NK Chats To: Susan Buchanan (Plus A Chance To Win A Copy Of The Leap Year Proposal)
Hello Susan. Thank you so much for joining me again and inviting Novel Kicks onto your blog tour. Can you tell me about your latest book, The Leap Year Proposal and what inspired it?
Sure, thanks for having me again. Well, The Leap Year Proposal is the story of three women who meet at a mutual friend’s hen weekend and when the karaoke has abated and they’re all doing a quiz from a women’s magazine, the subject of leap year proposals comes up.
That prompts a would you/wouldn’t you discussion and the upshot is that the three protagonists, who happen to be sitting next to each other during the quiz, despite not knowing each other, get involved in a bit of a debate about it, with one professing she’d already made up her mind to propose.
The women’s friendship develops once they return from the Isle of Arran to the mainland as ‘the proposer’ starts making plans for how to propose, along with her sidekicks. And as for the inspiration, well, I proposed, quite unexpectedly, to my (now) husband on 29 February 2016! Our story has no bearing on this one, but it did give me the idea for the book!
I thought it would be fun to suggest a writing prompt – are you able to give us a starting line?
You’re out walking in the countryside and are confronted by a bear. What would you do and why? Sorry, that is the first thing that popped into my head!
Which fictional place would you like to visit and why?
I think it has to be Hogwarts! I’m a big Harry Potter fan.
Which book (that’s not one of yours,) would you like to forget just so you could read and rediscover it again?
by 
A Moment With…Florence Wetzel
I’m pleased to be welcoming Florence Wetzel to Novel Kicks and the blog tour for her latest book, Dashiki: A Cozy Mystery.
A cozy mystery with a dash of romance set in the vibrant world of jazz.
During an interview with reclusive jazz singer Betty Brown, journalist Virginia Farrell is shown priceless tapes from the iconic 1957 Thelonious Monk-John Coltrane gig at the Five Spot. When Betty is found murdered, Virginia is determined to recover the tapes and uncover the truth behind Betty’s death.
In the spirit of Nancy Drew, Virginia teams up with her six-foot blonde roommate to investigate the various suspects. Detective Robert Smith from the Hoboken Police Department joins the case, quickly becoming absorbed by an unsolved murder possibly linked to Betty Brown’s death, as well as an undeniable attraction to Virginia.
Dashiki is a cozy mystery laced with romance, immersing readers in the captivating world of jazz, where musicians, journalists, scholars, and enthusiasts intersect in an entertaining whodunit.
The author of Dashiki has joined us today to talk about The Healing Power of Reading and Writing Cozy Mysteries. Over to you, Florence.
While at Barnard College in the 1980s, I studied English literature and creative writing. From that time on, I devoted myself to reading literature with a capital L, including authors such as Fyodor Dostoyevsky, Doris Lessing, Albert Camus, and Virginia Woolf. The more challenging the book, the more I enjoyed it. I had also decided to become a writer myself, and those were the kind of books I aspired to create.
by A Moment With… Juliet Greenwood
I’m pleased to be welcoming Juliet Greenwood to Novel Kicks and the blog tour for her novel, The Secret Daughter of Venice.
The paper is stiff and brittle with age as Kate unfolds it with trembling hands. She gasps at the pencil sketch of a rippling waterway, lined by tall buildings, curving towards the dome of a cathedral. She feels a connection deep in her heart. Venice.
England, 1941. When Kate Arden discovers a secret stash of drawings hidden in the pages of an old volume of poetry given to her as a baby, her breath catches. All her life, she has felt like an outsider in her aristocratic adoptive family, who refuse to answer any questions about her past. But the drawings spark a forgotten memory: a long journey by boat… warm arms that held her tight, and then let go.
Could these pictures unlock the secret of who she is? Why her mother left her? With war raging around the continent, she will brave everything to find out…
A gripping, emotional historical novel of love and art that will captivate fans of The Venice Sketchbook, The Woman on the Bridge and The Nightingale.
There’s a chance to win a signed copy of The Secret Daughter of Venice below but first, Juliet talks to us about the inspiration behind her novel.
Finding Venice
The inspiration for The Secret Daughter of Venice came from my two visits to Venice. The first was when I was ten. It was part of a family holiday in an ancient VW campervan that had a habit of breaking down at inopportune moments, but managed to stagger to the campsite just outside the city without steam pouring ominously from the engine. It’s strange looking at those old photographs now. The memories of St Mark’s Square and travelling through the canals on a gondola are as vivid as if they were yesterday. That visit was just a few hours, but it always made me want to visit again.
by NK Chats To… Chris Wade
Hi Chris, thank you for joining me and welcome back to Novel Kicks. You’ve recently written a mystery thriller, Three Days in the Rain. Can you tell me about it and what inspired it?
Hi Laura. Well, one day I just started writing this scene that popped into my head. It involved a private investigator sitting in a man’s office. You could tell the man was rich, powerful, maybe a bit ruthless, and I had this image of the gentleman passing a photograph across the table to the investigator of a very beautiful woman. I remember that the story just came to me right there as I was doing that first chapter, the entire thing began to map out in my head. It sort of grew organically, but quickly. In short, it’s about this investigator who gets hired by a wealthy business man to follow his much younger girlfriend, who he is suspicious of. At first the detective thinks the old man is paranoid and actually a bit of a tyrant, a jealous man and control freak. As he starts to follow the girl though, he learns more and more about her, but hardly any of it is what it seems and as the story goes on, more and more mysteries are revealed. I had such fun writing it, presenting riddles and new twists and turns. It was one of the most enjoyable writing experiences I’ve ever had.
What was your writing process like for Three Days in the Rain, how long did it take you from idea to publication, how did you approach the planning process and has it changed much since you first started writing?
I honestly worked like a mad man on it, doing 12 to 15 hour days, maybe even more. The book is about 200 pages long but if I am honest it took a few weeks in all, including the edit. It was so smooth and fun, and it helped that all the story was just there waiting in my head, ready to come out on to the page. Nothing changed either, apart from a couple of tiny details at the very end. It was fully formed. I just kept following this very strong image of this beautiful dark haired woman who the main character becomes obsessed with, and it all just came out. I’d write a chapter a day and then I edited it all non-stop over and over for a couple of weeks. It was hard in a way, tiring too, but also extremely satisfying.
You’re also known for non fiction projects including works featuring James Woods and Oliver Stone. Does your writing process differ when writing fiction compared to non fiction?
Writing about films is just really fun. You obviously have to structure the film essays and make sure you ask decent questions when interviewing an actor or director, but you use a different kind of energy doing non-fiction, for sure. When I am writing fiction, the imagination is on overdrive, it’s basically running wild, and I am trying to keep myself in line and all the ideas in keeping with the story. It’s really liberating too. Writing these film books is just a treat, and they are actually a dream come true as well. As a kid in the 1990s I just loved films, and people like Sharon Stone, James Woods, Oliver Stone, and all those Hollywood legends were idols to me. Getting to work with them and interview them today as an adult just seems unreal. So the non-fiction and the fiction are totally different, and I love going from one to the other. That way I never get bored or even slightly frustrated.
What challenges did you face when approaching a fictional novel compared to the non-fiction books?
by Novel Kicks Writing Room: A Moment With… Monica Cafferky
Monica Cafferky is joining us with the blog tour for her novel, A Winter’s Sleep. She has made a living with words for over 30 years, first as a journalist and more recently with her supernatural thriller The Winter’s Sleep. Here, Monica shares her tips for making a start on your own novel – “stop thinking about it, just start writing.”
Tip 1: You need to read.
Before you put fingers to keyboard, or pen to paper, you need to know your genre. Read the kind of books you want to write.
If you love spooky stories, it’s Halloween after all, read the classics like Dracula by Bram Stoker and The Haunting of Hill House by Shirley Jackson. Or, opt for more contemporary novels such as Thin Air by Michelle Paver or my own The Winter’s Sleep.
Or do you prefer historical fiction? Fill your boots with tales from writers Philippa Gregory and Elizabeth Chadwick. If romance is your first love go for Sarah MacLean.
What’s important is that you READ. By reading, you will discover how to structure a story in your genre, how to construct a good plot, develop characters and layer in myth. Without these important elements there is no compelling story.
Tip 2: Start writing notes to yourself.
As the story starts to take shape in your mind you will have brilliant (I hope) insights, often when you least expect it – washing up, walking the dog, in the bath. It’s important not to lose these snippets of plot and character. You need to make a note of your ideas because, trust me, you won’t remember them later on.
Ideas are funny things, unless they’re fully formed, and repeated often, they slip away like a balloon in a strong breeze. Write these ideas down in your journal (that you use just for the novel) or create an audio note on your mobile, and then write it down later.
Let the foundation of the book take shape with these ideas, and collect these ideas together. You need to know what your book is about before you start the actual writing, otherwise you will find your story, and your sanity, unravelling around a quarter of the way through the plot.
Tip 3: What’s your character’s quest?
by Book Club
