I’d like to welcome Charles Harris to the blog today. Hello Charles. Thank you so much for joining me today. Your first fiction novel is called The Breaking of Liam Glass. Tell me a bit about it and what inspired the idea?
Hi Laura, thank you for having me.
The Breaking of Liam Glass is a crime-satire – not so much a Whodunnit as a What-They-Did-After-It! It follows the twenty-four hours after a teenage footballer, Liam Glass, is stabbed and in hospital in a coma, and the piranhas – the journalists, politicians and police – who all want to use him to build their careers.
The idea came from both seeing the rise in knife crime in our cities that seems unstoppable and also looking at the way newspapers play such a crucial part in our lives, and yet are almost unaccountable. Even the good ones. And to some extent they all can be good at times. It’s easy nowadays to attack the tabloids, but they have mounted important campaigns in the past and it would be a poorer world without them.
In Liam Glass, the central character, Jason Crowthorne, is a young wannabe journalistic piranha who first discovers Liam Glass’ case and realizes this could be his ticket to tabloid heaven. Yet at the same time he is honestly shocked at seeing kids being stabbed and wants to do something that will stop it.
As the story develops, Jason is torn between his better instincts and promoting his own career. In the process, he gets sucked into a dark yet comic spiral of lies and deceit, each step trying to escape the consequences of the one before. And soon discovers that there are bigger and nastier piranhas than him in the sea.
What do you think makes a good main character? Which elements are most important?
There’s no formula – I wish there were, it would make my life a lot easier. It’s like finding a partner – you can specify all the traits you want on Tinder but ultimately it comes down to a certain magic: you just want to spend more time with this person.
Some characters in the novel just arrived, fully formed, and were a joy to write: a nice but dim gym instructor; a local politician who is desperate to get re-elected but has no idea of her own; a put-upon detective constable who makes a single bad mistake and is urgently looking for someone to pin it on.
Whereas Jason hid himself from me and had to be slowly teased out.
Having said that, there are some rough guidelines – you want characters who are full of energy and contradictions, facing big dilemmas yet capable of taking action.
Jason finally revealed himself to be a great person to spend time with, which is a good thing as I lived with him for many years.
His heart is in the right place and yet he keeps doing the wrong things. You fear for him and yet in some ways you long for his comeuppance. In all, he turned out to be a wonderful comic hero to write.
What is your writing process like? Are you much of a planner? Edit as you go?
In theory, I try to plan, but not too much, and then not edit until I have a full draft. But each book tells you what it needs. It’s like sailing single-handed across the Atlantic – you start off with the best of intentions and by the end you’re clinging onto a spar, soaked to the skin and searching the horizon for dry land.
Are you working on anything at the moment that you can tell us about?
I’ve just sent my editor a zillionth draft of a more serious psychological crime story.
Which three books could you not live without and why?
More like three hundred, but currently my top three would be Scoop, Catch 22 and Bonfire of the Vanities.
• Scoop for Evelyn Waugh’s brilliant depiction of the values and contradictions of the newspaper business;
• Catch 22 because every line that Joseph Heller writes both makes you laugh and pins some human hypocrisy like a butterfly on a pin;
• and Bonfire for Tom Wolfe’s ageless and constantly funny depiction of the hubris that led to the social and economic car crash we’re living through today.
This week, I want to look once again at creating characters.
I have featured a few ways of getting to know your character and today, I wanted to explore that further.
Using the prompts below, make lists as though you were your character. Do it for as many of your current characters as you like.
1. Pet Hates
2. What things worry you?
3. Your idea of a perfect day?
4. What are your wishes?
5. What are some of your favourite books?
6. What’s your favourite word?
7. What would you grab from a burning house?
8. What things would you do if you won the lottery?
9. What were your childhood dreams?
10. What things are you most afraid of?
Fiction Friday is our weekly writing prompt.
The aim is to write for a minimum of five minutes and then keep going for as long as you can. Once you’ve finished, don’t edit, just post in the comments box below.
Today’s prompt is about resolutions.
Your character starts the new year with no relationship and no job. They decide to make a list of new year resolutions and one by one, tick them off the list throughout the year.
Pick one of the resolutions and put your character in the situation where they are trying to complete it. Do they? What happens and what conflict arises?
Fiction Friday is our weekly writing prompt.
The aim is to write for a minimum of five minutes and then keep going for as long as you can. Once you’ve finished, don’t edit, just post in the comments box below.
Today’s prompt has a Christmas theme.
You wake up one morning to a mountain of post. Some of the post that was meant for Father Christmas at the North Pole has somehow been misdirected to your house. Your mission is to return the post to its rightful recipient. The trouble is, you don’t have a clue where to begin.
Continue the story.
Part of the battle when writing is having faith in yourself.
The internal editor can be a very harsh critic. I know I am my own worst enemy when it comes to my own writing.
Whilst doing National Novel Writing Month this year, I struggled enormously to keep that pest of a nagging voice at bay long enough to get some words typed.
The advice many writers have given when doing interviews for this blog is to have faith and to not get too obsessed with making the first draft perfect.
One exercise I have found to be helpful when I’ve had trouble telling the editor in my head to kindly shut the hell up, is to open a new word document or find a blank piece of paper and just write.
However, the twist is that I close my eyes. It’s quite a fun thing to do.