For fans of books like Wreck This Journal and The Pointless Book.
The Art of Getting Started is a little interactive journal. It’s great to kick-start creativity or if you’re like me, something to do when you need time away from a project that is giving you trouble and you want to distract your mind.
What drew me to this book is all the fantastic activities in it. There’s drawing and writing exercises (including list making. Perfect for me. I love lists.) This book had me at the first page as it asks you to fill it with positive words. It’s also filled with great quotes to inspire you too. A small thing but it’s also small enough to fit into your handbag so you can carry it with you if you wanted to.
I am enjoying making my way through this book and I wanted to share it with you.
About The Art of Getting Started:
The ideal companion for all creative minds – The Art of Getting Started is the long missing piece of the creative puzzle. As a self-professed procrastinator, illustrator Lee Crutchley knows the ‘first blank page’ all too well and has used his expertise to devise a unique variety of impulsive habits to kick start the brain. Through a series of hand-written tasks and challenges Lee leads the reader through a range of lively prompts to shift the perspective and get those creative juices flowing again in new and surprising ways.
Memories define us. So what if you lost yours every time you went to sleep? Your name, your identity, your past, even the people you love – all forgotten overnight. And the one person you trust may only be telling you half the story. Welcome to Christine’s life.
This book had been recommended to me by so many people. I am always in two minds about a book many people tell me ‘I must read.’ I am then worried that it won’t meet expectation (this is also why I stay away from most nominated films during Oscar season. I find that the hype sometimes ruins the book or film.) I shouldn’t have worried.
Before I Go To Sleep focuses around Christine, who following an accident years earlier, looses her memory every night when she goes to sleep. Every morning, she has to learn who she is all over again from her husband, a man she doesn’t know. Eventually, she begins to keep a journal and everything begins to unravel around her. Like Christine, you begin to realise something isn’t quite right but you can’t quite figure out what.
I love books like this where there are puzzles to solve. The only small thing I had to get my head around was, with having started to read this around the time I heard a lot about the movie, it was hard to imagine the characters in any other way than the actors who were playing them on screen. No disrespect to Mark Strong (he’s a great actor,) but I imagined the doctor being a little younger.
It all started with Paris. At the top of the Eiffel Tower, a young man proposes to his girlfriend, cheered on by delighted tourists. In that second, everything changes, not just for the happy couple, but for the family and friends awaiting their return in Bridgeport, Ireland…
Leila’s been nursing a badly broken heart since her love-rat husband just upped and left her one morning, but she’s determined to put on a brave face for the bride.
Vonnie, a widow and exceptional cake-maker, is just daring to let love back into her life, although someone seems determined to stop it.
And Grace, a divorced head teacher, finds the impending wedding of her son means that she’s spending more time with her ex-husband. After all those years apart, is it possible she’s made a mistake?
With her warmth and insight, Cathy Kelly weaves a delightful tale spinning out from a once-in-a-lifetime moment, drawing together a terrific cast of characters who feel like old friends.
(Published by Orion on 9th October 2014.)
It Started With Paris begins with a couple, Michael and Katy getting engaged at the top of the Eiffel Tower in Paris. It then looks at how their engagement affects the people around them – focusing on three women in particular; Grace (a head teacher and Michael’s mother.) Grace is still great friends with her ex, Stephen.
Leila is a twenty-nine year old who is divorced and whose mother is in hospital following a car accident and finally Vonnie, who has come to Ireland following the death of her husband.
This experimental debut novel tells the story of a young woman’s traumatic coming-of-age in rural Ireland, as she struggles with her abusive family and clings to her relationship with her terminally ill brother.
(Published by Faber & Faber. April 2014.)
I first heard of this book when it was nominated for the Baileys Woman’s Prize for Fiction. I then saw some of the reviews and it sounded great and interesting so I was looking forward to reading it.
I did struggle with the style of the writing. I found this meant that the book was hard to read.
There were no punctuation marks and so I found it hard to keep up with in places and I found I was having to work hard to fill in the parts that weren’t that easy to understand. I had to go back and re-read to absorb it properly. As a result, it took me a good few days to read despite it being only 200 pages.
The concept of the book was interesting though. It was told from the point of view of a girl who is having to deal with the aftermath of her brother’s childhood illness. You never know her name. I did feel some sympathy for her character. She goes through a lot in her childhood and it subsequently affects her decisions later in life. She is a vulnerable girl and this is sometimes taken advantage of. It’s hard not to feel empathy for her.
That was the day that Mama made the rules: If they come, run. Be quiet and run. But not together. Never together. If one is found, at least the other survives….
During a cold, British winter, three women reach crisis point. Emily, an immigrant survivor of the Rwandan genocide is existing but not living. Vera, a newly Christian Londoner is striving to live a moral life, her happiness constantly undermined by secrets from her past. Lynn, battling with an untimely disease, is consumed by bitterness and resentment of what she hasn’t achieved and what has been snatched from her.
Each suffering their own demons, their lives have been torn open by betrayal: by other people, by themselves, by life itself. But as their paths interweave, they begin to unravel their beleaguered pasts, and inadvertently change each other’s futures.
After Before follows the lives (before and after) of three women, all living in London. The overall idea of the story was very interesting. I like stories where characters who are apparently strangers are then brought together and become connected and where history is gradually revealed. In my opinion, flashbacks are used well and don’t stall the story in any way.
To me, this is a story of forgiveness and acceptance.
The plot elements concerning each of the three women are all interesting and compelling (and in parts outright heart-breaking.) I didn’t find myself favouring any story over another and I didn’t find that I was battling through one character’s story in order to get back to another.
Emily is alone in the city having escaped the Rwandan genocide. Deciding to make something more of herself, she decides to train to be a carer as she tries to escape the memories of her past. Emily is lost and vulnerable and from the beginning you sense that there is a huge part of her she is holding back. The book starts with Emily’s story and it immediately pulled me into the story. I was intrigued as to how she would develop as a character.