Your book is called The Snow White Effect. Can you tell me about it and what inspired the story?
My sister was diagnosed with leiomyosarcoma in 2013 after having a laparoscopic hysterectomy. We learned shortly after her diagnosis that her cancer had been made worse by the tool used in her procedure. As a writer, I wanted to help tell her story to prevent it from happening to more women. It’s a love story wrapped in a medical drama. Being told through four different vantage points allows the reader to see the story from more than one angle.
What elements do you think make a good novel?
Twists. In every story I write, I try to have at least one twist the reader didn’t see coming.
Can you talk me through your writing process from idea to editing to pitch.
All of my writing starts with one main idea. I have a basic idea of where I would like to see the story go, but I never hold myself to any one path. Instead, I allow for the characters to develop and tell their stories through me. I am blessed to have a supportive family. My mom and sister always read the first version of my manuscript and offer their brutally honest opinions. From there, I make changes and edits. At that point I usually walk away from it for about to weeks. After a couple of weeks, I come back to it and re-read it. If I’m happy with it, I’ll send it to my editor. I’ve been fortunate enough to work with a great editor who challenges my writing and thought process at every level. The editing process with her takes about two months, after which I know my book is ready. The pitching process is my least favorite because I don’t like to talk about myself. But I believe in my writing, which helps me pitch my stories.
What is your typical writing day like? Do you have any rituals like lots of coffee or writing in silence?
Tea and music. I love tea. I am a big tea drinker. So when I start writing, I always have a steaming fresh cup next to my computer. I’d like to say I have a writing ritual, but with young children I write when I can. Most of my writing is done at night when everyone is asleep. I tend to become an insomniac when I am in the middle of a story. Music is also important for me because it helps me feel the mood I am writing. By the time my manuscript is complete, I have a playlist to go along with it.
What is your favourite word and why?
Hope. Life is full of lows and high. Hope bridges the gap between the two. It gets us through the lows so we can attain the highs.
A big massive hello and welcome to Carole Matthews. I am pleased to be kicking off the blog tour for her new novel, Million Love Songs which was released by Sphere on 22nd March 2018.
Ruby Brown is ready for a change. She’s single for the first time in years and she’s going to dive into this brave new world with a smile on her face and a spring in her step. The last thing she’s looking for is a serious relationship.
Mason represents everything Ruby wants right now: he’s charming, smooth and perfect for some no-strings-attached fun. Joe on the other hand is kind and attractive, but comes with the sort of baggage Ruby wants to avoid: an annoyingly attractive ex-wife and two teenage children.
Ruby thinks she knows what she wants, but is it what she needs to be truly happy? It’s about to get emotional in Million Love Songs.
Carole has created a spotty playlist for this new book which you can check out here: https://open.spotify.com
Looking at this playlist, it has me thinking about my favourite love songs. I am very much a hopeless romantic. A romantic film, a song about love and I am trying not to cry.
There are many love songs I love and to be honest, I have found it hard to pick. Therefore, I have picked three (i know, it’s cheating but I don’t care.)
My first favourite is one that is also on Carole’s list and that is ‘I Knew I Loved You’ by Savage Garden. This song was the one played for the first dance at my wedding and so it will always hold a special place.
My second favourite is ‘She is Love’ by Oasis. This is a great, upbeat love song (and in my opinion, one of the songs by this band that I can hear The Beatles sing.)
My final favourite is ‘Once in a Lifetime’ by Landon Austin. This song is a beautiful song that I just think is very romantic.

My verdict on Million Love Songs:
Zero and The One is the latest novel from Ryan Ruby. It was released by Legend Press on 15th March. Ryan and his blog tour join me today.
A bookish scholarship student, Owen Whiting has high hopes of Oxford, only to find himself immediately out of place. Then he meets Zachary Foedern from New York. Rich and charismatic, Zach takes Owen under his wing, introducing him to a world Owen has only ever read about.
Thanks to Ryan and Legend Press, we have an extract to share with you today.
******* Start of extract.*******
RITUALS OF SUSPENSION.— The ritual that can withstand the deadening weight of its own unbroken repetition has yet to be choreographed. Any ritual so rigid that it fails to include the means of its own periodic suspension is bound to go extinct.
Pembroke is one of the smallest and poorest of Oxford’s colleges. The Cotswold stone buildings seem to turn inward, away from bustling St. Aldate’s, as if ashamed of the plainness of their features. The Old Quad, where I was given rooms, lies quite literally in the shadow of the fairer sister over the road. Tourists would come from round the world to visit Pembroke Square, only to turn their backs on our Porter’s Lodge so they could have a better angle from which to snap a photograph of Tom Tower, the lavishly ornamented gateway to Christ Church.
The college was old enough to have produced a few notable alumni, but the most famous of them, Samuel Johnson, was sent down after a year for a lack of funds. Today, its students are better known for the speed of their oars on the Isis than the speed of their pens in the Exam Schools. It is largely made up of those like me, who have what the Student Union euphemistically calls non-traditional backgrounds, and who were only able to attend the oldest university in England by grace of what the Bursar called, rather less euphemistically, hardship grants. (Mine in particular were nanced by the sale, a few years previously, of Man in a Chair, an early painting by Francis Bacon, a poster of which was the only decoration on the walls of my rooms.) Rounding out the Junior Common Room were the thicker products of the public schools, Erasmus scholars from the continent, and Americans on their year abroad.
Of this last group there were around twenty, paying American tuition fees to add English polish to their CVs. The reason for their presence at Pembroke was nakedly economic, a way for a college whose endowment consisted almost entirely of subsidies from its wealthier neighbours to generate a bit of additional revenue. They were lodged in the back staircases of the North Quad, on the main site, with the rest of us first years. Though they were only two years older than I, and though they were living, many for the first time, in a country not their own, this slight difference in age lent them an air of cosmopolitan sophistication; I certainly wasn’t the only one to regard the visiting students, as they were called, more as elders than as peers. For better or worse, they generally had the run of the place.
Zach was not long in distinguishing himself, mostly through skirmishes with various members of the college staff concerning the finer points of college etiquette. The first time I recall seeing him, he was being reprimanded by Richard Hughes, the Head Porter, a lean and sallow-faced man in his fifties, whose fingernails were worn longer than his sense of humour. I remember looking out my window to see what the fuss was about below. Zach, it seems, had walked across the immaculate square of lawn in the Old Quad on his way to the pantry. Not content to defer to authority — or local custom — he was demanding, in those at syllables I’d come to know so well, the explanation for such an absurd rule. The one he was given (“only fellows and newlyweds are permitted to walk on the lawn of the Old Quad”) didn’t satisfy him. He demanded another. The exasperated Head Porter told him that it was “out of respect for the sleep of the dead monks who are buried there.” To this he nodded, convinced and perhaps a tad impressed. But whenever he walked through the Old Quad, he made sure to toe the cobblestones near the edge of the lawn, not seeming to care, now that he had been reprimanded, that he was liable to pay a ne if he lost his balance.
A fortnight later, I was sitting alone at what had already become my regular seat at my regular table, reading whilst I waited for Formal Hall to begin. I was dressed subfusc— jacket, white bowtie (in my case poorly knotted), black commoner’s gown— the requisite attire. Zach arrived in the company of Gregory Glass, in the middle of a heated political debate.
“I can’t believe what I’m hearing!” Gregory was saying. The other visiting student from Columbia, Gregory was short and barrel-chested, with long curly brown hair that was held off his face, no matter what time of day, by a sporty pair of sunglasses. I’d already seen him several times at macroeconomics lectures, furiously scribbling away in the front row. That term, not a single lecture would conclude without Gregory raising his hand to ask a question, or rather, to give a meandering observation in an interrogative tone.
He asked me if they could sit at my table and, without waiting to hear my answer, continued talking to his friend. “Don’t tell me,” he said, in a voice that could be heard from one end of the hall to the other, “you’re going to throw your vote away on Nader!”
29 Seconds is the new novel from T M Logan and was released by Zaffre on 8th March.
Give me one name. One person. And I will make them disappear . . .
When Sarah rescues a young girl in trouble, she expects nothing in return. But her act of bravery puts a powerful and dangerous man in her debt. He lives by his own brutal code, and all debts must be repaid – in the only way he knows how.
He offers Sarah a way to solve a desperate situation with her intolerable boss. A once-in-a-lifetime deal that will make all her problems disappear.
No consequences. No comeback. No chance of being found out.
All it takes is a 29 second phone call.
BECAUSE EVERYONE HAS A NAME TO GIVE. DON’T THEY?
TM Logan and Zaffre have shared an extract from 29 seconds today. Enjoy!
******
This time Sarah couldn’t stop the tears. She stood with both hands on the back of her chair, head down, shaking with emotion as great racking sobs tore through her. This wasn’t happening. But crying was a luxury she couldn’t afford: she didn’t have the time. She found a tissue and wrenched her office door open, stumbling down the stairs, wiping at her eyes as she went. She ignored the concerned looks of two students in the front lobby, pushed through the double doors into the car park and almost bowled over Marie coming the other way.
‘Sarah,’ Marie said, taking a step back. ‘You OK? What happened?’
Sarah shook her head but kept on walking. ‘Fine. I have to go.’
‘You don’t look fine.’ ‘I have to get the kids.’
‘What did he say? Are you OK? I texted you.’ Sarah stopped and turned, still shaking with anger. ‘I think I’ve finally had enough. God, I hate him.’ Marie handed her a tissue.
‘You didn’t get the contract?’
‘No, I didn’t bloody get it!’ Her voice cracked as she tried to get the words out.
‘I’m sorry, Sarah.’
‘Sorry.’ She swiped angrily at fresh tears. ‘I’m not having a go at you.’
Marie placed a comforting hand on her shoulder.
‘I know. I can’t believe it, though. What are you going to do?’ ‘No idea. I have literally no idea.’
‘D’you think he gave the contract to Webber-Smythe?’
‘I don’t know. I think so. Look, I have to pick up the kids from school.’
‘I’ll text you.’
Sarah nodded and turned away. She got straight into the driver’s seat of the car, shoved the phone into its cradle on the dashboard, and turned the key in the ignition. She reversed out and gunned the engine, weaving through groups of students as she headed down the hill.
Hi Catherine, it’s lovely to welcome you and the blog tour for your new book Love Among The Treetops to Novel Kicks today. What is your typical day as a writer?
I work best in the early mornings, so I like to reach for my laptop (and lots of tea) almost as soon as I wake up. On a good day, I’ll write five hundred words before breakfast, and to make it easier to face that blank page every day, I like to make rough notes on the next part of my story the night before. I usually write between 500 – 1500 words a day and I aim to finish by ‘lunch-time’, which can be anything from midday to mid-afternoon! By then, I find all the emotion of living the story with my characters has taken a bit of a toll on my energy levels. (I’m always amazed by how exhausting it can be, writing on emotional subjects – particularly when your main character has hit rock bottom. You feel all the see-saw emotions she’s going through and it’s almost as if you’ve been through it yourself.)
What inspired Love Among the Treetops?
I live near a place called Alnwick Garden in Northumberland. It’s incredibly magical and they have a beautiful restaurant in a fairytale tree house. I wanted an unusual setting for my café in this book, and I suddenly thought what a romantic setting a tree house would be!
How do you pick your names in a novel?
For my heroine, I like to choose a name that really appeals to me – and if it can be that little bit different (therefore memorable), then so much the better. Sometimes the name just slots into my head when I’m dreaming up the character. It just seems to fit. And that’s what happened when I was imagining my main character in Love Among the Treetops. The name ‘Twilight’ came to me and it was perfect!
Is plot or character more important?
With me, what tends to happen is I have a basic idea at the start of what’s going to happen in my book and a rough idea of my main character’s personality. So at that point they’re equally important. But then I think character takes over and to some extent dictates the way the story progresses. Once I’m immersed in seeing things through the eyes of my heroine, surprising plot twists seem to happen. That’s why I never start out with a plot that’s set in stone because it always changes – I have to obey my main character!