Hello Mick. I am so very pleased and proud to be welcoming you to Novel Kicks. What’s the experience been like so far compared to your first novel, ‘The Season for Love’?

Hi Laura, it’s wonderful to be back celebrating my second novel, I’m delighted to be here. It’s never easy to obtain a contract for a book, and for some reason, in my opinion, if it’s not already in place, obtaining that second one is always the most nerve-shredding. When the email offer came through for this one, it was like a weight lifting from my mind.

Can you tell me a little about your first historical saga, ‘A Wing and a Prayer’ and what inspired the story?

Because of ill health, I hadn’t been writing, I’d wanted to but it hadn’t been working. My author friends had all been encouraging me to try, so when a friend suggested I try something new rather than to pick up an unfinished project, it was like a serendipitous moment. I was watching a program on tv called, Spitfire Women, about the lady pilots of the Air Transport Auxiliary in WW2. Before I was even aware I was doing it, I found myself scrolling around the internet and the beginning of a story idea reared its head. For this prod up the proverbial, I have two excellent authors and good friends to thank; best-selling romance author Sue Moorcroft and historical saga author par excellence, Elaine Everest. Also, after finding out so much about the brave women and men of the ATA, I wanted to write a kind of tribute to them. I hope I’ve done so.

What are the challenges of setting your novel in WWII?

Getting your facts right. Well, that’s only partially true, as in this day and age of the internet, you really shouldn’t be getting anything wrong, though it does happen. The other part, at least so far as I’m concerned, is making sure your characters behave and talk as they did back then. Compared to my romance, which was set in contemporary times, this was initially much harder to write until I got into the swing of it and now, it’s quite natural. Now I’m well into writing the third book in the series, writing as if my mind is back in the 1940’s seems natural. My main issue is, and will probably remain, writing in US English, as my publisher is based in the USA and prefers this. It still looks strange to me.

What’s your writing process like from first idea to final draft? Are there any challenges when writing a book series?

A lot of my ideas, when I first tried my hand at writing, came from listening to Radio. I’d hear a song and that would spark an idea. I still have a folder with about 20 idea for stories, some are brief outlines, a few lines, some are up to 6 or 7 pages, quite full of detail, a few even with a start, a middle and an end. I’d like think I can get back to some of those at some point. For this saga series, once the idea came, I was able to start writing pretty fast. I like to begin a story as soon as the idea hits me and as I’m more of a panster than a planster, I can get the first draft down pretty quickly, even taking into account that my first drafts are more akin to between a second and third draft, as I edit as I go along; each chapter has to read right before I can move on to the next one. I also keep each chapter as its own file, as I find it much easier to go to what I need to if, well, I need to.

So far as writing a series is concerned, this is my first series as ‘The Season for Love’ was a standalone romance, I’m kind of learning my own way as I go along. I’m sure everyone who writes a series has their own ways, so there may be an easier way than the one I’m using, but so far, it works for me. I like to, if it’s possible, to leave each chapter on a cliffhanger. That’s not possible with a series of books, so far as the end of the book is concerned. I’d like to, but each book has to be able to be read as a standalone too, so that’s out of the question. What I have to do is give the reader an enjoyable reading experience, whilst making them want to find out what the characters get up to next. It’s a nice feeling to know that I’ll be coming back to these characters again too.

You are a member of the Romantic Novelists’ Association  Do you feel that the RNA New Writers’ Scheme is worth joining if you’re wanting to start writing a novel?

My route to publication was through this esteemed scheme so, yes, very much so. I know so many authors who became published by joining the NWS scheme of the Romantic Novelists Association. It’s one of the hardest things to accomplish, having a book published and the support which this scheme provides is invaluable. I would recommend it to anyone who wishes to become an author.

What’s your favourite word and why?

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