A Moment With…Dean Mayes
A big Novel Kicks welcome today to Dean Mayes. His novel, The Artisan Heart is due to be released by Central Avenue Publishing on 1st September.
“Hayden Luschcombe is a brilliant pediatrician living in Adelaide with his wife Bernadette, an ambitious event planner. His life consists of soul-wrenching days at the hospital and tedious evenings attending the lavish parties organised by Bernadette.
When an act of betrayal coincides with a traumatic confrontation, Hayden flees Adelaide, his life in ruins. His destination is Walhalla, nestled in Australia’s southern mountains, where he finds his childhood home falling apart. With nothing to return to, he stays, and begins to pick up the pieces of his life by fixing up the house his parents left behind.
A chance encounter with a precocious and deaf young girl introduces Hayden to Isabelle Sampi, a struggling artisan baker. While single-handedly raising her daughter, Genevieve, and trying to resurrect a bakery, Isabelle has no time for matters of the heart. Yet the presence of the handsome doctor challenges her resolve. Likewise, Hayden, protective of his own fractured heart, finds something in Isabelle that awakens dormant feelings of his own.
As their attraction grows, and the past threatens their chance at happiness, both Hayden and Isabelle will have to confront long-buried truths if they are ever to embrace a future.”
Dean is himself an Intensive Care nurse and he is with us today to talk about how he portrays Medicine in fiction.
It is often said that, as a writer, our best writing comes from what we know. I’ve tried to buck that trend over the course of my published works, but there’s an inevitable truth I’ve come to accept – that maxim definitely holds true.
Having been an Nurse for over two decades now – with most of my career focused in Intensive Care – both Adult, pediatric and Neonates – along with Accident & Emergency – I’ve seen things and gained experiences as a clinician that translate well into the realm of gritty fiction. There’s compelling character moments to be found and situations that offer high drama. At the same time, I have to be mindful that I’m writing for a general audience who may not be well versed in the minutiae of medicine. There’s definitely a high wire act to master in writing engaging scenes.
My soon to be released novel “The Artisan Heart” is probably the most comprehensive example of me using my career experience to craft characters and situations.
In the story, we are introduced to Hayden Luschcombe, a brilliant pediatric emergency doctor who has an uncanny ability in diagnosing his patients quickly, efficiently and accurately. He has saved many lives as a result and, as a clinician, he is held in high regard – even if, as a person, he is seen as socially awkward and “on the spectrum” as some colleagues point out in their interactions with him. In one scene, early in the novel, Hayden’s acute sense of observation proves to be life saving for a new-born baby who presents with a stricture of the intestine. In another powerful moment, further on, Hayden correctly suspects a child has been deliberately scalded in boiling water by her parents. During the scene there is a highly charged confrontation between the child’s step father and Hayden that serves to illustrate the variation in presentations to the department and the dramatic circumstances that can spill off from those presentations.
While I won’t blow my own trumpet here and compare myself to Hayden Luschcombe, I did I craft Hayden as an amalgam of my own clinical experiences, working in a busy, inner city children’s emergency department. There are probably two or three other doctors in Hayden, medicos who I’ve worked alongside and watched over the past 10 years. The two examples I cited above are based on real clincial presentations, the latter of which was indeed as emotionally charged as it appears in the novel.
by 
A Moment With… Rufus Purdy
Puffin, August 1973
Rufus Purdy has joined me today and I am happy to welcome him to Novel Kicks.
Rufus is the founder of the Write Here… writing school, which offers high-quality, affordable creative writing courses in cities throughout the UK. Here, he shares the five books that have shaped his life.
Over to you, Rufus…
Finn Family Moomintroll – Tove Jansson
I suppose my parents must have introduced me to the Moomins – but by the time I was seven, I was reading Finnish author Tove Jansson’s tales of these hippo-like trolls and their dark and unsettling adventures all by myself.
What gripped me then was a cast of brilliantly drawn characters, from the resourceful yet self-conscious Moomintroll to the boy-tramp Snufkin, who drifts in and out of the stories with the seasons, and the beautiful language Jansson uses to evoke Moomin Valley – for which read rural Scandinavia. But, for me as a child, what set the Moomins apart was the unapologetic strangeness that runs throughout all the stories, and just how fine is the line between happiness and sadness.
In Finn Family Moomintroll, the first novel in the series, a genuinely scary, creeping sense of menace is offset by the closeness of the Moomin family unit and a reassuring feeling that nothing can go too badly wrong so long as family and friends stick together.
Utterly unlike any other children’s books I’d read at that time, the Moomin novels (first published in the 1940s) will never date – as they’ll always exist outside everyone’s experience.
The Hound of the Baskervilles – Arthur Conan Doyle
Penguin classics UK Ed. Dec 2012
I was introduced to Sherlock Holmes at seven years old by a 1982 BBC adaptation of The Hound of the Baskervilles, and within one episode I was hooked on its potent mix of mystery and the supernatural.
Of course, when I read the book a couple of years later, I found there was no room for anything but the application of pure reason in Holmes’s world and I was amazed by how all the spookiness of the previous 200 or so pages was convincingly explained away by the end.
So this short novel hooked me on the idea that no matter how otherworldly a set-up, an author can always come up with a rational explanation. I was spoilt. It’s a trope often copied by other writers (and in most episodes of Scooby Doo), but rarely matched.
I remain a huge fan of ghost stories, but have accepted the joy of reading them usually comes from the creepy atmosphere the author creates as they build towards an inevitably disappointing conclusion.
And though I’ve spent my life eagerly pouncing on any book that promises similar ingredients to The Hound of the Baskervilles, I’ve yet to read anything as perfect – and as fun.
Wuthering Heights – Emily Brontë
Scholastic ed. July 2014
Emily Brontë’s novel fitted the 17-year-old me every bit as well as the yak-hair jacket and indie-band T-shirts I spent my late teenage years in. It was our A-Level English set text, so my friends and I spent a lot of time reading and re-reading it (and listening to the Kate Bush song), but the novel became far more than just a passage to a good grade.
We grew up in Sheffield on the edge of Pennines, and drank our first cider-cans looking out onto the moors of the Peak District, so Wuthering Heights seemed to be written for us. It was, after all, about people in floaty dresses or long coats falling passionately in love and being driven to acts of violence, all while striding through heather with brooding looks on their faces. And in our most pretentious moments – and at this time there were many – we imagined ourselves as Heathcliff or Cathy as we smoked Silk Cuts perched on drystone walls and stared out gloomily at misty moors.
Wuthering Heights affirmed our Northern-ness and told us that, in the adult world, it was OK to have extremes of emotion so strong you might hang someone’s pet spaniel. Something that, as teenagers, we identified with all too well.
by A Moment With… Jonathan Whitelaw
HellCorp is the new novel by Jonathan Whitelaw and was released by Urbane Publications on 5thJuly 2018. It’s great to welcome him and the blog tour to Novel Kicks today.
Sometimes even the Devil deserves a break!
Life is hard for The Devil and he desperately wants to take a holiday. Growing weary from playing the cosmic bad guy, he resolves to set up a company that will do his job for him so the sins of the world will tick over while he takes a vacation. God tells him he can have his vacation just as soon as he solves an ancient crime.
But nothing is ever easy and before long he is up to his pitchfork in solving murders, desperate to crack the case so he can finally take the holiday he so badly needs…
Jonathan has joined me today to chat about research when writing a novel. Over to you, Jonathan.
Research is a vital part of any writer’s work. It’s so vital in fact that it seeps beyond the writing and becomes a part of your life. Like living with a new pet – a dog that constantly needs walked or a cat that’s all over your keyboard, you can’t shake it off.
And it’s just as well really. Accuracy and attention to detail can be the difference between stories being believable for readers and being dismissed as total hocum. So it’s vital for writers to take into account research and how important a role it plays in the overall production of writing and novels.
For HellCorp I was incredibly lucky. The story itself involves a lot of history, mythology and culture from all across society. From traditional Christian tropes to Jewish philosophy, Buddhist culture and even a little Norse folklore, I was totally immersed in something that can potentially be endless.
Just as well that I really, really love research!
As the old saying goes – knowledge is power. That phrase has never really sat well with me. I’ve always found it to be a little on the sinister side of things. It implies that be knowing all you can, educating yourself and being in a position to learn means that you can wield that against others. In actual fact, it couldn’t be further from the truth.
by Blog Tour: The Summer Holidays Survival Guide by Jon Rance
The brilliant Jon Rance is back with his new novel, The Summer Holidays Survival Guide (perfectly timed for the approaching summer holidays.)
Two parents. Three children. One senile grandad. Six weeks. How bad could it possibly be?
For teacher, Ben Robinson, the school summer holidays mean one thing – spending six weeks with his kids. This year, however, he also has his father and one very angry wife to contend with. The name of the game is simple: survive.
Ben embarks on a summer of self-discovery that includes, amongst other things, becoming besotted by a beautiful Australian backpacker, an accidental Brexit march and a road rage attack. There’s also the matter of saving his marriage, which is proving harder than he imagined, mainly due to an unfortunate pyramid scheme and one quite large bottom.
But when Ben learns his father has a secret, it takes the whole family on a trip to Scotland that will make or break their summer – and perhaps Ben’s life.
On the last day of his blog tour, Jon has joined me today to talk about his evolution as a writer. Welcome Jon. Over to you.
Hello! A huge thank you to Novel Kicks for having me on their blog. It’s exciting to be here! So, my new book, The Summer Holidays Survival Guide, is out and just 99p for a limited time! Today, the last stop on my blog tour, I’m going to be talking about my evolution as a writer. Let’s get started!
For those of you who don’t know me, The Summer Holidays Survival Guide, is my seventh novel. It all started way back in the heady days of 2011! We had our daughter in 2009 and our son was on the way, and I was a stay-at-home dad. I chose to be a stay-at-home father so I could write. I’d written a couple of unpublished novels, but then I suddenly got my big break. My self-published novel, The Thirtysomething Life, unexpectedly shot up the charts and broke into the Kindle top ten. I was as shocked as anyone. On the back of that success, I got a two-book publishing deal with Hodder and Stoughton and then an agent. My novels are usually comedies that deal with issues like marriage, family, parenting, falling in love, growing up or as it says on my website – author of contemporary novels about life, love, and all the icky bits in-between. I think, to be fair, it’s usually the icky bits in-between I’m most interested in.
So, now you know a bit about me, let’s talk evolution. My first novel, This Thirtysomething Life, was a diary about one man, Harry Spencer, early thirties, trying to get through the pregnancy and birth of his first child. My latest book, The Summer Holidays Survival Guide, is the diary of one man, Ben Robinson, 44, trying to get through the summer holidays with his family. Evolution? Well, yes. I wrote my new book because I realised last summer, as I was on a six-week holiday with my own family through England and Scotland, how far we’ve all come and how much has changed. I wrote, The Summer Holiday Survival Guide, as an update on my first book. It’s what happens down the line when the kids are older, the parents are older, and all the complications that come with that. It was as much a reflection on my own life as anything else.
by A Moment With… Elliott Light
Elliott Light, author of the Shep Harrington Small Town Mystery Series joins me today to talk about what he’s learned about writing a series and what he wished he’d known before writing one. Over to you, Elliott…
I have recently read several interesting articles about writing a series. The articles provided a lot of insight into the concept and structure behind a literary series. My timing, of course, is a bit off, kind of like reading “Ten Mistakes Do-It-Yourself Submarine Makers Make and How to Avoid Them” after launching my first sub. The good news is that I survived to write another day.
The gist of the guidance offered online is to plan the series before you start writing it. Okay, so I didn’t do that, probably because I didn’t know that I was going to write a series. And to be fair, planning is more important when writing a series that has a single story arc (e.g., The Hobbit, Harry Potter) than it is when writing a series in which the books are episodes that can stand alone (e.g., Sherlock Holmes). But even in an episodic series, the consequences of not planning enough can be catastrophic and are hard to fix.
The Shep Harrington SmallTown® Mystery Series is currently three books: Lonesome Song, Chain Thinking, and The Gene Police (to be released in January 2018). In Lonesome Song, the main character, Shep Harrington, arrives in a small Virginia town (Lyle) and becomes embroiled in the death of Reilly Heartwood. Shep knows most of the people he encounters because his mother is from Lyle and he visited the town as a child. Shep immediately confronts two problems: Reilly’s death has been ruled a suicide and the Reverend Billy will not bury Reilly in the town cemetery. Shep has his own issues; he was convicted of a crime he didn’t commit and served three years in prison as a consequence.
by Book Club
