A Moment With… Catherine Curzon and Eleanor Harkstead

A Moment With… Catherine Curzon and Eleanor Harkstead

I am very happy to be welcoming Catherine Curzon and Eleanor Harkstead to Novel Kicks today. They are celebrating the publication of The Man in Room 423, which they have co-written. 

 

About The Man in Room 423…

In a heady cocktail of passion and poison, who can you really trust?

When Lizzie Aspinall and her sister meet for cocktails in a high-rise bar, the last thing she’s expecting is to spend the night in the arms of the nameless man in room 423. As a one-night stand with a stranger turns into a steamy affair with a dedicated detective, Lizzie finds herself in the sights of a stalker.

Ben Finneran has spent ten years pursuing a ruthless serial killer who poisons victims at random before disappearing into the shadows. He wants to believe that the attraction he and Lizzie share is just physical, but when they find themselves falling for each other, is Ben unwittingly leading a murderer straight to her door?

Pursued by the past and threatened by the present, who can Lizzie and Ben really trust?

 

Catherine and Eleanor have joined me to talk about what it’s like to co-write a book, the highs, challenges and how the work is divided. Over to you, ladies. 

Catherine and I first crossed each others’ paths about three years ago when we were writing historical non-fiction for the same publisher, Pen and Sword. We got into a conversation one day about joint fiction writing, and after some hilarious conversations about Georgian gentlemen, we started to write a sandbox.

It started off with a plot but as we wrote it, it became huge and sprawling, written with the sort of freedom that isn’t possible with something that’s aimed for publication, and to be honest, written entirely to entertain ourselves. We’d written a huge amount in only a few weeks, by which point Catherine said maybe we should aim for publication.

Catherine had had a couple of titles out with Pride, who publish LGBT+ fiction, and we realised that the sandbox had some wonderful moments that could be developed into fully-fledged novels. The first novel to emerge was The Captain and the Cavalry Trooper, a romance about First World War soldiers, which was published in April 2018. Since then, Pride have published five more Captivating Captains novels, and five short stories. Our first title for their Totally Bound imprint was The Ghost Garden. It was published early in 2019, and we were very excited when it was shortlisted for the Romantic Novelists’ Association Romantic Novel Awards 2020. This year, we have two romantic suspense novels out from Totally Bound – The Colour of Mermaids and The Man in Room 423.

As to the how of our writing… we talk about ideas for stories in Messenger, then before we get writing, we’ll often have a Skype first. Then we write in Google Docs, which gives us a great deal of freedom because you can access the same document on a computer or a mobile device. I end up writing on my phone in all sorts of places – on the bus, in the tearoom at work, in the waiting room at the doctor’s, in the chair at the hairdresser’s waiting for my dye to finish!

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