NK Chats To….
Our Author Interviews and Guest Posts.
Author Interview: Dani Atkins Talks About Her New Book, This Love
Hi Dani, thank you for joining me today. Congratulations on the release of This Love. To begin, could you describe what was your route to publication like?
If it was a journey, I would have to say it was one that took a scenic route, rather than the fast track. Like many unpublished authors, I was largely fumbling around in the dark, trying to get my first book noticed. I did send it out to literary agents, but sadly without success. Eventually I had to accept that, for whatever reason, this was not the right time for me or my book, and sadly relegated it to a memory stick in my desk drawer. Then four years later in 2013 my daughter offered to help me self-publish. Very soon, after a lifetime of thinking it was never going to happen, I was lucky enough to have both an agent and a publishing deal. But best of all, I finally had the opportunity to share a story that very nearly never got to be told at all.
Your new book is called This Love. What’s it about?
THIS LOVE is an emotional drama, but – as its title would suggest – at its core it’s very much a love story. It’s a book about falling in love with possibly the one person you should never become involved with, for a great many reasons. But it’s also a story about the heart ruling the head.
The main character is Sophie who, because of a past tragedy, has chosen to live a very contained and limited life, until a dramatic event occurs, and she meets Ben. After that the prison walls she had built around her come crashing down and the path to her future is rewritten. Although it’s about being rescued, THIS LOVE is also about finding the courage to rescue yourself. And, of course, it wouldn’t be one of my books if there weren’t some fairly major obstacles standing in the way as well.
What’s the best and hardest part of being a writer?
The best part of this job is doing something for a living that you would choose to do as a hobby anyway. I don’t think you can – or should – ever consider writing a book to earn a great deal of money, because that literary jackpot only happens to a very small select group of authors – which is probably why those jaw-dropping six figure deals make the headlines. Most of us are just happy to earn enough to cover the mortgage. I believe the only reason to do this job is because you have a passion for storytelling. And if you’re fortunate enough to find someone who wants to pay you for the privilege of doing something you love, then that is the most incredible bonus.
The hardest part of being a writer is probably the isolation and the potential loneliness. There’s no one around for the famous ‘water cooler chats’ anymore. Also there is a very slippery slope you could easily slither down: unwashed; not even brushed your hair; working all day in your pyjamas; not wearing a scrap of makeup. Funnily enough, however scruffy you look, the people in your book don’t seem to care a bit!
When writing This Love, what was your writing process like? Did you plan much? Do you tend to complete a first draft before editing?
by 
A Moment With: Liz Fenwick’s Advice on Staying Motivated
Award winning author Liz Fenwick’s latest novel, The Returning Tide is released today by Orion.
Two sisters and one betrayal that will carry across generations . . .
In wartime Cornwall, 1943, a story between two sisters begins – the story of Adele and Amelia, and the heart-breaking betrayal that will divide them forever. Decades later, the effects of one reckless act still echo – but how long will it be until their past returns?
A big, lovely welcome to Liz who joins me today with her advice on staying motivated when writing. Over to you, Liz…
The beginning of writing a novel is a wonderful thing. I am in love. The book in my head is perfect in every way from flawless sentences, twists galore and characters to die for…it’s all there unsullied by actually putting a single word on the page.
This love affair normally lasts for about 20,000 or maybe to 40,000 words if I’m lucky…then the doubts creep in. What was I thinking? It’s awful. These thoughts I refer to as the crows of doubt and they really begin to circle. This is when I turn to research and writing craft books. I’m always scared that I won’t find the inspiration to complete the story but digging into research fills my head with more ideas. Writing craft books make me look at things from a different angle.
Both of these exercises are essential to finding the will and the inspiration to keep going until I type the end.
I also remind myself that the first draft of the book is for me…for me alone. It’s fine that it is so far from perfect, from the book in my head. I tell myself that once the first draft is done I can fix it but I can’t fix an empty page.
by Blog Tour: Julia Chapman Discusses What’s in a Name?
Huge hellos today to Julia Chapman and the blog tour for her new novel, Date with Death which is part of the Dales Detective Series, released by Pan on 9th March. Here’s a bit about it….
Murder’s no cup of tea.
Samson O’Brien has been dismissed from the police force, and returns to his hometown of Bruncliffe in the Yorkshire Dales to set up the Dales Detective Agency while he fights to clear his name. However, the people of Bruncliffe aren’t that welcoming to a man they see as trouble.
Delilah Metcalfe, meanwhile, is struggling to keep her business, the Dales Dating Agency, afloat – as well as trying to control her wayward Weimaraner dog, Tolpuddle. Then when Samson gets his first case, investigating the supposed suicide of a local man, things take an unexpected turn, and soon he discovers a trail of deaths that lead back to the door of Delilah’s agency.
With suspicion hanging over someone they both care for, the two feuding neighbours soon realize that they need to work together to solve the mystery of the dating deaths. But working together is easier said than done . . .
To celebrate the release of her new novel, Julia asks, what’s in a name.
My novels are full of characters. But when you are creating a brand new person, where do you start? Usually, the physical characteristics come first for me. On the odd occasion, a character has emerged on the page complete with name from the very beginning. But that’s unusual.
On the whole, I create the people who populate my books from scratch. But sometimes the traits I give them come from real life. For example, I have a gorgeous Weimaraner called Tolpuddle in my new Dales Detective Series, a large grey dog who has a habit of leaning against people. I took that detail from a New Zealand Huntaway I once knew who was just like that. He would come up and lean into you, his weight heavy on your leg. But it wasn’t threatening. It was reassuring. As though he was letting you know he was there – in case you were in trouble.
I stole that characteristic and gave it to Tolpuddle. The rest of him is pure fiction. Especially his penchant for beer!
But perhaps the most essential part of any character, for me, is the name. It can tell you as much as any detailed physical description. More sometimes! We all know a Susie is different to a Susan. A Bill is going to be possibly less formal than a William. We can even deduce a person’s age simply from what they are called. Edith and Lucy – both live in Bruncliffe, the setting for the Dales Detective Series. Want to take a bet which one lives in Fellside Court retirement complex and which one runs the local cafe?
(Having said that, I do have a character called Titch who is massive. But then, if a bit of name inversion was good enough for Little John in Robin Hood then I’m happy to follow suit!)
How to choose this fundamental aspect of the people who will populate my books, then? By the time I reach the stage of assigning a label, the personality is usually fully formed. So I need the name to be right – it has to fit the person emerging from under my words like a glove. Consequently, it can take me a lot longer to christen my characters than to create them.
Take the landlord of the Fleece in Bruncliffe, the setting for the Dales Detective Series. He’s morose. A misanthropist.
He’s a reluctant host and suffers his customers only because they make him money.
by A Moment With: Caroline Lea Chats About Writing & Editing Her Novel, When The Sky Fell Apart
Caroline Lea
Massive happy hellos to Caroline Lea and her stunning debut novel, When The Sky Fell Apart which has just been released by Text Publishing.
Jersey, June 1940: it starts with the burning man on the beach just after the bombs land, obliterating the last shred of hope that Hitler will avert his attention from the Channel Islands. Within weeks, 12,000 German troops land on the Jersey beaches, heralding a new era of occupation.
For 10-year-old Claudine, it means a re-education under German rule, and as she befriends one of the soldiers, she inadvertently opens the gateway to a more sinister influence in her home with devastating consequences.
For Maurice, a local fisherman, it means protecting his wife at all costs. He has heard the whispers from France of what the occupiers do to invalids like Marthe and he is determined to keep them away from her – even if it means endangering his own life.
Edith, the island’s unofficial homeopath, is a Jerriais through to her bones. She sees her duty as caring for those who need her in their darkest time, but even she can’t save everyone, no matter how hard she tries.
And as for English doctor Tim Carter – on the arrival of the brutal Commandant, he becomes the subject of a terrifying regime that causes the Jersey locals to brand him a traitor, unaware of the torment he suffers in an effort to save them.
It’s over to Caroline where she is chatting about her writing process and the magic of editing. I’ve also reviewed the book too.
I’ve always written, but it took having children to compel me to finish my first novel. Perhaps it was the escapism writing offered, or the fact that motherhood has shown me both that I am a huge control freak, and that parenting is hard (why didn’t someone warn me that my kids would have opinions, or that they might prefer fistfuls of sugar to steamed broccoli?). The result was WHEN THE SKY FELL APART, which was written in six months during my children’s nap-times. Children provided me with a useful time constraint—I always respond well to a deadline—and writing provided me with characters I could control, so that it mattered less when my children drew on their faces with sharpie marker pens.
There were many surprises along the road to publication, not least of which was the amount of criticism writers must be willing to accept. The key is to acknowledge it, struggle back up, dust yourself off and continue to write, ignoring the monkey on your shoulder, babbling that you’re a failure. Writers are masters of self-sabotage. It’s easy to sit in front of a blank screen, paralysed by the idea that, whatever you write, it won’t be good enough. At the other end of the spectrum is the eviscerating experience of writing something ‘good’, only to feel utterly shattered by critical feedback from an agent or editor. All this emotional battery can leave hopeful writers feeling like the end product might not justify the years of tears and crushed egos, but I think that the problem is often that we expect to be ‘good’ too soon: we don’t allow ourselves to write badly.
Bear with me. I’m not suggesting that you send out your first draft of poorly shaped plot, with under-developed characters (I tried this with the first draft of my second novel: the response from my wonderful and longsuffering agent was polite but brutal). But I am saying that good work often starts with ‘bad’ writing, and with forgiving yourself for writing badly, and then being ready to endlessly reshape, rework, edit and redraft. This is where the magic happens. Imagine that you’re a sculptor. The first, roughly hewn block of wood will look be underwhelming. You’ll spend hundreds of hours sawing, chiseling, sanding and varnishing it before you have anything worthy of display. On the other hand, there may be things that remain in your novel through all twenty redrafts: WHEN THE SKY FELL APART starts with a burning man on a beach, and the first sentence, which was the impetus for the whole novel, has never changed: When he was on fire, the man smelt bitter.
by Blog Tour: Author Interview with Mhairi Macfarlane
Who’s That Girl is the brilliant novel from Mhairi Mcfarlane. I’m so incredibly excited and honoured to be welcoming her to Novel Kicks today. I’ve reviewed Who’s That Girl below but first, I have a chat with Mhairi about her book, her writing process, who from the fictional world she’d like to hang out with and writing advice I am going to print out and pin to my desk.
Hi Mhairi, it’s lovely to welcome you to Novel Kicks today. Could you tell me a little about your novel, Who’s That Girl?
Lovely to be here! Who’s That Girl? is about Edie Thompson, 36, who is caught kissing the groom on his wedding day. She has her reasons, but no one wants to hear them, and it causes a scandal that sees her carefully managed life in advertising in London fall apart. She she has to go home to Nottingham and face her demons, and her grumpy younger hippy sister, Meg. She gets a temporary assignment ghost writing a celebrity biography and meets a hot new actor, Elliot Owen. Together they help each other tackle fame and infamy.
What’s your writing process like? Are you much of a planner or edit as you go?
I am such an ex journalist in this respect: I edit like fury as I go along, I don’t know how else to be: it has to feel more or less right or I can’t move forward. It’s a good thing in it that I tend to be quite clear in my tone and intent from the start, and I don’t have – my editor gives side eye here – HUGE rewrites later, but it doesn’t make me all that speedy, either. I have to bully myself to move on and not torture myself over it being exactly where I want it and polished to a high shine. Which no first draft ever is, really.
If you mean plot planning, I work to a rough A to Z outline but there’s a fair amount of free styling along the way.
Do you have any writing rituals for example writing in silence, chain drinking coffee?
Oh I hammer through great pails of black coffee definitely. No rituals, I’m not one of those ordered Kon Mari-ish writers with five fresh pens and a 9am on the dot start at a sun lit desk and all that. I can’t cope with music when I write, way too distracting, but oddly I can cope with the bang and clatter of a coffee shop, so if I get cabin fever, I take my laptop to Caffe Nero. Then of course I sit down next to five shrieking students and I start scowling as if they’ve brought their lattes into my library.
by A Moment With Talli Roland: My Writing Process
Starting a new novel is always so exciting. Everything feels shiny and fresh, and you just know it will be the best book you’ve ever written.
I love that moment, before the inevitable self-doubt sets in. I don’t have any particular rituals when I sit down to write a new book, but I always sketch out the obstacles my characters will face and how I want them to change and grow by the end of the book.
I also think about their backgrounds and their internal conflicts, either as a result of their history or character traits. I often don’t have a picture of my protagonist in my mind, but I do need to ‘know’ them: their fears, their likes and dislikes, and what they want out of life.
I’ve tried both exhaustive planning and ‘pantsing’, and I usually fall somewhere in the middle.
by Phillipa Ashley Shares Her Favourite Christmas Scenes
I am delighted to be welcoming Phillipa Ashley back to Novel Kicks today. Phillipa’s latest book is very much festive themed and is called Christmas at The Cornish Café. It’s the second novel in the Cornish Café series and was released by Maze.
Christmas will be slightly less turbulent than summer, won’t it? Demi certainly hopes so.
She and Cal are keeping their fledgling relationship under wraps for now. But then Kit Bannen, a hunky, blond – and somewhat mysterious – writer arrives at Kilhallon Resort, and not everyone is charmed. Cal is sure that Kit is hiding something. But is he the only one guarding a secret?
Demi is busy baking festive treats for the newly opened Demelza’s cafe, but when Cal’s ex Isla arrives to shoot scenes 
for her new drama, Demi can’t help but worry that things aren’t quite over between them. Kit flirts with both women, fuelling Cal’s suspicions that Kit has hidden motives for staying on at Kilhallon. Then Cal has to go to London, leaving Demi and Kit to decorate the cafe for Christmas . . . all by themselves.
A storm is brewing in more ways than one. As surprises unfold and truths are uncovered, can Demi and Cal finally open up to each other about their feelings?
As it is nearly Christmas, Phillipa has shared some of her favourite Christmas scenes. Over to you, Phillipa…
Believe it or not, after 16 books and over a decade of writing, Christmas at the Cornish Café is my first ‘Christmas’ novel. Even though my debut novel, Decent Exposure, was made into the Lifetime movie, 12 Men of Christmas, it was never written as a Christmas book.
It was important to me that Christmas at the Cornish Café truly reflected the challenges my characters and the community might face in a small Cornish fishing village – and how people might pull together to help each other against all the odds. I hope you enjoy reading it. Now, here are some of my favourite scenes from seasonal books, films and TV.
The Carrs’ Christmas Box – What Katy Did at School
by Blog Tour: Amanda Brooke Talks About Her New Novel, The Affair
Today, I am welcoming Amanda Brooke and the blog tour for her latest novel, The Affair which was released by Harper on 10th November in electronic form with the paperback release due for 12th January.
A shocking story about a fifteen-year-old girl and the man who took advantage of her
“You might as well know from the start, I’m not going to tell on him and I don’t care how much trouble I get in. It’s not like it could get any worse than it already is.
I can’t. Don’t ask me why, I just can’t.”
When Nina finds out that her fifteen-year-old daughter, Scarlett, is pregnant, her world falls apart. Because Scarlet won’t tell anyone who the father is. And Nina is scared that the answer will destroy everything.
As the suspects mount – from Scarlett’s teacher to Nina’s new husband of less than a year – Nina searches for the truth: no matter what the cost.
Hello Amanda. Thank you so much for joining me on Novel Kicks today. Your new book is called The Affair. Can you tell me a little about it and how the idea originated?
Thank you for inviting me on to Novel Kicks, it’s lovely to be here again! The Affair begins with the news that fifteen year old Scarlett is pregnant to a married man. She won’t say who it is, but the two likely candidates are her stepfather and her teacher. The story is told from the point of view of the men’s wives; Scarlett’s mum, Nina and teacher’s wife, Vikki. I also introduce Scarlett’s voice as a narrator, and she describes the early days of her relationship and how she feels when the accusations start to fly. I’m not sure how much I can say about how the idea originated without giving too much away. I had a scene in my head of a schoolgirl watching from the periphery while other people’s lives fell apart. She wasn’t meant to be the focal point of the book, other than perhaps a final reveal, but after long chats with my editor, the premise of the story morphed into something quite different, and it was both a pleasure and a challenge to write.
Can you describe what your typical writing day is like? Any rituals like needing tea or writing in silence?
You’ve asked that question at a very exciting time, because I gave up work this month to write full-time. I’ve spent thirty-one years in local government and for the last five I’ve been juggling two careers, fitting in my writing around the day job. I can tell you what I plan to do, which is to concentrate on my writing in the morning, which allows me to spend the rest of the day thinking about what I’ve written and where I need to take the story next. I’m conscious that working from home will be quite sedentary, so I’ve had my treadmill adapted, with a small desk that fits on top of the handlebars. My first hour of writing will be spent walking and typing so I can wake up my body and brain at the same time. As I’ve said, that’s only the plan so you might need to ask me again in a year’s time to see if I’ve kept to it.
How do you approach writing your novels? Are you much of a planner and need to know your characters well and plot inside out? Do you edit as you go?
When I have an idea for a story, I like to mull it over in my head for a while before I commit to paper. The starting point is a two page synopsis, which doesn’t necessarily cover sub-plots or minor characters but should be enough to capture the essence of the story. My next task is to cut up the synopsis into about twelve sections, which in theory will be the chapters and, if nothing else, it gives me some reassurance that I have enough of a story for a full length manuscript. When I’m ready to start writing, I tend to have a very clear idea of the opening and final scenes, but the rest of the book remains relatively fluid. I enjoy getting to know my characters and they’re the ones who fuel my imagination as I go along, creating situations and conflict I never could have imagined from the start. In terms of editing, I see that first draft almost as a test run, it’s only during the subsequent rewrites that I really get to know the story.
by Playing FTSE Author, Penelope Jacobs Talks About Balancing Work and Family
Playing FTSE by Penelope Jacobs was released by Ipso Books in digital format yesterday (24th November)
When Melanie Collins joins an investment bank as a young graduate, she quickly discovers that femininity is an invaluable asset. But it must not be abused.
She witnesses other women falling victim to office affairs and is determined to be taken seriously. In an industry where abilities are rewarded handsomely, she rises rapidly through the ranks. But her increased profile attracts the attention of a senior colleague and she is ill-equipped to handle his advances.
Balancing a demanding job with a confusing personal life proves difficult and soon their relationship threatens to jeopardise her career. As events move beyond control, her glamorous world becomes tainted by betrayal and bitterness.
One of the themes in the book explores the issues the main character Melanie has with balancing her personal life with her professional one.
The author of Playing FTSE, Penelope Jacobs is joining me today to talk about her thoughts on balancing work and family and why we can’t have it all. Over to you, Penelope.
Achieving a work-life balance is not always possible and certainly requires sacrifices.
Marriage and, more specifically, babies seem to be the tipping point, when life can sometimes spiral out of control. As noted by the National Health Interview Survey, 30-44 year olds report the largest “work-lifestyle imbalance”. During this period, many high-powered career women have simply piled far too much onto their plates. On top of a highly pressurised job, they suddenly have to cope with the demands of small children, a husband and running a household. Not to mention find a little time for themselves.
The Mental Health Foundation states that “the pressure of an increasingly demanding work culture in the UK is perhaps the biggest and most pressing challenge to the mental health of the general population.” In addition, “many more women report unhappiness than men (42% of women compared with 29% of men), which is probably a consequence of competing life roles and more pressure to ‘juggle’.”
Why are we accepting this burden from society? In my opinion, it is not possible to “have it all” and at the same time seamlessly achieve a wonderful work-life balance.
Every woman I know has made some type of sacrifice which, by definition, means they do not have it all. At one extreme, some high-powered women consciously choose not to have children and, at the other, an enormous number leave their brilliant careers permanently to raise a family. In both cases, the costs are high.
by Blog Tour: Lesley Downer Talks About Writing Her Novel, The Shogun’s Queen
Me in Japan with a maiko (trainee geisha)
A big welcome today to Lesley Downer and the blog tour for her latest novel, The Shogun’s Queen which was released by Bantam Press on 3rd November.
Japan, and the year is 1853. Growing up among the samurai of the Satsuma Clan, in Japan’s deep south, the fiery, beautiful and headstrong Okatsu has – like all the clan’s women – been encouraged to be bold, taught to wield the halberd, and to ride a horse.
But when she is just seventeen, four black ships appear. Bristling with cannon and manned by strangers who to the Japanese eyes are barbarians, their appearance threatens Japan’s very existence. And turns Okatsu’s world upside down.
Today, on the last day of the tour, Lesley has joined me to talk about writing The Shogun’s Queen. Over to you, Lesley…
Hello, Laura. Thank you for allowing me to post on your blog today! I greatly appreciate it.
I’ve had a love affair with Japan all my life, and when I decided to move from non-fiction to fiction ten years ago, it was obvious that was where my stories would be set. I’m also mad about research. I love any excuse to go to Japan and I also love scouring old books written by Victorian travellers who were there in the nineteenth century. If I could live my life again it would be in old Japan, the Japan of the great woodblock print artists Hokusai and Hiroshige – and a reasonable second best is reading about it and being there in my mind and taking my readers there as I write about it.
Somehow – I forget how – I came across the Women’s Palace, a sort of harem where three thousand women lived and only one man, the shogun (the military ruler of Japan), could enter. To me the most surprising thing was that I’d spent so long in Japan and read so much about it yet in all those years hadn’t come across the Women’s Palace before. I decided to set my first novel there and so The Last Concubine was born. There was literally nothing in English about the palace. I had to struggle through a book written in Victorian-era Japanese with the help of a Japanese friend. My story took place at the very end of the era of the shoguns and my heroine fled the palace early on in the book.
I went on to write two more novels following on in time after the events of The Last Concubine.
Somewhere along the way I heard of Atsu’s heart-rending story and couldn’t get it out of my mind. It haunted me. Telling her story would mean going back to the Women’s Palace and I’d been feeling for a long time that I hadn’t finished with it – or rather it hadn’t finished with me.
by Author Interview: Guy Mankowski Talks About His New Novel, An Honest Deceit
Guy Mankowski wrote his first novel, The Intimates when he was 21. His other novels include the fantastic Letters From Yelena and How I Left The National Grid. His new novel, An Honest Deceit was released by Urbane Publications on 20th October.
When Ben and Juliette’s young daughter dies in a tragic accident on a school trip, they begin searching for answers. But will they ever know the truth? What was the role of the teacher on the trip – and are the rumours about his past true? As Ben and Juliette search for the truth and the pressure rises, their own secrets and motivations are revealed…. An Honest Deceit is an intelligent and gripping contemporary psychological thriller that questions not just the motives of others, but the real reasons for discovering the truth.
Hi Guy, welcome back to Novel Kicks. Can you tell me a bit about your new novel, An Honest Deceit? What inspired you to write it?
Hi Laura, thanks for having me. An Honest Deceit is inspired in the main by an anger at the way our institutions often treat individuals who ask them uncomfortable questions. There are hundreds of people in this country who are sitting pretty in extremely well-paid jobs that they’ve only kept hold of because they’ve used the power institutions offer them to manipulate the truth. They use this power to hurt others and look after themselves. This book looks at the impact of that through the plot of a man investigating how his daughter was killed on a school trip.
What’s your typical writing day like? How has your writing approach changed since writing your first novel?
For my first novel, The Intimates, I edited the manuscript about three times. For my second novel, about eight times. For my third about 35 times and I couldn’t begin to count how many times I edited An Honest Deceit. Every word has been changed at least once so is it even the same novel? If someone looked at a draft I had of a novel called ‘Marine’, in 2011, I think they would barely recognise that it would become ‘An Honest Deceit.’ So my typical writing day has changed in that it is much more about editing and rarely about just writing.
What are the challenges of writing a psychological thriller?
It’s hard to know how deep you should go into a characters psyche because you don’t want to lose the narrative too much. The way I ended up handling it was to go very deep into their darkest thoughts and feelings and then in later drafts ensure that there were questions the reader had at every point to keep them going. It is hard to resolving everything, within your made-up world, so it doesn’t all seem too pat.
by Blog Tour: The Million Dollar Blog by Natasha Courtenay-Smith
I am delighted to be a part of the blog tour for The Million Dollar Blog which is a new how to practical guide for people who want to build a successful blog and is written by Natasha Courtenay-Smith.
About The Million Dollar Blog: In a world where everyone wants to blog and blog posts are ubiquitous, how do you stand out? How do you blog your way from nobody to somebody?
How do you make money blogging, how do you start your own blogging business, and how do you, as a business owner, use content to build your brand and drive your success?
Through a combination of practical advice and interviews with some of the world’s most famous and successful bloggers, vloggers and content strategists, including Seth Godin, Lily Pebbles, Grant Cardone and Madeleine Shaw and dozens more, entrepreneur and digital strategist Natasha Courtenay Smith shows you how to build a blog that will increase your profile, create new opportunities, earn money and change your life.
For this blog tour, I’ve been invited to talk about my journey into blogging. I have to admit, when I first started, the idea of blogging terrified me. In some ways it still does.
I began Novel Kicks back in August 2009. I can’t quite believe I have been blogging for that long. It originally began as a forum for myself and fellow writers to talk about writing and to post work.
That is still the fundamental principle of my site but it’s also evolved into a place that has all my favourite things. I love writing stories, I love escaping into books. Everything I post on Novel Kicks is something that I am very interested in. This blog is very personal to me and above all, even after seven years I am still enjoying building it up. This is a lot of my passions in one place.
When interviewing authors, I try and keep the questions fun but I also want to ask them how they approach the writing and editing process. As a new writer, these are pieces of advice I find most helpful and I hope other people do too.
by A Moment With Laura Briggs: Self Publishing Vs. Traditional Publishing
I’m happy to be welcoming a fellow Laura to Novel Kicks today. Author, Laura Briggs talks about Self Publishing vs. Traditional Publishing and the pros and cons of each. Over to you, Laura.
First of all, thanks to Laura for inviting me to appear on Novel Kicks with a post on self-publishing vs. traditional publishing. I’ve learned a little about both in recent years and hope my experiences may prove useful to some of you reading this.
Let me start by saying that my publisher, Pelican Book Group, is nothing less than excellent. I love working with them and plan to submit more manuscripts to their company in the future. I also love self-publishing and am grateful to have the opportunity for both.
Now—let’s get to some pros and cons on publishing!
The Pros of Traditional Publishing:
•Professional Editing: This is an obvious one, but I can’t stress it enough. Freelance editors cost a few hundred on average, so yes, professional editing gives traditional publishing an edge.
•Professional Cover Design: Another obvious one, I know, but important. Not everyone has the software, or the know-how to make a good cover, even with so many high quality images available via sites like Dreamstime. The cover often serves as your book’s first impression, so it needs to be good.
•Professional Marketing: Let’s face it—marketing is tough. And hugely competitive. Book review bloggers are swamped with requests and even buying ad space from a popular service like Bookbub is difficult to achieve. Some publishing companies have better methods of getting your book out there. Some don’t. It depends on the publisher, and of course, even authors with a traditional publisher must still do some of their own marketing.
•It Has More Options Than Before: There are many small and up-and-coming publishers who will take unagented submissions from writers these days. There are even divisions of bigger publishing houses, like HarperCollins, I believe, that welcome unagented submissions. They may not pay author advances like big companies do, but some are quite generous on the royalties.
by Author Interview: Vicki Wakefield Talks About Her Novel, Inbetween Days
I’m pleased to be welcoming Vicki Wakefield to Novel Kicks today. Vicki is the author of the YA novel, Inbetween Days which was released by Text Publishing on 26th August.
Jacklin Bates has life figured out – dropped out of school, moved in with her runaway sister, in love with an older boy. But why does she have a sinking feeling that she still needs her mum? Perhaps because she’s stuck in Mobius – a dying town with the macabre suicide forest its only attraction – stuck working in the roadhouse and babysitting her boss’s demented father.
Vicki, thank you for joining me today. Can you tell me about your typical writing day?
There are no typical days. I write when I feel like it, or when a deadline forces me knuckle down. It’s not that I don’t love writing, it’s just that I focus best when my slate is clean. I tend to deal with family, housework, bills, pets and life first, and then I breathe out. I can be epically productive or utterly paralysed. There’s no middle ground.
Do you have any writing rituals (coffee, silence?)
I’m terribly provincial. I can’t do cities, hotel rooms, libraries or cafes (I wish I could, but I either get distracted or lonely). I like to be outside; I like my dog under my feet. I prefer to write at night when everyone else is asleep, and I need tea, wine, chocolate or biscuits (not necessarily at the same time, but I’ve been known to go on a bender). I keep only one working file, so any changes are lost forever (I’m told this is the equivalent of base-jumping, but to me it’s a superstition, like wearing your lucky stinky socks for every game).
Do you edit as you go and plan much prior to beginning a book?
I’m always thinking about a new book long before I finish working on my current one, so the planning can take place years before I write a single word. I keep notebooks filled with random ideas and drawings to help me get to know the world and the characters, and I’ll usually have my opening paragraph perfected before I open a new document (the blank page scares me). Planning in advance helps me to decide whether a story has legs, and drawing helps me to refine my characters before I begin. That said, I’m not a plotter. I trust that the story will take me where it needs to go. I do edit as I write the first draft (against most advice on writing first drafts). It’s my way of feeling out the story. My ideas change so often and so unexpectedly that I worry the novel would be unfixable if I ignored my instincts and tried to write through.
by Blog Tour: If I Only Had A Duke by Lenora Bell – Author Interview and Book Review
I’m very happy to be welcoming Lenora Bell to Novel Kicks today and her blog tour for the latest novel in the Disgraceful Duke series, If I Only Had a Duke which is due to be released by Piatkus on 30th August 2016.
After four failed seasons and a disastrous jilting, Lady Dorothea Beaumont has had more than enough of her family’s scheming. She won’t domesticate a duke, entangle an earl or vie for a viscount. She will quietly exit to her aunt’s Irish estate for a life of blissful freedom. Until an arrogant, sinfully handsome duke singles her out for a waltz, making Thea the most popular belle of the season.
Well, the duke ruined her plans and now he’ll just have to fix them.
Dalton, Duke of Osborne, is far too heartless for debutantes or marriage – he uses dalliances to distract from his real purpose: finding the man who destroyed his family. When his search leads to Ireland, the last thing he needs is the determined, achingly innocent Thea, who arrives in the dead of night demanding he escort her to her aunt. His foolish agreement may prove his undoing. The road to the Emerald Isle is fraught with unforeseen dangers, but the greatest peril of all might just be discovering that he has a heart . . . and he’s losing it to Thea.
I’ve reviewed the book below but first, I’ve had a chat with Lenora. Hi Lenora, thank you so much for joining me today. First, can you tell me a little about your typical writing day and how many words you aim to write on a daily basis.
Hi Laura! Thanks for having me here at Novel Kicks! I see you have a cat named Buddy. Every writer should have a cat, don’t you think? They’re such good companions for long writing sessions. They just curl up and sleep to the sound of your clicking fingers on the keyboard as if it were rain pattering on a tin roof. (Yes, Lenora, I totally agree!)
Writing for me is both agony and ecstasy. There is a certain amount of slogging through the trenches that needs to happen before the words on the page learn to fly. A typical writing day for me means churning out extremely rough stream-of-consciousness pages and then spending three times as many hours trying to wrestle those rough pages into something fit to be seen by other eyes. I may have ten rough pages and only produce one edited page *sigh*. But when things go right there truly is no better feeling.
Do you have any writing rituals (plenty of coffee, writing in silence etc?)
Coffee, of course! Absolutely necessary for those late night writing binges. I find what helps me the most to focus on the emotional heart of scenes is to do some yoga and light a candle before I write, and then stop every hour or so and take a quick yoga break. It helps me focus as well as helps stretch all those cramped writing muscles.
Your new book, If I Only Had a Duke is the second in the Disgraceful Duke series. Can you tell me about it?
I’m so excited about this book! It’s the second in the Disgraceful Dukes series and is loosely inspired by the Wizard of Oz. If you read it with that in mind you’ll find subtle references throughout the novel. This is the story of Lady Dorothea Beaumont, who’s had more than enough of her family’s scheming and just wants to escape from London and live a quiet life as a spinster, and Dalton, Duke of Osborne, who uses public spectacle to distract from his true purpose—finding the man who destroyed his family.
How did you approach writing this novel in terms of planning and research?
I worked closely with my fabulous editor at Avon Books, Amanda Bergeron, on planning and plotting. Sometimes my plots tend to wander and she always reined me in and redirected me to the heart of the story. As for research, I read books and watched videos on everything from Regency-era traveling coaches, ships, and gaming hells to etiquette and recipes for trifle. It was tons of fun!
by Author Interview: Emma Bennet
Emma Bennet is the author of I Need A Hero, His Secret Daughter and Snowed in for her Wedding. Emma joins me today to chat about writing, planning her novels and her dinner party guests.
Hi Emma, thank you for joining me. Do you have a favourite word?
I have several: pudding, serendipity and natty stand out as particularly wonderful to say. Actually, I managed to get ‘natty’ into my latest manuscript, a great moment!
How much planning do you do before beginning a book? What elements need to be in place?
I use an A4 notebook and write a basic outline over a page. I then expand on this over about three pages, and write short character profiles for my hero and heroine. I add to and refer to these sheets regularly! Once these are in place, I’m off!
Which novel would you like to live in for a day and why?
I think it’s got to be ‘Pride and Prejudice’: I’d love to chat with Lizzy, advise her mum on her nerves and dance with Mr Darcy!
Out of all the books you’ve read, which three have stayed with you?
It tends to be children’s books which stay with me the most. I absolutely love being able to share my favourites with my children. The top three would probably be Enid Blyton’s The Enchanted Wood, Noel Streatfeild’s Ballet Shoes and Catherine Cookson’s Nancy Nutall and the Mongrel (which never fails to make me cry!).
by Author Interview: Lesley Thomson Talks About The House With No Rooms
Lesley Thomson
I’m pleased to be welcoming author Lesley Thomson to Novel Kicks today. Hi Lesley. Could you tell me a little about your typical writing day?
Hi Laura, great to be here.
My day starts at 6.45am when I walk the dog. In summer this is a lovely part of the day, with the sun shining on the ruins of the Priory behind our house and the grass lush and green. I know the other walkers who are out at that time and feel lucky to have such interesting conversations before breakfast. In the winter in the wet and dark, togged in waterproofs from head to foot with a torch strapped to my forehead, it’s more of an expedition.
I start work at 8.30 and break for coffee at 11am. I work until 1pm. If it’s a first draft then – after lunch and a longer walk with my dog – I do research. This is reading books and articles and taking notes. Perhaps setting up interviews. If I’m further on in the novel, I’ll continue redrafting until about 5pm.
Can you tell me a little about your book, The House with no Rooms and how the idea originated?
The House with no Rooms is a murder story set in Kew Gardens in the hot summer of 1976 and in 2014. Jack and Stella follow a series of clues to uncover a terrible secret that is forty year old.
I visited the Marianne North gallery in Kew Gardens. A 19th Century botanical artist, North painted plants and flowers on her solo expeditions around the world. There are 833 numbered pictures hanging in what looks like a house. My character Jack sees numbers as signs that dictate his actions and hold clues he must decipher. The story features the Palm House, the Queen’s Beasts and the Herbarium that stores thousands of dried specimens collected over two centuries. They are called ‘dead materials’. Add to this that the botanist’s chief tool of trade is the scalpel and I realised that the Botanical Gardens was the perfect place to set a scary crime novel.
Head of Zeus, April 2016
Do you have any writing rituals (needing coffee before you begin? Writing in silence etc.)
Yes, as I mentioned earlier, I have coffee at 11am. I drink out of a particular mug that I only use for work. I take the dog for walks at about the same time every day. While I work, I play Radio 3 although I like silence too. All this is less about superstition, I have found that a combination of ritual and routine gets me get into story and keeps me writing.
If you were only allowed to own three books, which three would you pick?
These would keep me going. I would need nothing else,
Our Mutual Friend by Charles Dickens
Excellent Women by Barbara Pym
The Moonstone by Wilkie Collins.
Is there a fictional character you’d like to meet and why?
There are two. As an adult, I’d like an introduction to Sergeant Cuff in The Moonstone. He has a quiet ego, he knows he’s good at his work, but is prepared to be wrong. But of course he isn’t. He’s professional, honest, unflurried and gives people careful attention. He has a great sense of priority. What matters most to him is to grow roses. I’d love to have tea with him in the garden in Dorking that he moved to after he retired. I’m sure I’d come away wiser.
As a child, I wanted to meet Lucy in The Lion, The Witch and the Wardrobe. She is passionate, honest and brave. Actually I’d still like to meet her.
What advice do you have for someone who is thinking of or in the processes of writing a book?
A writer is privileged to live in more than one world, their fictional world and the ‘real’ one. Sometimes I find the former more real. Two bits of advice, if you’re writing a novel, keep going until the end. Then you’ve got something to work with. If you’re contemplating writing, stop contemplating and start! Never wait for the muse to strike because it tends to strike when words are already on the page, not when the page is blank. And as I said earlier, you might see if it helps you to establish a routine. Above all, keep going.
How do you approach the writing process? Do you plan much, edit as you go?
I have the idea and write a synopsis. Then I plan out the novel chapter by chapter. I consider what research will be needed. This might be interviewing experts in their field. For The House With No Rooms I talked to botanists, a botanical illustrator and the ex Met Detective Superintendent and District line driver who have helped me with the Detective’s Daughter series. I walk the places in my novels. The House with no Rooms demanded lots of visits to Kew Gardens, poor me… I start the research after I’m half way through a draft when I know what questions to ask.
I write a first draft, ploughing on without editing even if I’m not happy with it. Then I do another draft, editing, refining and rearranging scenes to ensure they work. By the time the novel is published I have completed at least six drafts.
What’s your favourite word and why?
Contentment. It is suggests satisfaction with one’s life and in the moment. I imagine I would feel contentment sipping tea in Sergeant Cuff’s country garden with the scent of roses on the summer air.
More about Lesley:
Lesley Thomson grew up in London. Her first crime novel A Kind of Vanishing won The People’s Book Prize in 2010. The Detective’s Daughter is a number one bestseller and Sainsbury’s ebook for 2014. Ghost Girl, the second in the The Detective’s Daughter series (2014) went to number one in Sainsbury’s e-chart and is another bestseller. The Detective’s Secret was published in 2015. The Runaway, an eBook short about Stella Darnell (the detective’s daughter) came out in July 2015 and the fourth in the series, The House with No Rooms in 2016.
For more information about Lesley, visit http://lesleythomson.co.uk
by Blog Tour: Lying in Wait by Liz Nugent – Liz’s Approach to Writing
I am pleased to be welcoming Liz Nugent to Novel Kicks today and the blog tour for her new book, Lying in Wait.
‘My husband did not mean to kill Annie Doyle, but the lying tramp deserved it.’
Lydia Fitzsimons lives in the perfect house with her adoring husband and beloved son. There is just one thing Lydia yearns for to make her perfect life complete, though the last thing she expects is that pursuing it will lead to murder. However, needs must – because nothing can stop this mother from getting what she wants …
I’ve reviewed the book below but first, Liz chats to us about her approach to writing psychological thrillers. Over to you, Liz….
I have always been interested in the psychology of killers. What makes them tick, how they deal with the horror of what they have done. Two books which were hugely influential were John Banville’s The Book of Evidence and Sebastian Faulks’ Engleby. Both were first person narratives about deeply flawed men.
I used to work on a TV soap opera and one day in a story meeting, we were discussing a character who had just killed somebody and I insisted that he must be extremely distressed and I said ‘You know the way when you dream you’ve murdered somebody and you wake up in the horrors?’ Everyone just stared at me and that was when I realised that I was the only one who had those nightmares. I kill people in my sleep!
In real life, I am a pacifist and actively avoid confrontation, so I’m not sure from where this murderous side of my psyche comes, but I hope it has given me an edge when writing from the point of view of murderers!
by Interview: Todd Lawton, Co-creator of Mobile Book App Litsy
Todd Lawton (left) & Jeff Leblanc (right) – Co-founders of Out of Print and creators of Litsy
Todd Lawton, along with best friend, Jeff Leblanc is the co-founder of Out of Print which has been selling literary themed merchandise to support reading initiatives for the past six years and has donated more than 1.7 million books to communities in need.
Recently, the pair launched their new app, Litsy (which is a social community app for readers.) I’ve been talking a look at the app and it’s brilliant. On it you can discuss books with other readers, review books and you can even add quotes from your favourite books. Todd has joined me today to talk about Litsy. Welcome Todd, can you tell me a little about Litsy, how it came about and how it works?
Before Litsy, I helped create Out of Print—a literary lifestyle brand that sells literary apparel and accessories. We started Out of Print because we felt there was bookish conversation to be had outside the solitude of reading. Why not wear your favorite titles and authors for everyone to see? It’s invites a special kind of dialogue. Another inspiration for us were bookstore shelf talkers, the “staff picks” signs with personal recommendations and anecdotes. We wanted to extend these conversations; we wanted more people, from anywhere in the world, to join the conversation. That’s when we created Litsy. On Litsy, users can share any book moment on the go, and other readers, not algorithms, are there to engage and recommend your next favorite titles.
It’s been downloaded in over 119 countries. In your opinion, what is it about that is making it so popular do you think?
I think users appreciate having one central place for all things book related. Rather than going to one platform to review, and then another to blurb, and then another place to write down a quote, and then another to post a picture, Litsy users can organize their reading stacks, post, and engage in the same place. There isn’t the noise of other content competing with the books—it’s only books.
by Author Interview: Jane Green
Author, Jane Green
Eeeeeek! I am so excited to be welcoming Jane Green to Novel Kicks especially as it is publication day for her new novel. Hello Jane. Thank you so much for joining me today. Can you tell me a bit about your latest novel, Falling and how has your writing routine changed over the time you’ve been writing?
Falling is my first big, epic love story in a while. I wanted to narrow it down to two people, and draw from my own story, in that I met my husband three days after my first marriage ended, by renting his beach cottage. The story goes off in a very different direction, but I loved writing about these two people who I grew enormously fond of. My routine is much the same in that I still leave my house to write, and am still finished by lunchtime, but entirely different in that the landscape of the world has changed, and hours a day are spent maintaining a presence and building a following on social media.
Do you plan much prior to beginning and do you edit as you go?
I plan my characters, and sometimes my story, although I prefer to have a rough idea of the arc of the story and let the characters then tell it. I do a cursory read through every day of what was written the day before, and might make minor tweaks, but I save the major edits until I have finished.
Which fictional character would you like to hang out with for a while and what would you do?
Right now I would quite like to hang out with Claudette from This Must Be the Place by Maggie O’Farrell because I am immersed in her world.
by Author Interview: Seré Prince Halverson
Seré Prince Halverson is the author of All The Winters After which was released by Landmark Source on 16th February . I am pleased to be welcoming her to Novel Kicks today. Hello Seré, thank you so much for joining us. Which moment in history would you like to return to and witness?
It would be pretty cool to bounce around with Neil Armstrong on the moon.
What’s your typical writing day like? Do you have any writing rituals?
I’m usually up early. I make strong coffee with frothy almond milk. I write in my journal to clear my mind and warm up, then eventually I’m writing the novel and move to the computer. When I get stuck, I go back to the notebook and scratch around or take a walk or read. Or I have a snack. Snacks help.
What is your favourite word and why?
Ostranenie. And before you think I have a grand vocabulary, I’ll admit that recently a list of fantastic words popped into my inbox, and this was one of my favorites. I liked them all, but you asked for one so I won’t be too obnoxious and throw them all around. It means: encouraging people to see common things as strange, wild, or unfamiliar; defamiliarizing what is known in order to know it differently or more deeply. Isn’t that a great word? Check out the whole list: http://www.stumbleupon.com.
Out of all the books you’ve read, which three have impacted you most?
I could answer this question differently on any given day. Too many. So I’ll tell you the first books that had a big impact on me.
When I was nine years old, I read three very different books that changed the way I viewed the world: The Diary of Anne Frank, Anne of Green Gables, and Island of the Blue Dolphins. It’s strange, even today, I can see their influence on The House of Frozen Dreams—hiding, isolation, love of place and family, and longing for home.
Oh, and I should mention Charlotte’s Web. I still carry spiders out of the house instead of squashing them.
by Blog Tour: Whyte Lies by KC Acton – Writing Process and Review
I’m pleased to be welcoming KC Acton to Novel Kicks today and the blog tour for her novel, Whyte Lies. This is the first novel in the Whyte Lies series and introduces us to DCI Faith Whyte.
About Whyte Lies:
The perfect family? Or the perfect lie? Gunshots ring out on the sweltering summer air, shattering the peaceful silence. The stench of exhaust fumes and burning rubber fill the humid breeze as the car’s wheels spin against the embankment.
In front of the car, a girl lies hunched, her blonde hair stained red. Her light summer dress is torn. She’s missing a sandal. Part of her wishes she were dead. Inside the car, the girl’s father is slumped over the steering wheel. Behind him, the girl’s mother lies motionless.
The forest is eerily quiet, silenced by the violence, while the shadows of the trees protect the carnage. Crime and justice are Detective Faith Whyte’s business. Murder is her speciality. Faith thinks she has seen it all, until she investigates the brutal killing of a family in Killarney National Park. However, the killer is closer than she thinks, and Faith must open her eyes before someone else becomes the victim of a dark and deadly mind.
Faith has spent a lifetime running, but the past is about to catch up with her. Now, she must surrender to the present and trust her instincts more than ever. What happens when the present collides with the secrets of the past?
I’ve reviewed the book below but first, KC Acton talks us through her writing process and what she thinks makes a good thriller…
I’ve just published my first book, Whyte Lies, and am almost finished the first draft of my second book, Whyte Heat, so I suppose I’m still experimenting with my writing process. I try to focus on getting a certain number of words written per day, for me that’s usually around 2,000 words. I tend to write better in the late morning because it takes a while for my brain to get going. No matter how much sleep I get, I usually wake up feeling like I’ve been smacked in the face with a frying pain. Needless to say, I am not a morning person! I usually can’t manage much more than a few muttered words until I’ve downed my second coffee–the stronger, the better.
by Author Interview: Sarah-Jane Stratford
Sarah-Jane Stratford
I’m excited to be welcoming the wonderful Sarah-Jane Stratford to the blog today. Her novel, Radio Girls was released on 14th June by Allison and Busby. Hi Sarah-Jane. Thank you so much for joining me. Can you tell me a little about your typical writing day and do you have any writing rituals (coffee before you begin, writing in silence etc.)
Hi, I’m so pleased to be here! I’m a member of Paragraph Workspace for Writers in New York. For a monthly fee, we get 24/7 access to a quiet writing space – about 60 carrels, so you just pick an empty desk you like, plug in, and get to work. I have to settle in first – get my tumbler of hot green tea, no matter the weather; read a bit of the newspaper; deal with emails – before my brain can be considered more or less functional. Then it’s on to the second tumbler and work. On a good day, I like to get about 1500 words written before lunch. The members of Paragraph are all pretty terrific and I usually have lunch with one or two friends, where we either talk about writing or the real world for a little while – either way, I’m raring to get back to it. Then I try to get another 1500 words in by evening. Then I collapse. Usually I make it home before that happens, though there is a sofa at Paragraph if need be.
How do you approach the writing process? Do you do much planning and do you edit as you go etc?
First comes research, always. I just love that process of settling down in a library to read and study and wander into a time and place. Then I start to think about the characters in that time and place, and from there, an outline develops. I like to draw up detailed, meticulous plans, knowing full well that about half of them are going to be abandoned once I’m actually in the thick of it. The characters tend to develop their own ideas about what’s going to happen as the story goes on.
It’s never a good idea to edit as you write, but of course I do it all the time. And then I tell myself not to and keep doing it anyway. In the end, it more or less works out, but I know the best route for me is to just write, get that rotten first draft, and then tear the whole thing apart and start over.
Your book is called Radio Girls. Can you tell me about it and how the idea originated?
Radio Girls mixes real people and fictional characters to tell the story of the women behind the scenes in the early years of the BBC.
It all started with Hilda Matheson, the real-life first Director of Talks at the BBC. I came across her name when researching and the more I read about her, the more enthralled I was. I knew I had to bring her story and this world to life. The 1920s and the beginnings of the BBC are such an exciting time – it’s really the invention of a whole new media, and building something from the ground up. I was so thrilled every day, trying to capture that, get inside that world. I realized early on that the book would work better if Hilda wasn’t the protagonist – mostly because I adored her too much to allow her many flaws – but instead created a character, Maisie, who enters the BBC as a young secretary and gradually discovers her potential as she learns the ropes. Essentially, she learns to use her voice, helped by having Hilda as a mentor.
by A Moment With Chris Whitaker: Five Books I Wish I’d Written
I’m happy to be welcoming Chris Whitaker to Novel Kicks today. His debut novel, Tall Oaks was released by twenty7 in April of this year with the paperback edition due to be released in September.
For fans of Twin Peaks and The Truth about the Harry Quebert Affair, this brilliant debut is dark yet hilarious, suspenseful and sad. Everyone has a secret in Tall Oaks . .
When three-year-old Harry goes missing, the whole of America turns its attention to one small town. Everyone is eager to help. Everyone is a suspect.
Desperate mother Jess, whose grief is driving her to extreme measures. Newcomer Jared, with an easy charm and a string of broken hearts in his wake. Photographer Jerry, who’s determined to break away from his controlling mother once and for all. And, investigating them all, a police chief with a hidden obsession of his own . . .
Missing persons, secret identities and dangerous lies abound in a town as idiosyncratic as its inhabitants.
Chris joins us today to chat about the five books he wishes he’d written. Over to you, Chris…
The Body by Stephen King (part of the Different Seasons collection)
Probably better known by the name of the movie it inspired, Stand By Me, The Body is a coming-of-age masterpiece set in the town of Castle Rock, Maine in the summer of 1960. It’s told in the first person and narrated by Gordie Lachance, as he and his three friends set out to find a dead body located 40 miles away. It’s funny, sad and poignant. It was definitely an inspiration when it came to capturing the issues of bullying, friendship, and fitting in, that the teen characters of Manny, Abe, and Furat face in Tall Oaks.
by Author Interview: Lynne North Talks About Be Careful What You Wish For
I’m happy to be welcoming author Lynne North back to Novel Kicks today to talk about her latest book, Be Careful What You Wish For.
About Be Careful What You Wish For:
Finn is a bored young leprechaun. He lives with his mum and dad in a small village named Duntappin, and goes to the local school there. He spends most of his free time with his best friend Dallan, but craves some excitement in his life. Unfortunately, Finn missed out on being blessed by the Good Luck Fairy and soon gets far more than he bargained for. He finds himself a long way from home in the hands of a travelling circus where he is little more than a ‘freak’ to amuse the customers.
Hi Lynne, thank you so much for joining me today. Can you tell me a little about your latest book, Be Careful What You Wish For and now the idea originated?
‘Be Careful What You Wish For’ is a children’s humorous fantasy tale about Finn, a young leprechaun. It was published by Crimson Cloak Publishing on St Patrick’s Day, 2016.
So, it’s a happy story about a lucky chap with a liking for green clothes? Well no, not exactly. Finn is far from lucky. His parents missed his blessing with the Good Luck Fairy, the reasons why will be revealed in the book. Anyway, if there is bad luck to be had, Finn finds it. Despite knowing he isn’t the luckiest leprechaun in the village, he still craves adventure and excitement. Something he believes to be in short supply in the peaceful village where he lives with his parents. Somehow though, when Finn’s big chance of adventure does come along, he soon discovers that all adventures are not necessarily as much fun as he expected…
Anyone who has read my books before, like ‘Caution: Witch in Progress’, will know that I like to turn the expected on its head. I’m not entirely sure where my first thoughts of Finn began, but there he was winding his way through my head. All leprechauns are lucky, I thought, but what if this one isn’t? The ideas began to flow quickly. I also delved into Irish myth and folklore for some great characters. You might not have heard of a lot of them, but even if you do know about them, you won’t recognise my versions. I can guarantee that no character in this book will be quite what you expect!
How do you approach the process? Do you look at characters or plot first? Do you edit as you go?
I like to find my characters first. Or they find me, and insist on being written about. As I said, Finn wheedled his way into my thoughts until I just had to write about him. I tend to write in longhand in the first instance. In that way I can fling my ideas down in any scribbled format I choose. Once a chapter is completed in this way, it then meets my computer and becomes more legible and professionally written. So yes, I edit as I go along, though of course once the book is complete it undergoes one, or more, final serious and structured edits and proofreads. It’s a long process, but what matters is my satisfaction (and my publisher’s of course!) with the final product.
by Author Interview: L.R Garner
L.R Garner is the author of The Golden Princess (which is published by Xlibris,) and I’m pleased to welcome him to Novel Kicks. Hello. Thank you so much for joining me today. Can you tell me about your book, The Golden Princess and how the idea originated?
The idea for the book came from our mother. She was afraid of the family splitting up and losing contact with each other. My contribution was to write to each of us sibling families. As each had a girl and not a son, I decided on a girls story. However, I included a general letter with each chapter I wrote. The best subject I could come up with was the royal family as they were well-known to everyone. I have always has a good imagination.
Alice uses her supernatural powers – which superpower would you like to have?
The power I would like to have would be mind reading.
Can you tell me about your typical writing day?
I do not have a typical writing day. I write when I have an idea to record and the situation allows.
What were the challenges of writing The Golden Princess?
The challengers I had to face were the differences in ages of the girls I was writing for. 6 t0 8 year olds and how to keep both age groups interested.
How do you approach the process? Do you plan a lot, edit as you go? Did the characters come before the plot?
I planned the book to fit the idea of long-term contact. I decided to write a chapter each three months so each chapter had to be complete in itself. Only a few of the chapters had the “more next chapter” final paragraph.
by Author Interview: Lauren Westwood
Lauren Westwood is the author of Finding Home and I’m pleased to be welcoming her to Novel Kicks. Hi Lauren, thank you so much for joining me today. Can you tell me about your debut novel, Finding Home and how the idea originated?
Thank you for having me and Finding Home on your blog today!
The idea for the novel started over six years ago when my partner and I were looking to move out of London when our daughter was born. We both love old houses, and were looking for ‘the right’ house within commuting distance of our workplaces. Unfortunately, our search area kept expanding and pretty soon, we were looking in a huge area that had estate agents scratching their heads. Let’s just say, I encountered many during this process! When we did eventually find ‘the right’ house – three of them, in fact – and put in offers, we ended up getting gazumped by other buyers. It took several years before we finally got lucky. Overall, it was quite an emotional process – sometimes stressful, sometimes exciting – and I sometimes felt like I was living in a novel. Based on my own experiences, I could see how a young, somewhat quirky, romantic like Amy Wood could find the process captivating – and fall in love with a crumbling old house like Rosemont Hall.
.
How do you approach the process of writing – do you plan much? Edit as you go?
I normally have the basic idea in my head and also some plot milestones – so I know point A and point B in advance, but not necessarily how I’m going to get there. In general, I try to write the first draft through without going back too much. For me, that makes the ideas flow more freely, and I’m often surprised how a scene ends up. However, I am trying to be a little more disciplined with my next novel, and doing more plotting in advance. It has more of a mystery focus, and that requires more early thought on pacing, clues, and structure.
Can you tell me a little about your typical writing day and do you have any rituals (writing in a particular place, must have a hot drink, write in silence?)
I wish I had a typical day! When I first started writing almost ten years ago, I did a lot of writing in a notebook during my commute. Back then I had more time, and longer quiet moments to write. Nowadays, life is pretty full-on with three children, working as a lawyer, writing, and doing publicity. I rarely have a quiet moment, so I’ve learned to work more efficiently, and with more distractions.
My best writing time is usually mornings. I get up very early, put the coffee maker on, and type away in the kitchen before the children get up and it’s time for work and the school run. When I’m working on something new, I try to do at least 500-1000 words a day. If I have more time, I try to do some editing on something else. My favourite part is ‘getting in the zone’ and putting the words down for the first time. I’m less keen on the editing part!
by Blog Tour: Rare Objects by Kathleen Tessaro
Photo credit: Gregg Liberi USE
I am so happy to be welcoming Kathleen Tessaro to Novel Kicks today and her blog tour for her new novel, Rare Objects which is due to be released by Harper on Thursday.
Mae Fanning seizes on a job at a tiny, exclusive Boston antiques shop as the fresh start she desperately needs. It opens a window to new world, one peopled with rare and rich characters. But the day that enigmatic socialite Diana van der Laar walks in, Mae’s hidden past returns.
As a moth to a flame, Mae is unable to resist Diana’s heady, seductive glamour and glittering life. Yet, like the rare objects in the shop, very little is what it appears – Diana included.
Moving from Jazz-Age New York to Boston in the grip of the Great Depression, Rare Objects is a rich and gripping story of what it means to reach for a braver, bolder life.
Hello Kathleen. Thank you so much for joining me today. Can you tell me a little about your typical writing day?
Thank you for inviting me!
My normal day involves getting up at 6am, walking the dog, and getting my son off to school. Then I drink lots of strong coffee, research, write, walk the dog again, spend far too much time looking up useless information and then give up entirely around 2:30. The nice thing about historical fiction is that when you get stuck in your writing, there’s always interesting reading or research to indulge in.
How do you normally approach the process – do you edit as you go? Plan? Write in silence or with noise and where do you like to write?
I normally write at home, in relative quiet, and often in bed (though it must be made and I must be dressed – otherwise one is simply asking for trouble). I like to get the first 50 or so pages out before I go back over anything, just because one can get stuck quite easily in re-working the first three paragraphs over and over and never move forward. (Chances are the first three paragraphs never make it to the final cut anyway.) I do plan and sometimes even outline but have never managed to stick to it.
Congratulations on the release of your new novel, Rare Objects which is due to be released this week. Can you tell me a little about it and where the idea originated?
Thank you! The idea came from my fascination with found objects and the stories behind them. I’ve always wanted to write about an antiquities shop so that I would have a constant influx of characters and stories coming in and out. And the reason why different people collect certain things intrigues me. Add into that mix two young women from very different social classes with a shared secret, the glamour and despair of the Prohibition period and a mythical object that acts like an omen to everyone who comes across it and before you know it, an entire world is up and running!
by Blog Tour: The Magic Touch by Kelly Florentia
I am very pleased to be welcoming author, Kelly Florentia to Novel Kicks today. I’ve reviewed her debut novel, The Magic Touch below but first, I get to chat to Kelly about her novel, her writing process and Eric Bana.
Hi Kelly. Congratulations on the release of your new book, The Magic Touch, Can you tell me a little about it and how the idea originated?
Hi Laura, thanks for your good wishes, and thanks so much for having me on your blog today. The Magic Touch is my debut novel, so it’s an incredibly exciting time for me. It’s a paranormal romance about a 39-year-old divorcee who seems to have slipped into complacency with her partner of five years. Perfectly normal, she thinks, for couples who’ve been together for several years. But then when she stumbles across a flirtatious text message on her boyfriend’s mobile phone from a female colleague, sparks fly. Emma’s sole aim is to get to the bottom of Harry’s secret affair, which she does with the help of friends, her ninety-three-year-old neighbour, and a little intervention from a psychic App, The Magic Touch.
The idea for the story came from my fascination with mobile phone applications. There seems to be an app for everything these days. My phone is bursting with them – from social media apps to photography apps. I even plan my week around a weather app (I’ve got three, by the way). Then I thought, what if there was an app that could predict your future with alarming accuracy, what then? And The Magic Touch was born. I enjoy writing about everyday issues that people can resonate with, to a point. So, I based the novel on a couple who suddenly find, after five years together, that they want different things in life, and I went with it.
Can you tell me about what your typical writing day is like?
On a writing day, I’ll grab a coffee, fire up my computer and start tapping away at my keyboard. Of course, this is punctuated by a thousand tweets, a hundred Facebook posts and constantly checking my email.
How do you approach the process – do you plan much, edit as you go? Any rituals?
I’m a planner. I can’t write the story unless I know what’s going to happen, and I have to be incredibly excited about the ending before I can even begin. I get the first draft down quite quickly and then I start editing. Probably three drafts in total. I don’t have any rituals, I’m quite boring, apart from necking copious cups of coffee, but that’s normal, right?
by A Moment With… Lynne Shelby
I am very pleased to be welcoming Lynne to Novel Kicks today. She talks to me about her writing process….
I never know when I’m going to get an idea for a novel. I love travelling, and very often, when I’m exploring a foreign city I’ve not visited before, I think of a story that could take place in that locale, but it could be a photograph, a piece of music or an overheard conversation that suddenly makes me want to open my laptop and start writing. The idea for my debut novel, ‘French Kissing,’ grew out of a phone conversation I overheard when travelling back from Paris to London with my family on the Eurostar. A young Frenchman sitting across the aisle spent the entire journey calling his English friends on his mobile, telling them that he was coming to London, and suggesting that they meet up. Unfortunately, none of his friends seemed to want to see him, which made me feel very sorry for him – and gave me the scenario for ‘French Kissing,’ in which a Frenchman coming to work in London is made very welcome by his English friend – who happens to be a girl…
When I start writing a story, I know the beginning and the ending, but have only a vague notion of what is going to take place in between. I jot down a few notes, just the outline of the plot, and then begin typing, throwing my hero and heroine together, and seeing what happens as they interact. I already know a lot about my hero and heroine at this point, and I note their age, appearance, etc on index cards, adding more details that as I go along. There does seem to be a moment when the characters I’ve created take over and start telling their own story! Sometimes I realise that the story arc I have planned for them just doesn’t work with the person they have become on the page, and I have to change it. A minor character in ‘French Kissing’ ended up in a romantic sub-plot, although I had no idea that this was going to happen when I first put her in the book – she was just supposed to be my heroine’s confidante.
by Author Interview: Rebecca Lim
Photo Credit: Eugenia Lim
Rebecca Lim is the author of The Astrologer’s Daughter and the very popular Mercy series. Her latest book is called Afterlight and was realised by Text Publishing Company on 25th February 2016. Hello Rebecca. I am so pleased you are joining me today. Could you describe your typical writing day?
Hello and thank you for hosting me on your gorgeous site! My typical writing day is pretty manic these days because I juggle a part-time legal practice with freelance writing and creative writing. I find I work better when people are holding up little red flags all over the place and screaming at me to run at them.
I work whenever and wherever I can and have been known to pull the laptop out in a parked car…
Could you tell me a little about your new book, Afterlight and how the idea originated?
I haven’t really spoken about it much until Afterlight came out, but I had a visit once as a child, from a shining presence that stood over my bed, that I don’t think I imagined/hallucinated/dreamed. It’s one of those weird, defining things that—as a highly rational, scientific, logical person—has always stuck with me. What if there are things out there that we can’t explain? And what if something you couldn’t explain came to you and asked for help and sent your life in a completely new direction? That was the impetus for Afterlight.
I’m fascinated by the possibility that real magic exists.
Which fictional character would you like to meet and why?
There are so many (because I’m such a nerd). But I’d love to meet Rachel Morgan from the Kim Harrison Hollows series because I feel like I know her already, Daniel Silva’s Israeli spy/assassin/art restorer, Gabriel Allon, and cool intellectual and naval physician/spy, Stephen Maturin, from the Napoleonic era Aubrey-Maturin books by Patrick O’Brian.
by Author Interview: Joanna Barnard
Hello Joanna. Thank you so much for joining me today. Can you tell me a little about your book, Precocious which has been released today and how the idea originated?
Hi Laura. Thanks for having me! Precocious is about a pupil-teacher relationship that’s rekindled when the two meet again 15 years later. It was a ‘slow burn’ idea in that it originated with a short story I wrote while at university. I wanted to write a kind of Lolita story but from the perspective of the girl. Unfortunately the theme is still very topical as there are lots of examples of these stories in the media today.
What’s your writing process like? Do you plan much before beginning a novel? Do you edit as you go etc?
I’m afraid I’m not much of a planner. For me the preparation is thinking about a cast of characters and their situation. They brew in my mind for a while before I put anything down. Then I tend to start by writing a scene (usually the opening) and just see where it goes from there. With a novel, I will get about a third of the way through and then decide I should probably start planning the rest! It can be a bit of a chaotic way of working but it seems to work for me.
Where do you like to write? What conditions do you like to write in – silence or noise?
At home, I write longhand on the sofa or in bed and then type up at my desk. I get loads of writing done on trains, I think because I’m rooted to the spot and can’t do anything else. I don’t mind a bit of noise. The radio is constantly on in my house but when I’m really engrossed in what I’m doing, I’m not really hearing it.
How long does it typically take you to write a book?
There is no typical – Precocious evolved over about six years! But with the second one, I’d left my job so could focus on it pretty much full-time. The first draft took about nine months. I think of it a bit like gestating a baby! But I’m still working on the final version. I know some people can write a book in a month or two but I think I need at least a year!
by Author Interview: Alison May
I’m very pleased to be welcoming author, Alison May to Novel Kicks today. Hello Alison. Thank you for joining me.. For people who are new to your books, can you tell me a little about your novels and writing style?
I write romantic comedies. When I’m being flippant I say I write books about twenty and thirty-somethings getting drunk and making bad life choices. When I’m not being flippant I try to make it sound more serious and important than that, but really it’s mainly drinking and bad decisions.
What is your typical writing day like?
Morning: Get up. Wonder about putting proper clothes on. Eat toast in pyjamas. Accidentally get sucked into watching episodes of The Gilmore Girls I’ve seen about eighteen times before. Get cross with self and actually turn laptop on. Answer email and look at social media (which is totally definitely work and not procrastinating at all). Realise it’s lunchtime and resolve to definitely do better in the afternoon.
Afternoon: Much like the morning, but hopefully ending up with a phase of frantic writing of words which will almost certainly turn out to be terrible.
Where do you normally like to write? Do you normally like to write in silence or surrounded by noise?
I mostly write at home in my tiny purple office, but I try to mix things up, so I’ll turn music on and off over the course of the day, or I’ll move with my laptop and write in bed or on the dining table for a bit. I do that because I’m a huge procrastinator, and I find that changing the environment can trick my brain out of faffing and get it to refocus on whatever it’s supposed to be doing. For the same reason I sometimes drag myself to the local library (The Hive in Worcester – it’s very big and very gold). I usually go to the library if I’ve got one big task that I’m procrastinating at home, and set myself a rule about when I’m allowed to leave the library eg. ‘You can’t go home until you’ve drafted that short story’ or ‘You can’t go home until you’ve finished reading that draft.’
What is your process like in regard to planning, daily word count and editing?
It’s different for every book to be honest. For my first novel I just wrote 2000 words a day with no planning at all until I had a first draft. It was an awful first draft, but it had the right number of words at least. Now it varies – I plan more than I used to, but I invariably abandon the plan as soon as I start writing. I sometimes find notes I made at the start of a book and I can barely recognise which book they were supposed to relate to.
by Author Interview: Alena Graedon
I am very happy to be joined today by Alena Graedon, the author of The Word Exchange. Thank you for joining me today, Alena. Can you tell us a little about what your typical writing day is like?
This semester has been so busy that I haven’t had many typical writing days. But when things are a bit calmer, my writing day starts with trying to wake up quite early (around 6am), drink an alarming amount of coffee, going into my office, and reading for a bit–maybe 30 minutes–before sitting down to work. I often read things that evoke the same sort of mood that I’m going for. (For example, I’m writing something fairly dark at the moment, and one of the things that I often read a few pages of in the morning is Roberto Bolano’s 2666.) Then I generally start off by reworking the page or so that I wrote the day before, and then I start (slowly, slowly) writing that day’s work–maybe a couple of pages. I try not to check my email or the internet until I break for lunch. Then I usually have freelance projects and other work to get to in the afternoon, and then I usually go for a run or do some other exercise in the late afternoon. (That’s what helps me keep sane and focused after being in my head all day.)
Can you tell us a bit about your book, The Word Exchange?
In a nutshell, The Word Exchange is set a few years in the future (but really, like, two). It imagines the possibility that we’ve become so integrated (including biologically) with the electronic devices that help to support and augment our realities that a virus is able to spread from a machine to human beings. The potentially fatal illness that it transmits affects people’s language and speech, garbling their words and making it impossible for them to communicate with one another. (It’s colloquially known as “word flu.”)
It’s an interesting and scary premise. How did the idea originate?
I think that it probably came from my own love affair with/dependence on/wariness about technology. I grew up at a time when we were really making this big cultural shift from print to digital technology. My friends and I used to send lots of letters to one another, and I kept a physical diary. And now it’s surprising if we can even find time to email each other. I think I became very aware of the ways in which my life really had become totally augmented and interrupted by devices and digital tools, and I wanted to think a bit more deeply about what that might be doing to my ability to connect with other people and with my own thoughts.
by A Moment With….Tara Guha
Tara receiving her award for the Luke Bitmead Bursary
Tara Guha won the Luke Bitmead Bursary in 2014 and her first novel was published on 1st September 2015. Tara talks to me about how she feels about being a writer...
Two years ago I didn’t describe myself as a writer. Mother, of course. Charity project worker, self-evidently. But writer – one who writes (and had in fact written an entire novel) – not a chance. For years I’d been saying apologetically “I’m writing a novel” but never felt able to use the term writer, fearing questions about publication and generally being “found out.”
Then one night in late November 2014 everything changed. From 8pm to 8.01pm I went from being one who writes to a Writer. Of course, nothing had changed in terms of my abilities or passions, but suddenly the world and I accepted me as the thing that I had in fact been since the age of five. That crucial minute saw me named as the winner of the Luke Bitmead Bursary 2014, an award for unpublished novelists with a publishing deal as first prize. It was the most mind-boggling experience of my life.
I’d spotted the ad for the Bursary back in May. Luke Bitmead was a talented young writer, Legend Press’s first signed author, who tragically took his own life in 2006. His inspirational mother Elaine launched the award with Legend Press to help struggling writers to get a foot in the publishing door – one that is so often closed politely in your face. I was delighted to be short-listed but my expectations of winning were truthfully non-existent. I went along to the Bursary night to enjoying the experience of a night in London, a new dress and the chance to meet fellow “writers.”
by Author Interview: Hannah Vincent
I am pleased to be joined by author, Hannah Vincent today. Her novel, Alarm Girl was released by Myriad Editions in August 2014. Thank you for joining me, Hannah. Can you tell us about Alarm Girl and how the idea originated?
I was travelling in Africa when I came across a newspaper article about a woman who died on the eve of her young daughter’s birthday. The image of a mother preparing for her child’s birthday which she will never see caught my imagination.
It’s a rite-of-passage story, told partly from the point of view of a child who hasn’t been told enough about the circumstances surrounding her mother’s death. To fill in the gaps she makes up her own version of the truth. Set in South Africa, the book’s location is a metaphor for the strange emotional world a child inhabits after the death of a parent.
What’s your writing process like? How much do you plan and do you edit as you go?
I make notes for scenes for a long time and when the time is right (and judging this is crucial, I think) I start ‘joining up the dots’, filling in the gaps in between these scenes. Edit as I go, yes. Writing is rewriting.
You’re also a playwright. How did this contribute toward writing the novel?
My experience of writing plays means I am confident writing dialogue. Also, I visualise scenes, with characters moving about and relating to one another physically.
In a play, the writer only reveals the tip of the iceberg – what characters say to one another and what they do on stage. In prose, the writer has the freedom to show the reader a lot more of the iceberg but writing plays taught me how to be economic and show only what is necessary to the drama.
by A Moment With… David Nicholls.
Wordsworth Editions, New Ed: Dec 1993
Penguin Classics, January 2003
As part of Booktober, one of the books I’ve been reading is Us by David Nicholls. We asked David the following question: if he were only allowed to own three books, which three would he pick? Here are his choices…
The first would be a Dickens – if not a single volume complete works then ‘Bleak House’, his masterpiece, a great, brilliant, rich and endlessly complex novel that’s also endlessly moving.
The story is told partly by the novel’s heroine, Esther Summerson, and partly by an omniscient narrator. Memorable characters include haughty Lady Honoria Dedlock, the menacing lawyer Tulkinghorn, the realistic John Jarndyce, and the childish and disingenuous Harold Skimpole, as well as the imprudent Richard Carstone. At the novel’s centre is long-running litigation Jarndyce and Jarndyce, which has far-reaching consequences for all involved. This case revolves around a testator who apparently made several wills. Dickens’ satirization of the English judicial system is based in part on his own experiences as a law clerk, and in part on his experiences as a litigant seeking to enforce copyright on his earlier books.
Secondly, I’d probably go for Shakespeare’s complete works, including the sonnets.
Finally, Anna Karenina by Leo Tolstoy, simply because I’ve never read it and always pretend that I have.
by Blog Tour: Secrets of the Royal Wedding Chapel by Kathleen Irene Paterka
I am pleased to be welcoming Kathleen Irene Paterka and the blog tour for her new book, Secrets of The Royal Wedding Chapel which has recently been published by Booktrope. Hi Kathleen, thank you very much for joining me today.
Thanks for inviting me to be a part of your blog today, Laura! As much as we authors tend to be private people, living isolated lives as we indulge in the creation of our imaginary worlds, we actually do enjoy connecting with real people!
Can you talk us through your writing process? For example, any rituals before you begin? Are you much of a planner? Edit as you go?
I’m a very slow, methodical writer. And since I’m an early riser, I prefer to work in the early morning. Normally I’m at my computer no later than 6 am. I have a little timer on my desk, and I set it for two hours. For me, writing is like falling into a lovely dream, and I tend to forget about time, space, real life, or anything other than what’s happening in the magical make-believe world appearing on my computer screen. It’s as if I’m watching a movie clip in my mind, and typing as fast as I can to get it all down before it disappears. The next morning, when I sit down at the computer, I normally begin by editing a few paragraphs from the previous day’s work. That helps me fall right back into the tempo of the novel.
Your latest book is called Secrets of the Royal Wedding Chapel. Can you tell us a bit about it?
Who doesn’t love weddings and all things royal? My day job is as resident staff writer at a beautiful castle located in Northern Michigan. The Castle hosts numerous weddings throughout the year, and I have plenty of opportunities for ‘behind the scene’ peeks at brides on their special day. When I decided to write a book about weddings, I couldn’t think of a better setting than Las Vegas. My husband and I renewed our 20th wedding vows at a wedding chapel in Vegas, plus our daughter and her family live in Las Vegas. Secrets of the Royal Wedding Chapel combines my passion for royalty and romance with my love of weddings and Las Vegas. The result: The Royal Wedding Chapel in Las Vegas, where dreams come true… and are just as easily destroyed.
Here’s the blurb:
by Author Interview: The Chocolate Lovers’ Christmas by Carole Matthews
I am so pleased to be welcoming Carole Matthews back to Novel Kicks. Her new novel, The Chocolate Lovers’ Christmas is published today by Sphere. Hi Carole, Can you tell us a little about your latest book, The Chocolate Lovers’ Christmas? What is it about and what themes are explored?
This is a follow-up to two of my most popular books, The Chocolate Lovers’ Club and The Chocolate Lovers’ Diet. It features the same ladies, Lucy, Chantal, Nadia and Autumn – all brought together through their love of chocolate, they share the trials and tribulations of their relationships. But, if you’re new to my books, then it’s not necessary to have read the first two. The theme is generally about the enduring power of friendship. It’s a lot of fun and I love to write about these ladies. To combine the joys of chocolate and Christmas was a dream!
What elements make up a good novel do you think?
You have to have great characters that your readers fall in love with. If you’re not rooting for them then it really doesn’t matter how clever your plot might be or how fancy your setting.
Which fictional world would you like to visit? What would you do?
I’d love to be in A Game of Thrones by George R R Martin. I’d like to be one of the good guys and I’d try very hard to keep my head on my shoulders, which could potentially be quite difficult!
by Author Interview: Bridget McNulty
Hi Bridget. Thank you so much for joining me on Novel Kicks today. First, can you tell us about your website, Now Novel and what inspired you to start it?
After my novel Strange Nervous Laughter was published in South Africa and the US, people were constantly asking me how to write a book and – perhaps even more than the actual writing how to find the motivation to finish. I wanted to create a platform for this.
What are you hoping people will get out of Now Novel?
A supportive, motivating space that helps them improve their writing and follow through on their novel writing dream. The end goal? A finished first draft.
There are various packages available for people wanting to use Now Novel. Can you tell us a little about what each package offers? Is there a minimum term you’d need to sign up for?
Basic access to the website (including our critiques system for giving and receiving writing feedback and our writing groups) is free. We have three paid options. The first, ‘The DIY Writer’, is our plan for writers who don’t want personalized help. It includes the Now Novel Story Builder, our online tool and step by step process for working out a blueprint for your story. If you need extra motivation, our middle tier plan, The Aspiring Novelist, includes having a mentor whom you can correspond with via email for extra help and motivation. Our top tier plan, The Experienced Writer, is ideal for writers who are serious about getting their novels written. It includes biweekly Skype calls with your mentor and editing of 3000 words of your writing per month by professional editors.
You can pay for any of the three plans month on month, if you prefer, or you can pay for a six or twelve month package that provides a substantial discount on the usual monthly rate. There’s also a 30 day money back guarantee on all our plans.
by Blog Tour: Pretending to Dance by Diane Chamberlain
I’m thrilled to welcome author, Diane Chamberlain and her blog tour to Novel Kicks today. Diane is the best-selling author of The Silent Sister and The Dance Begins. Her new novel, Pretending to Dance was released by Macmillan on 8th October 2015.
About Pretending to Dance:
When the pretending ends, the lying begins . . . Molly Arnette is good at keeping secrets. As she and her husband try to adopt a baby, she worries that the truth she’s kept hidden about her North Carolina childhood will rise to the surface and destroy not only her chance at adoption, but her marriage as well. Molly ran away from her family twenty years ago after a shocking event left her devastated and distrustful of those she loved. Now, as she tries to find a way to make peace with her past and embrace a healthy future, she discovers that even she doesn’t know the truth of what happened in her family of pretenders.
To celebrate the release of her book, Diane has shared with us the twenty four things she’s learnt when writing a novel. Over to you, Diane…
- Figure out your ending first. Although it may change ten times during the writing, it gives you a target to aim for.
- Don’t stress about formatting. I once asked an editor what font and margin size she preferred. She responded “I wish writers wouldn’t worry about that sort of thing. Just give me a good story.”
- It takes an hour to sign your name 250 times. When my novel Necessary Lies was a Target Bookclub Pick, I had to sign 5000 copies. It took 20 hours and half a bottle of Tylenol. (But so worth it!)
- No matter how brilliant your novel is, several people will still give it one star on Amazon. Get over it.
- Editors are your friends, not your enemies. They want your book to be every bit as extraordinary as you want it to be. Take their suggestions to heart.
by Blog Tour: Love You Better by Natalie K Martin
I am very pleased to be welcoming Natalie to Novel Kicks today and her blog tour for her new novel. To celebrate the release of Love You Better, Natalie tells us about her typical writing day. Over to you, Natalie.
Being a bit of a nomad, typical days are few and far between now, let alone a typical writing one, but one thing I always try to incorporate is yoga. It’s a nice way to stay constant with so many physical and environmental changes and I find it really helps to get my mind settled, especially because I tend to have a million things going around in my head at once and it only increases when I’m writing.
After yoga and breakfast, I usually start with checking my social media, emails and then get a cup of tea going. I tend to go back and re-read a couple of the previous chapters to get me back into the groove again, and start from there. My ideal working spot is somewhere quiet, where I can disconnect from the distraction of the internet and plug in my music, but since I’m travelling a lot I tend to end up in buys hub cafe’s. It can sometimes stretch my day out by a few hours with people dropping by to say hello, but it can also be pretty precious, and let’s face it, working in a cafe in Goa, or Cornwall by the beach is hardly a chore! I’ve met lots of people in situations like that who’ve inspired aspects of my characters, or situations.
by Author Interview: Megan Tayte
Hello Megan, welcome to Novel Kicks. Firstly, how much planning do you undertake when beginning a novel and do you edit as you go?
I let ideas come freely for a long while, and then I start planning. Once I have a detailed plan down, I start writing, but from that point on I still follow the creative process as I write. Sometimes that leads to a deviation that doesn’t work, and I cut the whole lot and go back to the plan. Sometimes the deviation turns out to be great, and I go with it and amend the plan accordingly.
My day job as an editor can be quite a hindrance to writing – I automatically slip into editing mode, and that pulls me out of being in the pure creative flow. My solution is to try very hard to resist the urge to edit as I write. So I write the first draft quickly, letting the words flow out. And then, some weeks later, I begin to edit. And edit. And edit.
Is there a fictional character you’d like to meet?
Heathcliff from Wuthering Heights. It seems to me he could do with a friend – and some relationship advice.
Who’d you like to invite to a fantasy dinner party?
Oliver Queen (the Arrow), James Corden (presenter), Dawn French (comedian), Ed Sheeran (singer), Bear Grylls (adventurer), Kathy Reichs (author), Stephen Fry (actor), Beaker (Muppet). Oh, and we’d better have someone to cook, or we’ll be eating cheese on toast – Gordon Ramsey will add a bit more colour (and volume) to proceedings.
Five pieces of advice for new writers?
1. Explore. Go places, meet people, challenge your assumptions. Thoreau says it best: ‘How vain it is to sit down to write when you have not stood up to live.’
2. Read. The single best way to improve your writing is to learn by osmosis, to read and read and read. Not just in your favourite genre; all kinds of books by all kinds of writers. Literary, mass market – even the bad ones have plenty to teach you.
3. Believe. If you don’t have faith in yourself, why should anyone else? You’ve nothing to lose by believing you can write, and everything to gain.
4. Enjoy. Always remember why you want to write – for the sheer love of it. Don’t get bogged down in the business of writing. Love every minute.
5. Keep writing. In his bestselling book Outliers Malcolm Gladwell lays down the 10,000-Hour Rule: to succeed at anything, you need to practise your craft for 10,000 hours. That’s a lot of writing!
by Author Interview: Nadine Matheson
Nadine Matheson is the author of The Sisters and I’m pleased to be welcoming her to Novel Kicks today. Nadine, can you tell us a little about The Sisters and how the idea originated?
The Sisters are Lucinda, Jessica, Beatrice and Emma LeSoeur. In the 1990’s Lucinda, Jessica and Beatrice were Euterpe; Britain’s biggest girl band until Lucinda meets a successful music producer, Paul Morgan, and decides to leave to seek solo success in America. Lucinda’s announcement is a shock not only to her fans but also to her sisters; especially Jessica who takes Lucinda’s departure the hardest. Twenty years later, the sisters are living very different lives. Jessica owns a successful PR agency; Beatrice is a lawyer and Emma, the youngest works for Jessica. After living in New York Lucinda is divorced with two children and is forced to return back to London as she’s facing financial ruin. When she returns home, she doesn’t get the happy reunion that she was hoping for.
The idea for ‘The Sisters’ originated after watching one too many episodes of ‘The Real Housewives…’ There was one particular episode when I realised that one of the characters was actually broke. Even though on the outside she had the designer bags, shoes and drove an expensive car she was actually a bit skint and I based the character of Lucinda on her.
Do you have any writing rituals?
I need some sort of background noise. I’ve tried but I can’t work in complete silence. The sound of my fingers tapping away on my laptop for hours on end would drive me mad, so I’ve always got the radio on listening to BBC London 94.9 or have iTunes on shuffle mode.
Which fictional character would you like to swap places with and why?
I wouldn’t want to actually live her life, because to be honest it’s a bit depressing but I would swap places with Miss. Havisham from Great Expectations. Miss.Havisham is one of my favourite fictional characters and I would swap places just so I could get her out of that old, mouldy wedding dress, throw the rotting cake in the bin and enjoy her wealth and her life. The woman needs to get some sunshine on her face.
by Author Interview: Sarah Winman
Sarah Winman is the author of the brilliant When God Was A Rabbit. Her latest novel, A Year of Marvellous Ways was released by Tinder Press at the beginning of the summer and I am very pleased to be welcoming her to Novel Kicks today. Hi Sarah, thank you so much for joining us. Can you tell us a little about your latest novel, A Year of Marvellous Ways.
A Year of Marvellous Ways is set in 1947, in Cornwall. At the start of the book, old Marvellous is in her 90th year and coming to the end of her life. She has one last thing to do before she dies, but she doesn’t know what it is yet, because the message came to her in a dream, and the dream said, Wait, for it’s coming. So she waits, sitting on the bank of her creek.
When a young soldier, Drake, broken by war, washes up in her creek, Marvellous realises that she has been waiting for him. And the last thing she has to do is to re-ignite the flame of hope in this young man’s heart. And she does this by telling him the story of her life. The book is about the redemptive power of storytelling.
Do you cast your characters and if so, did you have someone specific in mind for Marvellous and Drake?
Marvellous would have to be the wonderful Judi Dench – playing older, of course. She would be terrific and heartbreaking in the role. In fact, I can totally see her doing it right now! I would cast an unknown alongside her, though.
Do you have any writing rituals (writing in silence, writing longhand, a cup of tea etc.)
I do write in silence – never any music playing as that can influence me emotionally. I write on a laptop at home, breaking for copious amounts of tea! When I go out I always carry a notebook and therefore write in longhand. I wrote a lot of Marvellous in bed, strangely enough, as cocooned as possible, with a candle burning.
Who is your favourite fictional character and what’s the one thing you would ask him/her if you were to ever meet?
I would ask Owen Meany to tell me a secret.
Are you much of a planner and are you the type of writer that edits as you go?
No, I edit as I go. But, most importantly, I always start knowing the ending, knowing where I need to get to. I will not start without an ending.
Do you have a favourite word?
For this book, it would probably be ‘nonsense’.
by Blog Tour: Marianne Kavanagh Talks About Writing Her Latest Novel, Don’t Get Me Wrong
I’d like to welcome author, Marianne Kavanagh to Novel Kicks today and her blog tour for her latest novel, Don’t Get Me Wrong which is due to be published by Text Publishing on 24th September 2015. Today, Marianne is talking about her writing process for her latest book, how it was different from writing her previous novel and that it was mostly down to one of her characters. Over to you, Marianne.
Writing DON’T GET ME WRONG was much harder than writing FOR ONCE IN MY LIFE. I blame Kim. Right from the beginning, there she was, angry and illogical. She resisted all attempts to soften her, although I did try to show how often she cried in private. As a result, the plot kept hitting a brick wall, as she simply refused to compromise. You or I would have gone in for some soul-searching. Where am I going wrong? Should I try to get to know Harry better? But Kim just blunders on, infuriating all those who love her, until she is faced with the one event she can’t control.
My second difficulty was that the central tragedy was based on personal experience. So writing the middle part of the novel was very painful. I felt angry and lost all over again. My husband Matt kept having to remind me it was fiction. I think now, looking back on it, that living through it a second time was a way of finally making peace with the past. But the end of 2013 was not a good time.
by Author Interview: Ben Fergusson
Ben Fergusson
Hi Ben. Thank you for joining us. Can you tell us a little about your book, The Spring of Kasper Meier and how the idea originated?
The Spring of Kasper Meier is a novel about a black-market trader, Kasper Meier, who is just about surviving in the ruins of post-war Berlin. He is blackmailed by a young rubble woman, Eva Hirsch, and the novel follows the twists and turns of that blackmail, but also the uncomfortable friendship that develops from it.
The idea came from two places mainly. I’d already had the idea of a Kasper-like character for a Chandler-esque novel some years earlier that didn’t quite work out. Then I moved to Berlin about 6 years ago, and while living there became very inspired by the city and its history. The two things came together and I had the idea of this first scene with Kasper and Eva. It all grew from there.
If you could travel anywhere in history, where would you go and why?
I suppose Ancient Rome in its heyday. I never quite got over going to the Forum when I was a kid; the everyday life of the city seemed so tangible.
Are you a planner and do you edit as you go?
I do plan, but I do have to write to make sense of where the novel is going. This means that I write a lot that gets not used. I will often write myself into a cul-de-sac plot-wise, discover what’s wrong and then have to go back 50 pages and start again. I would love to be able to plan it all in an Excel sheet and then write it all out in one go, but that just doesn’t seem to work for me.
Do you have any writing rituals?
I have a day job, so I don’t really have the luxury to have rituals. I just squeeze in the writing around it in any way I can.
by A Moment With: Ellie Campbell
Pam, one half of the sisterly writing duo who writes under the pseudonym Ellie Campbell, talks about her favourite novel. Over to you, Pam.
My favourite book is Compromising Positions by Susan Isaacs.
I sound like an old record when I talk to people about this novel but it’s always by my bed when I need cheering up. Written by Susan Isaacs it tells the story of Judith Singer – a Long Island ex-journalist now housewife who turns super-sleuth when she finds out that the local dentist has been murdered.
It’s got such fabulous humour all the way through and yet there’s a believable plot. Susan’s writing is phenomenal, witty, full of twists and turns, funny, insightful. You can turn to any page and in seconds you’ll find yourself laughing out loud, or identifying with the lead character. As the book goes on, Judith can’t leave the investigation alone and keeps putting herself in dangerous circumstances.
There’s also a good part of the novel that deals with some very real life issues. Judith’s basically bored in her marriage. Her husband works long hours. Their sex is tepid, predictable and routine. Continue reading
by Author Interview: Joan Ellis
Hi Joan. Thank you for joining us. Can you tell us a little about your books, I am Ella. Buy Me, and The Killing of Mummy’s Boy as well as your latest novel, Guilt?
I am Ella. Buy me – ‘I am a ginger tom. I am a boy racer. I am a housewife. I am a pain in the arse.’ Ella David is Bridget Jones meets Peggy from Mad Men. Based on my experiences in Soho’s mad, bad Adland, the book is a ‘laugh-out-loud’ tale about Ella David, a girl in a man’s world. Set against a backdrop of Thatcher’s Britain when money trumped morals and lust was a must, Ella spends her time dodging her sleazy boss and getting hooked on bad boys. Can two unlikely friendships help her go from the firing line to a girl calling the shots?
The Killing of Mummy’s Boy – a chance meeting with a killer was the inspiration for my first psychological thriller. Trapped with a murderer on a train for almost two hours, listening to his tales, I was horrified, terrified and disgusted but never bored. What better start to a novel.
‘‘I slit someone’s throat,’ the man told the woman on the 4.20 from Waterloo to Portsmouth.’ Two strangers. One shared interest. Murder. Ben slit a man’s throat. Sandra’s son, Carl witnessed a murder. When Sandra discovers she is being stalked, she turns to the least likely person for help with horrific consequences.
GUILT is about a little girl is left alone with her younger brother and he dies. The guilt informs the rest of her life. When it threatens to ruin not only her life but her relationship with her new baby she must revisit the path to discover the truth. What she uncovers is as hopeful as it is disturbing. Elements of the book are based on a real life tragedy. I wanted to explore the notion of guilt and blame and how these two imposters can exert power over the most innocent lives.
‘You died a month before your fifth birthday. You were probably dead long before Mum downed her third gin with Porky Rawlings.’ Seven-year-old Susan is alone with her younger brother when he dies of an overdose. The guilt informs the rest of her life. When it threatens to destroy not only her but also her relationship with her new baby, she sets out to discover the truth. What she discovers is as disturbing as it is magical.
What’s your writing process like? Do you plan much and do you wait for a full draft to edit?
I start with the basic premise and rough outline. My characters are my best friends. Without them, I’d be lost. I enjoy getting to know them and allow them to flesh out the plot and write the book for me. I write, read, reread and edit every chapter as I go along and repeat the process as many times as necessary with the final draft.
by Blog Tour: Gilly MacMillan Talks About Her Writing Process
I’m pleased to welcome Gilly MacMillan to Novel Kicks today. As part of the blog tour for her novel, Burnt Paper Sky, Gilly shares details about her writing process.
After I finished writing Burnt Paper Sky, I made a resolution, and that was to make sure that my writing process for my second book would be much more organized and efficient.
I had started Burnt Paper Sky with little more than an idea of the type of book I wanted to write, an opening scene, and a vague concept of what I wanted the fate of the missing boy to be. I also had a piece of paper with a rough pencil sketch showing where the plot points should probably go, once I’d thought of them. That was it. The rest I made up as I went along, with the result that I got so much wrong in my first draft that I had to spend over a year rewriting it.
So, for my second book, I had better intentions. I would plan it, I thought, I would organize the material and map out the plot, the pacing and the characters and do all the things that I’m probably supposed to do, and might have been taught to do had I been on a course.
That resolution lasted about two days, during which I stared at a blank page that had ‘synopsis’ written at the top and couldn’t think of a single bit of detail to put down. I was absolutely paralysed. I had an idea for the book, and a main narrator, but still I couldn’t do it. Grey mist had descended.
What that showed me is that I am, resolutely, a seat of my pants, make it up as you go along writer, and that’s because, simply, I get my best ideas when I’m actually writing. That’s when the characters develop and interact with one another, and become rounded, and that’s when ideas begin to spark. I get some fireworks in the grey mist.
So I’ve had to accept that, much as I’d like it to be different, and more predictable and controlled, my actual process is a bit messy and very intense.
by Blog Tour: Higher Ed by Tessa McWatt
I am pleased to be welcoming author, Tessa McWatt to the blog today and her blog tour for her new novel, Higher Ed (published on 27th August 2015 by Scribe.)
Hi Tessa, thank you so much for joining us. Can you tell us a little about your new book, Higher Ed and what inspired the novel?
The novel was inspired by teaching in higher education and by current issues of austerity and funding cuts in the public sector. I wanted to examine how in difficult financial times people cope and how these issues affect relationships. I also wanted to see if I could write a novel the way a filmmaker makes a film, by editing elements together that exist separately, outside of the ‘frame’ of one another. So I wrote each character’s story separately and then interwove them in the editing process.
How much planning did you do before beginning Higher Ed? What elements needed to be in place before you started?
I planned to write 4 different strands of the story and then weave them together. I added the fifth strand because it seemed like the right balance, the right number of voices. I saw the whole thing as a hand, with the five fingers contributing to the whole picture of how we work together.
Your book features five people who live in London. What challenges did you face writing from five peoples point of view?
I loved the challenge of writing from five points of view. In each one I had a special relationship with character and voice. The challenge was to make them sound distinct.
by Author Interview: The Self Esteem Team
I am very pleased to be welcoming The Self Esteem Team to Novel Kicks today. The team, Natasha Devon, Grace Barrett and Nadia Mendoza work to challenge stereotypes, reduce the stigma surrounding mental health and they aim to educate young people (as well as teachers and parents) about self esteem. With individual experiences of their own, the team have just released their book, The Self Esteem Team’s Guide to Sex, Drugs and WTFs!? We catch up with them to talk about their book, what they do and their writing process.
Welcome Ladies. Can you tell us about The Self-Esteem Team and how it originated?
Tash: In my teens I struggled with an eating disorder. Despite having been a ‘straight A’ student with ambitions to be Prime Minister, my illness gradually chipped away at my potential, so that by the time I was 25 I had no job, no money, no friends and no life.
After I recovered, I was determined that no other young person should suffer the same fate and began devising a self-esteem lesson that I took to schools and colleges all over the UK. This was the class which went on to create the building blocks of SET. Demand was soon so high, I recruited Nadz and Grace. Now we visit four schools a week working to improve students’ confidence and have also branched out into mental health, offering classes not only in body image, but bullying, exam stress, self-harm, and how to handle difficult feelings, too. We’re also campaigning for wellbeing to be at the centre of the curriculum, instead of tacked on as an afterthought. After all, if you don’t have your health, grades mean nothing.
You all have your own story to tell. Can you each tell us a little about your own experiences?
Nadia Mendoza
Nadz: When I was younger, there were troubles at home which led me to hide away in my bedroom a lot rather than confront them. As I became more and more withdrawn from life, by the time I started secondary school, I was a timid and easy target for bullies because I never bit back.
Lonely, frustrated, and with a complete lack of emotional vocabulary to talk about my feelings, one day I locked myself in my room and cut myself.
What started as an impulsive act on a random day in my first year at secondary school, went on to have a hold over me for two decades. I used self-harm as a ‘friend’ to turn to when my head went black. Only now, having recovered, can I see how self-destructive it was and how I treasured it more than it ever did me.
With the help of CBT [Cognitive Behavioural Therapy] and a very lucky break in journalism, I eventually found my feet after university. Now, I hope to speak for every kid who feels they’re not ‘cool’ enough and let them know it’s okay to be different. And that different can actually be fun.
by Blog Tour: Mile High by Rebecca Chance – Author Interview
I am very pleased to be welcoming author, Rebecca Chance to Novel Kicks today. Her novel, Mile High was released on 13th August 2015 by Pan.
First class is about to get dangerous . . . Pure Air’s new LuxeLiner is flying from London to LA – its inaugural journey – with a first-class cabin packed with A List celebrities. As the feuding crew compete to impress their famous passengers, the handsome pilot tries to win the attention of a pretty young stewardess.
But one VIP singer is battling something seriously sinister: watching her every step is a very determined stalker, someone who will go to any lengths to get the star to satisfy their desires. At thirty thousand feet there is nowhere to run, and nowhere to hide . . .
As part of her blog tour for her new novel Mile High, we got to chat with Rebecca.
Welcome Rebecca. Thank you so much for joining us. Your new book is called Mile High. Can you tell us a little about it and where the idea originated?
It’s a glamorous thriller set onboard a night flight from London to LA, on a very luxurious plane whose first class cabin is absolutely gorgeous! Because it’s a new route for the airline, there’s a whole gaggle of A-list celebrities aboard to publicise it – a beautiful singer who’s going through heartbreak, a very randy chef, an Oscar-nominated actress. And the airline boss too, who’s modelled on quite a famous one… But there’s also a stalker on board who’s determined to join the Mile High Club with the singer, so the tension builds all the way through to a very dramatic ending.
What planning did you undertake before beginning this book? Did you get any first hand accounts of what it is like to work as cabin crew?
OH yes! I have several flight attendant friends and they were fantastic at giving me advice and telling me all sorts of saucy behind-the-scenes stories! I sat down with them over drinks and listened for hours before I even started to outline as I wanted the book to be as accurate as possible.
What is your writing day like and where do you like to write? Do you have any writing rituals?
Get up around 9, have a very strong cappuccino, read through my Facebook and Twitter, read what I wrote the day before, tell myself I have to start writing before I turn on Judge Judy. Turn on Judge Judy….
Continue reading
by Author Interview: Scott Mariani
Hi Scott, thank you for joining us. Could you tell us a little about your writing process?
It’s pretty simple, really. I wish I could make it sound exciting and glamorous, but writing is just a job like most others – there’s no special mystique to it. I don’t take long walks on windswept beaches in search of the muse, or anything like that. Six days a week, after breakfast and feeding the dogs and other sundry duties, I go up to my study, coffee in hand. As I climb the stairs I start getting my brain in gear thinking about what I need to do that day. It could be an action scene, or it could be a scene between two characters involving lots of dialogue, or it could be something with a lot of geographical or historical content. In the latter case, I might need to have various reference books or maps around me to refer to. In the former case, I may have nothing at all to rely upon other than my poor overworked imagination. Then I sit down and spend the next few hours trying to do whatever it is I need to do, as effectively as possible. I don’t like to leave the desk until I’m happy with what I’ve set down, which means I might sometimes have a very long working day. Some days are hard, others fly by and I’m able to hit whatever word quota I’ve set myself and stop early to go and attend to the thousand other things I invariably have to do, living out here in the country, like cutting wood or strimming the meadow. Oh, yes, and trying to have a life.
Tesla was a great inventor. What do you wish you’d invented, and why?
He was responsible for, or at least instrumental in pioneering, many technologies that we find essential and take for granted in the modern world (apart from also being, very possibly, a dangerous lunatic). But you don’t necessarily have to be a scientist or an engineer to be an inventor. I think that writers, as designers of stories, are inventors too. I regard what I do as a kind of industrial design job, blending technical and creative abilities in the same way that an automotive designer might come up with the sleek, beautiful form of a new Ferrari or Porsche, or some other end product aimed at appealing to the public. And being a writer, I can’t think of anything I’d rather have invented than a fictional character like Ben Hope, the hero of my books. Readers say they feel they know him like a real person, a friend even, someone they love to share time with, in whose world they love to dwell a while. That’s good enough for me.
by Author Interview: Rosie Millard
Hello Rosie, thank you so much for joining us. Can you tell us a little bit about your route to publication? Had you always wanted to write a novel?
I think every journalist longs to write a novel, not least because our work is fish and chip paper the next day! I signed up for a Fiction Writing course with the University of East Anglia which I did every Tuesday night in London for six months, and The Square came out of that.
Can you tell us a little about your book, The Square and how the idea originated?
I wanted to write a satirical novel based in the present day and the garden square where I live in London seemed to be a very fertile starting point! I also wanted to make it a bit racy and fun.
What’s your favourite word?
Babies.
If you were to enter a talent show, what would you perform?
I would sing Any Dream Can Do from Joseph.
What song best describes you?
You Never Feel Happy, Until You Try, by c2c.
If you were only allowed to own three books for the rest of your life, which three would you pick?
A Little Princess, by Frances Hodgson Burnett. Vanity Fair by William Makepeace Thackeray. Middlemarch, by George Eliot.
by A Moment With Hannah Vincent
Hannah Vincent, whose debut novel, Alarm Girl was released by Myriad Editions in August last year tells us about her writing room.
I write in bed. I could justify this with the excuse that this way I am closer to the dream state and an unconscious mode in which words and feeling flow but the truth is, my bed is comfy, smells nice and my cat likes it when I write there. It is highly un-ergonomic: I lie with my neck crooked on cushions, typing straight onto an ancient laptop with Twiggy the Siamese pinning down one arm.
I once read that humans crave greenery because of our outdoor ancestry. The view from my bedroom window is bland and grey, which is useful in that it’s not a distraction but sometimes I move to the kitchen table to work. Ours is a topsy-turvy house with an upstairs kitchen that is slightly above the level of the garden, so when I look out of the windows I feel as if I am in the trees with the squabbling sparrows and busy blue-tits. Continue reading
by Author Interview: Anna North
Anna North, author of The Life and Death of Sophie Stark joins us today. Thank you for joining us Anna. First, Do you have any writing rituals/habits?
I like to write either in a chair by the window in my apartment, ideally with a cup of tea and maybe a candle burning, or at a coffee shop in my neighborhood, again with a cup of tea or maybe a cappuccino. I write all my first drafts long-hand in a journal; I feel like I’m much more imaginative writing this way than at a computer. I try to write for about an hour in the early morning each weekday, and again for an hour or a little more on Saturday or Sunday (depending on the week, though, I might write a little more or a little less).
Which fictional character would you like to swap places with for a day and what would you do?
Maybe this is cheating because it’s TV and not books, but I’d trade places with the Doctor and travel through time and space. I’d go back in time and visit Queen Elizabeth I and Shakespeare, and then go to Gallifrey and hang out with the Time Lords.
Your book is called, The Life and Death of Sophie Stark. Can you tell us a little about it and how the idea originated?
The Life and Death of Sophie Stark is the story of a brilliant and enigmatic filmmaker, told by the people who loved her most. I had wanted to write about a filmmaker named Sophie Stark for years before I started the book; I even wrote a few pages, but then put them aside. After I finished my first book, America Pacifica, I started trying to write about Sophie again in earnest, and that’s when I got the idea of writing the book from multiple perspectives. Once I realized I could tell Sophie’s story through multiple points of view, the book started to come together.
What’s your favourite word?
I don’t know if I have a favorite word, exactly, but I have some words I use a lot (maybe too much). In America Pacifica I used the word “filthy” a lot — in my defense, the post-apocalyptic world I was describing was really filthy. In The Life and Death of Sophie Stark, my editor pointed out I used the words “mad,” “sad,” “bad,” and “whiskey” more than was strictly necessary, which I guess says something about the mood of the book. I ended up replacing some of them; now the characters occasionally drink wine instead of whiskey, and get angry instead of mad.
by Author Interview: Howard Robinson
Howard Robinson
Hello Howard, thank you for joining us. First, could you tell us about your route to publication?
It’s such a complicated route for most writers that sometimes I feel like I need a sat-nav to get there. I self-published my first book and was fortunate that Micah Seven Five was picked up by a great little independent press, Inspired Quill. It’s really tough without an agent and finding an agent is really tough because most publishers won’t even look at submissions unless they’re from an agent. It’s like trying to break into a very closed shop. I have so many emails being very positive about my writing but saying they’re just not in a position to take things forward. So each book needs to be pitched from scratch, which is both time-consuming and, at times, a bit soul-destroying especially when the emails come back so quickly, you just know they’ve not even been read. Hopefully, somebody will pick up the new one; we’ll see. So the answer is there’s no easy route – you have to just keep banging on doors.
If you were told you could only own three books, which three would you pick?
Empire Of The Sun by JG Ballard, The Five People You Meet In Heaven by Mitch Albom and Charlie & The Chocolate Factory by Roald Dahl
Are you much of a planner and do you edit as you go?
I’ve tried being very planned and very unplanned and my favourite way of working is somewhere between the two. I like to have a general route map of where I’m going and how I’m going to get there but then I like the freedom to change as I write or to move off into slightly unforeseen directions. I tend to write everything and then go back and edit quite severely afterwards. I usually do two or three redrafts.
by Author Interview: Ben Adams
Ben Adams is the author of 6 Months to Get a Life. Thank you for joining us, Ben. Can you tell us a little about your new book?
Thanks for inviting me on to your blog.
Six Months to Get a Life is the story of a man trying to come to terms with his divorce. The book follows Graham Hope as he strives to get over his ex, to maintain his relationship with his children, to build new friendships and to work out a way of having sex again at some point in his life.
How did the idea for the book originate?
I recently went through a marriage break-up myself. I started writing Six Months to Get a Life as a way of capturing my own thoughts. If you like, it was therapy for me.
So is it about you then? I thought it was fiction?
It is fiction. About two days into the writing process, I realised that the book shouldn’t be about me. It shouldn’t be about my ex or my children either. What right did I have to write about them? And who would want to read it if I did? If it had been about me, people would have slit their wrists by the end of Chapter 3.
So instead of writing a memoir, I created a fictional tale. I invented a new ex, new friends, new children, new events and new debacles. Did the marriage guidance scene happen to me? No. Did I meet my ex in a sexually transmitted diseases clinic? Er, no. Have I ever twerked in a nightclub? Maybe, but that’s another story. Have I got a big ego and a small penis? No comment.
by Author Interview: Miranda Richmond Mouillot
A Fifty-Year Silence is the new book from author, Miranda Richmond Mouillot and was released today. Miranda has joined us to chat about her new book. Firstly, she tells us a little about A Fifty-Year Silence and what inspired her to write it?
In 1953, my grandmother, Anna Munster, packed her bags and walked out on my grandfather Armand Jacoubovitch, taking the typewriter, a grapefruit knife, and their two children.
Five years before that day, in 1948, Armand and Anna bought a ruined stone house in the south of France a month before moving to America to start a new life.
Eight years before that day, in 1945, Anna gave birth to their first child while Armand prepared to begin his job at the Nuremberg Trials as one of just two or three court interpreters who were also victims of the accused.
Eleven years before that day, in 1942, Armand and Anna climbed over the Alps in a snowstorm, reached the border an hour after the guards had gone off duty, and escaped Nazi-occupied France to neutral Switzerland.
Thirteen years before that day, in 1940, when France fell to the Nazis, Armand walked three hundred kilometers to hide out with Anna in a village in the French Pyrenees.
And seventeen years before that day, in 1936, Armand and Anna met in a café in Strasbourg and fell passionately in love.
Or did they?
Here’s the thing: I never knew.
The story of what happened between my grandparents both before and after their divorce was total enigma to me throughout my childhood and young adult life. No one could tell me when or how they had met, or when or why they had gotten married. No one could explain just what had made their separation so acrimonious. No one knew, because half a century later, they still wouldn’t speak to one another. If they referred each other at all, it was in cryptic half-sentences. My grandfather couldn’t even bear to utter my grandmother’s name. All that remained of their life together were a few snapshots in a faded photo album. Those snapshots, those tiny, beautiful remnants of a life the war had completely destroyed – they were the beginning of writing this book: from a young age, I desperately, desperately wanted to know what had happened between them.
by Book Club
