Hello and a big welcome to Trisha Ashley. Her new book, The Little Teashop of Lost and Found was released as an eBook on 9th March by Transworld Digital (with the paperback following in June and published by Black Swan.)
Alice Rose is a foundling, discovered on the Yorkshire moors above Haworth as a baby. Adopted but then later rejected again by a horrid step-mother, Alice struggles to find a place where she belongs. Only baking – the scent of cinnamon and citrus and the feel of butter and flour between her fingers – brings a comforting sense of home.
So it seems natural that when she finally decides to return to Haworth, Alice turns to baking again, taking over a run-down little teashop and working to set up an afternoon tea emporium.
Luckily she soon makes friends, including a Grecian god-like neighbour, who help her both set up home and try to solve the mystery of who she is. There are one or two last twists in the dark fairytale of Alice’s life to come . . . but can she find her happily ever after?
I’ve been a devoted follower of Trisha for a number of years now and was honoured to be selected to receive an ARC of her forthcoming novel and so settled down to enjoy a leisurely plod through her offering…so much for good intentions.
Before long (around about page um…3) I found myself immersed in the interwoven worlds that Trisha is so expert at fabricating and had to force myself to slow down, breathe in fact, or else I was sure to finish the book in one fell-swoop. I’m not saying there’s anything wrong with this, I’ve read many a book in one long session before, although I wanted and was determined to savour this one. I’ve never hated myself so much! This turned out to be the right decision though, as by only allowing myself to read a single chapter a day, I made certain to take in each word that was written. Not one was wasted, by the way.
2017 is promising to be a fantastic year for new book releases, if my TBR pile is anything to go by anyway.
As I have not done a haul in a while, I wanted to blog about some of the fantastic books that my letterbox has received to review. I also haven’t been able to resist buying a load of books too (much to the boy’s complaints.)
The first book in this haul is A Monster Calls by Patrick Ness (released by Walker Books, May 2015.) I kept seeing the trailer for the film adaptation of this book at the end of last year and it is this that brought the novel to my attention. The imagery in the trailer looked absolutely stunning and the plot looked really intriguing. I knew it was a book I had to go and buy and one I very much look forward to reading. I want to read this before I see the movie. This looks like it would be a story that resonates with a lot of people.
Connor has the same dream every night; the one he’s been having ever since his mother fell ill and stopped having treatments that didn’t seem to be working. This one particular night is different though. When Connor wakes, there is a visitor at his window. Ancient and elemental, it’s a dangerous force of nature and it is wanting the truth from Connor.
My Not So Perfect Life by Sophie Kinsella was released by Bantam Press on 9th February. Becky Bloomwood is one of my favourite fictional heroines. However, I have a big soft spot for books outside of the Shopaholic series too; Can You Keep A Secret being one of my favourite books. This book looks as fantastic as you’d expect Sophie’s novels to be. The cover is incredibly cute and the subject matter does look very topical especially with Social Media seemingly taking over everywhere. This is currently sat on my pile of books to read (having brought it a couple of weeks ago,) and I am itching to read it.
Katie is living the perfect life. She has a glamorous job, a flat in London and a cool instagram feed. In reality, she rents a tiny room with no space, has to commute to a low paid admin job and what she shares on Instagram isn’t even hers. Then, to add insult to injury, she looses her job. Katie ends up moving back to Somerset to help her Dad with his glamping business. Her ex boss books in for a holiday and Katie sees her chance. Should she get revenge or try and get her job back? Also, is her boss living as perfect a life as she portrays?
A big welcome today to Dinah Jefferies. Her new novel, Before The Rains was released by Viking in February (2017.)
1930, Rajputana, India. Since her husband’s death, 28-year-old photojournalist Eliza’s only companion has been her camera. When the British Government send her to an Indian princely state to photograph the royal family, she’s determined to make a name for herself.
But when Eliza arrives at the palace she meets Jay, the Prince’s handsome, brooding brother. While Eliza awakens Jay to the poverty of his people, he awakens her to the injustices of British rule. Soon Jay and Eliza find they have more in common than they think. But their families – and society – think otherwise. Eventually they will have to make a choice between doing what’s expected, or following their hearts. . .
Hello Dinah, thank you so much for joining me today. Your new novel, Before The Rains sounds great. Can you tell me about it and where the idea originated?
I read about and then visited a small palace where, in the past, the royal family had mortgaged the family jewels to pay for an irrigation project. That gave me the idea for the title and one of the themes of the book. I fell in love with Rajasthan and wanted the pages of Before The Rains to shimmer with spice and silk so that the beauty of India would shine through. It’s about an independent female character with an interesting job as a photo-journalist. But above all it’s a story of forbidden love, with an edge to it, and plenty of opposition from either side. I wanted the story to be life-enhancing, despite the mystery of what’s going in the dark recesses of the palace. And so I tried to bring to life the colour and immense luxury of a Rajasthan palace and contrast that with the raw emptiness of the desert that surrounds it. It’s a romantic story that offers something more.
What elements do you need in place prior to writing a novel? Do you need a comprehensive plan, do you edit as you go etc?
I usually prepare a fifteen-page synopsis and stick to it as much as I can as I write. Having said that, there will inevitably be changes, edits and shifts as I go along. Sometimes a new idea will come to me, sometimes I’ll need to take the story in a different direction, sometimes something doesn’t work, so I try to remain flexible throughout. I do loads of revisions and love the editing process once the first draft is done.
What writing rituals do you have?
I’m not really a ritual kind of a person, but I try to write in the mornings while my mind is still fresh. A cup of coffee is a must, as is a warm room. I have a lovely new garden room where I write now and that has made all the difference. I was in a cramped back bedroom before. I now have my den and I love it.
What’s your favourite word and why?
My favourite word at the moment is ‘cinnamon’ because it figures widely in the book I am currently writing. I also like the sound of the word and the smell of cinnamon, especially on a cake or pudding. Mmmm! Cinnamon buns and coffee. Now there’s a thought.
Best and hardest thing about being a writer?
The best thing is when you hold a finished book in your hand for the first time. I absolutely love that moment. It has usually taken a long process to reach that point and some of the hardest things happen on the way. The very worst thing is when a manuscript isn’t working as it should but you can’t figure out what’s wrong. Then it feels like you’re grappling with a wild beast intent on devouring you. That’s when your editor is fantastically useful.
Out of all your books, do you have a favourite passage/section?
I love the section on page 20 of The Tea Planter’s Wife when Gwen sees the tea plantation for the first time and describes the tea bushes as a tapestry of green velvet, where women tea pickers looked like tiny embroidered birds.

Caroline Lea
Massive happy hellos to Caroline Lea and her stunning debut novel, When The Sky Fell Apart which has just been released by Text Publishing.
Jersey, June 1940: it starts with the burning man on the beach just after the bombs land, obliterating the last shred of hope that Hitler will avert his attention from the Channel Islands. Within weeks, 12,000 German troops land on the Jersey beaches, heralding a new era of occupation.
For 10-year-old Claudine, it means a re-education under German rule, and as she befriends one of the soldiers, she inadvertently opens the gateway to a more sinister influence in her home with devastating consequences.
For Maurice, a local fisherman, it means protecting his wife at all costs. He has heard the whispers from France of what the occupiers do to invalids like Marthe and he is determined to keep them away from her – even if it means endangering his own life.
Edith, the island’s unofficial homeopath, is a Jerriais through to her bones. She sees her duty as caring for those who need her in their darkest time, but even she can’t save everyone, no matter how hard she tries.
And as for English doctor Tim Carter – on the arrival of the brutal Commandant, he becomes the subject of a terrifying regime that causes the Jersey locals to brand him a traitor, unaware of the torment he suffers in an effort to save them.

It’s over to Caroline where she is chatting about her writing process and the magic of editing. I’ve also reviewed the book too.
I’ve always written, but it took having children to compel me to finish my first novel. Perhaps it was the escapism writing offered, or the fact that motherhood has shown me both that I am a huge control freak, and that parenting is hard (why didn’t someone warn me that my kids would have opinions, or that they might prefer fistfuls of sugar to steamed broccoli?). The result was WHEN THE SKY FELL APART, which was written in six months during my children’s nap-times. Children provided me with a useful time constraint—I always respond well to a deadline—and writing provided me with characters I could control, so that it mattered less when my children drew on their faces with sharpie marker pens.
There were many surprises along the road to publication, not least of which was the amount of criticism writers must be willing to accept. The key is to acknowledge it, struggle back up, dust yourself off and continue to write, ignoring the monkey on your shoulder, babbling that you’re a failure. Writers are masters of self-sabotage. It’s easy to sit in front of a blank screen, paralysed by the idea that, whatever you write, it won’t be good enough. At the other end of the spectrum is the eviscerating experience of writing something ‘good’, only to feel utterly shattered by critical feedback from an agent or editor. All this emotional battery can leave hopeful writers feeling like the end product might not justify the years of tears and crushed egos, but I think that the problem is often that we expect to be ‘good’ too soon: we don’t allow ourselves to write badly.
Bear with me. I’m not suggesting that you send out your first draft of poorly shaped plot, with under-developed characters (I tried this with the first draft of my second novel: the response from my wonderful and longsuffering agent was polite but brutal). But I am saying that good work often starts with ‘bad’ writing, and with forgiving yourself for writing badly, and then being ready to endlessly reshape, rework, edit and redraft. This is where the magic happens. Imagine that you’re a sculptor. The first, roughly hewn block of wood will look be underwhelming. You’ll spend hundreds of hours sawing, chiseling, sanding and varnishing it before you have anything worthy of display. On the other hand, there may be things that remain in your novel through all twenty redrafts: WHEN THE SKY FELL APART starts with a burning man on a beach, and the first sentence, which was the impetus for the whole novel, has never changed: When he was on fire, the man smelt bitter.
A big welcome today to Beth Underdown and the blog tour for her novel, The Witchfinder’s Sister which is due to be released by Viking tomorrow (2nd March 2017.)
‘The number of women my brother Matthew killed, so far as I can reckon it, is one hundred and six…’
1645. When Alice Hopkins’ husband dies in a tragic accident, she returns to the small Essex town of Manningtree, where her brother Matthew still lives.
But home is no longer a place of safety. Matthew has changed, and there are rumours spreading through the town: whispers of witchcraft, and of a great book, in which he is gathering women’s names.
To what lengths will Matthew’s obsession drive him?
And what choice will Alice make, when she finds herself at the very heart of his plan?
Based on the true story of the man known as the Witchfinder General, this exquisitely rendered novel transports you to a time and place almost unimaginable, where survival might mean betraying those closest to you, and danger lurks outside every door.
Alice has just lost her husband. With little option available to her and nowhere else to go, she has to return to the home of her brother, Matthew Hopkins, ‘the Witchfinder General.’
Many rumours are circulating about Matthew’s conduct. Alice doesn’t want to believe her brother is capable of these things. The longer she is around her brother, the harder it is to avoid the feeling that the rumours are true.
It was easy to sympathise with Alice. She is governed by her circumstances and isn’t really respected by the men around her. Most of all, her brother.