I’m excited to be welcoming Tucker May to Novel Kicks and the blog tour for Death of a Billionaire.
Ever dream of killing your boss? Alan Benning knows how you feel.
The problem: his billionaire boss actually winds up murdered. And the whole world thinks he did it.
When globetrotting tech billionaire Barron Fisk is found dead on the floor of his swanky Silicon Valley office, all evidence points to Alan.
Alan must venture into the glitzy, treacherous world of tech billionaires to clear his name by sorting through a long list of suspects with motive aplenty. If he can’t find the real culprit, Alan’s going down. The clock is ticking.
Who killed Barron Fisk? The truth will shock— and change— the entire world.
Fans of Richard Osman’s The Thursday Murder Club series, Carl Hiaasen’s tales of high-stakes hijinx, or Ruth Ware’s page-turning mysteries will love Death of a Billionaire.
It’s over to Tucker as he talks to us about Silly Mysteries from World History.
Hi there! My name is Tucker May and I’m the author of the comedic murder mystery novel Death of a Billionaire. It’s a lighthearted, fun read with a truly puzzling mystery at the center. I take a lot of inspiration for stories from real-world events, so I thought it would be enjoyable to take a look at some mysterious events from history that remain unsolved, but are a bit goofy or off-the-wall. Let’s dive in!
A Whole Lot of Holes
Off the coast of Nova Scotia, Canada lies the diminutive Oak Island, which has been rumored since the late 1700s to be the home of buried treasure.
Please join me in welcoming Ian McFadyen to Novel Kicks and the blog tour for his book, The Corpse Bell.
The last thing Penny Carmichael expected when she joined the local bellringing group was for her debut to be thwarted by the discovery of a body just yards from the belfry door. As her husband and his loyal team painstakingly sift through the evidence and delve deep into the dead man’s past, it’s clear that solving Peter Mackenzie’s murder may prove a challenge, even for someone with DCI Carmichael’s renowned detective prowess.
What was a man who’d lived for decades in North London doing in Moulton Bank? Was his chequered past a factor?
And what about the other members of Penny’s bellringing group. Did any of them have a reason to do Peter harm?
As the case unfolds, DCI Carmicheal and his trusty team seek answers to a complex puzzle which leads them along various paths and, at times, way outside the comfort zone of their rural Lancashire surroundings.
This fast-paced, cleverly crafted whodunit is the eleventh murder mystery in the gripping Carmichael series from the pen of Ian McFadyen.
To celebrate the release of The Corpse Bell, it’s over to Ian as he talks about ‘Blind Alleys’ and ‘Red Herrings’.
In my opinion, blind alleys and red herrings are crucial elements in any worthwhile murder mystery.
There’s nothing that gives me more satisfaction as a writer than injecting false trails with the aim of leading the reader off course. Whether it’s the introduction of a possible suspect with a not so plainly obvious reason to be the killer, or a tiny mention of something or other that the reader thinks they’ve picked-up on and is key to cracking the crime, these ploys are essential in creating mayhem for the reader when trying to solve the conundrum.
Even more pleasing for me is when I’m able to add to the reader’s frustration by making the person they have at the top of their suspects list, due to a subtly injected red herring, the next victim of the real killer.
I’m pleased to be welcoming Fiona Embers to Novel Kicks and the blog tour for her book, Soft Rebound
The first hookup after a long relationship is always meaningless. Right?
Still reeling from his divorce two years ago, Joe Larson sleepwalks through life until a chance encounter with Liz Jensen jolts him awake. Their sexual chemistry is undeniable, but Liz is fresh off a broken engagement and has no intention of letting anyone get close. Joe must overcome his fear of being hurt again if he is to convince Liz that love does not mean being powerless and that their rebound fling is actually their happily ever after.
To chat about Loving Love, it’s over to Fiona Embers.
Loving Love: Romance Author Fiona Embers Shares Her Favorites
Romance is a bestselling genre with many subgenres and flavors. Whether you like your heroes to be “cinnamon rolls” (sweet and supportive of their love interest) or ruthless mafiosos or billionaires or perhaps monsters or aliens, whether you like your romance with a lot of “spice” (on-page intimacy) or prefer fade to black, whether you want your romance set on Earth in modern times or in the past or perhaps on another planet, whether want your romance tightly focused on the main pair or prefer it blended with mystery or thriller or urban fantasy, there is something out there for the enjoyment of every reader.
You will sometimes hear discussions about tropes, which are recognizable story elements that readers often rely on to decide whether they might find a story enjoyable. Think of tropes as strong spices in cooking. Some people love cinnamon in anything, be it sweet or savory (it’s me; I am those people), while others prefer to avoid it altogether, but in any case cinnamon is far from the whole dish. Tropes are a little like that.
Hello Jane. Happy Birthday to your book, The Landlord of Hummingbird House. Can you tell us a bit about it and what inspired it?
The Landlord of Hummingbird House is book one of a series, and it focuses on April, whose relationship has failed, and she is forced to start again. She moves into the house, where there are a number of tenants in her building from all walks of life – but who are also loyal friends. The book explores how easy it is to make inaccurate judgments about people. April’s first impressions (and the reader’s) are slowly unravelled, and a secret comes to light. It’s quite an easy-read book that touches on some dark themes, but ultimately focuses on the power of friendships.
If you could pick a new house and city to move to, where would you go and why?
I’m an island girl and I love sunny weather and sea-swimming – though the warmer and clearer the sea, the better!
If I could move without hassle and consequence, I think I’d go to a Greek island and live alone, with peace and quiet – but close enough to the beach for my swims and to a town for occasional sustenance and socialisation, on the rare occasions I might need these!
What’s your typical writing day like? Do you have any writing rituals? For example, do you need silence? Are you a morning, afternoon or evening writer? Need caffeine?
When I first came back to writing, I had a strict structure and routine, but now writing is so embedded into my life that it has slithered into all the nooks and crannies and gaps in my life, and I don’t have a routine – except at times of impending deadlines!
I do, however, have high expectations of work count and what I can achieve. I create a calendar for the year and work to deadlines and personal expectations for what I will publish. So I don’t allow myself the luxury of only writing when I feel inspired. If I did, I’d be far less productive. I have to grab ideas and hold onto them, or even chase them, when they do appear. Stories often come to me when I have a moment to let my mind drift. Driving a regular route, doing the dishes, etc. Sometimes it’s the setting, sometimes the twist, but often the character that comes first.
From first draft to final publication, how long does it take you to complete a novel? Also, do you have advice when approaching research and editing? When do you know you’ve done enough of both?
I’m so excited to be welcoming Hazel Hitchins to Novel Kicks and the blog tour for her latest book, Babs & Aggie: The Good, The Bad and The Vegan.
Aggie has reached that “certain age” – in her case, a thousand years or so, give or take a decade.
After centuries of bringing kings to their knees, running a small-town cafe isn’t how she imagined her life would pan out. Now, thanks to the machinations of the false vegan from across the road, she risks losing even that. And just when she thinks things can’t get any worse, along comes her old friend, Babs, in her House-on-chicken-legs, ready to ruffle some feathers with her unique blend of borscht, tough love and alcohol.
But everybody has a secret – the grocer who hides his loneliness behind a cheery smile, the neighbour crippled by debt and grief, and the young woman who jumps at her shadow – and before Aggie can help anyone else, she has demons of her own to lay to rest.
Can she confront her past to save her future? What is the ‘Vegan’ really hiding? Will Babs ever let her have the last word?
Raucous, rowdy, and heart-wrenching and heart-warming in equal measures, Babs and Aggie is a magical tale of love, loss and the comfort of a friendship forged through food, laughter and a LOT of slivovica.
*****
To celebrate the release of her new novel, Hazel is going to talk about why she writes about women of a certain age. Over to you Hazel.
The Invisible Woman:
Why I Write About Women of a Certain Age
If you subscribe to my newsletter, you’ll know that I often write about the pitfalls of being a “Woman Of a Certain Age”, such as never taking a chance on a sneeze and the feeling you get some days that you’re little more than a hot mess (sometimes literally) of hormones and HRT. It’s all very light-hearted and we laugh at these things because, frankly, it’s absurd. And normally, these ridiculous changes we go through are offset by experience and a greater understanding of how the world works, what’s worth getting worked up about and what we can let slide, so it’s all swings and roundabouts.