NK Chats To….
Our Author Interviews and Guest Posts.
Blog Tour: If I Only Had A Duke by Lenora Bell – Author Interview and Book Review
I’m very happy to be welcoming Lenora Bell to Novel Kicks today and her blog tour for the latest novel in the Disgraceful Duke series, If I Only Had a Duke which is due to be released by Piatkus on 30th August 2016.
After four failed seasons and a disastrous jilting, Lady Dorothea Beaumont has had more than enough of her family’s scheming. She won’t domesticate a duke, entangle an earl or vie for a viscount. She will quietly exit to her aunt’s Irish estate for a life of blissful freedom. Until an arrogant, sinfully handsome duke singles her out for a waltz, making Thea the most popular belle of the season.
Well, the duke ruined her plans and now he’ll just have to fix them.
Dalton, Duke of Osborne, is far too heartless for debutantes or marriage – he uses dalliances to distract from his real purpose: finding the man who destroyed his family. When his search leads to Ireland, the last thing he needs is the determined, achingly innocent Thea, who arrives in the dead of night demanding he escort her to her aunt. His foolish agreement may prove his undoing. The road to the Emerald Isle is fraught with unforeseen dangers, but the greatest peril of all might just be discovering that he has a heart . . . and he’s losing it to Thea.
I’ve reviewed the book below but first, I’ve had a chat with Lenora. Hi Lenora, thank you so much for joining me today. First, can you tell me a little about your typical writing day and how many words you aim to write on a daily basis.
Hi Laura! Thanks for having me here at Novel Kicks! I see you have a cat named Buddy. Every writer should have a cat, don’t you think? They’re such good companions for long writing sessions. They just curl up and sleep to the sound of your clicking fingers on the keyboard as if it were rain pattering on a tin roof. (Yes, Lenora, I totally agree!)
Writing for me is both agony and ecstasy. There is a certain amount of slogging through the trenches that needs to happen before the words on the page learn to fly. A typical writing day for me means churning out extremely rough stream-of-consciousness pages and then spending three times as many hours trying to wrestle those rough pages into something fit to be seen by other eyes. I may have ten rough pages and only produce one edited page *sigh*. But when things go right there truly is no better feeling.
Do you have any writing rituals (plenty of coffee, writing in silence etc?)
Coffee, of course! Absolutely necessary for those late night writing binges. I find what helps me the most to focus on the emotional heart of scenes is to do some yoga and light a candle before I write, and then stop every hour or so and take a quick yoga break. It helps me focus as well as helps stretch all those cramped writing muscles.
Your new book, If I Only Had a Duke is the second in the Disgraceful Duke series. Can you tell me about it?
I’m so excited about this book! It’s the second in the Disgraceful Dukes series and is loosely inspired by the Wizard of Oz. If you read it with that in mind you’ll find subtle references throughout the novel. This is the story of Lady Dorothea Beaumont, who’s had more than enough of her family’s scheming and just wants to escape from London and live a quiet life as a spinster, and Dalton, Duke of Osborne, who uses public spectacle to distract from his true purpose—finding the man who destroyed his family.
How did you approach writing this novel in terms of planning and research?
I worked closely with my fabulous editor at Avon Books, Amanda Bergeron, on planning and plotting. Sometimes my plots tend to wander and she always reined me in and redirected me to the heart of the story. As for research, I read books and watched videos on everything from Regency-era traveling coaches, ships, and gaming hells to etiquette and recipes for trifle. It was tons of fun!
by 
Author Interview: Emma Bennet
Emma Bennet is the author of I Need A Hero, His Secret Daughter and Snowed in for her Wedding. Emma joins me today to chat about writing, planning her novels and her dinner party guests.
Hi Emma, thank you for joining me. Do you have a favourite word?
I have several: pudding, serendipity and natty stand out as particularly wonderful to say. Actually, I managed to get ‘natty’ into my latest manuscript, a great moment!
How much planning do you do before beginning a book? What elements need to be in place?
I use an A4 notebook and write a basic outline over a page. I then expand on this over about three pages, and write short character profiles for my hero and heroine. I add to and refer to these sheets regularly! Once these are in place, I’m off!
Which novel would you like to live in for a day and why?
I think it’s got to be ‘Pride and Prejudice’: I’d love to chat with Lizzy, advise her mum on her nerves and dance with Mr Darcy!
Out of all the books you’ve read, which three have stayed with you?
It tends to be children’s books which stay with me the most. I absolutely love being able to share my favourites with my children. The top three would probably be Enid Blyton’s The Enchanted Wood, Noel Streatfeild’s Ballet Shoes and Catherine Cookson’s Nancy Nutall and the Mongrel (which never fails to make me cry!).
by Author Interview: Lesley Thomson Talks About The House With No Rooms
Lesley Thomson
I’m pleased to be welcoming author Lesley Thomson to Novel Kicks today. Hi Lesley. Could you tell me a little about your typical writing day?
Hi Laura, great to be here.
My day starts at 6.45am when I walk the dog. In summer this is a lovely part of the day, with the sun shining on the ruins of the Priory behind our house and the grass lush and green. I know the other walkers who are out at that time and feel lucky to have such interesting conversations before breakfast. In the winter in the wet and dark, togged in waterproofs from head to foot with a torch strapped to my forehead, it’s more of an expedition.
I start work at 8.30 and break for coffee at 11am. I work until 1pm. If it’s a first draft then – after lunch and a longer walk with my dog – I do research. This is reading books and articles and taking notes. Perhaps setting up interviews. If I’m further on in the novel, I’ll continue redrafting until about 5pm.
Can you tell me a little about your book, The House with no Rooms and how the idea originated?
The House with no Rooms is a murder story set in Kew Gardens in the hot summer of 1976 and in 2014. Jack and Stella follow a series of clues to uncover a terrible secret that is forty year old.
I visited the Marianne North gallery in Kew Gardens. A 19th Century botanical artist, North painted plants and flowers on her solo expeditions around the world. There are 833 numbered pictures hanging in what looks like a house. My character Jack sees numbers as signs that dictate his actions and hold clues he must decipher. The story features the Palm House, the Queen’s Beasts and the Herbarium that stores thousands of dried specimens collected over two centuries. They are called ‘dead materials’. Add to this that the botanist’s chief tool of trade is the scalpel and I realised that the Botanical Gardens was the perfect place to set a scary crime novel.
Head of Zeus, April 2016
Do you have any writing rituals (needing coffee before you begin? Writing in silence etc.)
Yes, as I mentioned earlier, I have coffee at 11am. I drink out of a particular mug that I only use for work. I take the dog for walks at about the same time every day. While I work, I play Radio 3 although I like silence too. All this is less about superstition, I have found that a combination of ritual and routine gets me get into story and keeps me writing.
If you were only allowed to own three books, which three would you pick?
These would keep me going. I would need nothing else,
Our Mutual Friend by Charles Dickens
Excellent Women by Barbara Pym
The Moonstone by Wilkie Collins.
Is there a fictional character you’d like to meet and why?
There are two. As an adult, I’d like an introduction to Sergeant Cuff in The Moonstone. He has a quiet ego, he knows he’s good at his work, but is prepared to be wrong. But of course he isn’t. He’s professional, honest, unflurried and gives people careful attention. He has a great sense of priority. What matters most to him is to grow roses. I’d love to have tea with him in the garden in Dorking that he moved to after he retired. I’m sure I’d come away wiser.
As a child, I wanted to meet Lucy in The Lion, The Witch and the Wardrobe. She is passionate, honest and brave. Actually I’d still like to meet her.
What advice do you have for someone who is thinking of or in the processes of writing a book?
A writer is privileged to live in more than one world, their fictional world and the ‘real’ one. Sometimes I find the former more real. Two bits of advice, if you’re writing a novel, keep going until the end. Then you’ve got something to work with. If you’re contemplating writing, stop contemplating and start! Never wait for the muse to strike because it tends to strike when words are already on the page, not when the page is blank. And as I said earlier, you might see if it helps you to establish a routine. Above all, keep going.
How do you approach the writing process? Do you plan much, edit as you go?
I have the idea and write a synopsis. Then I plan out the novel chapter by chapter. I consider what research will be needed. This might be interviewing experts in their field. For The House With No Rooms I talked to botanists, a botanical illustrator and the ex Met Detective Superintendent and District line driver who have helped me with the Detective’s Daughter series. I walk the places in my novels. The House with no Rooms demanded lots of visits to Kew Gardens, poor me… I start the research after I’m half way through a draft when I know what questions to ask.
I write a first draft, ploughing on without editing even if I’m not happy with it. Then I do another draft, editing, refining and rearranging scenes to ensure they work. By the time the novel is published I have completed at least six drafts.
What’s your favourite word and why?
Contentment. It is suggests satisfaction with one’s life and in the moment. I imagine I would feel contentment sipping tea in Sergeant Cuff’s country garden with the scent of roses on the summer air.
More about Lesley:
Lesley Thomson grew up in London. Her first crime novel A Kind of Vanishing won The People’s Book Prize in 2010. The Detective’s Daughter is a number one bestseller and Sainsbury’s ebook for 2014. Ghost Girl, the second in the The Detective’s Daughter series (2014) went to number one in Sainsbury’s e-chart and is another bestseller. The Detective’s Secret was published in 2015. The Runaway, an eBook short about Stella Darnell (the detective’s daughter) came out in July 2015 and the fourth in the series, The House with No Rooms in 2016.
For more information about Lesley, visit http://lesleythomson.co.uk
by Blog Tour: Lying in Wait by Liz Nugent – Liz’s Approach to Writing
I am pleased to be welcoming Liz Nugent to Novel Kicks today and the blog tour for her new book, Lying in Wait.
‘My husband did not mean to kill Annie Doyle, but the lying tramp deserved it.’
Lydia Fitzsimons lives in the perfect house with her adoring husband and beloved son. There is just one thing Lydia yearns for to make her perfect life complete, though the last thing she expects is that pursuing it will lead to murder. However, needs must – because nothing can stop this mother from getting what she wants …
I’ve reviewed the book below but first, Liz chats to us about her approach to writing psychological thrillers. Over to you, Liz….
I have always been interested in the psychology of killers. What makes them tick, how they deal with the horror of what they have done. Two books which were hugely influential were John Banville’s The Book of Evidence and Sebastian Faulks’ Engleby. Both were first person narratives about deeply flawed men.
I used to work on a TV soap opera and one day in a story meeting, we were discussing a character who had just killed somebody and I insisted that he must be extremely distressed and I said ‘You know the way when you dream you’ve murdered somebody and you wake up in the horrors?’ Everyone just stared at me and that was when I realised that I was the only one who had those nightmares. I kill people in my sleep!
In real life, I am a pacifist and actively avoid confrontation, so I’m not sure from where this murderous side of my psyche comes, but I hope it has given me an edge when writing from the point of view of murderers!
by Interview: Todd Lawton, Co-creator of Mobile Book App Litsy
Todd Lawton (left) & Jeff Leblanc (right) – Co-founders of Out of Print and creators of Litsy
Todd Lawton, along with best friend, Jeff Leblanc is the co-founder of Out of Print which has been selling literary themed merchandise to support reading initiatives for the past six years and has donated more than 1.7 million books to communities in need.
Recently, the pair launched their new app, Litsy (which is a social community app for readers.) I’ve been talking a look at the app and it’s brilliant. On it you can discuss books with other readers, review books and you can even add quotes from your favourite books. Todd has joined me today to talk about Litsy. Welcome Todd, can you tell me a little about Litsy, how it came about and how it works?
Before Litsy, I helped create Out of Print—a literary lifestyle brand that sells literary apparel and accessories. We started Out of Print because we felt there was bookish conversation to be had outside the solitude of reading. Why not wear your favorite titles and authors for everyone to see? It’s invites a special kind of dialogue. Another inspiration for us were bookstore shelf talkers, the “staff picks” signs with personal recommendations and anecdotes. We wanted to extend these conversations; we wanted more people, from anywhere in the world, to join the conversation. That’s when we created Litsy. On Litsy, users can share any book moment on the go, and other readers, not algorithms, are there to engage and recommend your next favorite titles.
It’s been downloaded in over 119 countries. In your opinion, what is it about that is making it so popular do you think?
I think users appreciate having one central place for all things book related. Rather than going to one platform to review, and then another to blurb, and then another place to write down a quote, and then another to post a picture, Litsy users can organize their reading stacks, post, and engage in the same place. There isn’t the noise of other content competing with the books—it’s only books.
by Author Interview: Jane Green
Author, Jane Green
Eeeeeek! I am so excited to be welcoming Jane Green to Novel Kicks especially as it is publication day for her new novel. Hello Jane. Thank you so much for joining me today. Can you tell me a bit about your latest novel, Falling and how has your writing routine changed over the time you’ve been writing?
Falling is my first big, epic love story in a while. I wanted to narrow it down to two people, and draw from my own story, in that I met my husband three days after my first marriage ended, by renting his beach cottage. The story goes off in a very different direction, but I loved writing about these two people who I grew enormously fond of. My routine is much the same in that I still leave my house to write, and am still finished by lunchtime, but entirely different in that the landscape of the world has changed, and hours a day are spent maintaining a presence and building a following on social media.
Do you plan much prior to beginning and do you edit as you go?
I plan my characters, and sometimes my story, although I prefer to have a rough idea of the arc of the story and let the characters then tell it. I do a cursory read through every day of what was written the day before, and might make minor tweaks, but I save the major edits until I have finished.
Which fictional character would you like to hang out with for a while and what would you do?
Right now I would quite like to hang out with Claudette from This Must Be the Place by Maggie O’Farrell because I am immersed in her world.
by Author Interview: Seré Prince Halverson
Seré Prince Halverson is the author of All The Winters After which was released by Landmark Source on 16th February . I am pleased to be welcoming her to Novel Kicks today. Hello Seré, thank you so much for joining us. Which moment in history would you like to return to and witness?
It would be pretty cool to bounce around with Neil Armstrong on the moon.
What’s your typical writing day like? Do you have any writing rituals?
I’m usually up early. I make strong coffee with frothy almond milk. I write in my journal to clear my mind and warm up, then eventually I’m writing the novel and move to the computer. When I get stuck, I go back to the notebook and scratch around or take a walk or read. Or I have a snack. Snacks help.
What is your favourite word and why?
Ostranenie. And before you think I have a grand vocabulary, I’ll admit that recently a list of fantastic words popped into my inbox, and this was one of my favorites. I liked them all, but you asked for one so I won’t be too obnoxious and throw them all around. It means: encouraging people to see common things as strange, wild, or unfamiliar; defamiliarizing what is known in order to know it differently or more deeply. Isn’t that a great word? Check out the whole list: http://www.stumbleupon.com.
Out of all the books you’ve read, which three have impacted you most?
I could answer this question differently on any given day. Too many. So I’ll tell you the first books that had a big impact on me.
When I was nine years old, I read three very different books that changed the way I viewed the world: The Diary of Anne Frank, Anne of Green Gables, and Island of the Blue Dolphins. It’s strange, even today, I can see their influence on The House of Frozen Dreams—hiding, isolation, love of place and family, and longing for home.
Oh, and I should mention Charlotte’s Web. I still carry spiders out of the house instead of squashing them.
by Blog Tour: Whyte Lies by KC Acton – Writing Process and Review
I’m pleased to be welcoming KC Acton to Novel Kicks today and the blog tour for her novel, Whyte Lies. This is the first novel in the Whyte Lies series and introduces us to DCI Faith Whyte.
About Whyte Lies:
The perfect family? Or the perfect lie? Gunshots ring out on the sweltering summer air, shattering the peaceful silence. The stench of exhaust fumes and burning rubber fill the humid breeze as the car’s wheels spin against the embankment.
In front of the car, a girl lies hunched, her blonde hair stained red. Her light summer dress is torn. She’s missing a sandal. Part of her wishes she were dead. Inside the car, the girl’s father is slumped over the steering wheel. Behind him, the girl’s mother lies motionless.
The forest is eerily quiet, silenced by the violence, while the shadows of the trees protect the carnage. Crime and justice are Detective Faith Whyte’s business. Murder is her speciality. Faith thinks she has seen it all, until she investigates the brutal killing of a family in Killarney National Park. However, the killer is closer than she thinks, and Faith must open her eyes before someone else becomes the victim of a dark and deadly mind.
Faith has spent a lifetime running, but the past is about to catch up with her. Now, she must surrender to the present and trust her instincts more than ever. What happens when the present collides with the secrets of the past?
I’ve reviewed the book below but first, KC Acton talks us through her writing process and what she thinks makes a good thriller…
I’ve just published my first book, Whyte Lies, and am almost finished the first draft of my second book, Whyte Heat, so I suppose I’m still experimenting with my writing process. I try to focus on getting a certain number of words written per day, for me that’s usually around 2,000 words. I tend to write better in the late morning because it takes a while for my brain to get going. No matter how much sleep I get, I usually wake up feeling like I’ve been smacked in the face with a frying pain. Needless to say, I am not a morning person! I usually can’t manage much more than a few muttered words until I’ve downed my second coffee–the stronger, the better.
by Author Interview: Sarah-Jane Stratford
Sarah-Jane Stratford
I’m excited to be welcoming the wonderful Sarah-Jane Stratford to the blog today. Her novel, Radio Girls was released on 14th June by Allison and Busby. Hi Sarah-Jane. Thank you so much for joining me. Can you tell me a little about your typical writing day and do you have any writing rituals (coffee before you begin, writing in silence etc.)
Hi, I’m so pleased to be here! I’m a member of Paragraph Workspace for Writers in New York. For a monthly fee, we get 24/7 access to a quiet writing space – about 60 carrels, so you just pick an empty desk you like, plug in, and get to work. I have to settle in first – get my tumbler of hot green tea, no matter the weather; read a bit of the newspaper; deal with emails – before my brain can be considered more or less functional. Then it’s on to the second tumbler and work. On a good day, I like to get about 1500 words written before lunch. The members of Paragraph are all pretty terrific and I usually have lunch with one or two friends, where we either talk about writing or the real world for a little while – either way, I’m raring to get back to it. Then I try to get another 1500 words in by evening. Then I collapse. Usually I make it home before that happens, though there is a sofa at Paragraph if need be.
How do you approach the writing process? Do you do much planning and do you edit as you go etc?
First comes research, always. I just love that process of settling down in a library to read and study and wander into a time and place. Then I start to think about the characters in that time and place, and from there, an outline develops. I like to draw up detailed, meticulous plans, knowing full well that about half of them are going to be abandoned once I’m actually in the thick of it. The characters tend to develop their own ideas about what’s going to happen as the story goes on.
It’s never a good idea to edit as you write, but of course I do it all the time. And then I tell myself not to and keep doing it anyway. In the end, it more or less works out, but I know the best route for me is to just write, get that rotten first draft, and then tear the whole thing apart and start over.
Your book is called Radio Girls. Can you tell me about it and how the idea originated?
Radio Girls mixes real people and fictional characters to tell the story of the women behind the scenes in the early years of the BBC.
It all started with Hilda Matheson, the real-life first Director of Talks at the BBC. I came across her name when researching and the more I read about her, the more enthralled I was. I knew I had to bring her story and this world to life. The 1920s and the beginnings of the BBC are such an exciting time – it’s really the invention of a whole new media, and building something from the ground up. I was so thrilled every day, trying to capture that, get inside that world. I realized early on that the book would work better if Hilda wasn’t the protagonist – mostly because I adored her too much to allow her many flaws – but instead created a character, Maisie, who enters the BBC as a young secretary and gradually discovers her potential as she learns the ropes. Essentially, she learns to use her voice, helped by having Hilda as a mentor.
by A Moment With Chris Whitaker: Five Books I Wish I’d Written
I’m happy to be welcoming Chris Whitaker to Novel Kicks today. His debut novel, Tall Oaks was released by twenty7 in April of this year with the paperback edition due to be released in September.
For fans of Twin Peaks and The Truth about the Harry Quebert Affair, this brilliant debut is dark yet hilarious, suspenseful and sad. Everyone has a secret in Tall Oaks . .
When three-year-old Harry goes missing, the whole of America turns its attention to one small town. Everyone is eager to help. Everyone is a suspect.
Desperate mother Jess, whose grief is driving her to extreme measures. Newcomer Jared, with an easy charm and a string of broken hearts in his wake. Photographer Jerry, who’s determined to break away from his controlling mother once and for all. And, investigating them all, a police chief with a hidden obsession of his own . . .
Missing persons, secret identities and dangerous lies abound in a town as idiosyncratic as its inhabitants.
Chris joins us today to chat about the five books he wishes he’d written. Over to you, Chris…
The Body by Stephen King (part of the Different Seasons collection)
Probably better known by the name of the movie it inspired, Stand By Me, The Body is a coming-of-age masterpiece set in the town of Castle Rock, Maine in the summer of 1960. It’s told in the first person and narrated by Gordie Lachance, as he and his three friends set out to find a dead body located 40 miles away. It’s funny, sad and poignant. It was definitely an inspiration when it came to capturing the issues of bullying, friendship, and fitting in, that the teen characters of Manny, Abe, and Furat face in Tall Oaks.
by Author Interview: Lynne North Talks About Be Careful What You Wish For
I’m happy to be welcoming author Lynne North back to Novel Kicks today to talk about her latest book, Be Careful What You Wish For.
About Be Careful What You Wish For:
Finn is a bored young leprechaun. He lives with his mum and dad in a small village named Duntappin, and goes to the local school there. He spends most of his free time with his best friend Dallan, but craves some excitement in his life. Unfortunately, Finn missed out on being blessed by the Good Luck Fairy and soon gets far more than he bargained for. He finds himself a long way from home in the hands of a travelling circus where he is little more than a ‘freak’ to amuse the customers.
Hi Lynne, thank you so much for joining me today. Can you tell me a little about your latest book, Be Careful What You Wish For and now the idea originated?
‘Be Careful What You Wish For’ is a children’s humorous fantasy tale about Finn, a young leprechaun. It was published by Crimson Cloak Publishing on St Patrick’s Day, 2016.
So, it’s a happy story about a lucky chap with a liking for green clothes? Well no, not exactly. Finn is far from lucky. His parents missed his blessing with the Good Luck Fairy, the reasons why will be revealed in the book. Anyway, if there is bad luck to be had, Finn finds it. Despite knowing he isn’t the luckiest leprechaun in the village, he still craves adventure and excitement. Something he believes to be in short supply in the peaceful village where he lives with his parents. Somehow though, when Finn’s big chance of adventure does come along, he soon discovers that all adventures are not necessarily as much fun as he expected…
Anyone who has read my books before, like ‘Caution: Witch in Progress’, will know that I like to turn the expected on its head. I’m not entirely sure where my first thoughts of Finn began, but there he was winding his way through my head. All leprechauns are lucky, I thought, but what if this one isn’t? The ideas began to flow quickly. I also delved into Irish myth and folklore for some great characters. You might not have heard of a lot of them, but even if you do know about them, you won’t recognise my versions. I can guarantee that no character in this book will be quite what you expect!
How do you approach the process? Do you look at characters or plot first? Do you edit as you go?
I like to find my characters first. Or they find me, and insist on being written about. As I said, Finn wheedled his way into my thoughts until I just had to write about him. I tend to write in longhand in the first instance. In that way I can fling my ideas down in any scribbled format I choose. Once a chapter is completed in this way, it then meets my computer and becomes more legible and professionally written. So yes, I edit as I go along, though of course once the book is complete it undergoes one, or more, final serious and structured edits and proofreads. It’s a long process, but what matters is my satisfaction (and my publisher’s of course!) with the final product.
by Author Interview: L.R Garner
L.R Garner is the author of The Golden Princess (which is published by Xlibris,) and I’m pleased to welcome him to Novel Kicks. Hello. Thank you so much for joining me today. Can you tell me about your book, The Golden Princess and how the idea originated?
The idea for the book came from our mother. She was afraid of the family splitting up and losing contact with each other. My contribution was to write to each of us sibling families. As each had a girl and not a son, I decided on a girls story. However, I included a general letter with each chapter I wrote. The best subject I could come up with was the royal family as they were well-known to everyone. I have always has a good imagination.
Alice uses her supernatural powers – which superpower would you like to have?
The power I would like to have would be mind reading.
Can you tell me about your typical writing day?
I do not have a typical writing day. I write when I have an idea to record and the situation allows.
What were the challenges of writing The Golden Princess?
The challengers I had to face were the differences in ages of the girls I was writing for. 6 t0 8 year olds and how to keep both age groups interested.
How do you approach the process? Do you plan a lot, edit as you go? Did the characters come before the plot?
I planned the book to fit the idea of long-term contact. I decided to write a chapter each three months so each chapter had to be complete in itself. Only a few of the chapters had the “more next chapter” final paragraph.
by Author Interview: Lauren Westwood
Lauren Westwood is the author of Finding Home and I’m pleased to be welcoming her to Novel Kicks. Hi Lauren, thank you so much for joining me today. Can you tell me about your debut novel, Finding Home and how the idea originated?
Thank you for having me and Finding Home on your blog today!
The idea for the novel started over six years ago when my partner and I were looking to move out of London when our daughter was born. We both love old houses, and were looking for ‘the right’ house within commuting distance of our workplaces. Unfortunately, our search area kept expanding and pretty soon, we were looking in a huge area that had estate agents scratching their heads. Let’s just say, I encountered many during this process! When we did eventually find ‘the right’ house – three of them, in fact – and put in offers, we ended up getting gazumped by other buyers. It took several years before we finally got lucky. Overall, it was quite an emotional process – sometimes stressful, sometimes exciting – and I sometimes felt like I was living in a novel. Based on my own experiences, I could see how a young, somewhat quirky, romantic like Amy Wood could find the process captivating – and fall in love with a crumbling old house like Rosemont Hall.
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How do you approach the process of writing – do you plan much? Edit as you go?
I normally have the basic idea in my head and also some plot milestones – so I know point A and point B in advance, but not necessarily how I’m going to get there. In general, I try to write the first draft through without going back too much. For me, that makes the ideas flow more freely, and I’m often surprised how a scene ends up. However, I am trying to be a little more disciplined with my next novel, and doing more plotting in advance. It has more of a mystery focus, and that requires more early thought on pacing, clues, and structure.
Can you tell me a little about your typical writing day and do you have any rituals (writing in a particular place, must have a hot drink, write in silence?)
I wish I had a typical day! When I first started writing almost ten years ago, I did a lot of writing in a notebook during my commute. Back then I had more time, and longer quiet moments to write. Nowadays, life is pretty full-on with three children, working as a lawyer, writing, and doing publicity. I rarely have a quiet moment, so I’ve learned to work more efficiently, and with more distractions.
My best writing time is usually mornings. I get up very early, put the coffee maker on, and type away in the kitchen before the children get up and it’s time for work and the school run. When I’m working on something new, I try to do at least 500-1000 words a day. If I have more time, I try to do some editing on something else. My favourite part is ‘getting in the zone’ and putting the words down for the first time. I’m less keen on the editing part!
by Blog Tour: Rare Objects by Kathleen Tessaro
Photo credit: Gregg Liberi USE
I am so happy to be welcoming Kathleen Tessaro to Novel Kicks today and her blog tour for her new novel, Rare Objects which is due to be released by Harper on Thursday.
Mae Fanning seizes on a job at a tiny, exclusive Boston antiques shop as the fresh start she desperately needs. It opens a window to new world, one peopled with rare and rich characters. But the day that enigmatic socialite Diana van der Laar walks in, Mae’s hidden past returns.
As a moth to a flame, Mae is unable to resist Diana’s heady, seductive glamour and glittering life. Yet, like the rare objects in the shop, very little is what it appears – Diana included.
Moving from Jazz-Age New York to Boston in the grip of the Great Depression, Rare Objects is a rich and gripping story of what it means to reach for a braver, bolder life.
Hello Kathleen. Thank you so much for joining me today. Can you tell me a little about your typical writing day?
Thank you for inviting me!
My normal day involves getting up at 6am, walking the dog, and getting my son off to school. Then I drink lots of strong coffee, research, write, walk the dog again, spend far too much time looking up useless information and then give up entirely around 2:30. The nice thing about historical fiction is that when you get stuck in your writing, there’s always interesting reading or research to indulge in.
How do you normally approach the process – do you edit as you go? Plan? Write in silence or with noise and where do you like to write?
I normally write at home, in relative quiet, and often in bed (though it must be made and I must be dressed – otherwise one is simply asking for trouble). I like to get the first 50 or so pages out before I go back over anything, just because one can get stuck quite easily in re-working the first three paragraphs over and over and never move forward. (Chances are the first three paragraphs never make it to the final cut anyway.) I do plan and sometimes even outline but have never managed to stick to it.
Congratulations on the release of your new novel, Rare Objects which is due to be released this week. Can you tell me a little about it and where the idea originated?
Thank you! The idea came from my fascination with found objects and the stories behind them. I’ve always wanted to write about an antiquities shop so that I would have a constant influx of characters and stories coming in and out. And the reason why different people collect certain things intrigues me. Add into that mix two young women from very different social classes with a shared secret, the glamour and despair of the Prohibition period and a mythical object that acts like an omen to everyone who comes across it and before you know it, an entire world is up and running!
by Blog Tour: The Magic Touch by Kelly Florentia
I am very pleased to be welcoming author, Kelly Florentia to Novel Kicks today. I’ve reviewed her debut novel, The Magic Touch below but first, I get to chat to Kelly about her novel, her writing process and Eric Bana.
Hi Kelly. Congratulations on the release of your new book, The Magic Touch, Can you tell me a little about it and how the idea originated?
Hi Laura, thanks for your good wishes, and thanks so much for having me on your blog today. The Magic Touch is my debut novel, so it’s an incredibly exciting time for me. It’s a paranormal romance about a 39-year-old divorcee who seems to have slipped into complacency with her partner of five years. Perfectly normal, she thinks, for couples who’ve been together for several years. But then when she stumbles across a flirtatious text message on her boyfriend’s mobile phone from a female colleague, sparks fly. Emma’s sole aim is to get to the bottom of Harry’s secret affair, which she does with the help of friends, her ninety-three-year-old neighbour, and a little intervention from a psychic App, The Magic Touch.
The idea for the story came from my fascination with mobile phone applications. There seems to be an app for everything these days. My phone is bursting with them – from social media apps to photography apps. I even plan my week around a weather app (I’ve got three, by the way). Then I thought, what if there was an app that could predict your future with alarming accuracy, what then? And The Magic Touch was born. I enjoy writing about everyday issues that people can resonate with, to a point. So, I based the novel on a couple who suddenly find, after five years together, that they want different things in life, and I went with it.
Can you tell me about what your typical writing day is like?
On a writing day, I’ll grab a coffee, fire up my computer and start tapping away at my keyboard. Of course, this is punctuated by a thousand tweets, a hundred Facebook posts and constantly checking my email.
How do you approach the process – do you plan much, edit as you go? Any rituals?
I’m a planner. I can’t write the story unless I know what’s going to happen, and I have to be incredibly excited about the ending before I can even begin. I get the first draft down quite quickly and then I start editing. Probably three drafts in total. I don’t have any rituals, I’m quite boring, apart from necking copious cups of coffee, but that’s normal, right?
by A Moment With… Lynne Shelby
I am very pleased to be welcoming Lynne to Novel Kicks today. She talks to me about her writing process….
I never know when I’m going to get an idea for a novel. I love travelling, and very often, when I’m exploring a foreign city I’ve not visited before, I think of a story that could take place in that locale, but it could be a photograph, a piece of music or an overheard conversation that suddenly makes me want to open my laptop and start writing. The idea for my debut novel, ‘French Kissing,’ grew out of a phone conversation I overheard when travelling back from Paris to London with my family on the Eurostar. A young Frenchman sitting across the aisle spent the entire journey calling his English friends on his mobile, telling them that he was coming to London, and suggesting that they meet up. Unfortunately, none of his friends seemed to want to see him, which made me feel very sorry for him – and gave me the scenario for ‘French Kissing,’ in which a Frenchman coming to work in London is made very welcome by his English friend – who happens to be a girl…
When I start writing a story, I know the beginning and the ending, but have only a vague notion of what is going to take place in between. I jot down a few notes, just the outline of the plot, and then begin typing, throwing my hero and heroine together, and seeing what happens as they interact. I already know a lot about my hero and heroine at this point, and I note their age, appearance, etc on index cards, adding more details that as I go along. There does seem to be a moment when the characters I’ve created take over and start telling their own story! Sometimes I realise that the story arc I have planned for them just doesn’t work with the person they have become on the page, and I have to change it. A minor character in ‘French Kissing’ ended up in a romantic sub-plot, although I had no idea that this was going to happen when I first put her in the book – she was just supposed to be my heroine’s confidante.
by Author Interview: Rebecca Lim
Photo Credit: Eugenia Lim
Rebecca Lim is the author of The Astrologer’s Daughter and the very popular Mercy series. Her latest book is called Afterlight and was realised by Text Publishing Company on 25th February 2016. Hello Rebecca. I am so pleased you are joining me today. Could you describe your typical writing day?
Hello and thank you for hosting me on your gorgeous site! My typical writing day is pretty manic these days because I juggle a part-time legal practice with freelance writing and creative writing. I find I work better when people are holding up little red flags all over the place and screaming at me to run at them.
I work whenever and wherever I can and have been known to pull the laptop out in a parked car…
Could you tell me a little about your new book, Afterlight and how the idea originated?
I haven’t really spoken about it much until Afterlight came out, but I had a visit once as a child, from a shining presence that stood over my bed, that I don’t think I imagined/hallucinated/dreamed. It’s one of those weird, defining things that—as a highly rational, scientific, logical person—has always stuck with me. What if there are things out there that we can’t explain? And what if something you couldn’t explain came to you and asked for help and sent your life in a completely new direction? That was the impetus for Afterlight.
I’m fascinated by the possibility that real magic exists.
Which fictional character would you like to meet and why?
There are so many (because I’m such a nerd). But I’d love to meet Rachel Morgan from the Kim Harrison Hollows series because I feel like I know her already, Daniel Silva’s Israeli spy/assassin/art restorer, Gabriel Allon, and cool intellectual and naval physician/spy, Stephen Maturin, from the Napoleonic era Aubrey-Maturin books by Patrick O’Brian.
by Author Interview: Joanna Barnard
Hello Joanna. Thank you so much for joining me today. Can you tell me a little about your book, Precocious which has been released today and how the idea originated?
Hi Laura. Thanks for having me! Precocious is about a pupil-teacher relationship that’s rekindled when the two meet again 15 years later. It was a ‘slow burn’ idea in that it originated with a short story I wrote while at university. I wanted to write a kind of Lolita story but from the perspective of the girl. Unfortunately the theme is still very topical as there are lots of examples of these stories in the media today.
What’s your writing process like? Do you plan much before beginning a novel? Do you edit as you go etc?
I’m afraid I’m not much of a planner. For me the preparation is thinking about a cast of characters and their situation. They brew in my mind for a while before I put anything down. Then I tend to start by writing a scene (usually the opening) and just see where it goes from there. With a novel, I will get about a third of the way through and then decide I should probably start planning the rest! It can be a bit of a chaotic way of working but it seems to work for me.
Where do you like to write? What conditions do you like to write in – silence or noise?
At home, I write longhand on the sofa or in bed and then type up at my desk. I get loads of writing done on trains, I think because I’m rooted to the spot and can’t do anything else. I don’t mind a bit of noise. The radio is constantly on in my house but when I’m really engrossed in what I’m doing, I’m not really hearing it.
How long does it typically take you to write a book?
There is no typical – Precocious evolved over about six years! But with the second one, I’d left my job so could focus on it pretty much full-time. The first draft took about nine months. I think of it a bit like gestating a baby! But I’m still working on the final version. I know some people can write a book in a month or two but I think I need at least a year!
by Author Interview: Alison May
I’m very pleased to be welcoming author, Alison May to Novel Kicks today. Hello Alison. Thank you for joining me.. For people who are new to your books, can you tell me a little about your novels and writing style?
I write romantic comedies. When I’m being flippant I say I write books about twenty and thirty-somethings getting drunk and making bad life choices. When I’m not being flippant I try to make it sound more serious and important than that, but really it’s mainly drinking and bad decisions.
What is your typical writing day like?
Morning: Get up. Wonder about putting proper clothes on. Eat toast in pyjamas. Accidentally get sucked into watching episodes of The Gilmore Girls I’ve seen about eighteen times before. Get cross with self and actually turn laptop on. Answer email and look at social media (which is totally definitely work and not procrastinating at all). Realise it’s lunchtime and resolve to definitely do better in the afternoon.
Afternoon: Much like the morning, but hopefully ending up with a phase of frantic writing of words which will almost certainly turn out to be terrible.
Where do you normally like to write? Do you normally like to write in silence or surrounded by noise?
I mostly write at home in my tiny purple office, but I try to mix things up, so I’ll turn music on and off over the course of the day, or I’ll move with my laptop and write in bed or on the dining table for a bit. I do that because I’m a huge procrastinator, and I find that changing the environment can trick my brain out of faffing and get it to refocus on whatever it’s supposed to be doing. For the same reason I sometimes drag myself to the local library (The Hive in Worcester – it’s very big and very gold). I usually go to the library if I’ve got one big task that I’m procrastinating at home, and set myself a rule about when I’m allowed to leave the library eg. ‘You can’t go home until you’ve drafted that short story’ or ‘You can’t go home until you’ve finished reading that draft.’
What is your process like in regard to planning, daily word count and editing?
It’s different for every book to be honest. For my first novel I just wrote 2000 words a day with no planning at all until I had a first draft. It was an awful first draft, but it had the right number of words at least. Now it varies – I plan more than I used to, but I invariably abandon the plan as soon as I start writing. I sometimes find notes I made at the start of a book and I can barely recognise which book they were supposed to relate to.
by Author Interview: Alena Graedon
I am very happy to be joined today by Alena Graedon, the author of The Word Exchange. Thank you for joining me today, Alena. Can you tell us a little about what your typical writing day is like?
This semester has been so busy that I haven’t had many typical writing days. But when things are a bit calmer, my writing day starts with trying to wake up quite early (around 6am), drink an alarming amount of coffee, going into my office, and reading for a bit–maybe 30 minutes–before sitting down to work. I often read things that evoke the same sort of mood that I’m going for. (For example, I’m writing something fairly dark at the moment, and one of the things that I often read a few pages of in the morning is Roberto Bolano’s 2666.) Then I generally start off by reworking the page or so that I wrote the day before, and then I start (slowly, slowly) writing that day’s work–maybe a couple of pages. I try not to check my email or the internet until I break for lunch. Then I usually have freelance projects and other work to get to in the afternoon, and then I usually go for a run or do some other exercise in the late afternoon. (That’s what helps me keep sane and focused after being in my head all day.)
Can you tell us a bit about your book, The Word Exchange?
In a nutshell, The Word Exchange is set a few years in the future (but really, like, two). It imagines the possibility that we’ve become so integrated (including biologically) with the electronic devices that help to support and augment our realities that a virus is able to spread from a machine to human beings. The potentially fatal illness that it transmits affects people’s language and speech, garbling their words and making it impossible for them to communicate with one another. (It’s colloquially known as “word flu.”)
It’s an interesting and scary premise. How did the idea originate?
I think that it probably came from my own love affair with/dependence on/wariness about technology. I grew up at a time when we were really making this big cultural shift from print to digital technology. My friends and I used to send lots of letters to one another, and I kept a physical diary. And now it’s surprising if we can even find time to email each other. I think I became very aware of the ways in which my life really had become totally augmented and interrupted by devices and digital tools, and I wanted to think a bit more deeply about what that might be doing to my ability to connect with other people and with my own thoughts.
by A Moment With….Tara Guha
Tara receiving her award for the Luke Bitmead Bursary
Tara Guha won the Luke Bitmead Bursary in 2014 and her first novel was published on 1st September 2015. Tara talks to me about how she feels about being a writer...
Two years ago I didn’t describe myself as a writer. Mother, of course. Charity project worker, self-evidently. But writer – one who writes (and had in fact written an entire novel) – not a chance. For years I’d been saying apologetically “I’m writing a novel” but never felt able to use the term writer, fearing questions about publication and generally being “found out.”
Then one night in late November 2014 everything changed. From 8pm to 8.01pm I went from being one who writes to a Writer. Of course, nothing had changed in terms of my abilities or passions, but suddenly the world and I accepted me as the thing that I had in fact been since the age of five. That crucial minute saw me named as the winner of the Luke Bitmead Bursary 2014, an award for unpublished novelists with a publishing deal as first prize. It was the most mind-boggling experience of my life.
I’d spotted the ad for the Bursary back in May. Luke Bitmead was a talented young writer, Legend Press’s first signed author, who tragically took his own life in 2006. His inspirational mother Elaine launched the award with Legend Press to help struggling writers to get a foot in the publishing door – one that is so often closed politely in your face. I was delighted to be short-listed but my expectations of winning were truthfully non-existent. I went along to the Bursary night to enjoying the experience of a night in London, a new dress and the chance to meet fellow “writers.”
by Author Interview: Hannah Vincent
I am pleased to be joined by author, Hannah Vincent today. Her novel, Alarm Girl was released by Myriad Editions in August 2014. Thank you for joining me, Hannah. Can you tell us about Alarm Girl and how the idea originated?
I was travelling in Africa when I came across a newspaper article about a woman who died on the eve of her young daughter’s birthday. The image of a mother preparing for her child’s birthday which she will never see caught my imagination.
It’s a rite-of-passage story, told partly from the point of view of a child who hasn’t been told enough about the circumstances surrounding her mother’s death. To fill in the gaps she makes up her own version of the truth. Set in South Africa, the book’s location is a metaphor for the strange emotional world a child inhabits after the death of a parent.
What’s your writing process like? How much do you plan and do you edit as you go?
I make notes for scenes for a long time and when the time is right (and judging this is crucial, I think) I start ‘joining up the dots’, filling in the gaps in between these scenes. Edit as I go, yes. Writing is rewriting.
You’re also a playwright. How did this contribute toward writing the novel?
My experience of writing plays means I am confident writing dialogue. Also, I visualise scenes, with characters moving about and relating to one another physically.
In a play, the writer only reveals the tip of the iceberg – what characters say to one another and what they do on stage. In prose, the writer has the freedom to show the reader a lot more of the iceberg but writing plays taught me how to be economic and show only what is necessary to the drama.
by A Moment With… David Nicholls.
Wordsworth Editions, New Ed: Dec 1993
Penguin Classics, January 2003
As part of Booktober, one of the books I’ve been reading is Us by David Nicholls. We asked David the following question: if he were only allowed to own three books, which three would he pick? Here are his choices…
The first would be a Dickens – if not a single volume complete works then ‘Bleak House’, his masterpiece, a great, brilliant, rich and endlessly complex novel that’s also endlessly moving.
The story is told partly by the novel’s heroine, Esther Summerson, and partly by an omniscient narrator. Memorable characters include haughty Lady Honoria Dedlock, the menacing lawyer Tulkinghorn, the realistic John Jarndyce, and the childish and disingenuous Harold Skimpole, as well as the imprudent Richard Carstone. At the novel’s centre is long-running litigation Jarndyce and Jarndyce, which has far-reaching consequences for all involved. This case revolves around a testator who apparently made several wills. Dickens’ satirization of the English judicial system is based in part on his own experiences as a law clerk, and in part on his experiences as a litigant seeking to enforce copyright on his earlier books.
Secondly, I’d probably go for Shakespeare’s complete works, including the sonnets.
Finally, Anna Karenina by Leo Tolstoy, simply because I’ve never read it and always pretend that I have.
by Blog Tour: Secrets of the Royal Wedding Chapel by Kathleen Irene Paterka
I am pleased to be welcoming Kathleen Irene Paterka and the blog tour for her new book, Secrets of The Royal Wedding Chapel which has recently been published by Booktrope. Hi Kathleen, thank you very much for joining me today.
Thanks for inviting me to be a part of your blog today, Laura! As much as we authors tend to be private people, living isolated lives as we indulge in the creation of our imaginary worlds, we actually do enjoy connecting with real people!
Can you talk us through your writing process? For example, any rituals before you begin? Are you much of a planner? Edit as you go?
I’m a very slow, methodical writer. And since I’m an early riser, I prefer to work in the early morning. Normally I’m at my computer no later than 6 am. I have a little timer on my desk, and I set it for two hours. For me, writing is like falling into a lovely dream, and I tend to forget about time, space, real life, or anything other than what’s happening in the magical make-believe world appearing on my computer screen. It’s as if I’m watching a movie clip in my mind, and typing as fast as I can to get it all down before it disappears. The next morning, when I sit down at the computer, I normally begin by editing a few paragraphs from the previous day’s work. That helps me fall right back into the tempo of the novel.
Your latest book is called Secrets of the Royal Wedding Chapel. Can you tell us a bit about it?
Who doesn’t love weddings and all things royal? My day job is as resident staff writer at a beautiful castle located in Northern Michigan. The Castle hosts numerous weddings throughout the year, and I have plenty of opportunities for ‘behind the scene’ peeks at brides on their special day. When I decided to write a book about weddings, I couldn’t think of a better setting than Las Vegas. My husband and I renewed our 20th wedding vows at a wedding chapel in Vegas, plus our daughter and her family live in Las Vegas. Secrets of the Royal Wedding Chapel combines my passion for royalty and romance with my love of weddings and Las Vegas. The result: The Royal Wedding Chapel in Las Vegas, where dreams come true… and are just as easily destroyed.
Here’s the blurb:
by Author Interview: The Chocolate Lovers’ Christmas by Carole Matthews
I am so pleased to be welcoming Carole Matthews back to Novel Kicks. Her new novel, The Chocolate Lovers’ Christmas is published today by Sphere. Hi Carole, Can you tell us a little about your latest book, The Chocolate Lovers’ Christmas? What is it about and what themes are explored?
This is a follow-up to two of my most popular books, The Chocolate Lovers’ Club and The Chocolate Lovers’ Diet. It features the same ladies, Lucy, Chantal, Nadia and Autumn – all brought together through their love of chocolate, they share the trials and tribulations of their relationships. But, if you’re new to my books, then it’s not necessary to have read the first two. The theme is generally about the enduring power of friendship. It’s a lot of fun and I love to write about these ladies. To combine the joys of chocolate and Christmas was a dream!
What elements make up a good novel do you think?
You have to have great characters that your readers fall in love with. If you’re not rooting for them then it really doesn’t matter how clever your plot might be or how fancy your setting.
Which fictional world would you like to visit? What would you do?
I’d love to be in A Game of Thrones by George R R Martin. I’d like to be one of the good guys and I’d try very hard to keep my head on my shoulders, which could potentially be quite difficult!
by Author Interview: Bridget McNulty
Hi Bridget. Thank you so much for joining me on Novel Kicks today. First, can you tell us about your website, Now Novel and what inspired you to start it?
After my novel Strange Nervous Laughter was published in South Africa and the US, people were constantly asking me how to write a book and – perhaps even more than the actual writing how to find the motivation to finish. I wanted to create a platform for this.
What are you hoping people will get out of Now Novel?
A supportive, motivating space that helps them improve their writing and follow through on their novel writing dream. The end goal? A finished first draft.
There are various packages available for people wanting to use Now Novel. Can you tell us a little about what each package offers? Is there a minimum term you’d need to sign up for?
Basic access to the website (including our critiques system for giving and receiving writing feedback and our writing groups) is free. We have three paid options. The first, ‘The DIY Writer’, is our plan for writers who don’t want personalized help. It includes the Now Novel Story Builder, our online tool and step by step process for working out a blueprint for your story. If you need extra motivation, our middle tier plan, The Aspiring Novelist, includes having a mentor whom you can correspond with via email for extra help and motivation. Our top tier plan, The Experienced Writer, is ideal for writers who are serious about getting their novels written. It includes biweekly Skype calls with your mentor and editing of 3000 words of your writing per month by professional editors.
You can pay for any of the three plans month on month, if you prefer, or you can pay for a six or twelve month package that provides a substantial discount on the usual monthly rate. There’s also a 30 day money back guarantee on all our plans.
by Blog Tour: Pretending to Dance by Diane Chamberlain
I’m thrilled to welcome author, Diane Chamberlain and her blog tour to Novel Kicks today. Diane is the best-selling author of The Silent Sister and The Dance Begins. Her new novel, Pretending to Dance was released by Macmillan on 8th October 2015.
About Pretending to Dance:
When the pretending ends, the lying begins . . . Molly Arnette is good at keeping secrets. As she and her husband try to adopt a baby, she worries that the truth she’s kept hidden about her North Carolina childhood will rise to the surface and destroy not only her chance at adoption, but her marriage as well. Molly ran away from her family twenty years ago after a shocking event left her devastated and distrustful of those she loved. Now, as she tries to find a way to make peace with her past and embrace a healthy future, she discovers that even she doesn’t know the truth of what happened in her family of pretenders.
To celebrate the release of her book, Diane has shared with us the twenty four things she’s learnt when writing a novel. Over to you, Diane…
- Figure out your ending first. Although it may change ten times during the writing, it gives you a target to aim for.
- Don’t stress about formatting. I once asked an editor what font and margin size she preferred. She responded “I wish writers wouldn’t worry about that sort of thing. Just give me a good story.”
- It takes an hour to sign your name 250 times. When my novel Necessary Lies was a Target Bookclub Pick, I had to sign 5000 copies. It took 20 hours and half a bottle of Tylenol. (But so worth it!)
- No matter how brilliant your novel is, several people will still give it one star on Amazon. Get over it.
- Editors are your friends, not your enemies. They want your book to be every bit as extraordinary as you want it to be. Take their suggestions to heart.
by Blog Tour: Love You Better by Natalie K Martin
I am very pleased to be welcoming Natalie to Novel Kicks today and her blog tour for her new novel. To celebrate the release of Love You Better, Natalie tells us about her typical writing day. Over to you, Natalie.
Being a bit of a nomad, typical days are few and far between now, let alone a typical writing one, but one thing I always try to incorporate is yoga. It’s a nice way to stay constant with so many physical and environmental changes and I find it really helps to get my mind settled, especially because I tend to have a million things going around in my head at once and it only increases when I’m writing.
After yoga and breakfast, I usually start with checking my social media, emails and then get a cup of tea going. I tend to go back and re-read a couple of the previous chapters to get me back into the groove again, and start from there. My ideal working spot is somewhere quiet, where I can disconnect from the distraction of the internet and plug in my music, but since I’m travelling a lot I tend to end up in buys hub cafe’s. It can sometimes stretch my day out by a few hours with people dropping by to say hello, but it can also be pretty precious, and let’s face it, working in a cafe in Goa, or Cornwall by the beach is hardly a chore! I’ve met lots of people in situations like that who’ve inspired aspects of my characters, or situations.
by Author Interview: Megan Tayte
Hello Megan, welcome to Novel Kicks. Firstly, how much planning do you undertake when beginning a novel and do you edit as you go?
I let ideas come freely for a long while, and then I start planning. Once I have a detailed plan down, I start writing, but from that point on I still follow the creative process as I write. Sometimes that leads to a deviation that doesn’t work, and I cut the whole lot and go back to the plan. Sometimes the deviation turns out to be great, and I go with it and amend the plan accordingly.
My day job as an editor can be quite a hindrance to writing – I automatically slip into editing mode, and that pulls me out of being in the pure creative flow. My solution is to try very hard to resist the urge to edit as I write. So I write the first draft quickly, letting the words flow out. And then, some weeks later, I begin to edit. And edit. And edit.
Is there a fictional character you’d like to meet?
Heathcliff from Wuthering Heights. It seems to me he could do with a friend – and some relationship advice.
Who’d you like to invite to a fantasy dinner party?
Oliver Queen (the Arrow), James Corden (presenter), Dawn French (comedian), Ed Sheeran (singer), Bear Grylls (adventurer), Kathy Reichs (author), Stephen Fry (actor), Beaker (Muppet). Oh, and we’d better have someone to cook, or we’ll be eating cheese on toast – Gordon Ramsey will add a bit more colour (and volume) to proceedings.
Five pieces of advice for new writers?
1. Explore. Go places, meet people, challenge your assumptions. Thoreau says it best: ‘How vain it is to sit down to write when you have not stood up to live.’
2. Read. The single best way to improve your writing is to learn by osmosis, to read and read and read. Not just in your favourite genre; all kinds of books by all kinds of writers. Literary, mass market – even the bad ones have plenty to teach you.
3. Believe. If you don’t have faith in yourself, why should anyone else? You’ve nothing to lose by believing you can write, and everything to gain.
4. Enjoy. Always remember why you want to write – for the sheer love of it. Don’t get bogged down in the business of writing. Love every minute.
5. Keep writing. In his bestselling book Outliers Malcolm Gladwell lays down the 10,000-Hour Rule: to succeed at anything, you need to practise your craft for 10,000 hours. That’s a lot of writing!
by Author Interview: Nadine Matheson
Nadine Matheson is the author of The Sisters and I’m pleased to be welcoming her to Novel Kicks today. Nadine, can you tell us a little about The Sisters and how the idea originated?
The Sisters are Lucinda, Jessica, Beatrice and Emma LeSoeur. In the 1990’s Lucinda, Jessica and Beatrice were Euterpe; Britain’s biggest girl band until Lucinda meets a successful music producer, Paul Morgan, and decides to leave to seek solo success in America. Lucinda’s announcement is a shock not only to her fans but also to her sisters; especially Jessica who takes Lucinda’s departure the hardest. Twenty years later, the sisters are living very different lives. Jessica owns a successful PR agency; Beatrice is a lawyer and Emma, the youngest works for Jessica. After living in New York Lucinda is divorced with two children and is forced to return back to London as she’s facing financial ruin. When she returns home, she doesn’t get the happy reunion that she was hoping for.
The idea for ‘The Sisters’ originated after watching one too many episodes of ‘The Real Housewives…’ There was one particular episode when I realised that one of the characters was actually broke. Even though on the outside she had the designer bags, shoes and drove an expensive car she was actually a bit skint and I based the character of Lucinda on her.
Do you have any writing rituals?
I need some sort of background noise. I’ve tried but I can’t work in complete silence. The sound of my fingers tapping away on my laptop for hours on end would drive me mad, so I’ve always got the radio on listening to BBC London 94.9 or have iTunes on shuffle mode.
Which fictional character would you like to swap places with and why?
I wouldn’t want to actually live her life, because to be honest it’s a bit depressing but I would swap places with Miss. Havisham from Great Expectations. Miss.Havisham is one of my favourite fictional characters and I would swap places just so I could get her out of that old, mouldy wedding dress, throw the rotting cake in the bin and enjoy her wealth and her life. The woman needs to get some sunshine on her face.
by Author Interview: Sarah Winman
Sarah Winman is the author of the brilliant When God Was A Rabbit. Her latest novel, A Year of Marvellous Ways was released by Tinder Press at the beginning of the summer and I am very pleased to be welcoming her to Novel Kicks today. Hi Sarah, thank you so much for joining us. Can you tell us a little about your latest novel, A Year of Marvellous Ways.
A Year of Marvellous Ways is set in 1947, in Cornwall. At the start of the book, old Marvellous is in her 90th year and coming to the end of her life. She has one last thing to do before she dies, but she doesn’t know what it is yet, because the message came to her in a dream, and the dream said, Wait, for it’s coming. So she waits, sitting on the bank of her creek.
When a young soldier, Drake, broken by war, washes up in her creek, Marvellous realises that she has been waiting for him. And the last thing she has to do is to re-ignite the flame of hope in this young man’s heart. And she does this by telling him the story of her life. The book is about the redemptive power of storytelling.
Do you cast your characters and if so, did you have someone specific in mind for Marvellous and Drake?
Marvellous would have to be the wonderful Judi Dench – playing older, of course. She would be terrific and heartbreaking in the role. In fact, I can totally see her doing it right now! I would cast an unknown alongside her, though.
Do you have any writing rituals (writing in silence, writing longhand, a cup of tea etc.)
I do write in silence – never any music playing as that can influence me emotionally. I write on a laptop at home, breaking for copious amounts of tea! When I go out I always carry a notebook and therefore write in longhand. I wrote a lot of Marvellous in bed, strangely enough, as cocooned as possible, with a candle burning.
Who is your favourite fictional character and what’s the one thing you would ask him/her if you were to ever meet?
I would ask Owen Meany to tell me a secret.
Are you much of a planner and are you the type of writer that edits as you go?
No, I edit as I go. But, most importantly, I always start knowing the ending, knowing where I need to get to. I will not start without an ending.
Do you have a favourite word?
For this book, it would probably be ‘nonsense’.
by Blog Tour: Marianne Kavanagh Talks About Writing Her Latest Novel, Don’t Get Me Wrong
I’d like to welcome author, Marianne Kavanagh to Novel Kicks today and her blog tour for her latest novel, Don’t Get Me Wrong which is due to be published by Text Publishing on 24th September 2015. Today, Marianne is talking about her writing process for her latest book, how it was different from writing her previous novel and that it was mostly down to one of her characters. Over to you, Marianne.
Writing DON’T GET ME WRONG was much harder than writing FOR ONCE IN MY LIFE. I blame Kim. Right from the beginning, there she was, angry and illogical. She resisted all attempts to soften her, although I did try to show how often she cried in private. As a result, the plot kept hitting a brick wall, as she simply refused to compromise. You or I would have gone in for some soul-searching. Where am I going wrong? Should I try to get to know Harry better? But Kim just blunders on, infuriating all those who love her, until she is faced with the one event she can’t control.
My second difficulty was that the central tragedy was based on personal experience. So writing the middle part of the novel was very painful. I felt angry and lost all over again. My husband Matt kept having to remind me it was fiction. I think now, looking back on it, that living through it a second time was a way of finally making peace with the past. But the end of 2013 was not a good time.
by Author Interview: Ben Fergusson
Ben Fergusson
Hi Ben. Thank you for joining us. Can you tell us a little about your book, The Spring of Kasper Meier and how the idea originated?
The Spring of Kasper Meier is a novel about a black-market trader, Kasper Meier, who is just about surviving in the ruins of post-war Berlin. He is blackmailed by a young rubble woman, Eva Hirsch, and the novel follows the twists and turns of that blackmail, but also the uncomfortable friendship that develops from it.
The idea came from two places mainly. I’d already had the idea of a Kasper-like character for a Chandler-esque novel some years earlier that didn’t quite work out. Then I moved to Berlin about 6 years ago, and while living there became very inspired by the city and its history. The two things came together and I had the idea of this first scene with Kasper and Eva. It all grew from there.
If you could travel anywhere in history, where would you go and why?
I suppose Ancient Rome in its heyday. I never quite got over going to the Forum when I was a kid; the everyday life of the city seemed so tangible.
Are you a planner and do you edit as you go?
I do plan, but I do have to write to make sense of where the novel is going. This means that I write a lot that gets not used. I will often write myself into a cul-de-sac plot-wise, discover what’s wrong and then have to go back 50 pages and start again. I would love to be able to plan it all in an Excel sheet and then write it all out in one go, but that just doesn’t seem to work for me.
Do you have any writing rituals?
I have a day job, so I don’t really have the luxury to have rituals. I just squeeze in the writing around it in any way I can.
by A Moment With: Ellie Campbell
Pam, one half of the sisterly writing duo who writes under the pseudonym Ellie Campbell, talks about her favourite novel. Over to you, Pam.
My favourite book is Compromising Positions by Susan Isaacs.
I sound like an old record when I talk to people about this novel but it’s always by my bed when I need cheering up. Written by Susan Isaacs it tells the story of Judith Singer – a Long Island ex-journalist now housewife who turns super-sleuth when she finds out that the local dentist has been murdered.
It’s got such fabulous humour all the way through and yet there’s a believable plot. Susan’s writing is phenomenal, witty, full of twists and turns, funny, insightful. You can turn to any page and in seconds you’ll find yourself laughing out loud, or identifying with the lead character. As the book goes on, Judith can’t leave the investigation alone and keeps putting herself in dangerous circumstances.
There’s also a good part of the novel that deals with some very real life issues. Judith’s basically bored in her marriage. Her husband works long hours. Their sex is tepid, predictable and routine. Continue reading
by Author Interview: Joan Ellis
Hi Joan. Thank you for joining us. Can you tell us a little about your books, I am Ella. Buy Me, and The Killing of Mummy’s Boy as well as your latest novel, Guilt?
I am Ella. Buy me – ‘I am a ginger tom. I am a boy racer. I am a housewife. I am a pain in the arse.’ Ella David is Bridget Jones meets Peggy from Mad Men. Based on my experiences in Soho’s mad, bad Adland, the book is a ‘laugh-out-loud’ tale about Ella David, a girl in a man’s world. Set against a backdrop of Thatcher’s Britain when money trumped morals and lust was a must, Ella spends her time dodging her sleazy boss and getting hooked on bad boys. Can two unlikely friendships help her go from the firing line to a girl calling the shots?
The Killing of Mummy’s Boy – a chance meeting with a killer was the inspiration for my first psychological thriller. Trapped with a murderer on a train for almost two hours, listening to his tales, I was horrified, terrified and disgusted but never bored. What better start to a novel.
‘‘I slit someone’s throat,’ the man told the woman on the 4.20 from Waterloo to Portsmouth.’ Two strangers. One shared interest. Murder. Ben slit a man’s throat. Sandra’s son, Carl witnessed a murder. When Sandra discovers she is being stalked, she turns to the least likely person for help with horrific consequences.
GUILT is about a little girl is left alone with her younger brother and he dies. The guilt informs the rest of her life. When it threatens to ruin not only her life but her relationship with her new baby she must revisit the path to discover the truth. What she uncovers is as hopeful as it is disturbing. Elements of the book are based on a real life tragedy. I wanted to explore the notion of guilt and blame and how these two imposters can exert power over the most innocent lives.
‘You died a month before your fifth birthday. You were probably dead long before Mum downed her third gin with Porky Rawlings.’ Seven-year-old Susan is alone with her younger brother when he dies of an overdose. The guilt informs the rest of her life. When it threatens to destroy not only her but also her relationship with her new baby, she sets out to discover the truth. What she discovers is as disturbing as it is magical.
What’s your writing process like? Do you plan much and do you wait for a full draft to edit?
I start with the basic premise and rough outline. My characters are my best friends. Without them, I’d be lost. I enjoy getting to know them and allow them to flesh out the plot and write the book for me. I write, read, reread and edit every chapter as I go along and repeat the process as many times as necessary with the final draft.
by Blog Tour: Gilly MacMillan Talks About Her Writing Process
I’m pleased to welcome Gilly MacMillan to Novel Kicks today. As part of the blog tour for her novel, Burnt Paper Sky, Gilly shares details about her writing process.
After I finished writing Burnt Paper Sky, I made a resolution, and that was to make sure that my writing process for my second book would be much more organized and efficient.
I had started Burnt Paper Sky with little more than an idea of the type of book I wanted to write, an opening scene, and a vague concept of what I wanted the fate of the missing boy to be. I also had a piece of paper with a rough pencil sketch showing where the plot points should probably go, once I’d thought of them. That was it. The rest I made up as I went along, with the result that I got so much wrong in my first draft that I had to spend over a year rewriting it.
So, for my second book, I had better intentions. I would plan it, I thought, I would organize the material and map out the plot, the pacing and the characters and do all the things that I’m probably supposed to do, and might have been taught to do had I been on a course.
That resolution lasted about two days, during which I stared at a blank page that had ‘synopsis’ written at the top and couldn’t think of a single bit of detail to put down. I was absolutely paralysed. I had an idea for the book, and a main narrator, but still I couldn’t do it. Grey mist had descended.
What that showed me is that I am, resolutely, a seat of my pants, make it up as you go along writer, and that’s because, simply, I get my best ideas when I’m actually writing. That’s when the characters develop and interact with one another, and become rounded, and that’s when ideas begin to spark. I get some fireworks in the grey mist.
So I’ve had to accept that, much as I’d like it to be different, and more predictable and controlled, my actual process is a bit messy and very intense.
by Blog Tour: Higher Ed by Tessa McWatt
I am pleased to be welcoming author, Tessa McWatt to the blog today and her blog tour for her new novel, Higher Ed (published on 27th August 2015 by Scribe.)
Hi Tessa, thank you so much for joining us. Can you tell us a little about your new book, Higher Ed and what inspired the novel?
The novel was inspired by teaching in higher education and by current issues of austerity and funding cuts in the public sector. I wanted to examine how in difficult financial times people cope and how these issues affect relationships. I also wanted to see if I could write a novel the way a filmmaker makes a film, by editing elements together that exist separately, outside of the ‘frame’ of one another. So I wrote each character’s story separately and then interwove them in the editing process.
How much planning did you do before beginning Higher Ed? What elements needed to be in place before you started?
I planned to write 4 different strands of the story and then weave them together. I added the fifth strand because it seemed like the right balance, the right number of voices. I saw the whole thing as a hand, with the five fingers contributing to the whole picture of how we work together.
Your book features five people who live in London. What challenges did you face writing from five peoples point of view?
I loved the challenge of writing from five points of view. In each one I had a special relationship with character and voice. The challenge was to make them sound distinct.
by Author Interview: The Self Esteem Team
I am very pleased to be welcoming The Self Esteem Team to Novel Kicks today. The team, Natasha Devon, Grace Barrett and Nadia Mendoza work to challenge stereotypes, reduce the stigma surrounding mental health and they aim to educate young people (as well as teachers and parents) about self esteem. With individual experiences of their own, the team have just released their book, The Self Esteem Team’s Guide to Sex, Drugs and WTFs!? We catch up with them to talk about their book, what they do and their writing process.
Welcome Ladies. Can you tell us about The Self-Esteem Team and how it originated?
Tash: In my teens I struggled with an eating disorder. Despite having been a ‘straight A’ student with ambitions to be Prime Minister, my illness gradually chipped away at my potential, so that by the time I was 25 I had no job, no money, no friends and no life.
After I recovered, I was determined that no other young person should suffer the same fate and began devising a self-esteem lesson that I took to schools and colleges all over the UK. This was the class which went on to create the building blocks of SET. Demand was soon so high, I recruited Nadz and Grace. Now we visit four schools a week working to improve students’ confidence and have also branched out into mental health, offering classes not only in body image, but bullying, exam stress, self-harm, and how to handle difficult feelings, too. We’re also campaigning for wellbeing to be at the centre of the curriculum, instead of tacked on as an afterthought. After all, if you don’t have your health, grades mean nothing.
You all have your own story to tell. Can you each tell us a little about your own experiences?
Nadia Mendoza
Nadz: When I was younger, there were troubles at home which led me to hide away in my bedroom a lot rather than confront them. As I became more and more withdrawn from life, by the time I started secondary school, I was a timid and easy target for bullies because I never bit back.
Lonely, frustrated, and with a complete lack of emotional vocabulary to talk about my feelings, one day I locked myself in my room and cut myself.
What started as an impulsive act on a random day in my first year at secondary school, went on to have a hold over me for two decades. I used self-harm as a ‘friend’ to turn to when my head went black. Only now, having recovered, can I see how self-destructive it was and how I treasured it more than it ever did me.
With the help of CBT [Cognitive Behavioural Therapy] and a very lucky break in journalism, I eventually found my feet after university. Now, I hope to speak for every kid who feels they’re not ‘cool’ enough and let them know it’s okay to be different. And that different can actually be fun.
by Blog Tour: Mile High by Rebecca Chance – Author Interview
I am very pleased to be welcoming author, Rebecca Chance to Novel Kicks today. Her novel, Mile High was released on 13th August 2015 by Pan.
First class is about to get dangerous . . . Pure Air’s new LuxeLiner is flying from London to LA – its inaugural journey – with a first-class cabin packed with A List celebrities. As the feuding crew compete to impress their famous passengers, the handsome pilot tries to win the attention of a pretty young stewardess.
But one VIP singer is battling something seriously sinister: watching her every step is a very determined stalker, someone who will go to any lengths to get the star to satisfy their desires. At thirty thousand feet there is nowhere to run, and nowhere to hide . . .
As part of her blog tour for her new novel Mile High, we got to chat with Rebecca.
Welcome Rebecca. Thank you so much for joining us. Your new book is called Mile High. Can you tell us a little about it and where the idea originated?
It’s a glamorous thriller set onboard a night flight from London to LA, on a very luxurious plane whose first class cabin is absolutely gorgeous! Because it’s a new route for the airline, there’s a whole gaggle of A-list celebrities aboard to publicise it – a beautiful singer who’s going through heartbreak, a very randy chef, an Oscar-nominated actress. And the airline boss too, who’s modelled on quite a famous one… But there’s also a stalker on board who’s determined to join the Mile High Club with the singer, so the tension builds all the way through to a very dramatic ending.
What planning did you undertake before beginning this book? Did you get any first hand accounts of what it is like to work as cabin crew?
OH yes! I have several flight attendant friends and they were fantastic at giving me advice and telling me all sorts of saucy behind-the-scenes stories! I sat down with them over drinks and listened for hours before I even started to outline as I wanted the book to be as accurate as possible.
What is your writing day like and where do you like to write? Do you have any writing rituals?
Get up around 9, have a very strong cappuccino, read through my Facebook and Twitter, read what I wrote the day before, tell myself I have to start writing before I turn on Judge Judy. Turn on Judge Judy….
Continue reading
by Author Interview: Scott Mariani
Hi Scott, thank you for joining us. Could you tell us a little about your writing process?
It’s pretty simple, really. I wish I could make it sound exciting and glamorous, but writing is just a job like most others – there’s no special mystique to it. I don’t take long walks on windswept beaches in search of the muse, or anything like that. Six days a week, after breakfast and feeding the dogs and other sundry duties, I go up to my study, coffee in hand. As I climb the stairs I start getting my brain in gear thinking about what I need to do that day. It could be an action scene, or it could be a scene between two characters involving lots of dialogue, or it could be something with a lot of geographical or historical content. In the latter case, I might need to have various reference books or maps around me to refer to. In the former case, I may have nothing at all to rely upon other than my poor overworked imagination. Then I sit down and spend the next few hours trying to do whatever it is I need to do, as effectively as possible. I don’t like to leave the desk until I’m happy with what I’ve set down, which means I might sometimes have a very long working day. Some days are hard, others fly by and I’m able to hit whatever word quota I’ve set myself and stop early to go and attend to the thousand other things I invariably have to do, living out here in the country, like cutting wood or strimming the meadow. Oh, yes, and trying to have a life.
Tesla was a great inventor. What do you wish you’d invented, and why?
He was responsible for, or at least instrumental in pioneering, many technologies that we find essential and take for granted in the modern world (apart from also being, very possibly, a dangerous lunatic). But you don’t necessarily have to be a scientist or an engineer to be an inventor. I think that writers, as designers of stories, are inventors too. I regard what I do as a kind of industrial design job, blending technical and creative abilities in the same way that an automotive designer might come up with the sleek, beautiful form of a new Ferrari or Porsche, or some other end product aimed at appealing to the public. And being a writer, I can’t think of anything I’d rather have invented than a fictional character like Ben Hope, the hero of my books. Readers say they feel they know him like a real person, a friend even, someone they love to share time with, in whose world they love to dwell a while. That’s good enough for me.
by Author Interview: Rosie Millard
Hello Rosie, thank you so much for joining us. Can you tell us a little bit about your route to publication? Had you always wanted to write a novel?
I think every journalist longs to write a novel, not least because our work is fish and chip paper the next day! I signed up for a Fiction Writing course with the University of East Anglia which I did every Tuesday night in London for six months, and The Square came out of that.
Can you tell us a little about your book, The Square and how the idea originated?
I wanted to write a satirical novel based in the present day and the garden square where I live in London seemed to be a very fertile starting point! I also wanted to make it a bit racy and fun.
What’s your favourite word?
Babies.
If you were to enter a talent show, what would you perform?
I would sing Any Dream Can Do from Joseph.
What song best describes you?
You Never Feel Happy, Until You Try, by c2c.
If you were only allowed to own three books for the rest of your life, which three would you pick?
A Little Princess, by Frances Hodgson Burnett. Vanity Fair by William Makepeace Thackeray. Middlemarch, by George Eliot.
by A Moment With Hannah Vincent
Hannah Vincent, whose debut novel, Alarm Girl was released by Myriad Editions in August last year tells us about her writing room.
I write in bed. I could justify this with the excuse that this way I am closer to the dream state and an unconscious mode in which words and feeling flow but the truth is, my bed is comfy, smells nice and my cat likes it when I write there. It is highly un-ergonomic: I lie with my neck crooked on cushions, typing straight onto an ancient laptop with Twiggy the Siamese pinning down one arm.
I once read that humans crave greenery because of our outdoor ancestry. The view from my bedroom window is bland and grey, which is useful in that it’s not a distraction but sometimes I move to the kitchen table to work. Ours is a topsy-turvy house with an upstairs kitchen that is slightly above the level of the garden, so when I look out of the windows I feel as if I am in the trees with the squabbling sparrows and busy blue-tits. Continue reading
by Author Interview: Anna North
Anna North, author of The Life and Death of Sophie Stark joins us today. Thank you for joining us Anna. First, Do you have any writing rituals/habits?
I like to write either in a chair by the window in my apartment, ideally with a cup of tea and maybe a candle burning, or at a coffee shop in my neighborhood, again with a cup of tea or maybe a cappuccino. I write all my first drafts long-hand in a journal; I feel like I’m much more imaginative writing this way than at a computer. I try to write for about an hour in the early morning each weekday, and again for an hour or a little more on Saturday or Sunday (depending on the week, though, I might write a little more or a little less).
Which fictional character would you like to swap places with for a day and what would you do?
Maybe this is cheating because it’s TV and not books, but I’d trade places with the Doctor and travel through time and space. I’d go back in time and visit Queen Elizabeth I and Shakespeare, and then go to Gallifrey and hang out with the Time Lords.
Your book is called, The Life and Death of Sophie Stark. Can you tell us a little about it and how the idea originated?
The Life and Death of Sophie Stark is the story of a brilliant and enigmatic filmmaker, told by the people who loved her most. I had wanted to write about a filmmaker named Sophie Stark for years before I started the book; I even wrote a few pages, but then put them aside. After I finished my first book, America Pacifica, I started trying to write about Sophie again in earnest, and that’s when I got the idea of writing the book from multiple perspectives. Once I realized I could tell Sophie’s story through multiple points of view, the book started to come together.
What’s your favourite word?
I don’t know if I have a favorite word, exactly, but I have some words I use a lot (maybe too much). In America Pacifica I used the word “filthy” a lot — in my defense, the post-apocalyptic world I was describing was really filthy. In The Life and Death of Sophie Stark, my editor pointed out I used the words “mad,” “sad,” “bad,” and “whiskey” more than was strictly necessary, which I guess says something about the mood of the book. I ended up replacing some of them; now the characters occasionally drink wine instead of whiskey, and get angry instead of mad.
by Author Interview: Howard Robinson
Howard Robinson
Hello Howard, thank you for joining us. First, could you tell us about your route to publication?
It’s such a complicated route for most writers that sometimes I feel like I need a sat-nav to get there. I self-published my first book and was fortunate that Micah Seven Five was picked up by a great little independent press, Inspired Quill. It’s really tough without an agent and finding an agent is really tough because most publishers won’t even look at submissions unless they’re from an agent. It’s like trying to break into a very closed shop. I have so many emails being very positive about my writing but saying they’re just not in a position to take things forward. So each book needs to be pitched from scratch, which is both time-consuming and, at times, a bit soul-destroying especially when the emails come back so quickly, you just know they’ve not even been read. Hopefully, somebody will pick up the new one; we’ll see. So the answer is there’s no easy route – you have to just keep banging on doors.
If you were told you could only own three books, which three would you pick?
Empire Of The Sun by JG Ballard, The Five People You Meet In Heaven by Mitch Albom and Charlie & The Chocolate Factory by Roald Dahl
Are you much of a planner and do you edit as you go?
I’ve tried being very planned and very unplanned and my favourite way of working is somewhere between the two. I like to have a general route map of where I’m going and how I’m going to get there but then I like the freedom to change as I write or to move off into slightly unforeseen directions. I tend to write everything and then go back and edit quite severely afterwards. I usually do two or three redrafts.
by Author Interview: Ben Adams
Ben Adams is the author of 6 Months to Get a Life. Thank you for joining us, Ben. Can you tell us a little about your new book?
Thanks for inviting me on to your blog.
Six Months to Get a Life is the story of a man trying to come to terms with his divorce. The book follows Graham Hope as he strives to get over his ex, to maintain his relationship with his children, to build new friendships and to work out a way of having sex again at some point in his life.
How did the idea for the book originate?
I recently went through a marriage break-up myself. I started writing Six Months to Get a Life as a way of capturing my own thoughts. If you like, it was therapy for me.
So is it about you then? I thought it was fiction?
It is fiction. About two days into the writing process, I realised that the book shouldn’t be about me. It shouldn’t be about my ex or my children either. What right did I have to write about them? And who would want to read it if I did? If it had been about me, people would have slit their wrists by the end of Chapter 3.
So instead of writing a memoir, I created a fictional tale. I invented a new ex, new friends, new children, new events and new debacles. Did the marriage guidance scene happen to me? No. Did I meet my ex in a sexually transmitted diseases clinic? Er, no. Have I ever twerked in a nightclub? Maybe, but that’s another story. Have I got a big ego and a small penis? No comment.
by Author Interview: Miranda Richmond Mouillot
A Fifty-Year Silence is the new book from author, Miranda Richmond Mouillot and was released today. Miranda has joined us to chat about her new book. Firstly, she tells us a little about A Fifty-Year Silence and what inspired her to write it?
In 1953, my grandmother, Anna Munster, packed her bags and walked out on my grandfather Armand Jacoubovitch, taking the typewriter, a grapefruit knife, and their two children.
Five years before that day, in 1948, Armand and Anna bought a ruined stone house in the south of France a month before moving to America to start a new life.
Eight years before that day, in 1945, Anna gave birth to their first child while Armand prepared to begin his job at the Nuremberg Trials as one of just two or three court interpreters who were also victims of the accused.
Eleven years before that day, in 1942, Armand and Anna climbed over the Alps in a snowstorm, reached the border an hour after the guards had gone off duty, and escaped Nazi-occupied France to neutral Switzerland.
Thirteen years before that day, in 1940, when France fell to the Nazis, Armand walked three hundred kilometers to hide out with Anna in a village in the French Pyrenees.
And seventeen years before that day, in 1936, Armand and Anna met in a café in Strasbourg and fell passionately in love.
Or did they?
Here’s the thing: I never knew.
The story of what happened between my grandparents both before and after their divorce was total enigma to me throughout my childhood and young adult life. No one could tell me when or how they had met, or when or why they had gotten married. No one could explain just what had made their separation so acrimonious. No one knew, because half a century later, they still wouldn’t speak to one another. If they referred each other at all, it was in cryptic half-sentences. My grandfather couldn’t even bear to utter my grandmother’s name. All that remained of their life together were a few snapshots in a faded photo album. Those snapshots, those tiny, beautiful remnants of a life the war had completely destroyed – they were the beginning of writing this book: from a young age, I desperately, desperately wanted to know what had happened between them.
by A Moment With: Holly Martin
Holly Martin is the author or The Guestbook, The Sentinel and One Hundred Proposals (as well as One Hundred Christmas Proposals. All published by Carina.) She lives in Bedfordshire in a house with round windows.
She shares her five writing tips:
Read everything, the good, the bad, the ugly, the amazing. See how things work and how things don’t.
Watch people, listen to what they talk about, how they talk, walk and dress so you can create real life characters
Get people you trust to read it and give you feedback.
Don’t take any criticism or feedback personally
Never, ever give up
Learn more about Holly and her books at her blog: https://hollymartinwriter.wordpress.com
by A Moment With: Laura Elliot
Vintage: New Ed Edition, July 1996
The Enduring Memory of a Handmaid’s Tale
I like books that scare me. The ones that keep my heart racing and my finger compulsively turning the pages – or, in in this era of Kindle, twitching on the next-page command. Such books usually conjure up a grim, dystopian world and leave me wondering if they could actually materialise as science advances and technology reaches further and further into our personal lives.
It must be twenty years since I read The Handmaid’s Tale by Margaret Atwood yet I can still bring the details of that story vividly to mind. Briefly, it’s about a totalitarian society that reforms after a nuclear explosion lays most of the United States to waste. The land is contaminated and many of the women who survived the catastrophe have become infertile. In this new, male dominated society these women are sent to clear up the nuclear waste and suffer obvious consequences as a result. The only ones to avoid this fate are the wives of the men in power –these men are known as The Commanders –and the ‘handmaids,’ young women like Offred, the narrator, who have remained fertile and are capable of producing children to populate this new world order.
The self-imposed belief in The Republic of Gilead is that only women are infertile, men remain fertile. This, of course, is untrue so many of these handmaids are unable to conceive and live in dread of being sent to the contaminated wastelands. Their babies, if they do conceive, will belong to The Commanders and their wives.
by Blog Tour: Writing Rituals and Inspriations by Rachel Abbott
Hello Rachel, thank you for joining us. We’re delighted to be part of your blog tour. Your new novel is called Stranger Child. What’s it about and what inspired it?
If I had to find one word which sums up what Stranger Child is about, it would have to be revenge – but that nowhere near covers it.
Emma Jacobs met David – now her husband – several years ago, but they lost touch when she went to Australia. When she came back, she was horrified to learn that David’s first wife had been killed in a car accident, and his six-year-old daughter had disappeared from the scene. Now, six years later, Emma and David have put the past behind them and are happily married with a new baby, Ollie.
And then a stranger walks into their lives, and their world falls apart.
Emma discovers things about her own past that shock her, and when she contacts her old friend DCI Tom Douglas for help, their pursuit of the truth sets in motion a series of terrifying events that neither of them could have imagined.
Emotions run high in this book, and each of the main characters has to face a dilemma that nobody should ever have to deal with.
Can you tell us a little about your route to publication?
I am extremely fortunate in having an amazing agent who really looks after me well. I start with an idea of the story and the characters, and I send it to her. She mulls it over and comes back with the things she likes and the things she hates, and somehow or other we knock the outline into shape.
And then I write. I do nothing else – just sit at my desk and write. I love it, but the first draft is always pretty dire. However, it creates the framework, and from there I can go back and work out the detail.
When I’m happy, it goes for first edit – and I know that there will be lots of changes to be made. These are structural – sometimes quite major – but always good. There are a couple of rounds with the editors, and then it goes to line edit where we argue about the detail. Is this sentence necessary? Would we lose anything if we chopped out this paragraph? Then finally the copy edit – when I’m always surprised at the little details that I’ve missed.
We have Advance Review Copies prepared in paperback – this is something we have started with Stranger Child – and my publicists send out copies to anybody who is keen to review the book.
And as an independent author, I also have to think about the marketing, the cover, the blurb – it’s very much a full time job at every stage.
by Guy Mankowski on Writing How I Left The National Grid
The writing process for How I Left The National was so distinct from that of my two previous novels, that it was almost like learning to play the keyboard after you’ve been playing guitar. This seems an apt, if somewhat pretentious description, given that this novel follows the story of an eighties post-punk musician, Robert Wardner. Wardner vanishes after a particularly controversial appearance on Top Of The Pops. During this performance he commits a shocking act which, during the more buttoned-up era of 80s Britain, causes enough of an impact that he never recovers.
My first novel, The Intimates, was mostly written over an intense eight-week period when I was 21. I lived and breathed the novel every single day almost in a hallucinogenic way. My second novel, Letters from Yelena, was written over a year and a half, and its writing coincided with a research trip to Russia in which a great deal of information about the world of Russian ballet was absorbed. This novel was set mainly in 80s Manchester, only a few hours away from me.
Somehow, it took over three years.
by Author Interview: Jen Campbell
Hello Jen. Thank you for joining us. Firstly, congratulations on The Bookshop Book becoming the official book for the 2014 Books are my Bag campaign. Can you tell us a little about it and how you developed the idea for the book?
Thank you! Well, I’ve always loved bookshops; they’re magical places full of nostalgia and possibility. They’re places to get lost in, and discover different worlds. I’ve worked in bookselling for the past seven years (since working part-time whilst completing my degree), and I’ve written a couple of books about the weird things that customers say in bookshops (because lots of weird things are said!). However, I also wanted to showcase the other side of the bookselling world: the bizarre but wonderful stories hidden behind the shelves; the history of the bookshop; the idea of the travelling bookshop, and bookshops in remote places… Book touring with Weird Things Customers Say in Bookshops led me to places such as Wigtown, a fantastic town with a dozen bookshops on the west coast of Scotland, which led me to discover that there’s an International Organisation of Book Towns – with several Book Towns across Europe and one in Australia in an old gold mining town. There are so many wonderful places out there that I thought needed to be shouted about: such as a bookshop in Africa that also sells cows, and a man in America called Walter Swan who opened up a bookshop that only stocked his book and nothing else… So, I asked my editor if I could write a book about weirdly wonderful bookshops around the world… and he said yes!
Did you visit all of the shops mentioned in The Bookshop Book?
The Bookshop Book looks at over 300 bookshops across six continents, so sadly I didn’t get to visit them all – though I spoke to people who had. I got to most of the bookshops in the UK, Paris, Berlin and Amsterdam (where I lived on a houseboat for a few days). When I was writing the book, I’d get up early and Skype with booksellers in Asia (like Ayuko, who runs a sushi-making class inside a bookshop), and Australia/NZ; then I’d go to work in my own bookshop, before skyping with booksellers in North America in the evening. So, I felt as though I was living in several different time zones – it was a bizarre, but wonderful, time. Continue reading
by A Moment With Jacqueline Harvey
My writing day varies depending on where I am in the world. When I’m at home in Sydney I usually work in my study. It looks out onto two sunny courtyards and across to the upper storey of a beautiful Queen Anne style home. Some days if I’m editing I might walk up to one of the local coffee shops and work there – I like to be around the hum of people depending on what stage of the writing process I’m at.
I start my day with a skinny latte but try to limit myself to one coffee, so after that I’ll have one or two cups of tea.
I’m usually at my desk by 8am and often work until 6pm. I’ve only been writing full-time for two years and one thing I’ve found problematic is my lack of movement! I have to make sure that I get up and walk every half hour or so. To that end I investigated a brilliant standing desk arrangement last year. It has a large flexible arm to hold the computer screen and keyboard so you can adjust it to a sitting position and then push it up so you can stand. The negative impact of sitting for long periods is frightening, apart from the inevitable weight gain, so I hope the standing desk will work for me.
by Author Interview: Julie Shackman
Hello Julie, thank you so much for joining us. Can you tell us about your debut novel, Rock My World and how did the idea originate?
Ruby Cameron is an ambitious reporter for a local paper where she is fed scraps of news, and lives with a man whose “idea of living dangerously is to leave the heating on when we pop out to the shops”. But after catching her squeaky clean boyfriend in flagrante delicto she ups sticks and moves into her own small home, only to discover the ghostly presence of a cheeky rock star who becomes her confidant as the dynamics of her small town, and her feelings about her dashing new boss, begin to throw up more questions than she can answer. Will Ruby discover who she really is, and perhaps more importantly, who she wants to be? I love music, especially rock and have to have music playing whilst I’m writing and the idea for Rock My World just came about from that.
Do you cast your characters and if so, did you have someone specific in mind for Ruby?
Yes, I tend to! I think my dream cast for Rock My World would be Santiago Cabrera for Stevie, my ghostly rock singer. He’s very attractive and has stage presence. For Ruby. someone lovely and passionate like Natalie Portman and for Matt, it would have to be the wolfish Bradley Cooper with those eyes of his!
What’s your writing process like – do you plan, edit as you go?
I tend to make sketchy notes before I start and read over the previous day’s writing to polish it a bit before starting the next chapter. Then once I’ve finished my novel, I’ll go over it again a few times to see where I can improve it.
by Author Interview: Kate Riordan
The Girl in the Photograph was released by Penguin on 15h January 2015. Inspired by the beautiful Owlpen Manor in Gloucestershire, it’s the latest novel from author, Kate Riordan.
About the book:
When Alice Eveleigh arrives at Fiercombe Manor during the long, languid summer of 1933, she finds a house steeped in mystery and brimming with secrets. Sadness permeates its empty rooms and the isolated valley seems crowded with ghosts, none more alluring than Elizabeth Stanton whose only traces remain in a few tantalisingly blurred photographs. Why will no one speak of her? What happened a generation ago to make her vanish?As the sun beats down relentlessly, Alice becomes ever more determined to unearth the truth about the girl in the photograph – and stop her own life from becoming an eerie echo of Elizabeth’s . . .
In the video below, Kate talks about her inspiration for the book, her characters, what she wants the reader to take away from the novel and the themes of her novel. Click here to see a book trailer for The Girl in the Photograph.
by Blog Tour: Don’t Mention The Rockstar by Bree Darcy
We’re happy to welcome Bree Darcy to Novel Kicks. She is currently on her blog tour for her debut novel, Don’t Mention the Rockstar which was published as an e-book on 15th January 2015.
Hi Bree, thank you so much for joining us. Can you tell us a little about your book, Don’t Mention the Rock Star, and how the idea originated?
It’s essentially a story that examines the power of first love and whether someone can ever truly escape its magnetic pull. Kellie is a reporter for a showbiz website and one day she gets a blast from her past – in the form of her teenage boyfriend Andy (who went on to become a mega-famous singer). But Kellie has moved on with her life and certainly isn’t looking for a do-over with him. The story alternates between past and present, so readers get a glimpse into their relationship and discover why they aren’t together any more. I have no idea where the idea originated, other than these characters crashed into my head one day and simply wouldn’t leave me alone until I resolved their story.
Out of all the books you’ve read, which three have made the most impact and why?
The first book I remember being floored by was The Outsiders by S.E. Hinton. It’s a coming-of-age story set in the 60s and relates a tale about a guy called Ponyboy who’s dealing with gang rivalry. I have tried unsuccessfully to get my teen daughter to read it – or at least watch the film. Actually – even though the movie involved many of the 80s hottest young actors, such as Tom Cruise, Emilio Estevez, Matt Dillon and Rob Lowe, if you don’t know the story – read it, don’t watch it. The book is SO much better. Although I wonder if the drama of it all will seem a bit ho-hum to a teen today.
An obvious one for a chick lit lover perhaps, but I have to put Pride and Prejudice on this list. Loved Jane Austen’s humour, especially the exchanges between the meddling mother and the exasperated father; the characterisations of the different sisters, the thwarted romances, the repulsive Mr Collins and the haughty but hot Mr Darcy. He was, of course, the inspiration behind my pen-name.
I adored Where Rainbows End, by Cecelia Ahern, from the second I started reading it. I loved how over time something kept getting in the way of Rosie and Alex being together. I guess I have pursued a similar theme in my own book. And it’s probably why One Day by David Nicholls also struck a real chord with me too.
by Blog Tour: Obsession in Death by JD Robb
A crisp winter morning in New York, in a luxury apartment, the body of a woman lies stretched out on a huge bed. On the wall above, the killer has left a message in bold black ink: FOR LIEUTENANT EVE DALLAS, WITH GREAT ADMIRATION AND UNDERSTANDING.
Eve Dallas is used to unwanted attention. Famous for her high-profile cases and her marriage to billionaire businessman Roarke, she has learned to deal with intense public scrutiny and media gossip. But now Eve has become the object of a singular and deadly obsession. She has an ‘admirer’, who just can’t stop thinking about her. Who is convinced they have a special bond. Who is planning to kill for her – again and again.
With time against her, Eve is forced to play a delicate – and dangerous – psychological dance. Because the killer is desperate for something Eve can never provide – approval. And once that becomes clear, Eve knows her own life will be at risk – along with those she cares about the most.
This is the first of J.D Robb’s books I’ve read and I have to admit that I was pleasantly surprised. On opening the book I saw that it is the latest in a very long line of books all named along the same theme, {something} in death, so I was not sure how easy it would be to get into without knowing any of the characters. It turns out that my concerns were ill-founded. The book stands well on its own and although it references what I assume to be events from other books, prior knowledge it not required.
by Author Interview: David Beckler
Hello David, thank you for joining us. Can you tell us about your novel, Brotherhood and how the idea originated?
Brotherhood is a novel about how ordinary people cope when violent criminals invade their lives. Most people turn to the police, but seventeen year old Philip Mason is suspected of murder so cannot. Instead he turns to his family, in the shape of his estranged uncle Byron and Byron’s friend Adam Sterling.
Although the novel begins with a murder – Philip’s friend Mugisa, a charismatic ex-child soldier from Uganda, kills another of their friends – I have concentrated on the effect of the killing on Philip’s and the victim’s families and friends. We do see the police investigation, through the eyes of DCI Siobhan Fahey, but I didn’t want to write a police procedural.
Both Mugisa and the victim’s uncle, gangster Ritchie McLaughlin – an uncompromising character I based on some of the people I met whilst working ‘on the doors’ in Manchester – are after Philip. His attempts to escape from them, and avoid being arrested, result in a fast paced thriller. Interleaved with the action, I wanted to contrast the relationships of Byron with his biological brother, Philip’s dad Samuel, and with Adam, a ‘brother in arms’. I also examine the relationship of Ritchie and his brother Kieran.
I have always enjoyed reading crime fiction and wanted to write crime novels which built on my experiences as a firefighter. I’d written two manuscripts featuring firefighter Adam Sterling, before I wrote Brotherhood.
The idea behind Brotherhood was to look at how easy it is for people, especially young men, to become involved in something they didn’t intend to, and end up in more trouble than they can handle. While visiting family in Ethiopia, I played football with a group of street kids. I thought about their likely futures and how, for so many kids who grow up on this continent, their lives can easily take a tragic turn. I incorporated the two strands, and the contrasting lives of Mugisa and Philip became entangled, with disastrous results for both of them – although Mugisa’s life had been a bit of a disaster long before he met Philip.
Do you plan before a novel and do you edit as you go?
The way I write is evolving as I gain experience. At first I began with just the main characters, an inciting incident – the ‘what if?’ question – and an ending. I had a vague idea of the bit in between. This meant that some scenes I wanted to include fell by the wayside and I had to do a lot of rewriting. I now prepare a more detailed plot which I make sure I keep to. I still have to do a certain amount of editing and rewriting but try not to do too much whilst writing the first draft as it slows the flow of the story.
Continue reading
by Competitions: Campari For Breakfast Winners
Campari For Breakfast is the debut novel from author and actress, Sara Crowe.
Thanks to Sara and Transworld, we had two copies to give away.
Well done to Joanne Varney and Martin Turner who have both won a copy.
About Campari For Breakfast:
In 1987, Sue Bowl’s world changes for ever. Her mother dies, leaving her feeling like she’s lost a vital part of herself. And then her father shacks up with an awful man-eater called Ivana.
But Sue’s mother always told her to make the most of what she’s got – and what she’s got is a love of writing and some eccentric relatives. So Sue moves to her Aunt Coral’s crumbling ancestral home, where she fully intends to write a book and fall in love . . . and perhaps drink Campari for breakfast
(Released in paperback by Transworld on 29th January 2015.)
by Blog Tour: The Curvy Girls Club by Michele Gorman
UK cover (Avon, Jan 2015.)
US cover.
A huge welcome to Michele Gorman who is visiting our blog today as part of her blog tour for her new novel, The Curvy Girls Club. Today, Michele shares with us her inspiration behind her book:
Lots of people have asked me where the idea for The Curvy Girls Club came from and, as with most of my books, it began with a question.
I was talking to my mum, who’d just said “It’s easy for you, you’re skinny.”
“I’m not skinny,” I said. “I’m normal.”
She smiled. “Honey, look around you. You’re not normal. We are.”
That got me thinking about labels. What’s “normal”? Does it mean the norm? If so then Mum was right, “overweight” is normal. We use words like skinny and fat as judgmental words, when really, they’re just adjectives. Continue reading
by Blog Tour: That Part Was True by Deborah McKinlay
Photo credit: Paul Stuart
We happily welcome Deborah McKinlay to Novel Kicks and we’re pleased to be a part of the blog tour for her latest release, That Part Was True (published by Orion).
Welcome Deborah. Can you tell us a little about That Part Was True and the inspiration behind it?
I started with a seed of an idea – a woman who was profoundly isolated. That grew into the character of Eve, and the story developed from there.
Who would you invite to fantasy dinner party and what food would you serve?
Paddington Bear. Marmalade sandwiches (natch).
Which fictional character (books, TV or film,) would you like to swap places with for a day and why?
Holly Golightly. New York. The wit. The waistline.
Which three novels (out of all the ones you’ve read,) have impacted you most? Continue reading
by Review: That Part Was True by Deborah McKinlay
That Part Was True is the latest novel from author, Deborah McKinlay.
Eve Petworth writes to author, Jackson Cooper to praise him for a scene in one of his books. So impressed by her letter, Jackson replies and soon they discover their shared love of cookery and food and start regularly writing to one another. A friendship develops and soon there is even a suggestion of romance despite Jackson already having quite a complicated love life. Eve also has a tense relationship with her daughter who is not far off getting married. Jackson and Eve soon realise that, beyond all the drama, they may actually have a chance together. All they have to do is actually meet.
I had very few expectations going into this novel when I picked it up. I will say though that it has one of the most beautiful book covers. I love it.
This book has been described as a cross between One Day and 84 Charing Cross Road. However, not having any knowledge of the latter, I didn’t have much to make the comparison. This is also the first of Deborah’s books I have read.
The novel is told from both Jackson and Eve’s point of view with their letters woven in within the chapters. It does jump around between the two of them but I liked this. Continue reading
by Blog Tour: As Good as it Gets by Fiona Gibson
Today we are hosting the blog tour for As Good as it Gets, the brilliant new novel from Fiona Gibson. A huge welcome back to Novel Kicks for Fiona who has kindly shared an extract from her latest book. Enjoy.
Chapter One
Present Day
‘Hey, beautiful!’ the blond boy yells, nudging his friend. They watch, admiring, as the shopping crowds mill around us. There are more glances as we walk: some fleeting, others more direct. All this attention isn’t for me; Christ no, that hasn’t happened since Madonna vogued in a gold conical bra. Even then, it pretty much amounted to a bloke up some scaffolding yelling, ‘Your arse looks like two footballs!’ I’d adored my stretch jeans until that sole cruel comment killed the love affair stone dead. Not that I’m the kind of woman to take any notice of construction workers’ remarks. I mean, I’ve only festered over it for twenty-three years… Anyway, of course it’s not me who’s causing virtually every young male in this over-heated shopping mall to perform a quick double-take. I am thirty-eight years old with wavy, muddy brown hair that’s supposed to be shoulder-length but has outgrown its style, yet isn’t properly long – it’s just long-ish. That’s what my hair is: ish. I am also laden with copious bulging bags, like a yak. Judging by the odd glimpse in mirrored surfaces, I note that I have acquired a deathly pallor beneath the mall’s unforgiving lights. I also have what the magazines term ‘a shiny breakthrough’ on my nose and cheeks. Continue reading
by Review: As Good As It Gets by Fiona Gibson
As Good As It Gets is the latest novel from author, Fiona Gibson.
I enjoyed Take Mum Out so I was looking forward to reading Fiona’s new novel. The book is told from the point of view of Charlotte Bristow. She is the wife of Will (who has been unemployed for a while and who is not her daughter’s biological father,) and mother to two teenagers, Rosie (who has just been spotted by a modelling agency) and Ollie. She was abandoned by Rosie’s father before she was born and hasn’t heard from him since. Charlotte and Will are in a little bit of a slump at the beginning of the novel.
At Rosie’s first photo shoot, Charlotte is talked into having some photos taken with her daughter for a feature a magazine is running and Charlotte ends up telling a couple of fibs. Before she knows it, her parents have received an e-mail from Frazer – Charlotte’s first love and Rosie’s father . He is wanting to make contact.
First of all, I wanted to say how much I love the cover of this book. So pretty.
I liked the main family. They seemed real and relatable. Charlotte was an interesting character. I found Will a little sulky at the beginning (understandable though considering his job situation,) but he changed gradually throughout the book. There were a few supporting characters but you don’t really get a chance to see them that much as the main focus is on Charlotte, Will and Frazer.
by Blog Tour: Win a copy of Campari for Breakfast by Sara Crowe
We’ve been so delighted to be part of the blog tour for Campari for Breakfast. To celebrate the paperback release of Sara Crowe’s debut novel, thanks to Sara and Transworld, we have two copies to give away.
How to enter:
Simply comment on this post by the closing date which is 23.59 on Tuesday 3rd February 2015. The two winners will then be chosen at random from the entrants and announced on the Novel Kicks blog on Wednesday 4th February 2015. UK only. Good Luck!
(The winner will also be notified via e-mail. We will use the address you provide when you enter the draw. Don’t worry, it’s safe with us. Also don’t forget to check your junk folder. I try to get the prizes to you as quickly as I can. In this instance, the prize is coming directly from Sara’s publisher so please allow up to 28 days for delivery. If you’ve not received your prize after this time, please contact us via the blog and not social media as there is a danger with social media that we may miss your message.)
About Campari For Breakfast:
by Blog Tour: Campari For Breakfast by Sara Crowe
We are very happy to be welcoming Sara Crowe back to Novel Kicks to celebrate the paperback release of her debut novel, Campari for Breakfast (which is released by Transworld tomorrow.) Sara has kindly shared an extract from her novel. Enjoy.
(Warning: some bad language.)
Sue
Sunday 4th January 1987
It was easy persuading Dad to let me leave. In my heart I’d hoped he would object, but since it would give him more time alone with Ivana, he didn’t. Persuading myself was easy too. Stay in Titford or go to Egham? Most of my friends are having gap years picking strawberries, living in communes, whereas I want to go straight into life with no gap, and earn good money doing it. And so Titford holds nothing for a girl of my ambition any more.
It’s an understandable and terrible fact that Dad’s taste has deserted him since we lost mum. I think he just got so lonely that anybody would do. He met Ivana at Titford golf club. She was playing a round with his boss and Dad was to take them to dinner. She’d really been after the boss, but settled for Dad’s attentions because the boss was a terrible lecture. I don’t know much about her, other than she comes from somewhere in Denmark. She just appeared out of nowhere like bad wind.
The only things I have to show for my life so far are a love of words and some interesting relatives, and mum always drilled me to make the best of what I’ve got. So in the end my decision has absolutely nothing to do with Dad or Ivana. Ultimately I think Green Place will be a good place to write.
by Novel Kicks Chats To Chevy Stevens
Hi Chevy, thank you so much for joining us. Can you tell is a little about your new book, That Night and how the idea originated?
THAT NIGHT is about eighteen-year-old Toni Murphy who is falsely convicted of killing her sister. Toni and her boyfriend, who was also convicted, spend years in jail. When they are released, Toni just wants to rebuild her life, but Ryan is determined to clear their names. Toni has to face her past and find out what really happened that night and who killed her sister. The spark for the story came from a show I watched about someone who’d spent twenty years in prison for a crime they didn’t commit.
Do you plan much before a novel and do you edit as you go?
I do plan quite a bit. I’m on contracts, so my editor has to approve my story idea, but I also like knowing that she is happy with my idea and we often end up brainstorming and she can notice some pitfalls before I do, which saves lots of rewriting. I try to do as much planning beforehand and get to know my characters as I find things flow better. However, lots of surprises still happen during the actual writing process when the story comes alive.
What is the hardest part of the writing process for you and which has been the most enjoyable?
I like the beginning stage when an idea is coming to life. Not the first, first part, when I’m not sure if the story is going to hold or if my editor is going to like it, but the stage right after that when we are brainstorming a really great idea and I can see how it’s going to unfold. But then the tough part begins, which is sitting down, day after day, and writing it! I like the editing stage, when it’s fine-tuning and adjusting. It’s like when you are cleaning your house and putting everything in order and you can see how nice it will look when it’s finished.
by Review: The Curvy Girls Club by Michele Gorman
Katie, Ellie, Pixie and Jane have all struggled with their weight. They all belong to Slimming Zone and are the best of friends. When they get a little fed up with defining their lives by their waistline, they decide to form a club where size doesn’t matter and they can all be themselves – The Curvy Girls Club.
Very soon, the club becomes very popular as more people sign up and it becomes more successful than all the girls could imagine. However, things aren’t as good outside of the club as each girl struggles with the ups and downs of life.
As someone who has always struggled with her weight there was a lot in this book I could relate to and I thought I was going to find it a little hard going to read because of that. This book handles the subject matter well and there is a lot of humour, fun and four great, strong, female characters. Each woman has their own personal stories and all are going through slightly different things.
Katie is in love with a guy at work and makes some bad decisions for herself (not realising that she has to practise what she preaches,) Pixie is a strong woman but needs to find the courage to leave a bad relationship and start over (her behaviour toward Katie wasn’t always good,) Jane who has forgotten how fabulous she is and Ellie who needs to tame the Continue reading
by Book Club
