When I was a teenager I lived and breathed variety theatre – in fact, any kind of live entertainment. Before and during the war was a golden age of variety and there was so much to draw on – all the wonderful theatre, and the end of the pier shows. When I was sixteen I got a job working backstage at the local theatre on Cleethorpes pier and from that time I was hooked. It was an absolute joy to revisit variety when it meant so much to morale during WW2.
What were the challenges when writing The Variety Girls?
A deadline, although that was really a God send as it turned out. It kept me at my desk, so I had to learn to overcome the distractions and self-doubt that normally plague me. Sometimes what you fear most is the driving force to success.
What’s your writing day like? Do you have any writing rituals?
I write for about three or four hours a day, but I’ll be thinking about the book all the time and I’ll have thought a lot about it before I start writing at all. There’s always research to do, but it has to be balanced with spending time with family and friends. It would be no joy to spend all day writing, not to me.
I don’t have any rituals other than playing music in the background and sometimes lighting a scented candle. Anything that helps me relax and settle to work.
I started with articles and then short stories. I wanted to write a novel but our life was very unsettled and so I never had the mental headspace to invest in a longer work. I went to classes and conferences and kept myself connected with other writers – and the short stories were excellent for learning to write tightly. A couple of years ago I decided that it was now or never and got stuck into a novel. It was the right time for me.
What’s your favourite word and why?by
Novel Kicks is a blog for story tellers and book lovers.
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