled best friend, London Herald journalist, Sophie Kent. Sophie knows police have the wrong man – she trusts Charlie with her life.

Then Charlie flees. Sophie puts her reputation on the line to clear his name. But as she’s drawn deeper into Charlie and Emily’s unravelling marriage, she realises that there is nothing perfect about the Swifts. As she begins to question Charlie’s innocence, something happens that blows the investigation – and their friendship – apart.

Now Sophie isn’t just fighting for justice, she’s fighting for her life.

Corrie and Zaffre have kindly shared an extract from The Perfect Victim today. Enjoy!

 

CHAPTER 38

I wiped the rain from my eyes and lurched towards the hut nearest the forest. I ran my torch over the door; it was padlocked. I pressed my ear to the door but I couldn’t hear anything over the wind. I did a circuit of the building; no windows, no other way in except through the door. My fingers tightened around the rock; I’d have to bash open the padlock.

‘Kate!’ I raked the darkness with my torch but I couldn’t see her. My gaze fell on something on the ground and I crouched down for a closer look. Was that blood? I inched forwards, following the trail with my torch beam. It ran across the gravel, in the direction of the forest. I hesitated for a split-second then turned back towards the hut. As I did, my torch landed on a man, standing ten feet away from me, his hands jammed in the pockets of his waterproof.

‘What are you doing?’ The wind carried his gravelly voice towards me.

‘I – I’m looking for someone. A woman. I think she’s inside this hut.’

He edged towards me, on the tips of his toes. ‘That’s not possible, Miss. I’ve just been in that hut. Nothing but farming equipment in there.’

I tightened my grip round the rock and shone my torch in his face. I couldn’t see much; he was wearing a woolly hat, and his chin was buried in a scarf. ‘Then you won’t mind showing me.’

He cocked his head to one side. ‘And you are?’

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NK Chats To… Emily Harvale

I’m happy to be welcoming Emily Harvale to Novel Kicks today and the blog tour for her new Christmas themed novel, Christmas Secrets in Snowflake Cove. 

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Christmas is a time for family and friends, miracles and magic, falling snow and roaring fires, fun, laughter and festive feasts. In Snowflake Cove, it’s also a time for secrets to be revealed…

Evie Starr is hoping for more than a sprinkling of magic this Christmas. The family-run Snowflake Inn is virtually empty and the Starr’s financial future isn’t looking bright. But Evie’s gran, Jessie has a secret that might help.

Enigmatic, Zachary Thorn is every woman’s dream. He’s also ex-SAS, so his secrets are classified. The Christmas Special of his feel-good, TV show is set in Michaelmas Bay – until a phone call means he’s spending Christmas in nearby Snowflake Cove.

Evie’s best friend, Juniper thinks boyfriend Darren has a secret. Evie knows he does. And Evie’s niece, Raven is hiding feelings for Juniper’s brother – who has a secret crush of his own.

But the biggest secret in Snowflake Cove is the identity of Raven’s dad.

With snow falling thick and fast and secrets being revealed one after another, will everyone be snuggling up by the fire on Christmas Eve, or are some secrets best kept hidden…?

 

Hello Emily, it’s lovely to welcome you to Novel Kicks today. Your book is called Christmas Secrets in Snowflake Cove. Can you tell me a bit about it and what inspired the story.

Hello Laura, it’s great to be here. Yes, my new book, Christmas Secrets in Snowflake Cove is about 34-year-old Evie Starr and her family. Evie is single and lives in the family-run, Snowflake Inn with her parents and her gran. The book is set during the week leading up to Christmas Day and Evie’s 15-year-old niece, Raven is also staying for the holidays. The Starrs are struggling financially and Evie is hoping to persuade TV show host, Zachary Thorn to give the inn a plug during his live, Christmas Special. His show is being filmed nearby, but what Evie doesn’t know is that her gran, Jessie has a secret and when Jessie makes a phone call, it changes everyone’s plans. There are also several others with secrets in the tiny village of Snowflake Cove and one of the biggest secrets is the identity of Raven’s dad. With snow blanketing the village and secrets being revealed, it’s not going to be the quiet, family Christmas the Starrs were expecting, but it’s going to be one that changes people’s lives. And Evie may just get what she was hoping for this Christmas.

As to what inspired the story, I’m not really sure. I write a Christmas book each year and when it came time to write, Evie appeared and told me her story.

 

CSiSCfor KINDLEDid you plan much before writing this novel? How much planning do you feel is needed?

I never plan my novels. Lots of people do, I know, but that simply doesn’t work for me. I firmly believe there is no right or wrong way to write a novel. I do what feels right for me. A character pops up with an idea and I sit and type it. By the end of the first draft I know my characters well, and I do make notes about them along the way. Then I write a second draft. Sometimes I ‘plan’ an event or the ending – but that doesn’t always work out as I expect.

 

What elements do you feel make up good characters? 

Characters need to be believable. No one is perfect, so, like us, characters can have foibles. They should have a ‘strong voice’ – but that doesn’t mean they need to be strong. Sometimes the character with the biggest weakness is the most memorable. They need to be true to themselves. Doing something completely out of character should be as much of a shock to them, as it is to the reader.

 

When you came to edit, did you wait to have a full draft. How did you approach the editing (a chapter at a time?) 

I always edit as I write. I’ll finish a few chapters then the following day I’ll read them through and edit them before continuing. I like doing that because it gets me back into the flow of the story. Once I’ve finished the first draft, half my edits are done. I then read it through. Leave it. Read it again and edit it however many times I need to before it goes off to my editor. Then together, we may do more. I edited this book in the same way I edit all my books.

 

Do you believe plot or character is more important when writing a novel? 

I believe they are equally important – but it depends on the novel. Some stories are plot driven, some are character driven.

 

Are you working on anything at the moment that you can tell me about? 

I’m working on book two in this Michaelmas Bay series. It introduces new characters but we still get to spend some time with Evie and her family. All of my books can be read as standalones even if they are part of a series.

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NK Chats To: Kiltie Jackson

A Rock n Roll Lovestyle - Head Shot PiccieA Rock ‘n’ Roll Lovestyle is the new novel from Kiltie Jackson and was released by WickedKilt Publishing in September 2017. 

I am pleased to welcome her to Novel Kicks today to chat about her writing routine, her favourite word and what Christmas song is essential.

 

Hi Kiltie, it’s lovely to have you in the blog today. Can you tell me about your debut novel, A Rock n’ Roll Lovestyle and what inspired it. 

Thank you so much for having me here today. My novel is focused on the issues of trust, friendship and how difficult it can be to live a life in the public eye. I was inspired on this topic through a life-long love of music coupled with the knowledge of how society puts superstars and celebrities on pedestals only to derive great enjoyment from watching them fall off. I am aware this has been the case for many decades but, in the 21st century, it seems to have escalated to ridiculous levels and I’m not convinced that it is good for society as a whole.

 

What’s your normal writing day like? Do you have rituals when writing?

I still have a 40hr a week day job so my writing days are not as tightly structured as I would like them to be. I currently do ‘writing stuff’ – that can be anything from writing my next novel to working on my blog or doing guest posts for fellow bloggers – on Tuesday and Thursday evenings, nearly all day Saturday and Sunday afternoons. Sometimes, if my husband is working overtime, or away on a trip, I have a treat of writing all day Sunday. The only hard-set ritual is that I will only drink my coffee from a little mug I bought in Salzburg. At the time of purchase it was full of mulled wine. As much as I would like that to still be the case, I suspect my writing may not fully benefit from it.

 

Are you much of a planner? 

I believe I am what is referred to as ‘a basher and fixer’ when it comes to writing. I have a pretty good idea in my head of how my storyline will unfold. I will know exactly how it starts, what is in the middle and how it will end. I then ‘bash’ away at the keyboard putting in the filling between these three points. Once I finish the first draft, I go back to ‘fix’ which entails editing, re-arranging, reading, re-arranging again and polishing up before sending off to my editor for him to sort out my appalling grammar and spelling.

In the rest of my day-to-day life, however, I am a total planner and everything is usually very organised.

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Book Review: Christmas at The Falling-Down Guesthouse by Lilly Bartlett

Christmas at the Falling Down Guesthouse coverGet ready to meet Britain’s Worst Innkeeper.

Put your feet up and tuck into the mince pies, because you won’t have to lift a finger to enjoy this Christmas at the Falling-Down Guesthouse!

Too bad the same can’t be said for single mother and extremely undomestic goddess, Lottie. When her beloved Aunt Kate ends up in hospital just before Christmas, Lottie and her seven-year-old daughter rush to rural Wales to take over her B&B. A picky hotel reviewer and his mad family are coming to stay, and without the rating only he can give them, Aunt Kate will lose her livelihood.

But Lottie can barely run her own life, let alone a hotel. How will she manage to turn the falling-down guesthouse into the luxurious wonderland the reviewer expects? And could the mysterious taxi driver, Danny, who agrees to help her, turn out to be the real gift this season?

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