NK Chats To… Sarah Rodi
Hi Sarah. Thank you so much for joining me today. Can you tell me about your novel, One Night with her Viking Warrior, and what inspired it?
When her parents are killed at the hands of Danish raiders, a young Saxon girl, Rebekah, becomes the ward of her powerful uncle Cynerik. Alone at the fortress of Ryestone Keep, Rebekah’s only pleasure is riding, until she falls in love with a stable boy, regardless of his lack of status. However, her uncle wishes her to marry his son, Atol, a cold and corrupt young man. Envious of Rebekah’s relationship with Rædan, Atol seizes him and does the unthinkable…
Eight years later, a fleet of Danish ships sails up the river and lays siege to the fortress of Ryestone. The leader of the Northmen is instantly recognisable to Rebekah even though he is much changed. Rædan is back for revenge on those who destroyed his life. Seeing Rebekah at his enemy’s side, and with a daughter too, his anger – and attraction – burns. The Saxons offer the Vikings gold and silver to leave their lands, but Rædan demands something much more valuable – one night with Lady Rebekah…
I wanted to write a story where my characters have endured a lot – and I can’t think of anything worse than being parted from your loved ones and kept captive. These two characters really deserve a chance of finding their happy ever after. I loved creating Rebekah – she is beautiful yet strong – and Rædan is a true warrior yet kind and compassionate.
What’s your typical writing day like and do you have any particular writing quirks or rituals?
I actually work full time on magazines, so I have to fit my book writing in in the evenings. I put my daughters to bed then settle down with a coffee and some peace and quiet and try to write at least a few paragraphs, so I have something to work off the next evening, before I write some more. Chocolate definitely helps with the inspiration!
What are the challenges you found when writing your novel?
I always find the first few chapters the hardest, as you’re laying the groundwork for the plot and the characters’ personalities – basically setting up the story. I spend a month or two getting those first chapters right, and then the rest of the book usually flows quite naturally.
Which fictional character would you like to meet and why?
In my books? All my heroes… they’ve all been different, but swoon-worthy! In someone else’s book? Elizabeth Darcy
What elements make up a good story?
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NK Chats To… Kerena Swan
Hi Kerena, thank you so much for bringing your blog tour for Driven to Novel Kicks. Which part of the writing process do you enjoy most?
I like planning the novel and defining the character traits but I sometimes struggle with writing the first draft. I always think it’s complete rubbish but once I re-visit it and start tweaking and editing it (a process I really enjoy) I then find it’s not as bad as I first thought. When I was training to be a social worker, we had to write assignments of 750 words. This sounded easy but in truth it was doubly difficult. Every word had to count so I used to write 2,000 words to get all the necessary facts and theories in then I’d have to cut out nearly two thirds of it. I learned to enjoy the challenge, though, and the skill has really helped me in my writing. I have to write council tenders for my care agency and the word counts are tight. I enjoy cramming loads of information into short paragraphs.
Some authors don’t read their reviews. Do you read yours?
For me, the most rewarding part of the whole writing process is reading the reviews. Whilst they may not always be positive – although all my books have ratings of 4.3* or above – I’m just thrilled to know that people are reading what I’ve written. What would be the point otherwise? Negative reviews that give reasons are really useful as they help me to improve. Also, if someone has taken the time to write a review the least I can do is read it.
In several of your books you feature a man with Down syndrome. Do you have personal experience with people with Down’s?
by NK Chats To… Eliza J. Scott
Hi Eliza, thank you for joining me today and for inviting me onto your blog tour for A Cozy Countryside Christmas. Can you tell me about your book and what inspired it?
Well, without giving too much away, A Cosy Countryside Christmas centres around Ella Welford and Joss Campion. The couple were childhood best friends, until Joss left the village rather abruptly. When he returns, sparks fly but neither of them are keen to do anything about it. When they find themselves thrown together in an unexpected drama high on the snowy moor top… I’m afraid to say anything further would give too much away!
How long does it typically take you to write a book and what’s your process like?
It can take between three to four months per book. As for my writing process, I tend to start by drafting character profiles, jotting down as many details as possible. Then I set out a rough draft of the outline of the story so when I start to actually write it, I have an idea of the journey I’d like my protagonists to take. Having said that, I tend to let them take the lead and see what challenges they face on the way to their happy ending. I’m a mix of plotter and pantser – plotty pantser or pants plotter; I’m not sure which is applicable!
Which fictional world would you like to visit and why?
I loved The Lion the Witch and the Wardrobe books when I was younger (actually, I still do), so I’d love to slip through the back of the wardrobe and visit Narnia. Can I be cheeky and name two? I’d love to have a wander around Enid Blyton’s Enchanted Wood too – and maybe have a quick scramble up the Faraway Tree.
Which songs would make up a playlist for your book?
by NK Chats To… Helen Buckley
I am delighted to be welcoming you to Novel Kicks today, Helen. Thank you for inviting me onto your blog tour. Can you tell me about your book, Strictly Christmas Spirit and what inspired it?
Strictly Christmas Spirit is a heart-warming, festive romance about a bad boy Hollywood superstar sent to do community service at a homeless shelter. Blake immediately clashes with community centre manager Emily, who is a former dancer from TV show Strictly Dancing with Celebs. Blake doesn’t care about the centre, or Christmas for that matter, he just wants to get his community service over and done with. Will the people he meets at the centre, and Emily herself, change his heart? Strictly Christmas Spirit is book three in the Spotlight Series but can be read as a standalone story.
The book was actually inspired a lot by my real life work. I used to run a community centre in London, providing services for the homeless and marginalised in the community. I based a lot of the story on the experiences I had there (although I never had a Hollywood star come to do community service there!)
What’s your typical writing day like?
Almost impossible at the moment as I have two very young children! If I can, I write between 5-6am and 7-8pm. I literally squeeze in time while my kids are asleep and it’s very hard.
What are the challenges you found when writing your novel, especially when it’s part of a series? Did you know that it was always going to be a series?
Strictly Christmas Spirit is the third book in my Spotlight Series. When I wrote the first book, Strictly on Ice, I had no idea it was going to be part of a series. It was only when I met a literary agent that he gave me the tip to write a series, and that’s where it all came!
The main challenge I have when writing is having to research information. I just want to write and let my imagination run wild but sometimes a little research is necessary!
What songs would make up a playlist for your book?
by NK Chats To… Owen Knight
Hello Owen, thank you for joining me today. Your book is called Another Life. Can you tell me about it and what inspired the story?
I had an idea for a character who, despite trying to do the best for everyone he encounters, feels his life to be one of disappointment and failure. Eventually, we discover that his decisions and actions have had a profound, beneficial effect on the lives of others. You could say it’s a modern-day interpretation of the film ‘It’s A Wonderful Life’.
I am also intrigued by quests and the twilight world of things that may or may not be. I am a great admirer of David Lynch and his ability to suggest that things are not as they seem was influential.
As for the story, it’s set in a secretive, hidden corner of Middle England, combining folklore, legends and ancient beliefs with the contemporary issue of what it means to be human in an increasingly technological world.
Thirty years ago, Oliver Merryweather is intrigued by a woman who waves to him from the window of a house in a village he discovers by accident.
In the present day, Oliver believes his life to be a series of failures and regrets. When the same woman appears to him in a dream, Oliver embarks on an obsessive quest to find her. With the village inexplicably absent from all maps, all he has to go on is the unusual mark on her wrist.
Journeying back into his past, Oliver finds himself inextricably drawn into a decades-old mystery involving missing children, pagan beliefs and the Green Man of folklore, while coming face to face with the disappointments and tragedies of his own life. As the story draws towards its unexpected and uplifting conclusion, the line between reality, dreams and memory begins to blur and Oliver gains an insight into the true purpose of his existence.
What were the challenges you faced whilst writing Another Life?
The bringing together of disparate ideas presented several difficulties. The biggest challenge was how to link my protagonist’s ordinary family life to the idea of the myths and legends associated with the Green Man.
The border between dreams and reality is a key theme in Another Life. This needed care, to avoid confusing the reader. There is the suggestion that something on the edge of the supernatural may be involved. It was essential to keep this as no more than a possibility in the mind of the reader. I’m not interested in writing pure fantasy – there has to be a grounding in reality, the possibility that the weirdest of events has a rational explanation. This was also important in creating a hidden community in Middle England, where the normal rules do not apply. I addressed this using a combination of geography and historical fact.
Finally, there was the challenge of the resolution: how to explain the mysteries and strange events encountered by the protagonist. Two-thirds of the way through the book the reader encounters a major change that makes sense of what comes before.
In summary, Another Life combines elements of family life, myths and legends, a quest and cutting-edge science. These elements are introduced in a natural, uncomplicated way, avoiding technical explanations, so as not to alienate the reader.
What’s your typical writing day like? Do you need things like coffee? Do you prefer to write in silence?
I’m an early morning person, whether it be writing and related activities, walking, running, photography. Writing comes first; it’s a passion that can never fully be satisfied.
A typical pattern is revision of the previous day’s work, followed by new words, including necessary research and then more research, finishing with a review of the current day’s progress.
I have to work in silence, other than birdsong. Music is too distracting. Any breaks have to be at a time of my choosing, usually ten minutes out of every hour. The exception is when I’m engaged in a long passage that’s going well. You have to take advantage of those occasions.
What’s your favourite word and why?
Apricot. I like the falling rhythm of the three syllables with a pause between the first and second. It’s like a musical phrase, sensuous, as is the shape and texture of the fruit.
How do you approach a writing project from idea to final draft and how long does it typically take you to get from the beginning of the process to the end?
A new book begins with a lot of thinking. A primordial soup of apparently unrelated ideas seeking to connect with the ideal partner. I write a few experimental passages, in isolation, to test whether they work, or at least have promise. Even at this early stage, I’m keen to ensure I can write engaging prose and believe in the idea. Much research follows until I’m happy that there is a story, a voyage embracing change. It is good to have an early idea for one or more endings. Much more important to let the characters lead you on a journey.
A new book takes me between nine and twelve months, including long periods of revision, particularly in the latter stages.
Which fictional world would you like to escape to for a while and why?
by Book Club
