Today, I want to again focus on how the same scene can be seen differently by two people despite being in the same room, witnessing the same thing.
I have been thinking about this a lot lately. When writing from the point of view of my main character, I also wonder what the other people in the particular scene are thinking.
In my own childhood, if asked, I would probably remember an event differently than my siblings would. I used to dance and enter competitions. How was it for my brother who was dragged along?
Think of an incident from your childhood where you were the centre of attention. How did you feel? What happened? Write for ten minutes, basing your story about this incident.
Now, write for another ten minutes but this time, write from the point of view of a sibling, cousin or friend who was also there. What differences are there in the thoughts, feelings and view of events?
Hi Tracy. It’s a pleasure to welcome you to Novel Kicks. Tell me a little about The Variety Girls and what interested you most about this idea?
When I was a teenager I lived and breathed variety theatre – in fact, any kind of live entertainment. Before and during the war was a golden age of variety and there was so much to draw on – all the wonderful theatre, and the end of the pier shows. When I was sixteen I got a job working backstage at the local theatre on Cleethorpes pier and from that time I was hooked. It was an absolute joy to revisit variety when it meant so much to morale during WW2.
What were the challenges when writing The Variety Girls?
A deadline, although that was really a God send as it turned out. It kept me at my desk, so I had to learn to overcome the distractions and self-doubt that normally plague me. Sometimes what you fear most is the driving force to success.
What’s your writing day like? Do you have any writing rituals?
I write for about three or four hours a day, but I’ll be thinking about the book all the time and I’ll have thought a lot about it before I start writing at all. There’s always research to do, but it has to be balanced with spending time with family and friends. It would be no joy to spend all day writing, not to me.
I don’t have any rituals other than playing music in the background and sometimes lighting a scented candle. Anything that helps me relax and settle to work.
What was your route to publication like?
I started with articles and then short stories. I wanted to write a novel but our life was very unsettled and so I never had the mental headspace to invest in a longer work. I went to classes and conferences and kept myself connected with other writers – and the short stories were excellent for learning to write tightly. A couple of years ago I decided that it was now or never and got stuck into a novel. It was the right time for me.
What’s your favourite word and why?
Nia Rose and Octavia J. Riley are co-authors of Spellbound and Hellhounds and Secrets of the Sanctuary, the first two novels in the Coven Chronicles.
About Spellbound and Hellhounds, book one in the Coven Chronicles.
Enter the world of Raen, turn left at the land of dragons, and you’ll find yourself in the country of Aeristria. A place overflowing with magic and creatures that were once only heard of in fairy-tales. In the heart of Aeristria is the capital city, Tolvade. Here you will find shops and taverns, laughter and fun, runesmiths looking for their next job and sneaky pickpocketing imps. Steer clear of the galloping gang of centaurs and you will see the headquarters of the prestigious Coven.
Within the Coven’s lower ranks, you’ll find Vanessa, a third-year Hunter itching to become a Spellweaver. Her and her trusted demon partner, Botobolbilian, must investigate an explosion at the academy and bring the culprit responsible in. Easy job, right?
Wrong.
Vanessa and her partner find that this investigation runs deep in black magic and sprinkled with feral demon summonings. With countless lives on the line, Vanessa struggles with self-doubt and following her heart (and laws) as she tries to right the wrongs of these heinous criminals and bring them to justice before they do any more harm.
But, with an oncoming yearly blizzard just days away, is it too late? Even with all the magic, spells, and power on Raen, this job might be the last that this duo ever faces…
About Secrets of the Sanctuary, book two in the Coven Chronicles.
Thea Bauer has earned her way to being a highly skilled member of the Coven. Ranked as a Spellweaver, she’s assigned the more dangerous missions. Corralling a herd of wild unicorns? No problem. Taking down a witch riding the high of black magic? Piece of cake. Finding out why magic-based creatures are suddenly flooding the local sanctuary, protected by a powerful sorceress with a hatred for the Coven? Thea might need more than her tethered demonic partner to see this mission through.
She calls upon Summoner Rafe MacBain, a trusted colleague she’s known for years whose dreamy eyes might keep her up at night—but she’s not admitting that to anyone. He’s got his own demonic companion, and altogether they’re a force to be reckoned with. But, even with their combined strength, it might not be enough against feral demons escaping some of the farthest reaches of Hell.
As if that weren’t bad enough, Thea must conquer her own demons residing within herself that conjure up a painful past. Will she be able to overcome herself, or will the memories she’s tried to stray from keep her from fighting enemies in the physical realm? Thea is starting to wonder if the sorceress may be one of those enemies too. What secret is she hiding at the bottom of the sanctuary, and how will it affect everything Thea has come to know?
Octavia has joined me today to talk about duel writing and the challenges both she and Nia face. Thank you for joining me. Over to you.
Nia and I get asked quite frequently how we go about writing a dual-trilogy of the same world in the same timeline. We always look at each other and agree: challenging. Not in the “Oh, this is so hard“ or “You can’t do that, it doesn’t work with MY story” sort of way (not to say we haven’t said that once or twice…). It’s challenging in a way that forces us to think, adapt, grow, and roll with what we’re given. It challenges us as authors and puts our imaginations to the test, which is invaluable when delving into fantasy.
There’s definitely flaws and loopholes when writing in a world shared by another author, but the beauty of that is that there’s two set of eyes to catch these loopholes. I remember we were so engrossed in our stories that we kind of got carried away, and Nia came up to me and was like, “Uh…hold on, was I at the Grim Bean the same time you were talking to the imp?” We realized that our characters did, in deed, come into close contact with each other, and this gave birth to our first cameo appearance in Spellbound & Hellhounds. We were able to sneak one more cameo appearance in when both of our characters were in Tasgall’s at the same time (something that we both realized later when we read over the story, because we clearly didn’t learn about paying attention to the timeline the first time). We’re those authors who don’t know exactly where the story’s going when we write it. We just write it however it comes to us. Neil Gaiman once said “Write down everything that happens in the story, and then in your second draft make it look like you knew what you were doing all along.”
A lovely welcome back to Emily Harvale and the blog tour for her latest novel in the Merriment Bay series, Chasing Moonbeams in Merriment Bay.
Cat has found true happiness in Merriment Bay. Will a discovery in Devon Villa change that?
Cat Devon is finally with the love of her life – and she couldn’t be happier about that. But discovering the identity of her real dad and the fact she has two half-brothers was a shock. Getting to know her new family is now a priority.
Kyra Devon is only eighteen, but she’s more mature than her mum in many ways and is coping far better with everything that’s happened. Kyra knows what she wants and unlike Cat, she’s not going to let opportunities slip away.
Mary Devon has regained her daughter and her granddaughter, but she’s grieving for her mother, and also for the loss of the love she thought she’d found. Putting on a brave face may not be the best way for Mary to get over it.
When a long-lost painting called Moonbeams Kiss is discovered in a hidden cellar beneath the floorboards in Devon Villa, a story of love, loss and treachery unfolds, bringing with it repercussions for each of the Devon women.
This is book two in the Merriment Bay series and I was so happy and excited to not only be invited onto this blog tour, but to be back with the residents of Merriment Bay. I want to live there. Seriously.
First, this cover. I am in love. It is so dreamy and it immediately allows me to picture the setting.
This book is told mostly from Cat Devon’s point of view. A scene from this novel is closely connected to New Beginnings at Wynter House, the first in the series and the two novels are weaved together very well.
Cat has just found out that she’s related to Rafe and Adam Wynter and that Wynter House is her ancestral home. She is not sure how her half brothers will react to her. She is also in a new relationship with the lovely Amias but she knows that her mother, Mary is not fully happy about the relationship.
Cat is also a little worried about her daughter, Kyra when it becomes obvious that Kyra may have a crush on Francis Raine who, being in his late twenties is ten years older than her daughter.
A big lovely welcome to Mandy Baggott and the blog tour for her twentieth novel, My Greek Island Summer.
Two weeks. One unforgettable trip to Corfu. A chance to change her life.
Becky Rose has just landed her dream job house-sitting at a top-end villa on the island of Corfu. What could be better than two weeks laying by an infinity pool overlooking the gorgeous Ionian waters while mending her broken heart.
Elias Mardas is travelling back to Corfu on business whilst dealing with his own personal demons. Late arriving in Athens, Becky and Elias have to spend a night in the Greek capital. When they have to emergency land in Kefalonia, Becky’s got to decide whether to suck up the adventure and this gorgeous companion she seems to have been thrown together with or panic about when she’s going to arrive at Corfu…
Finally reaching the beautiful island, Becky is happy to put Elias behind her and get on with her adventure. Until he turns up at the villa…
To celebrate Mandy’s twentieth book, she and Aria have shared an extract with us today. Grab that coffee/tea and the comfy chair. I am hoping that, like here, the sun is shining and enjoy. #mandybaggott20
(Language warning.)
***** beginning of extract*****
‘She’s going to take everything, isn’t she? Because that’s what they do, isn’t it? It’s all whispered sexual promises and home-cooking at the beginning, and then it’s commands about DIY and M&S meals you have to microwave yourself. And then… then it’s bitter accusations that you’ve been ignoring their needs, when really you’ve been negotiating million-dollar contracts so they can carry on having spa weekends with their friends where they go all-in for facials and Watsu, but complain about how terrible their lives are and how their husbands are nothing but unreasonable bastards who haven’t been able to find their erogenous zones since the honeymoon. Well, Elias, I challenge any man to find Kristina’s erogenous zone when the hedges haven’t been cut for a decade. Do you get what I’m saying? But, of course, it’s all my fault, isn’t it? Everything is always my fault.’
Solicitor Elias Mardas sat back in the hotel meeting room chair and regarded his client, Chad. Hair flecked with silver, wearing a navy suit from Moss London, this businessman would usually be the epitome of calm and controlled. Chad was used to negotiating hard with counterparts across the globe and here the man was, unravelling in a hotel in Central London. Not that Elias was surprised. This was what usually happened. Most of his clients became a shadow of their former selves, when it came to the topic of divorce. And that’s where Elias came in. It was his job to control this whole process, legal and emotional, to ensure that his client dealt with the inevitable fall-out and arrived at Destination Decree Absolute in the best possible position. Matrimonial law might not have been his legal area of choice when he’d first qualified – originally he had intended to deal with property and real estate – but circumstances had changed and he had changed and this was his niche. His company, working alone, picking and choosing his clients. He excelled at it and it was lucrative. What more could you want from a career?