Thanks so much for having me. When it’s time to write, that’s when I hunker down in front of the TV or get on Twitter or remember that I have a wife and kid. Basically, I procrastinate as long as possible until the muse possesses me and compels me to burn the midnight oil in the solitude of my den.
It’s not that I like to write in my den or any place of isolation for that matter. But when I’m in the zone, it’s best to leave me alone. I don’t have any writing rituals per se, but I need to create some, especially when the muse goes MIA.
Your novel is called Hands Up. What is it about?
Hands Up follows three characters from different worlds on are on collision course after a deadly police shooting spins their lives into chaos. Officer Ryan Quinn is on the fast track to detective until he shoots an unarmed black male. Now he embarks on a quest for redemption that forces him to choose between conscience or silence.
Jade Wakefield is an emotionally damaged college student who lives in one of the city’s worst neighbourhoods. She sets out to find the truth and get revenge after learning that there’s more to her brother’s death than the official police account.
While mourning the death of his son, Kelly Randolph returns to his hometown broke and broken to seek forgiveness for abandoning his family 10 years earlier. But when he is thrust into the spotlight as the face of the protest movement, his disavowed criminal past resurfaces and threatens to derail the family’s pursuit of justice.
What’s your writing process like from idea to final draft?
It’s like a sausage factory on fire. It’s not pretty or safe. As Ernest Hemingway said, the first draft of anything is s***. My writing process aims to turn that s***, speck by speck, into gold.
What music would be on a playlist for Hands Up?by