You have an imagination, so use it! My second novel, The Darlings, is written mainly from the point of view of a thirty-something male comedian. I’m not in my thirties, I’m not a man, and I’d be stretching it to claim to be a comedian, but I did my research. One of our jobs as writers is to head down research rabbit holes to find out why people have affairs, sail around the world, change their religion, leave their partners, change careers, kill people. If you find yourself losing track of time as you research your subject area, it’s a good sign you’ll enjoy writing about the subject. If I’d have stuck to writing solely what I know about, I’d have submitted 70,000 words on the merits of a good cup of tea.
I once spent a whole academic year silencing my voice. After a buoyant start to an MSc in Creative Writing, once I was ‘put in my place’ by a particular tutor a couple of times, I sat in classes cowed and uncharacteristically silent. Even though I won a prestigious writing award during the same year, I didn’t trust myself to write another good sentence. I started to believe the ridiculous idea that commercial fiction, which is what I write, wasn’t good enough. If you find yourself thinking along these lines: STOP! You don’t need to be a ‘heavyweight’. You don’t need to produce a classic. I look at material I wrote during that wretched year, and it feels utterly forced and lifeless. That’s because I was trying to be someone else. I was trying to be a ‘serious’ writer. It didn’t work. You don’t need to write what you know, but you DO need to allow your own writing voice to emerge.by
Novel Kicks is a blog for story tellers and book lovers.