Audiobook Review: Murders of Old China by Paul French
One country rich in history, 12 unsolved murders. Reopening the archives on China’s long forgotten past.
Why did a remote police station, built to combat pirates, find itself at the centre of a murder-suicide after a constable went on the rampage? How did Chinese gangsters avoid conviction after serving a deadly dinner to Frenchtown’s elite? And why is the Foreign Office still withholding a key document to solving a murder that took place in the Gobi desert in 1935?
By delving deep into 12 of China’s most fascinating murder cases, Murders of Old China delivers a fast-paced journey through China’s early 20th-century history – including its criminal underbelly.
Uncovering previously unknown connections and exposing the lies, Paul French queries the verdict of some of China’s most controversial cases, interweaving true crime with China’s chaotic and complicated history of foreign occupation and Chinese rival factions.
I rarely feature non-fiction on Novel Kicks but when I was asked if I wanted to take part in the blog tour for Murders of Old China and read about the premise, I jumped at the chance.
Murders of Old China is an Audible original and is narrated by the author, Paul French. He looks at twelve murder cases that happened in China in the early 20th century.
Each chapter focuses on a different case and even though it’s non-fiction, it felt that I could have been reading a fictional murder mystery novel. Some of it was almost unbelievable.
The mystery and the twists and turns in these cases appealed to my love of puzzles and history.
This has made me want to know as much as possible about this era that I have previously not known anything about.
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NK Chats To: Sasha Wagstaff
Hi Sasha, thank you so much for joining me today. Can you tell me a little about Christmas in Chamonix and what inspired the novel?
Hi there! Thank you for putting these fabulous questions together for me. So, first things first – I absolutely loved writing Christmas in Chamonix. I have recently fallen in love with skiing (although I have really struggled with it – Lily’s fear of heights echoes my own!) and I have always adored Christmas. My parents have always been huge fans of Christmas and made it such a special time of year for myself and my brother, with lots of traditions and magical moments – which I now carry out with my own children.
So Chamonix was mostly inspired by my absolute love of Christmas. But it was also the opportunity to take readers into a beautifully Christmassy environment – with falling snow, gorgeous, festive decorations and the delicious food and drink involved. Add skiing into that – and I was in writing heaven! Skiing is such an exhilarating sport…it’s amazing if you master even a small part of it, let alone manage to ski down a steep mountain and not fall over!
How do you approach the planning of a novel and how has it evolved since your debut novel?
I approach the planning of a novel with military precision – and always have done. With lots of creativity thrown in, of course, but for me, it’s about being organised and disciplined. So I begin with the idea. I expand it with lots of notes (I use a different, A4 sized notebook with a lovely cover for each new novel) and begin writing character notes to flesh out my main players. I then write a synopsis which will be two pages or fifteen, depending on how much of the story flows out at that stage, but the main point is to get down the beginning, the middle and the end. After that, I write a full version of this, which is where I will structure scenes and make sure each section moves smoothly on to the next one. With some cliff hangers thrown in here and there. I find this process easier and more fun than I used to in the early days and it also makes writing the novel itself fairly straight forward as I have a strong structure as a guideline and I’m essentially then delving into the thoughts and feelings and emotions of my characters.
Do you think character or plot is more important?
Well, that’s a seriously good question! Ok. So even with a killer idea, if you don’t have the right personalities in place to play the story out, it’s going nowhere and it’s just a concept with no heart and soul. Equally, if you have fantastic lead players and strong secondary characters but no real idea of what the story is about or where it’s going, the reader won’t feel invested as there isn’t anything for them to connect with and relate to. For me, they are equally important. You need a killer idea and you need relatable characters your readers can fall in love with and care about.
What’s your favourite word and why?
My favourite word….I’m loving these questions! I love the word ‘serendipitous’. Which means ‘occurring or discovered by chance in a happy or beneficial way’. I just think it’s a really positive word and one which puts me in a strong headspace of believing that everything happens for a reason and that there is something to be grateful for everywhere you look.
Can you tell me about your typical writing day, where you like to write, do you need endless amounts of coffee and silence or do you prefer noise?
by NK Chats To… Emma Jackson
Hi Emma, thank you so much for joining me today. Can you tell me about your new novel, A Mistletoe Miracle?
Beth, my heroine, has returned to her childhood home – the Hotel Everdene – after a bad breakup. Her confidence is badly shaken & she’s struggling to know what to do next in life. When her mother is stranded in a blizzard, Beth is left in charge of the fully booked hotel, feeling completely out of her depth. But one thing Beth isn’t, is a quitter and, with a bit of help from Nick, a gorgeous guest, she does her best to make sure Christmas doesn’t end in catastrophe!
What’s your typical writing day like? Do you need coffee? Silence? Where do you like to work?
It varies through the week. On a Monday & Tuesday, when my 3yo is in nursery, I usually get back from the school & nursery run by 9.30. Then I run around tidying up the mess from breakfast, make a start in some housework & settle down to write at my desk at around 10.30-11.00. I have a fantastic pull down desk in my bedroom which my partner put in as a surprise for me when I was away at the RNA conference in July & I love it so much. I always have music playing, the house is so quiet without the kids in it, and I probably spend too much time creating special playlists for each project. The rest of the week when I have my 3yo home, writing takes place in the evenings on the sofa with my headphones on!
Emma’s writing space
What’s your route to publication been like?
It feels like it has been very long. I started writing my first novel over a decade ago & I did query it but in hindsight I had no clue what I was doing! Writing became sporadic over the last eight years as we started a family & I became a stay-at-home mum. Some people might think that gives you lots of time to write but I find it so hard to concentrate on writing with my kids around me.
Then I joined the RNA at the beginning of 2019 & really got serious about finishing my manuscript, sending it for the NWS critique & submitting it. Orion announced their new digital first imprint called Dash at the RNA Conference & I sent it along. Overall, I probably submitted A Mistletoe Miracle to twenty agents & publishers, and entered half a dozen competitions. So, lots of no’s but you only need one yes!
What would be on a playlist for this novel?
As I mentioned earlier I have an extensive playlist for this novel on Spotify (which I’m going to make available very soon). Also, Beth is a music tutor so music is very important to her & lots of songs feature in the story. Three Little Birds by Bob Marley, Come Away with Me by Norah Jones & Words Are Dead by Agnes Obel all play a significant part in her journey.
What’s your favourite word?
by Book Review: It’s Not PMS, It’s You by Rich Amooi
Hello to Rich Amooi and the blog tour for his novel, It’s Not PMS, It’s You. Welcome, Rich.
Ruth “Ruthless” Harper is on the verge of becoming managing partner at her all-male consulting firm and she won’t let anything stand in her way. That includes men, relationships, and that dreaded F word, FEELINGS—distractions she eliminated long ago.
After the worst day ever (a near-death experience and a public wedgie, for starters), Ruth realizes she doesn’t want to live and die alone. She puts together a business plan to find the perfect man and dives head first into the murky online dating pool. All she wants is a high-powered executive who understands how important her career is. If only it were that easy.
Problem is most men are intimidated by Ruth’s confidence and shocked by her bluntness. The exception being her landscape designer, Nick, whose cool demeanor and unsolicited dating advice are driving her nuts. He’s the antithesis of the business-oriented man Ruth envisions for herself, so why do all signs keep pointing back to him?
Ruth is a workaholic and has been too busy for love. She’s about to become a managing partner in her all-male consulting firm and she is not going to let anything stand in her way.
However, after experiencing the worst day which includes a near death experience and a public wedgie, she makes a plan to meet the perfect man. She doesn’t want to end up alone.
Nick, who Ruth has employed as a landscape gardener isn’t intimidated by her confidence or bluntness.
Can Ruth’s perfect man be closer than she thinks?
I wasn’t sure what to expect from this book. From the first chapter however, I knew it was going to be a book I was going to love. I couldn’t put it down. I mean, the title alone is brilliant.
Ruth is a funny, real, relatable character who doesn’t apologise for who she is and knowing what she wants.
by NK Chats To… RE McLean
Say a big hello to RE McLean and the blog tour for her novel, Murder in the Multiverse. Thank you so much for joining me today. Can you tell me about your book, Murder in the Multiverse and what inspired the story.
Thanks for having me here! Murder in the Multiverse is a geeky mystery, the kind of thing you’d enjoy if you like Jodi Taylor or Douglas Adams. It’s about Alex Strand, a physics postdoc who finds herself recruited to the top-secret Multiverse Investigations Unit. The MIU is based in the parking lot of San Francisco PD (in a Tardis-like VW campervan) and investigates crimes by visiting parallel worlds where the crime hasn’t happened – yet.
What’s the challenges of writing something like Murder in the Multiverse? Do you have an idea of where you want the series to go?
The main challenge is writing a book where the solution to the mystery always has some kind of link to quantum physics, while not being a quantum physicist myself. I’ve dealt with that by making the physics very silly – hard science this is not!
I have a ten-book outline for the series storyline. Each book will be focused on one specific crime, and take place in a new parallel universe. But the twin threads of Alex’s search for her mother across the multiverse and her growing relationship with Sarita, the mysterious materials scientist, will drive the series plot.
What’s your writing day like, where do you like to write and do you have any writing rituals?
I like to write in my local library, and I have a Spotify playlist to help me focus. And Schrödinger the quantum cat sits on my desk while I write!
If you could go and investigate anywhere, where would it be and why?
Definitely Silicon City, the parallel universe in Murder in the Multiverse. It’s got an augmented reality version of the internet and you can conjure up a plate of cookies just by thinking about it. And all the doors go swish-thunk, like in Star Trek.
Which songs would be on a playlist for this book?
Good question! I’ve been putting together a playlist for Alex and her team, which you can find on Spotify. Alex is into retro tech (and music) and can only get to sleep to the sound of the Cheeky Girls. Her partner, Sergeant Mike Long, prefers easy listening. Alex wants to pull her eardum out with a fish hook when he puts that on the radio.
Do you think character or plot is more important?
I normally start a book with a concept, then decide who’s going to have to live with the consequences of that concept, then write the plot around that. Normally the characters come first for me, but I think both character and plot are equally important (and interwoven).
Which other authors have inspired/influenced you the most?
by Book Club
