Hello Michelle, thank you so much for joining me today and inviting me on your blog tour. Can you tell me a little about your novel, When We Say Goodbye and what inspired the story?
Thank you so much for having me.
When we say Goodbye is a story about love, loss and learning to live and open yourself up to possibilities.
This book was inspired by two things. The first was the loss of someone close to me when I was the same age as Ellie. I’d also not long bought an old house which I was in the process of doing up and I believe it was that house and the responsibility I’d taken on in purchasing it that helped me through a difficult time.
There are scenes in the story that I experienced first-hand. Secondly, we here in Christchurch, New Zealand lived through a massive earthquake which had devastating ramifications for people and I couldn’t set a story here, in Christchurch without acknowledging what happened in our city.
Do you think character or plot is more important in a story?
I write character driven novels. I don’t know if this is more important it’s just my style of writing.
What would be on a playlist for this novel?
Oh, a playlist would definitely feature Coldplay and Ed Sheeran.
What’s your typical writing day like? Where do you like to write? Do you prefer silence, do you need coffee?
I need coffee before I do anything! My typical writing day starts after I’ve dropped my boys at school. I think about doing some exercise before I begin (then usually don’t!) before making a coffee and getting comfy on the couch in our conservatory. It’s a lovely space as we are surrounded by greenery and I can hear the birds and not much else.
Our black, three-legged cat called Blue usually joins me and I write until lunchtime. When I say write I flick far too often onto social media as I have a Facebook page I love interacting on.
After lunch, I carry on until it’s time to get the boys. Once they’re home, I have another coffee and work on the marketing side of being an author and then stop for the day when it’s time to make dinner.
Of course, if I have a book releasing and I’m up against it, which always seems to happen no matter how on top of things I think I am, I get back on my laptop after dinner. Most nights though my husband and I go for a walk. It’s important to get out and do that after a day in front of the computer.
What is your planning process like?
My planning is pretty much non-existent. A book begins with a thread of an idea and then I just find a place to start. I also find that the hardest part. I’m a definite pantser and the book comes together as I write.
Do you tend to edit as you go or wait for a first draft?
One early October afternoon, ten-year-old Jacob Rossi begins the short walk home from school. But he never makes it.
Days later, DCI Anna Tate is called to the scene of a burning building, where an awful discovery has been made. A body has been found, and the label in his school blazer reads: J. Rossi.
As Anna starts digging, she soon learns that a lot of people had grudges against the boy’s father. But would any of them go so far as to take his son?
And is the boy’s abductor closer than she thinks?
I was excited to be invited onto the blog tour for Little Boy Lost, the latest novel by J.P. Carter.
Little Boy Lost begins when the wife of a suspected drug dealer is shot dead in a Police raid. When this event sparks riots all over London, DCI Anna Tate know she’s in for a long few nights.
It doesn’t take long until the riots begin to claim their victims including schoolboy Jacob Rossi.
However, he may have been accidentally killed but his presence in the cellar of a derelict pub is far from an accident and Anna and her team find themselves battling to bring both the abductor and arsonist to justice, before it’s too late.
I knew from the first few sentences that I was going to like this novel. It immediately puts the reader into the heart of the action. It also doesn’t shy away from gritty plot lines, all equally sad and compelling.
Happy Saturday everyone. I am pleased to be welcoming Jane Isaac and the blog tour for her latest book, The Other Woman (previously published as After He’s Gone.)
The grieving widow. The other woman. Which one is which?
When Cameron Swift is shot and killed outside his family home, DC Beth Chamberlain is appointed Family Liaison Officer. Her role is to support the family – and investigate them.
Monika, Cameron’s partner and mother of two sons, had to be prised off his lifeless body after she discovered him. She has no idea why anyone would target Cameron.
Beth can understand Monika’s confusion. To everyone in their affluent community, Monika and her family seemed just like any other. But then Beth gets a call.
Sara is on holiday with her daughters when she sees the news. She calls the police in the UK, outraged that no one has contacted her to let her know or offer support. After all, she and Cameron had been together for the last seven years…
Until Cameron died, Monika and Sara had no idea each other existed.
As the case unfolds, Beth discovers that nothing is quite as it appears and everyone, it seems, has secrets. Especially the dead…
Previously published as After He’s Gone.
To celebrate the book’s release, Jane and Aria have shared an extract. Enjoy.
***** beginning of extract*****
Residents of Collingtree Park were just taking their waking breaths when the roar of a motorbike broke their Sunday morning reverie.
At high speed, the rider took the bends effortlessly, radiating a cool calmness in dark leathers. He passed houses with curtains drawn tightly, manicured lawns, driveways adorned with estate cars and people-carriers screaming out for their weekend wash.
Exhaust fumes dispersed into an air thick from a sun already flexing its muscles, reigning supreme in the clear blue sky. Summer was in full swing, the recent heatwave showing no signs of abating. In a few hours, paddling pools would be refilled in back gardens, the sound of children’s shrieks and laughter filling the area.
At precisely 7.05 a.m., Cameron Swift emerged from number sixteen Meadowbrook Close, pulling the door to a gentle close behind him.
The bike dropped a gear, rounded the lip of the close, and pulled up the incline.
It’s Friday which means it’s time to start writing some fiction.
Fiction Friday is our weekly writing prompt.
The aim is to write for a minimum of five minutes and then keep going for as long as you can.
Once you’ve finished, don’t edit, just post in the comments box below.
Today’s prompt: Movie scenes.
Your character claims to have a glamorous life when in reality, they live their life through the films they watch on TV.
One day, they magically find themselves in the scene of their favourite movie.
They need to work to get out and back to real life but with every action, it is changing the outcome of the movie and therefore, your character’s knowledge of it.
Hello Patricia, thank you so much for joining me today and for inviting me onto your blog tour. Can you tell me a little about your novel, The Cure and what inspired the story?
I was at a meeting of Sisters in Crime in Atlanta when the leader asked the audience to write a quick book blurb and share it. I’d been doing a lot of volunteer work with senior citizens, and my dad had recently passed away with dementia, so the topic of Alzheimer’s was top of mind. I raised my hand with an idea, the audience applauded, and two long years later I published the book.
It’s women’s fiction, a tale of a woman with early-onset Alzheimer’s disease who is visited by a man from the future with a cure. I call it a hopeful fantasy. He’s a doctor, head of a medical research team, and needs her to conduct a long-term study to prove the safety and efficacy of their drug, and the only way for him to do this quickly is to get patients in the past to take the drug and get the results to him. The plot thickens as their relationship gets complicated, as the study must be done under the legal and ethical radar, and as the doctor ignores his directive to change nothing during his trip to the past.
What’s your writing day like and what do you need around you, for example, silence, coffee?
I either write or revise almost every day. If I’m writing, I shoot for at least one thousand words. If I’m revising, at least a couple of hours. I’m a morning person, up at around four most days, and my mental state is best early in the day. So, I’m that weird neighbour you see out walking in the dark of the morning in the light of the moon for exercise, then come home for coffee and breakfast, two cats show up on my desk, pictures of my muses surround me (Flannery O’Connor, Elena Ferrante, Pascal Garnier, Patricia Highsmith), my laptop has ready research available from google and Wikipedia, and I begin to write.
What’s your favourite word and why?
Great question. After much thought, I’d have to say “care”. I want to care about the important things, things that will help me and others, inspire me to give back to all who’ve helped me and cared for me. It’s easy to say we like something, but do we care about it?
Do we care enough about something to do something about it…put some time in for it? We have so many challenges today, life is not simple anymore, and I think that caring becomes a differentiator, whether it’s a small thing like making a good cup of coffee or a big one like what can I personally do to make someone else’s life better today.
Like write a better story, take someone away from their troubles for a page at a time. Listen, we writers aren’t in this for the money, and I love hearing that a reader cared about my story, that it made them think, or laugh, or grin, or even that it put them to sleep after a long day.
How do you approach the editing process?
With sheer dread. I can’t say that writing is easy, but I find it a breeze compared to editing and revising. It’s difficult to tear your own work apart, to read it like a reader and not the author of all those words. As for my process, I make five passes: first to review the draft and mark it up for obvious changes; second to enhance the plot, subplot(s) and scenes… too much detail, not enough, right details; third, enhance the characters and their dialog; fourth, check spelling, grammar, for weak and passive words, check names and dates and places; fifth, polish it, show off, spice it up, add some clues, ramp up the pace. Then I send it out to four to six beta readers and attend to their advice, making changes, rereading, reediting. There are no short-cuts.
Do you think character or plot is more important?