Book Review: The House of Hopes and Dreams by Trisha Ashley
It’s Sunday. It’s snowing. Therefore it’s the perfect time to snuggle up with a Trisha Ashley novel and it’s lovely to welcome Trisha and the blog tour for her latest book, The House of Hopes and Dreams to Novel Kicks today.
When Carey Revell unexpectedly becomes the heir to Mossby, his family’s ancestral home, it’s rather a mixed blessing. The house is large but rundown and comes with a pair of resentful relatives who can’t be asked to leave.
Still, newly dumped by his girlfriend and also from his job as a TV interior designer, Carey needs somewhere to lick his wounds. And Mossby would be perfect for a renovation show. He already knows someone who could restore the stained glass windows in the older part of the house…
Angel Arrowsmith has spent the last ten years happily working and living with her artist mentor and partner. But suddenly bereaved, she finds herself heartbroken, without a home or a livelihood. Life will never be the same again – until old friend Carey Revell comes to the rescue.
They move in to Mossby with high hopes. But the house has a secret at its heart: an old legend concerning one of the famous windows. Will all their dreams for happiness be shattered? Or can Carey and Angel find a way to make this house a home?
As a long time follower of Trisha’s novels, I was delighted to receive a copy of her new novel from the publisher. I had intended taking my time, rationing myself, savouring each page so the experience would take a week or so, so much for good intentions as I started this on a Friday and was finished on Sunday evening.
What to tell you about the story? Well, as little as I can get away with, as I don’t like giving away too much.
Angel Arrowsmith’s life is thrown into confusion by the sudden death of her partner, causing her to lose her home and livelihood. Her best friend Carey Revell is recovering from a bad accident that lost him his job when he is bequeathed a slightly run down ancestral home.
by 
Claudia Carroll: Starting to Write a New Novel…
The blog tour train is here. Today, Claudia Carroll joins me to talk about her process when writing a new book. Her latest novel, Our Little Secret was released by Avon on 8th February.
Over to you, Claudia.
Before starting any new book, I’d write out a pitch for it first, just a page or so, nice and short. Then I send it to my agent and editor and see what they think. If I get the thumbs up from them, one of my little tips is to write it out as a short story first, nothing that’ll ever see the light of day, it’s just an exercise for me really, to see if the story idea has legs. Sometimes, I’ll start the short story and the fizz will run out of it, in which case I know that it’s back to the drawing board for me. But if the short story leaves me feeling there’s so much more I want to write, but don’t have room for, then I know I’m onto something.
When it comes to plot, I’m a planner and I think every author is, really. I always think that starting off a novel without a plan is like getting into a car without knowing where you’re going…you’ll just end up driving round in circles.
Once my editor, agent and I have agreed on a pitch, then I do a skeleton outline of any new story before I’d even sit down to write a line. It makes life so much easier later on, on the days when I find I’m a bit stuck. It takes me quite a long time to get to really know my characters, so I’d begin by writing out a rough biography for everyone of them, to try to make them as three dimensional as possible, it helps me hugely.
A reader will quickly lose interest if they just don’t like the hero or heroine. You really have to try to layer them carefully so that they really jump off the page. Remember at the start of a new book, you’re asking a reader to go on a 400 page journey with your characters, and particularly your leading lady, so it’s vital to get character right early on.
by NK Chats to… Jean McNeil
Welcome to Jean McNeil and the blog tour for her novel, Fire on the Mountain which was released on 15th February by Legend Press.
Hello Jean. Thank you so much for joining me on Novel Kicks today. Your latest book is called Fire on the Mountain. Can you tell me a bit about it and what inspired the story?
Hi Laura, thanks very much for your interest in the novel and for your questions.
Fire on the Mountain is a contained and intense story about masculinity and desire. It focuses on three men: Pieter Lisson, a celebrated writer in an unnamed post-colonial country who has never quite found the fame and acceptance he might have experienced had he been a more ‘serious’, political writer; his son, Riaan, who lives in the desertified north of the country, and Nick, a British (although he has grown up all over the world) NGO worker, who comes to stay with Pieter and his wife for a few days and ends up staying for four months. He and Riaan develop a wary friendship, then a much closer mutuality, and finally their relationship is transformed into something neither of them every would have expected.
The inspiration for the story is the landscapes of southern Africa, in particular Cape Town, where I lived on and off for years, and Namaqualand, the Kalahari and the Namib deserts. Another inspiration was the years I spent gaining professional safari guide qualifications. This wasn’t a completely masculine environment, but the sort of masculine consciousness I encountered in men in southern Africa fascinated me. Strength and an awareness of vulnerability are both needed to survive in the bush. You have to be intuitive and attuned to other creatures. It’s a way of life that creates a different kind of man than I had encountered elsewhere. I wanted to try to capture that in the novel.
If you could drop into the life of any fictional character which one would it be and why?
My characters are me and I am them, so I do live their lives. Like Pieter I am a writer, and like Riaan I know the African bush. Like Nick I’ve worked in NGOs and international development. I consider that I live all their lives, simultaneously.
What’s your writing process like – from planning to edit.
I write quite quickly, meaning I can write a novel within a couple of months if I really put my mind to it, as well as working. But then I tend to rewrite very extensively, doing at least 12 drafts, adding and subtracting and crucially getting the structure right. Because I’m a fast and intuitive writer I rely on sane, intelligent people called editors to help smooth out contradictions and fill gaps. I wish I could be more methodical, punctilious, perfectionist, but I’m just not. Thank god for good editors…
Do you have an writing rituals or routines?
No, I can write anywhere and at any time. I do like to be able to see the sky as I’m writing. My flat in London has a good view so I can stare at seagulls and the Shard.
What’s your favourite word and why?
Aha, tough one. There are so many choices… Orphic, probably, as in musical, but also a tinge of the quality of underworld, or submerged – from Orpheus. Closely followed by heliotrope.
by NK Chats To… Rhiannon Navin
Only Child is the debut novel from Rhiannon Navin (released by Mantle on 8th February,) and I am so pleased to welcome her blog tour to Novel Kicks today. Rhiannon, your novel sounds like such a powerful read. Can you tell me about Only Child and what inspired it?
ONLY CHILD is the story of six-year old Zach, told from his perspective, who lives through the terrifying trauma of a shooting at his school. During his rampage, the gunman takes nineteen lives and Zach’s formerly tight-knit community is left shattered. While the adults in Zach’s life, especially his parents, deal with their grief in all-consuming ways, Zach is mostly left to his own devices to confront the after effects of the trauma he’s had to endure and his feelings of grief and fear. I found the inspiration for ONLY CHILD in a personal experience that occurred in my life a couple of years ago, when my twins were five years old. They had just started Kindergarten when they had to participate in their first “lockdown drill” at school. Lockdown drills are a common practice here in the U.S. where, unfortunately, mass shootings happen on an almost daily basis. Children as young as five years old, or even younger, have to practice how to take cover in the event that a shooter might come to their school and try to kill them. On the day of my twins’ first drill I found my little Garrett hiding underneath our dining room table. He said he was “hiding from the bad guy,” and he was petrified. That really hit me incredibly hard and led me to want to explore what living through an actual horrifying event like a school shooting and its aftermath would look and feel like through the eyes of a child.
Can you describe your writing process from idea, planning, writing and editing.
ONLY CHILD was my first writing experience, so I really made up my writing “process” as I went along. The idea for the story came to me in a flash and I scribbled down the first few scenes rather furiously in one of my children’s school notebooks. A few chapters in I realized that I should probably take a step back and plan out my story a little; get to know my characters and picture where they might be headed. I read a few books on writing (Stephen King, Anne Lamott!) and a few more technical books on outlining a novel and I went to work creating a loose game plan for the book. I found that, at times, the game plan helped me navigate my way through the story and other times, the story itself took me down a totally unexpected path. I was incredibly fortunate to find a fantastic writing coach who helped guide me throughout the entire journey of writing my first, second, third…I don’t quite remember how many drafts exactly. I wrote ONLY CHILD in about a year, give or take, and when my writing coach and I thought I was in a good place with it, she also helped guide me through the querying process.
Do you have any writing rituals – coffee? Writing in silence?
No real rituals, but I try to set myself up in a situation that (theoretically) eliminates any excuses to get up for at least a couple of hours. That begins with having walked the dog, checked and responded to all urgent emails, having gone to the bathroom, and prepared a cup of tea (to be sipped slowly in order to not repeat the previous step too soon.) It also includes placing my phone clearly out of my reach—that’s one of the toughies. It’s incredible, the kind of pull your phone has on you, especially on the days when your mind wanders and you’re looking for an excuse to do anything BUT write. I need to know that I have a long, interruption-free window ahead of me; otherwise I can’t relax enough to dive in.
What are the most challenging things about being a writer?
When I first started writing ONLY CHILD, I wrote without any expectations. I didn’t expect anyone to necessarily even read it, let alone to find an agent, or a publisher. It was a wonderful first writing experience for me because I had found this story that grabbed me and pulled me in, and I only focused on that. If anything was challenging for me at the time, it was allowing myself to take the time to write the story, and to justify putting writing ahead of other things in my life—the laundry, the dirty dishes in the sink. Now, the most challenging thing about being a writer is the question: “How is book number two coming?”
Which authors do you admire and why?
Wow—there are so many authors I admire. I don’t even know where to begin. Anne Lamott pops into my head immediately. I just love how authentic she is and unapologetic about how messy and unglamorous and hard writing is. And she is absolutely hilarious. I love any writer who can make me laugh out loud. Amor Towles falls into that same category. I’m currently reading “A Gentleman in Moscow” (yes, I know I’m very late to the party) and this story makes me laugh all the time. His writing is absolutely beautiful, every word is placed just so. I admire J.K. Rowling so very much. Her personal story of overcoming adversity is very inspiring and I’m in awe of how she’s managed to turn a whole generation—and many more generations to come—of children into lovers of books. And adults, too! I’ve seen it happen first-hand with my older son. He read the whole series when he was quite young, in first grade, and he’s been hooked on books ever since. J.K. Rowling literally helped my son discover his love for reading.
What’s your favourite word and why?
If I really have to choose one (!) favourite word, it will have to be “Wanderlust.” Which is a German word that doesn’t really have an English equivalent or literal translation. It means “a strong desire to travel;” and I do love to travel more than anything. But beyond just the literal sense of feeling the urge to travel, I like to use the word “Wanderlust” to describe the desire, or the bravery, to step outside of your comfort zone, to explore and try out new things, to expand your horizon. So, I hope to always have “Wanderlust,” in all aspects of my life. My second favourite word is champagne.
Are you working on anything at the moment? Are you able to tell me a little about it?
Yes, I am and I’m beginning to feel it pulling me in the way ONLY CHILD did at the beginning. But I’m going to wait a while longer to talk about it if that’s OK.
by NK Chats To… Daniela Tully
Daniela Tully’s debut novel, Hotel on Shadow Lake was released by Legend Press on 1st February. It’s lovely to welcome you and the blog tour to Novel Kicks today, Daniela. What’s your book about and what inspired the story?
Thank you for having me! Let me start with what inspired the story: my grandmother had a twin brother, a German fighter plane pilot, who died during WWII. As he felt his death nearing, he wrote a farewell letter to my grandmother and their mother, at the end of 1944. That letter, however, was held up in the East, when the Berlin Wall was erected, and only reached my grandmother in 1990, after the Wall had come down. The letter in my novel contains much more than a “simple” good bye (the reader doesn’t learn the content until the end). In my novel, the recipient disappears without a trace after receiving the letter. Twenty-seven years later, a landslide in upstate New York uncovers her remains. Her granddaughter back in Germany thought she had come to terms with the disappearance of her grandmother, who was her surrogate mother, her best friend, and a storyteller of spellbinding, mystical fairy tales. But when her grandmother’s body is found in a country her grandmother had no connections with, the granddaughter begins to question everything. Who was this woman? What made her leave Germany? What were her ties to the captivating yet chilling Montgomery Hotel, located near the site of her death? As Maya seeks answers in the States, she finds herself sidetracked by her own assumed identity—and how much it enchants the charming heir of the Montgomery dynasty. She soon discovers that the best way to the truth about her grandmother might be through surrendering herself to the majestic Montgomery Hotel, the strange family that owns it, and the spirits that live on in the dark surrounding wilderness…
In the plot strand set in the past, the reader travels with Maya’s grandmother, Martha Wiesberg (Martha was also my grandmother’s Christian name) to a Germany on the cusp of World War II. And later in the novel we return there again, but for reasons that I cannot disclose here, as they are not only connected to the twist in my story, but also deliver some of the reasons why Martha Wiesberg disappeared in 1990 – and why she had to die. It also sheds light on a historical aspect of the Second World War that hasn’t received too much attention yet, but one I find a fascinating angle.
What’s your typical writing day like? Do you have any writing rituals?
I often made attempts to write from home, but they have never been as fruitful as those times when I leave the house to write. I write best on the move (road trips, planes, trains) and second best in a public setting like a coffee shop.
What planning did you do prior to beginning the novel? Do you have any planning tips to share?
I don’t know the entire plot before I start writing. With Hotel on Shadow Lake, I knew the first scene and the final one, but not every plot point in between. And my writing process got hung up on that at first. My husband, who is a screenwriter himself, suggested to me to just start writing those scenes I already had in my head, a wise piece of advice, because from then on the flow became natural; the characters, as clichéd as this might sound, did start talking to me at some point, telling me what to do.
Did you prefer to have a complete first draft before editing and how do you think is the best way to approach the editing process?
Yes, I do prefer to have a complete draft before digging into changes. As this is my debut novel, I was probably more protective of my words than other more seasoned writers, so at first I was always on the defensive, instead of embracing those changes that improved the pacing.
by Book Club
