NK Chats To…Esther Knight
Hi Esther, thank you so much for joining me and for inviting me onto your blog tour. Can you tell me about your book, Death At the School of Translators?
Of course! Death at the School of Translators is the first full-length novel in my Rebecca de Toledo mysteries. It’s set in 1193, when Queen Eleanor of Aquitaine recruits Rebecca, a Jewish healer from Toledo, and pairs her with Sir John of Hampstead, a returned crusader with a murky past, to investigate the murder of her spy. The trail leads them into the heart of Toledo’s famed School of Translators (a real institution), where scholars were translating Arabic and Hebrew into Latin—and where secrets lie buried deep within the manuscripts.
What were the challenges you found when writing a novel with historical elements and what advice would you give to someone wanting to write a novel in this genre?
The biggest challenge is balance. You want to be accurate without overwhelming the reader. I love research (sometimes too much!), from medieval medicine to Jewish customs to the exact layout of Toledo’s streets. But at the end of the day, the story has to come first. My advice: choose one or two historical details that matter to your characters and let those shine. Don’t feel you need to include every fascinating fact you uncover. Save some for your author’s notes or your newsletter.
What’s your typical writing day like? Do you have any writing rituals?
The one constant in my writing life is my daily Zoom group of writers. We meet Monday to Friday at 10:00 a.m. my time and chat for an hour about our stories, marketing, newsletters, Instagram techniques, webinars we watched, etc. Then, from 11:00 a.m. until about 1:30 p.m., we go silent and work—cameras on, microphones muted. Just knowing others are there, writing alongside me, creates accountability and keeps me focused.
What’s your writing space like?
On the right of my desk there’s a door opening onto a balcony, where I can see my neighbor’s house and a tall green “Christmas” tree. I keep things simple: a big monitor for my manuscript, a laptop for my daily Zoom writing group, and a mug of water within reach. A few framed artworks hang on the wall. One of them, El Yuntero, reminds me of my years in Argentina. It’s a light-filled, practical space that keeps me focused and inspired.
What’s your favorite word and why?
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NK Chats To…Heidi Field
Hello Heidi, thank you so much for joining me today and inviting me onto your blog tour. Can you tell me about The Other Boy?
Hey Laura. Thank you for having me. I wrote The Other Boy after watching a documentary about Dean Corl, the Candyman serial killer, who raped, mutilated and murdered over twenty teenage boys and young men. I didn’t want to write from the POV of a victim or their family, or the detectives or even the killer, there was another story, in the shadows, that I wanted to tell. The Other Boy is about parents whose child makes a choice they could never have imagined. A terrible choice. A fatal choice. An unforgivable one.
What are the challenges of writing a psychological thriller and what advice would you give to someone wanting to write in this genre?
I have taken a master’s in creative writing and spent many hours watching master classes from Jericho Writers, and a comparison between mysteries and thrillers was a lightbulb moment for me. A mystery is about solving a crime; a thriller is about surviving it. The survival can be physical, or, as in psychological thrillers, it can be mental and emotional. The advice I would give to someone writing in this genre is not to be afraid of how far you push your protagonist, be brave, be bold, be ruthless. However bad the situation, it is how the character claws their way back to life, sanity and freedom that is exciting. The further they sink, the greater the battle back up to the surface, and the more satisfying it is for the reader. The challenge is having the courage to go the darkest places; my advice is to go further.
What’s your typical writing day like? Do you have any writing rituals?
I do love routine, and planning my time, it makes me more productive and makes my days feel more worthwhile. I walk early with my Great Dane, which puts me in a good frame of mind for my day. I have all the early morning school prep madness to do and then the school drop off. I come home and run or lift weights. I am terrified of aging and I LOVE exercising, it gives me an adrenaline buzz, and I listen to all my favourite tunes and sing along. Then I am in my office at my desk, clearing emails, doing the household or children related chores, clubs, appointments, you know the drill, then I write. Ideally I write for about three hours, if I’m lucky, four days a week. There’s always an appointment to fill one of the afternoons, and I take my mum swimming every Thursday. My goal is to write three chapters per week. I’m writing a book every six months since the release of The Other Boy.
From idea to finished draft, how long did it take you to write The Other Boy? How did you approach the research and editing process?
The Other Boy was a LONG process. It began at university, the opening chapters serving as my dissertation. The first, very messy draft, took a year. I paid for an editor, and that was another six months of back and forth and many changes. I also used beta readers for a different perspective. I lost characters, whole chapters, started four chapters earlier, then lost the lot and started several chapters later. I added and binned tens of thousands of words. It was a lot of work, and a huge amount of learning. I loved it all.The editing is my favourite part, finding what isn’t working and making it better, knowing that I can change anything and everything until I am happy with it. I had written another book by the time I was approached by Tule Publishing, and a year after I had put the Other Boy aside, I was back with the manuscript making changes for my editor at Tule. The second book, The Other Mother, has been a far smoother experience.
If you were compiling a playlist for this novel, which songs would you include?
by NK Chats To…Jane Harvey
Hello Jane. Happy Birthday to your book, The Landlord of Hummingbird House. Can you tell us a bit about it and what inspired it?
The Landlord of Hummingbird House is book one of a series, and it focuses on April, whose relationship has failed, and she is forced to start again. She moves into the house, where there are a number of tenants in her building from all walks of life – but who are also loyal friends. The book explores how easy it is to make inaccurate judgments about people. April’s first impressions (and the reader’s) are slowly unravelled, and a secret comes to light. It’s quite an easy-read book that touches on some dark themes, but ultimately focuses on the power of friendships.
If you could pick a new house and city to move to, where would you go and why?
I’m an island girl and I love sunny weather and sea-swimming – though the warmer and clearer the sea, the better!
If I could move without hassle and consequence, I think I’d go to a Greek island and live alone, with peace and quiet – but close enough to the beach for my swims and to a town for occasional sustenance and socialisation, on the rare occasions I might need these!
What’s your typical writing day like? Do you have any writing rituals? For example, do you need silence? Are you a morning, afternoon or evening writer? Need caffeine?
When I first came back to writing, I had a strict structure and routine, but now writing is so embedded into my life that it has slithered into all the nooks and crannies and gaps in my life, and I don’t have a routine – except at times of impending deadlines!
I do, however, have high expectations of work count and what I can achieve. I create a calendar for the year and work to deadlines and personal expectations for what I will publish. So I don’t allow myself the luxury of only writing when I feel inspired. If I did, I’d be far less productive. I have to grab ideas and hold onto them, or even chase them, when they do appear. Stories often come to me when I have a moment to let my mind drift. Driving a regular route, doing the dishes, etc. Sometimes it’s the setting, sometimes the twist, but often the character that comes first.
From first draft to final publication, how long does it take you to complete a novel? Also, do you have advice when approaching research and editing? When do you know you’ve done enough of both?
by NK Chats To…Liz Mistry
Hello Liz. Thank you so much for joining me today and for inviting Novel Kicks onto your blog tour. Can you tell me about your novel, Deadly Reckoning?
The short answer is: A body, a missing child, and a vengeful sister dash detective’s Jazzy Solanki and Annie McQueen must race against the clock to stop a killer with a personal grudge. This one is all about coming to terms with her Jazzy’s relationship with her sister and her brother there’s a lot of twists and a lot of turns in it themes are all about nature versus nurture mental health coping with PTSD and with all of that going on struggling to catch a killer who’s quite diabolically clever
Which songs would make up a playlist for your book?
I’ve just been looking at some songs that might relate to Deadly Reckoning and one that springs to mind has got to be a Psycho Killer by the Talking Heads.
I played it a few times whilst I was writing to get me in the mood for writing about Jazzy’s sister, Mhairi, who is the antagonist in Deadly Reckoning.
Another one I listened to, will probably seem a strange choice, but those of you have read the book will understand. It is Wild Mountain Thyme and there’s two versions that I really like one is by The Silencers and the other is by the Red Hot Chilli Pipers not Peppers but Pipers and both Scottish bands.
Another song that appealed to me whilst I was writing it was Tainted Love by Soft Cell – an all time favourite and quite appropriate for Deadly Reckoning
What are the challenges and advantages when writing a book that’s part of a series?
The advantages are of writing a series are that as an author you get to know your characters more and more as the series goes on and, in each book, you can reveal a little more about each of the characters. I’ve got two main characters in Jazzy and Queenie and their stories tend to be front and foremost but I’ve also got stories in my mind about the rest of the Jazz Queens and that’s Fenton (Haggis) and Geordie 
(Misty Thistle) so the advantages are that you you get into their lives they become real characters to you. The disadvantages are that you become too attached to them and sometimes you don’t want to put them through the mill and I have to say we’re writing crime fiction so, yeah, we need to put them through the mill.
What’s your typical writing day like? Do you have any writing rituals?
I don’t have a typical writing day because I’m a bit of a procrastinator but when I’m writing I do have I’ve got some multi-coloured fairy lights lit in my room – when you’re writing dark fiction you can’t have too much light in your life. I have my candle on – I like to have a multi-sensory environment. If I’m editing or doing social media I tend to have a musical accompaniment of some description – usually from my playlist, but other than that no I don’t really have any rituals… I mean I don’t wear my knickers on back to front or anything like that although I’ve heard that some authors do.
by NK Chats To…Catherine Yaffe
Hello Catherine. Thank you so much for joining me today. Can you tell me about your latest book, The Shadow Killer?
The Shadow Killer is a psychological crime thriller where we know from the outset who the killer is. When the police can’t get the answers they need to find a missing girl they turn to renown psychologist Dr Evelyn Shaw. Despite her extensive experience and skills, it seems to DI Ziggy Thornes that The Shadow Killer is manipulating her – and Ziggy doesn’t why. In a gripping finale, Evelyn and Hawthorne each face their own disturbing past while Ziggy pulls all the threads together to bring a secure conviction.
What are the challenges when writing a series of books such as the DI ‘Ziggy’ Thornes Series?
You have to have a great memory (or keep excellent records!) when it comes to character names, their traits in previous books and stay consistent with their personalities. I have an excellent editor who keeps track, and I use copious amounts of old-school record cards to stay on top of everything.
What are you currently working on?
I started the outline for Book 6 in March so I’m currently plotting the timeline. I’m not sure yet if it will be another Ziggy book or a standalone!
What’s your typical writing day like? Do you have any writing rituals?
I don’t really have a typical day during the Summer as I take a few months off but then come September I’m usually in the Shed early and write from 9 – 12pm, take an hour and depending on how I feel I’ll either write until 4pm or call it a day and read or do some research. I also have 4 cats, 3 chickens and go horse riding regularly as well as a large garden so I’m a bit rubbish as sitting down!
From idea to final draft, how long does it take you to complete a book?
Depends. I have Chronic Fatigue so I have to balance that with everything – most days I can write 2k words a day and I have been known to write and publish in 3 months but that was a fluke and probably won’t happen again!
Do you have any advice for the research and editing processes? How do you know when you’ve done enough?
by Book Club
