A Moment With… Catherine Curzon and Eleanor Harkstead
I am very happy to be welcoming Catherine Curzon and Eleanor Harkstead to Novel Kicks today. They are celebrating the publication of The Man in Room 423, which they have co-written.
About The Man in Room 423…
In a heady cocktail of passion and poison, who can you really trust?
When Lizzie Aspinall and her sister meet for cocktails in a high-rise bar, the last thing she’s expecting is to spend the night in the arms of the nameless man in room 423. As a one-night stand with a stranger turns into a steamy affair with a dedicated detective, Lizzie finds herself in the sights of a stalker.
Ben Finneran has spent ten years pursuing a ruthless serial killer who poisons victims at random before disappearing into the shadows. He wants to believe that the attraction he and Lizzie share is just physical, but when they find themselves falling for each other, is Ben unwittingly leading a murderer straight to her door?
Pursued by the past and threatened by the present, who can Lizzie and Ben really trust?
Catherine and Eleanor have joined me to talk about what it’s like to co-write a book, the highs, challenges and how the work is divided. Over to you, ladies.
Catherine and I first crossed each others’ paths about three years ago when we were writing historical non-fiction for the same publisher, Pen and Sword. We got into a conversation one day about joint fiction writing, and after some hilarious conversations about Georgian gentlemen, we started to write a sandbox.
It started off with a plot but as we wrote it, it became huge and sprawling, written with the sort of freedom that isn’t possible with something that’s aimed for publication, and to be honest, written entirely to entertain ourselves. We’d written a huge amount in only a few weeks, by which point Catherine said maybe we should aim for publication.
Catherine had had a couple of titles out with Pride, who publish LGBT+ fiction, and we realised that the sandbox had some wonderful moments that could be developed into fully-fledged novels. The first novel to emerge was The Captain and the Cavalry Trooper, a romance about First World War soldiers, which was published in April 2018. Since then, Pride have published five more Captivating Captains novels, and five short stories. Our first title for their Totally Bound imprint was The Ghost Garden. It was published early in 2019, and we were very excited when it was shortlisted for the Romantic Novelists’ Association Romantic Novel Awards 2020. This year, we have two romantic suspense novels out from Totally Bound – The Colour of Mermaids and The Man in Room 423.
As to the how of our writing… we talk about ideas for stories in Messenger, then before we get writing, we’ll often have a Skype first. Then we write in Google Docs, which gives us a great deal of freedom because you can access the same document on a computer or a mobile device. I end up writing on my phone in all sorts of places – on the bus, in the tearoom at work, in the waiting room at the doctor’s, in the chair at the hairdresser’s waiting for my dye to finish!
by 
A Moment With… Nia Rose and Octavia J. Riley
Octavia J. Riley
Nia Rose and Octavia J. Riley are co-authors of Spellbound and Hellhounds and Secrets of the Sanctuary, the first two novels in the Coven Chronicles.
About Spellbound and Hellhounds, book one in the Coven Chronicles.
Enter the world of Raen, turn left at the land of dragons, and you’ll find yourself in the country of Aeristria. A place overflowing with magic and creatures that were once only heard of in fairy-tales. In the heart of Aeristria is the capital city, Tolvade. Here you will find shops and taverns, laughter and fun, runesmiths looking for their next job and sneaky pickpocketing imps. Steer clear of the galloping gang of centaurs and you will see the headquarters of the prestigious Coven.
Within the Coven’s lower ranks, you’ll find Vanessa, a third-year Hunter itching to become a Spellweaver. Her and her trusted demon partner, Botobolbilian, must investigate an explosion at the academy and bring the culprit responsible in. Easy job, right?
Wrong.
Nia Rose
Vanessa and her partner find that this investigation runs deep in black magic and sprinkled with feral demon summonings. With countless lives on the line, Vanessa struggles with self-doubt and following her heart (and laws) as she tries to right the wrongs of these heinous criminals and bring them to justice before they do any more harm.
But, with an oncoming yearly blizzard just days away, is it too late? Even with all the magic, spells, and power on Raen, this job might be the last that this duo ever faces…
About Secrets of the Sanctuary, book two in the Coven Chronicles.
Thea Bauer has earned her way to being a highly skilled member of the Coven. Ranked as a Spellweaver, she’s assigned the more dangerous missions. Corralling a herd of wild unicorns? No problem. Taking down a witch riding the high of black magic? Piece of cake. Finding out why magic-based creatures are suddenly flooding the local sanctuary, protected by a powerful sorceress with a hatred for the Coven? Thea might need more than her tethered demonic partner to see this mission through.
She calls upon Summoner Rafe MacBain, a trusted colleague she’s known for years whose dreamy eyes might keep her up at night—but she’s not admitting that to anyone. He’s got his own demonic companion, and altogether they’re a force to be reckoned with. But, even with their combined strength, it might not be enough against feral demons escaping some of the farthest reaches of Hell.
As if that weren’t bad enough, Thea must conquer her own demons residing within herself that conjure up a painful past. Will she be able to overcome herself, or will the memories she’s tried to stray from keep her from fighting enemies in the physical realm? Thea is starting to wonder if the sorceress may be one of those enemies too. What secret is she hiding at the bottom of the sanctuary, and how will it affect everything Thea has come to know?
Octavia has joined me today to talk about duel writing and the challenges both she and Nia face. Thank you for joining me. Over to you.
Nia and I get asked quite frequently how we go about writing a dual-trilogy of the same world in the same timeline. We always look at each other and agree: challenging. Not in the “Oh, this is so hard“ or “You can’t do that, it doesn’t work with MY story” sort of way (not to say we haven’t said that once or twice…). It’s challenging in a way that forces us to think, adapt, grow, and roll with what we’re given. It challenges us as authors and puts our imaginations to the test, which is invaluable when delving into fantasy.
There’s definitely flaws and loopholes when writing in a world shared by another author, but the beauty of that is that there’s two set of eyes to catch these loopholes. I remember we were so engrossed in our stories that we kind of got carried away, and Nia came up to me and was like, “Uh…hold on, was I at the Grim Bean the same time you were talking to the imp?” We realized that our characters did, in deed, come into close contact with each other, and this gave birth to our first cameo appearance in Spellbound & Hellhounds. We were able to sneak one more cameo appearance in when both of our characters were in Tasgall’s at the same time (something that we both realized later when we read over the story, because we clearly didn’t learn about paying attention to the timeline the first time). We’re those authors who don’t know exactly where the story’s going when we write it. We just write it however it comes to us. Neil Gaiman once said “Write down everything that happens in the story, and then in your second draft make it look like you knew what you were doing all along.”
by A Moment With… D.B. Carter
A big lovely welcome today to D.B. Carter. His book, The Wild Roses was released by Mirador at the end of 2019.
Three friendships torn apart by one chance meeting. By autumn 1984 Sharon and Pip are in their final years of school and on the verge of adulthood. Best friends for as long as they can remember, the two young women befriend their badly bullied schoolmate, Gavin.
Their futures are bright until a chance meeting leads to a path of corruption, anger and malicious betrayal. Sometimes, when we can’t rely on those we love, our only hope is in the kindness of strangers. All three teens are driven from their homes to follow very different paths. They face dark times of heartbreak and new temptations.
But there may be ways out and better futures, if they are willing to take risks. What will they choose, and will they ever see each other again?
The Wild Roses is a coming-of-age drama for all ages that speaks honestly of love, loss, jealousy, coercion and self-discovery.
D.B. Carter has joined me today to chat about writing contemporary drama and romance and the challenges he faces. Over to you.
With two published novels, The Cherries and The Wild Roses, I’m starting to accept I may use “author” to refer to myself. I’ve worked in many sectors, including art, computer sciences, and business, but I felt I had come home to the place where I was meant to be when I started writing. My parents were artists and a creative drive runs deep in my psyche, but it took nearly half a century for fulfil my lifelong desire to write the kind of drama-romances that I’ve enjoyed for so long.
I’ve always enjoyed listening to people’s true-life stories. They give so many fascinating details and perspectives on society that the history books will never tell. When I was a lad, I would go with my mum to visit my grandmother, whereupon I’d be presented with a comic (generally the Beano or Dandy) and sent to read in the corner of the room while they chatted about life or reminisced about the past; even then, I realised how many anecdotes they had to relate and how many of life’s pleasures are to be discovered in small details. Since then, I’ve stored away decades of chats and reminiscences and they help me remember the rich assortment of people I’ve had the pleasure of knowing.
I hope I’ve carried these observations into my work as a writer. I’d never replicate anyone’s true story, but I draw inspiration from them. It seems to me we tell most about a character from how they react in a situation – the remarks they make or the tears they shed are testaments to their very souls. To me, the people who inhabit my books are real, and I often miss them when I finish writing.
I get so many kind messages from readers of my books, some of which touch me deeply. It’s a wonderful thing when someone says your writing has helped them in some way. I often cover difficult subjects, but I hope I do so in a compassionate and respectful manner, and I believe creating believable and relatable characters helps foster empathy.
by A Moment With…. Lynne Shelby
We have entered the last week of National Novel Writing Month. As you get to the end and are contemplating the edits, author Lynne Shelby has some advice about that all important first sentence.
There are no hard and fast rules for writing that all-important first sentence of a novel, but I like to think of it as an invitation to a reader that will make them want to read on, a hint of what is too come without revealing too much.
An effective first sentence establishes an important aspect of the book. You could begin with a short statement of a fact that plunges the reader headlong into the story, or a line of dialogue that establishes the character of story’s narrator.
I think it’s best to avoid long, waffling description as this tends to put readers off, but a short, effective first sentence can set the style and mood of a novel, if it is comical, serious or even shocking!
What a writer is doing with a first sentence is showing the reader that something interesting is going on, encouraging them to take their first step into the world of the book.
Good luck to everyone taking part in NaNoWriMo.
About Lynne:
by A Moment With… Steve Exeter
Welcome to author, Steve Exeter.
With October being Black History Month, I am pleased to be welcoming Steve to Novel Kicks. He is here to talk about his book, Severus: The Black Caesar who was the first African Emperor.
About the book:
Severus follows the amazing true story of a rebellious boy who grew up in an African province and became the first Black Caesar of the Roman Empire, the head of a dynasty that would lead Rome through bloody civil wars and rapidly changing times.
As a young man, Severus hates the Romans and conspires to humiliate them. What begins as a childish prank unfurls into a bloodbath that sends Severus careening into his future.
Through a tragic love affair, dangerously close battles and threats both internal and external, Severus accrues power — and enemies — in his unlikely rise to become the most powerful man in the ancient world.
Without further ado, chatting about his book and the fascinating history behind it, it’s over to you, Steve. Welcome.
I was encouraged and excited to see that notable historian Patrick Vernon included the Roman Emperor Septimius Severus on his list of 100 Great Black Britons and that he ended up ranking as highly as 25 in the final list.
Severus died in York in 211 BC and was arguably the first black man to set foot on British soil, but he came not as a slave, but as Emperor. Behind this still little-known fact there is the incredible tale of someone who grew from rebellious youth to the most powerful man in the ancient world.
by Book Club
