NK Chats To….

Our Author Interviews and Guest Posts.

NK Chats To… Amanda Brooke

Hi Amanda, thank you so much for joining me today. I am very happy to be part of the blog tour for your book,  Don’t Turn Around. Can you tell me about it?

My latest book is set ten years after the death of seventeen year-old Megan McCoy and is told from the perspectives of Meg’s mum, Ruth and her cousin, Jen who was also her best friend. Meg died from suicide and her parents have established a helpline in her memory to reach out to young people in crisis who need someone to talk to.

The family are trying to rebuild their lives but there are questions that haunt them. What hold did her boyfriend have over her and why did she protect him to the very end? Was the brief note she left meant to be a cryptic message or did someone destroy part of the note before her father found her body?

The family think they have accepted there will be no answers until a young woman phones the helpline and reveals things that only Meg could know. Is she suffering as Meg had suffered and can they save her?

 

What’s your writing day like, where do you like to write, do you prefer silence and what keeps you motivated throughout your writing time?

I gave up a career in local government two years ago to become a fulltime writer and it’s so much easier having a set routine rather than fitting writing in around the day job.

My writing room was my son’s bedroom but working from home can be quite sedentary and I adapted my treadmill so I could walk and type on my laptop for the first hour or two each day. It was a great plan but as you know, it was a very hot summer last year, and my treadmill started billowing smoke! Unsurprisingly, I haven’t used it since but I have a dog now and we go out for long walks once I’ve met my daily word count. She’s the incentive I need to keep the words flowing so that we can escape together.

 

What elements do you believe make a good suspense novel? What are the common mistakes made if you’re writing one for the first time?

The best compliment you can give a writer is that their book was a page turner and that’s particularly important when it comes to suspense novels. Making the reader want to read on is an art and to get it right you have to consider the pace and structure of your story.

Each chapter should give the reader something but also leave them wanting to know more.

The characters are also key as the reader has to be invested in them. Protagonists should be relatable and that means giving them flaws as well as strengths, whilst the reverse is true of antagonists who can benefit from having something about them that makes them human.

 

What is your favourite word and why?

Having a favourite word can be problematic if it sticks in your mind and you find it appearing in one page after another. Hopefully, the repetitions are picked up during editing but often it’s a surprise to see how many times your copyeditor has to flag up overused words.

One word that I fell in love with at the start of my writing journey was ‘unfettered.’ It described perfectly the decision one of my characters had to make in my first novel, Yesterday’s Sun. She was to sacrifice her life for that of her child and her decision needed to be unfettered by other influences, such as the love for her husband or the dreams she had beyond becoming a mother.

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

NK Chats To… Steven J. Gill

Hi Steven. Welcome to Novel Kicks. Can you tell me about your novel, The Rock ‘N’ The Roll ‘N’ That and what inspired it?

The novel in very simple terms is about a band.

A middle-aged man stumbles across said band as they prop up the bill in a subterranean haunt in Manchester.

He offers to manage them, and their journeys begin.

The backdrop is essentially to highlight love and friendship and the insecurities/successes/predicaments that middle-age can bring.

In terms of what inspired the novel, I’d previously read a book that used the music industry as a backdrop but felt it could be done better. I then attended the inaugural Festival Number 6. In North Wales and after an enjoyable afternoon at the literary stage, had somewhat of an epiphany and decided I would set to and get my book written.

The coupling of the music industry and this ‘new-breed’ of middle-aged felt like it had a lot mileage. Forty-something is now such a different beast in comparison to previous generations. And that opens a wealth of possibilities and jacking your job in to mange a band is well within the realms of possibility this day and age.

 

What’s your typical writing day like, where do you like to write and do you prefer silence? What keeps you motivated when writing?

It tends to fit in around work and I work in a room with a table, a huge bookcase and a stereo. I like to write for a couple of hours at a time. And I do very little in silence!

A perfect writing day involves no work. Get up and do a couple of hours. Go to the gym. Come back and eat couple more hours writing. Go for a walk for an hour mid afternoon and then a couple more hours writing. Breaking the creative process up allows for thinking time.

Motivation is progress in simple terms – be it writing or editing etc.

 

What’s your route to publication?

I ran a social media crowdfund campaign to gauge interest and to ‘out’ myself as a writer. The response was great, and I used the monies to get the book professionally edited and launched via Clink Street.

 

Do you have a favourite word?

Tough question and it can easily change from day-to-day – much like my favourite Beatles track – but let’s say preternaturally today.

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

NK Chats To… Hanna Jameson

Hanna Jameson is the author of The Last, published by Viking, 31st January.

Hi Hanna, thank you so much for joining me today. Your book is called The Last and it’s been released today. Can you tell me a little about it and what inspired it?

The Last is a murder mystery narrated by an American academic, stranded in a remote hotel in Switzerland following the outbreak of nuclear war. It was inspired by me needing to write something else before I ran out of money, and also our political landscape. I started writing it almost immediately after the 2016 US presidential election, an event that I think many still haven’t recovered from. I tried to channel that sadness and anger, and also the ever-looming dread and grief about the impending climate apocalypse, into something constructive. Otherwise I’d just be yelling on Twitter.

 

Which author has inspired you the most and why?

This is a tough one, but taking someone’s work as a whole, probably J.G. Ballard. His work affected me profoundly when I was a teenager and it dictated a lot of my future taste. People describe The Last by referencing Agatha Christie but I’ve never read Agatha Christie. The influence I was drawing from was actually Ballardian; novels like Concrete Island and High-Rise, which create this atmosphere of extreme claustrophobia in an intimidating – almost devastating – amount of abandoned space. I was obsessed with his particular brand of near-future dystopia and I think he is still unparalleled.

 

What’s your typical writing day like, where do you like to write and do you prefer to write in silence?

I either write at home with headphones on, or at a coffee shop with headphones on. The latter gets expensive so I only do it when I need to get words out quickly, or when I’ve been struggling to focus. I like coffee shops because, even though I put my headphones on to lock down my emotional space with my own playlists or even a TV show in the background, I can still see and hear activity, which is very motivating and distracts the part of my brain that likes the distract me. I only work in silence when reading my work out-loud, which I always do when editing.

 

What is your route to publication?

Same as everyone else’s. A lot of hard work and perseverance, deluded levels of self-belief, that only amounted to anything due to luck.

 

What elements do you feel make a good novel?

Character, character, character. I could not give less of a shit about your plot or how good it is if I don’t care about your characters. If I realise I don’t care, I shut the book. In terms of creating good characters, there are many ways to do that. It mostly involves being honest, aware of how your limited perspective could cause you to rely on harmful stereotypes instead of empathy and genuine attempts at research and emotional interpretation.

 

What is your favourite word and why?

It changes all the time according to mood, but I love the word ‘epicaricacy,’ which is the English word for ‘schadenfreude.’

 

Are you able to tell me a little about your current work in progress?

I’m working on two projects currently. One is a TV show, a historical drama. The other is my fifth novel, which – like The Last – is also a near-future dystopian thriller.

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

NK Chats To: Jenni Keer

Hi Jenni, thank you for joining me today. Your novel is called The Hopes and Dreams of Lucy Baker. Can you tell me about it and what inspired the story?

You are very welcome – it’s lovely to be here. Your virtual sofa is very comfy!

Hmm… how to sum up my book. I guess The Hopes and Dreams of Lucy Baker is a heart-warming story with a variety of themes. I set out to write a romance but the book became so much more and, in a way, is two love stories; Lucy and George, but also Lucy and Brenda. It was the powerful intergenerational friendship between these two women and how they deal very differently with Brenda’s dementia diagnosis, that became the central theme. For the romance, I was initially inspired by a locket of my mother’s and my working title was Lucy’s Locket until it was picked up by the publisher. This mysterious piece of jewellery leads to lots of mishaps and comedy moments for Lucy but also makes her reassess her romantic options in life. It was a fun book to write.

 

What’s your typical writing day like? Do you need coffee? Silence?

I weave my writing around part-time work, care for my mum and the hectic taxi service I appear to be running for my four teenage sons. My most productive times are during the school day – when the house is silent, and evenings – when it is not. I also work at the weekends when I can. I’ve developed a cunning strategy that involves wearing enormous headphones as a signal that I’m writing. If there is a lot of noise, I play music (I have a playlist of familiar songs so I’m not distracted by them) but I also cheat and pretend I’ve got music on so the boys leave me alone. It’s coffee during the day, and wine or tonic water at night – although the wine is only for weekends. Interestingly, some of the best comedy scenes have been wine-fuelled.

The other thing I do, to combat the isolation and to spur me on, is to meet up with my writing buddy, Clare Marchant, in our “virtual” office. It means we check in throughout the day with wordcounts and this accountability helps us both to focus. I do hate it when she leaves the virtual biscuit tin empty though…

 

Do you have a certain place you like to write?

I have an office – which is actually a desk in the corridor between the living room and the downstairs loo. I’m lucky to have this permanent space as a lot of writers work on the kitchen table or on their laps. It’s a total mess, like Lucy’s desk, but it’s mine. I have two screens set up (invaluable for editing) so it’s tricky for me to move. Research and planning I can do anywhere.

 

What’s your writing process like from planning to editing?

Planning – ha ha ha. You are funny. I am such a pantser and every time I begin a new novel I’m determined to plan. My second book for Avon (out next summer) was the first time I’d had to write a synopsis before writing the book and boy was that hard – but I did it. I’d like to get better at planning, but my brain doesn’t work that way and I’m what I like to call “an onion writer” – I write in layers. I get a rough first draft down and then I go over and over and over it, perfecting, editing, adding description etc. until I’m happy. Luckily, I love editing and always see it as an opportunity to make the story even better. Some of my best ideas come right at the end of the process and then I have to go back and weave it all in. I honestly don’t know how people plan.

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

NK Chats To… Rachel Burge

Hello Rachel. Thank you for joining me today. Can you tell me a little about your debut novel, The Twisted Tree?

Hi, thank you so much for having me.

The story is about a girl called Martha who can tell things about people just by touching their clothes, as if their thoughts and emotions have been absorbed into the material. It started the day she fell from the tree at her grandma’s cabin in Norway. The day she became blind in one eye.

Determined to find out why she has this strange ability, Martha returns to Norway, hoping that her grandma can give her answers. But when she gets there, she finds her grandma is dead and a peculiar boy is hiding out in her cabin. From then on, things start to get spooky!

 

What inspired you to write it?

The book is based on Norse mythology, in particular the story of Odin hanging from the world tree, Yggdrasil, and finding the runes in the well.

As I began to research the myths, I came across the Norns, three mythical women who dwell in Yggdrasil and weave fate. In Viking culture, magic was the preserve of women and associated with their work, predominantly spinning and weaving. Odin’s wife Frigg was a practitioner of magic and a weaver (of clouds), and is often depicted at a spinning wheel.

Putting the two ideas together – weaving cloth and magical ability, I came up with the idea of being able to tell things about people by touching their clothes. It was then a journey of discovery for me to figure out why my main character had this gift.

 

Which came first: character, theme, setting, etc?

I started out with the genre I wanted to write (a ghost story) and a theme that interested me (darkness) and brainstormed ideas from there. This led to me wanting to write about a blind/partially sighted character – which later happened to work beautifully with Norse mythology.

The story takes place in winter in the Lofoten Islands, when there is near-permanent darkness. The theme also influenced Martha’s character arc. She refuses to ‘see’ the truth about her mother and grandmother’s relationship, and her journey is about finding the courage to accept the darkness within her / the parts of herself that she doesn’t like.

The theme came first, but the story only clicked into place once I decided to use Norse myth.

 

What was your writing process like?

Once I was confident I had a ‘high concept’ idea and a strong character arc, I worked out a rough outline. That makes it sound like the process was straightforward, but I took numerous wrong turns and introduced and abandoned many story elements along the way.

 

How do you work: music or silence?

I prefer to write to music, or if there’s a really great storm outside, the howl of the wind.

There were a few pieces of music I listened to on a loop while writing The Twisted Tree, most of them by the Norwegian band Wardruna. If I’m working on a particularly scary scene, I will listen to a horror movie soundtrack and also light candles and burn incense – which has the added advantage of warning everyone in the house not to disturb me!

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

NK Chats To… Peter James

Hi Peter, thank you for joining me on Novel Kicks. When did you start writing?

I have been writing since I was seven years old – my original ambition was to be a scriptwriter. I find the world we live in very interesting and I enjoy observing human behaviour, and that’s really my approach. I’m constantly taking note of what’s happening around me as you never know where you might find inspiration for a character or piece of plot.

 

How did you get your big break?

My first ‘break’ was at age seventeen, when I won a national short story competition run by the BBC and got to read my story out on air. It was hugely exciting! However, my first professional writing job came along a few years later whilst I was living in Toronto and working on a children’s television series called Polka Dot Door. I was a gopher – it was my job to basically run errands. One day we were due to film an episode, but the writer hadn’t turned in the script. The producer asked if I could write one there and then, and I said ‘okay!’

 

How much research do you do for each novel?

My novels tend to be very research-driven. I first had the seed of an idea for Absolute Proof when I received a mysterious call from someone claiming to have proof of the existence of god – just like Ross does – thirty years ago. In the decades that followed I did a great deal of research, ranging from speaking to religious leaders about the consequences absolute proof would have for believers, to living as a monk for five days in the extraordinary monastic commune of Mount Athos. It’s been an extraordinary journey!

 

Who inspires you?

When I was 14, I read Graeme Greene’s Brighton Rock, and it totally changed my life. It’s the book that made me realise I wanted to be a writer, and also the reason that my Roy Grace series is based in Brighton. Greene has a way of describing characters, in just a few sentences, which makes you feel you know them inside out, and his sense of “place” is almost palpable. Brighton Rock is for me an almost perfect novel. It has one of the most gripping opening lines ever written too – ‘Hale knew, before he had been in Brighton three hours, that they meant to kill him.’

 

What advice would you give to new and aspiring writers?

Reading extensively and intelligently is the most important thing – read books that have done well in the genre you want to write in and analyse what you like about the author’s style. Once you’ve started writing, make time to write every single day. Find a comfortable number of words to do each day and stick to that number. I am comfortable with 1,000 words. For some it might be 500, 200 or even 2,000 – as long as you are consistent, the number doesn’t matter.
And you must love your characters – or no one else will!

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

NK Chats To… Gila Green

Hi Gila, thank you for joining me today. Your novel is called Passport Control. Can you tell me about it and what inspired the story?

Passport Control is a coming of age novel about a twenty year old Canadian girl who feels forced to leave the home she shares with her father and, in her desire for revenge, goes to the one place he’s kept a secret all of his life, his home country Israel. Other than odds and ends, she doesn’t know anything about his past life there.

She finds herself in a dormitory with a range of Israelis from Jewish to Arab and struggles to navigate her way through the politics and culture around her. Along the road she falls in love, encounters murder, and discovers a shocking family secret.

The story was originally a short story written in a creative writing class with author Steve Stern. It was inspired by my own experience coming to Haifa University around the same age as my heroine, Miriam Gil and similarly struggling to navigate my various roommates, who all came from different cultures and backgrounds. At least that was the initial kernel behind my twelve-page short story. It evolved over time into a father-daughter story, and a family betrayal story with a side order of romance.

 

What’s your typical writing day like? Do you need coffee? Silence? Do you have a certain place you like to write?

I have five children between the ages of 11 and 20. So my writing day has evolved over time with the ages of my children.

In the early days, I used to type a lot one-handed while nursing and later had to be done by 1 p.m. when nursery school closed.

Now, I have a lot more quiet during the day–which is vital for me to write–and yes, rivers of coffee. I write in my converted bomb shelter adjacent to the front door, so my writing is punctuated all day with, “Mom, is there any food?” as the kids come and go and the snoring of my dog.

 

What’s your writing process like from planning to editing?

My writing process has changed a lot over the years. I am much more of a planner these days.

I try to write at least two sentences for each chapter that explain the point of each one. At a certain point, I just write and usually the first three or four chapters are the first to go later on as I “write myself into the story.” But not always. Each novel is its own journey.

I don’t wait for perfection if that’s what you mean. You just have to dive in.

 

What’s your favourite word and why?

My favorite word is balagan. That’s a Hebrew word with no single English translation.
It means mess, disorder, confusion but also problem and difficulty.

So, you could say, “today was a balagan,” or “my thoughts are a balagan” or “your room is a balagan!”
Try it! It’s a fun word to say.

 

Which song best describes you?

“Shout” by Tears for Fears.

 

What elements do you think make up a good novel?

Great novels are written by authors who excel at location in time and space.
If you feel as if you are really in Elizabethan England or in South Africa during Apartheid, or in downtown Toronto…you’ve got the elements of a great novel. I can’t think of a time when someone told me they loved a short story or novel and couldn’t tell me exactly where and when it was taking place.

Full disclosure: I teach an online Setting & Description course and I can’t believe how many new writers send me first drafts that take place Anywhere / Anytime. It’s not as intuitive as you might think.

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

NK Chats To… Emily Harvale

Hi Emily. Thank you for joining me today. Can you tell me a little about your novel, Bells and Bows on Mistletoe Row (I love this title) and what inspired it?

It’s lovely to be here. Thank you for inviting me.

I’m so pleased you love the title. The wonderful members of my Facebook group helped me choose it. There were three options and this was the most popular.

The idea of Bells and Bows came to me as I was staring at one of the churches I can see from my office. The bells were ringing because it was a Sunday morning. I love listening to church bells, so my mind was drifting as it so often does. Juliet Bell and Harrison Bow popped up in front of me and introduced themselves. I loved the fact that their names had a Christmas ring to them (excuse the pun) and because they both had siblings, Bells and Bows was born.

I firmly believe in love at first sight. I also believe a person can love another their whole life, even if they’re not actually together. I can tell you many true stories relating to both!

Anyway, because I adore Christmas, and because of their names, I decided to put all those things together and see where it went. Both main families in this book need to learn to discuss issues and to open up about their feelings.

They believe in ‘a stiff upper lip’ and tend not to talk to one another about anything meaningful. This Christmas, that’s all about to change.

One of the secondary characters is based on a dear friend of mine who is no longer with us, and he is the cause of a few misunderstandings in the novel.

 

From planning to edit, what’s your writing process like and how has it changed since the first book?

I don’t plan. I never have. I get an idea and I sit down and write whatever comes into my head, or whatever appears in front of me.

I often say that the story unfolds before my eyes and I simply type what I’m seeing. I write a very quick first draft and make notes about the characters, settings etc. along the way.

Then I leave it for a few days or so, do any research that’s necessary, and then write the second draft. I write as many drafts as it takes before I feel happy with the book. After that, it goes to my editor.

Any changes or suggestions she has, are discussed and if I need to rewrite anything, I do.

 

Which Christmas tradition is your favourite?

That’s a difficult question because I love them all. Preparing the Christmas cake and all having a stir of the mixture and making a wish is one I’ve loved all my life. Opening one present on Christmas Eve, is another.

Finding a Yule log, bringing it home and burning it is one I can’t do at the moment because I no longer have a real fire. I miss that.

I need to move home before next year. I want a real fire again. Buying about two hundred more Christmas cards than I’ll ever need – and then doing exactly the same every year. (I’ve got boxes and boxes of cards…but I’ve already bought more this year!) Hanging wreaths on the doors, front and back.

Putting up the Christmas decorations in November. Going to a carol concert. Christmas crackers. Making mulled wine and eggnog.

Not together in the same pot, obviously. Hohoho! Setting the Christmas pud alight. Baking mince pies. Playing Christmas songs from October onwards. Yes, honestly. Ask my friends. It drives them nuts.

Ooh nuts! Spending hours trying to crack a brazil nut open and nearly losing an eye, or breaking several ornaments in the process. That’s a tradition not to be missed! Sorry. You only wanted one thing, didn’t you?

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

NK Chats To… Julie Houston

Hi Julie. Thank you so much for joining me today. Your new novel is called A Village Affair. Can you tell me about it and what inspired it? 

Hi, and thank you so much for having me on your blog today. It’s much appreciated.

As writers, we’re always advised to write about what we know and “AVillage Affair”began its life under the guise of ‘Not in My backyard’ influenced, very much, by a real-life fight in my village where acres of fields and greenbelt land were in danger of having hundreds, if not thousands, of houses built upon them. As the main focus of the plot moved and centred upon the village school, the novel took on the handle “Little Acorns” and many of the school incidents are based on real happenings in the primary schools I have taught in over the years. Eventually Aria came up with the title “A Village Affair”which I love and which, I think, encompasses the different strands of the book.

What’s your writing process like (idea, research etc.) How do you approach editing? 

At the start of a new idea/novel I sit at my desk with a brand-new exercise book. I like my novels to be very much character-based and so I come up with characters’ names, write what they look like and actually give them a family tree. This is important as I’m mainly writing about the characters in one town and one village and so I have to make sure they’re not too related to each other, especially if they’re going to end up together!! With “Holly Close Farm”,as nearly half of it is set during WW2, I did a huge amount of research about the WAAFs and Bomber Command. I really enjoyed this bit and it was quite hard work leaving the reading to actually write. I love editing. I must be the only writer who enjoys this bit. I love going back over what I’ve written, tweaking and adding and crossing out. In my early days as a writer I would write one chapter and then edit it to death the next day because I was so proud that I’d actually written another chapter.  Now, with deadlines, I tend to just write and edit at the end. Editing means I’ve finished, which is always wonderful.

What’s your typical writing day like? Do you have a place to write? Cup of coffee? Write in silence?

I’m a lark: I’m much better writing at 6am than later in the day. I had the most beautiful writing room at one end of the house but my husband is now working from home and has commandeered it for his office. I’m in a cupboard – not literally, but it feels like it after the lovely office with views down the valley. I actually quite like my cupboard: it’s jampacked with books, piles of papers, computer and, usually, the dog. I write, plan for school if I’m teaching a couple of days and do some private tuition in there. It does tend to get a bit cosy. One day, I’ll have my office back!

I need silence, tons of coffee (morning) and Earl Grey tea (afternoon).

So, basically, if it’s a writing day, I’ll get up early, have a mug of hot water and lemon (my mum always did and I’ve done this for the past 30 years) answer emails, decide whether it’s a swim or a run, shower, have breakfast and read the paper about eleven and then really get stuck in. If I can write 2-3000 words a day I’m more than happy.

What’s the most challenging thing with writing a novel?

The start of any new novel. By the end of a novel I love my characters so much I can’t bear to leave them and start again. I feel very disloyal to my old friends and it takes a while to love the new ones.

 

How do you pick names for your characters?

Probably with names I wanted to call my own children but for which my husband didn’t share the same enthusiasm. So India, Clementine, Kit, Theadora and Fin were born! My daughter, Georgia, is really cross I didn’t stick to my guns and call her Theadora – shortened to Teddy – that Harriet names one of her twins.

In my “Work in Progress“(Book 7 and desperate for inspiration for an actual title) it’s been easy to come up with names because I have Patrick, the father – a bit of a lothario – who is a Cambridge educated Classics professor and gives all his four daughters names from Greek literature. I’ve ended up with Isolde, Pandora, Juno and Lexia.

 

What elements make up a good novel?

When I read, I want a thumping good story. I want to know what happens next. I want to want to go to bed read to know what’s going to happen. I do like humour in a novel. It doesn’t have to be overtly laugh out loud. I think Liane Moriarty and Kate Atkinson are both superb writers, not only at weaving good stories but at having the ability to include some quite subtle humour. I aspire to both these wonderful novelists!!

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

NK Chats To… Alison Sherlock

Sherlock_AlisonA Way Back Home is the new novel from Alison Sherlock. Hello Alison, thank you so much for joining me today. Your new novel is called A Way Back Home. Can you tell me a little about it and what inspired it?

A Way Back Home is the third book in my Willow Tree Hall series, although they can each be read as standalone books. The story is about Will Harris, younger brother and ‘spare’ of the heir of Willow Tree Hall, his big brother Sam who was the hero in the first book, A House To Mend A Broken Heart. Will was great fun to write as I always pictured him as a playboy with a wickedly dry sense of humour but somewhat set apart from the rest of the family. Therefore it was only right that the heroine of the story would be a free-spirited woman called Skye who is the total opposite of Will!

 

What’s your typical writing day like? Is there somewhere you like to write? Write in silence? Cup of coffee or tea?

I walk Harry, our daft golden retriever, first thing in the morning and then spend the next hour trying to wipe off the mud which he has inevitably brought home with him. Once he’s sleeping off his big walk and snoring happily, I can finally get to work for the rest of the day. I always write on my laptop at a desk with the music on to begin with. And always with a large mug of coffee to hand!

 

What’s your editing process like?

I do a little editing as I go along but mostly I like to get the whole story down first. A Way Back Home was written in just over 9 weeks, the quickest I’ve ever done. Hopefully that’s a good sign…!

 

If you found yourself with an airstream trailer and time, where would you go and why?

I love America but have never seen the middle of the country so it would definitely be next summer driving right across the southern states. Hopefully my husband would be driving as I’d be as hopeless towing a trailer as Skye is in the story!

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

NK Chats To… Amelia Mandeville

mandeville-amelia-imageAmelia Mandeville joins me today. Her debut novel, Every Colour of You is released tomorrow by SphereHi Amelia, thank you so much for joining me today. Your book is called Every Colour of You. Can you tell me a bit about it and what inspired the story?

Hello, thanks so much for having me!

My book follows the journey of Tristan, who is struggling with his mental health, and Zoe, who is the most positive person you’ll meet. It’s all about their friendship as very different people. I think my own personal struggles with mental health made me write this story. I also think it’s important for boys to be able to know that they can cry, they are allowed to not be okay, and talk about it.

 

What is your writing process like from research and plot development to editing? 

It’s different for each book. This one, I spent a little bit of time planning, writing down certain lines I really wanted Zoe or Tristan to say, their characteristics.  Then when I had the ending set in stone, I started writing. The editing was thorough, we did a lot of drafts before it got to my final draft, and I felt it just got better and better. My book would not be how it is, without Abby and Manpreet who edited.

 

Do you have any rituals when writing – a certain place to write, coffee, music, silence? 

Music. I always have to listen to music. I think of my most chapters to myself when I’m driving on my own, listening to a song. There’s something about music. It really just gets me in my zone. Specifically sad, emotional, music.

 

Which author/book has most influenced you? 

I think I always found Veronica Roth so successful, writing at such a young age. And obviously JK Rowling. Despite all those rejections, but her true talent eventually was recognized. I tried to remind myself that whenever I got rejections (I got a lot). I’m not saying I will ever be on the level of JK Rowling, but if she gave up, we would never have Harry Potter.

 

What is the best part of writing and what did you find the most challenging? 

The best part is creating characters that you feel so much emotion and love with, its lovely. The hard part is the self-criticism, and comparison. Also when you hitting a writing block. I really do doubt my writing abilities when I’m in that state of mind. But once you’re out it’s back into doing what you love again.

 

Are you working on a new book? Are you able to tell me a bit about it? 

I am! I’m keeping it secret. But I’m 20 thousand words in, and it will focus on duel narratives again. But it’s a very different story, with a very different situation.

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

A Moment With… Sandra Danby

Connectedness by Sandra Danby I am pleased to say hi to author, Sandra Danby. As well as sharing an extract with me today, she is also talking about her latest novel, Connectedness and the origin of her story. 

To the outside world, artist Justine Tree has it all but she always has a secret that threatens to destroy everything. 

Justine’s art sells around the world, but does anyone truly know her? When her mother dies, she returns to her childhood home in Yorkshire where she decides to confront her past. She asks journalist Rose Haldane to find the baby she gave away when she was an art student, but only when Rose starts to ask difficult questions does Justine truly understand what she must face.

Is Justine strong enough to admit the secrets and lies of her past? To speak aloud the deeds she has hidden for 27 years, the real inspiration for her work that sells for millions of pounds. Could the truth trash her artistic reputation? Does Justine care more about her daughter, or her art? And what will she do if her daughter hates her?

This tale of art, adoption, romance and loss moves between now and the Eighties, from London’s art world to the bleak isolated cliffs of East Yorkshire and the hot orange blossom streets of Málaga, Spain.

Thanks for joining me today, Sandra. Over to you…

six coffees from above - photo @SandraDanbyWhen I was writing Connectedness, second in my ‘Identity Detective’ series of adoption mysteries, I didn’t realise how much I was writing about food. Then a blogger friend who reviewed the book sent me an email saying I had presented her with a difficult biscuit dilemma.

While biscuits are something that remind Justine Tree of her childhood in Yorkshire, coffee is about romance in Spain. When she arrives as an art student in Málaga, Justine struggles to order a decent cup of coffee.

Then she meets Spanish student Federico who appreciates her difficulty and tries to help. I wrote this scene early in the genesis of the book and recreated it in our local bar in Spain, much to the bemusement of the waiter. I ordered six cups of coffee and tasted each in turn. The result was that I realised I liked café con leche, and my husband chose sombra. This is the coffee scene where Justine meets Federico for the first time.

 

****** start of extract*****

‘No quieres café?’ He looked at her as if she had asked for champagne.

Quickly Justine explained the difficulty she had ordering coffee, and then waited as Federico and the waiter exchanged a rapid dialogue interspersed with lots ofsí’sand no’s and much gesturing.

Finally Federico nodded. ‘Sí, vale.’

The waiter soon returned carrying a tray with six cups on it. Nodding first at Federico then at Justine, he retreated to the restaurant door beneath the shade cast by a large eucalyptus tree and watched.

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

A Moment With… Julie C. Gardner

Julie GardnerForgetting Ophelia is the new novel from Julie C. Gardner (released today by Velvet Morning Press.) She’s joined me today to talk about her life in books. Over to you, Julie. 

I owe my obsession with reading, at least in part, to my sister Nancy. More specifically to her tonsils. I was seven and my sister was six the year my family drove from California to Texas to spend Christmas with our cousins. On the way, Nancy broke out in yet another of her fevers, her throat swelling up, her tonsils the size of tennis balls. It was a truly miserable situation.

For me.

Why? Because Nancy, who was my only playmate on this road trip, was suddenly quarantined. No more alphabet games in the backseat of our car. No songs or hand-slapping routines.

On a pit stop at my Aunt Elaine’s house in Arizona, my aunt took pity on me and my loneliness, whisking me away to a local bookstore where she bought me The Secret of the Old Clock.

I curled up with my new mystery, gobbling the adventures of this titian blonde named…Nancy.

The love was instantaneous. I wanted to be a titian blonde. I wanted to BE Nancy Drew.

I read every book of hers I could get my hands on. Then the Trixie Belden series. Harriet the Spy. A Wrinkle in Time. Island of the Blue Dolphins. By the time I was ten, I decided to be Judy Blume, not merely devour all her books.

When I was in fifth grade, my parents took me to a bank where they were handing out free copies of James A. Michener’s Hawaii. The book was roughly the size of a toaster. As I announced my plan to read all 1,000 pages of this sprawling saga, my parents chuckled. “Go ahead!” (Of particular interest were the sexy scenes, since I’d recently watched my school’s puberty films.)

By then my sister had had her tonsils removed, and I’d moved on to Little Women, Jane Eyre, Pride and Prejudice, A Tale of Two Cities. A bevy of classics littered my nightstand and saved me from being completely boy-crazy. (Rest assured, I was still plenty boy-crazy. Just ask Nancy and my parents.)

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

A Moment With: Rhiannon Navin

ONLY CHILD PB JACKET FINALOnly Child by Rhiannon Navin has been released today in paperback and I am so pleased to welcome her back to Novel Kicks. Thank you for joining me today, Rhiannon. What’s your writing day/space like? 

The short answer is: never the same. I’m a stay at home mum of three, so I always have to squeeze in time and space for writing between a million other things. I used to think that I needed to create this perfect scenario to get some writing done, hours of uninterrupted time and no distractions. But I’ve found that I actually need a lot of movement while I write. I can’t sit in one place for too long and I have to allow my mind to wander. So, it’s not unusual for me to have multiple writing “windows” throughout the day and each in a different location around the house.

 

What advice about writing would you give to your younger self? 

To start sooner! My whole life, people have suggested that I try my hand at writing, but I never thought that would be something I could do or be good at until I sat down to write Only Child. And then I fell in love with writing so quickly. It’s become such an essential part of my life, basically from one day to the next, and it sometimes feels like wasted time that I spent almost 40 years not writing. But maybe I had to be in the right place in my life to be receptive. And maybe it took the right story to get me hooked.

 

What elements are needed for a good novel?

A good novel to me is one that makes me miss it when I’m not with it. I have to want to carry it around with me even if I know I won’t have time to read it. And I have to think about it long after I’ve finished it. It’s hard to say which elements in a novel have that effect on me. A different voice certainly, one that I haven’t heard before, or a perspective I haven’t considered before. The characters have to be real and imperfect; they have to be people I’d like to meet in real life. I like to walk away from a story having learned something. And if the story made me laugh—or cry!— bonus points.

 

About Only Child: 

We went to school that Tuesday like normal.

Not all of us came home . . .

Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

NK Chats To… Shari Low

sharilowHi Shari, thank you so much for joining me today. Can you tell me a little about your new novel, Because Mummy Said So and what inspired it?

Delighted to be here! Because Mummy Said So is a collection of columns and features I’ve written about the mayhem, chaos and hilarious bits of family life and imperfect parenting. It’s packed with embarrassing moments, mortifying disasters, amusing antics and there are a couple of tear jerking stories too. Don’t mention my oldest leaving home at 16 last year – it still makes me weep pathetically. Hopefully everyone from expectant and new mums to empty nesters will find something in there that makes them laugh or brings up a favourite memory of their own.

 

What is your writing process like from concept to editing?

This book was a little different from my usual novels, as it involved searching back though 15 years of writing about raising children and selecting all the stories I thought people would enjoy most. It was like reliving the big motherhood moments all over again and I loved every minute of it.

 

What’s the best thing about being an author and writing a book? What’s the most challenging?

The best thing is undoubtedly the moment it gets released. I’ve written 22 novels now and I still get every bit as excited as I did when my first book hit the shelves. The most challenging is the actual writing! My process tends to go along the lines of panic, type, eat a biscuit, panic, type, eat a biscuit, panic, type… until I finally write “The End”.

 

What’s your favourite word and why?

Most of them are rude, so I’ll stick with “mum”– because cheesy as it sounds (sorry!) it’s my very favourite thing to be. Continue reading

Facebooktwittergoogle_plusredditpinterestlinkedinmailby feather

Novel Kicks is a blog for story tellers and book lovers.

Facebook
Twitter
Google+
Pinterest
LinkedIn
INSTAGRAM
RSS
Follow by Email
Book Club
Book Club
Twitter
Poll
Archives
Categories