Please join me in welcoming Ian McFadyen to Novel Kicks and the blog tour for his book, The Corpse Bell. 

The last thing Penny Carmichael expected when she joined the local bellringing group was for her debut to be thwarted by the discovery of a body just yards from the belfry door. As her husband and his loyal team painstakingly sift through the evidence and delve deep into the dead man’s past, it’s clear that solving Peter Mackenzie’s murder may prove a challenge, even for someone with DCI Carmichael’s renowned detective prowess.

What was a man who’d lived for decades in North London doing in Moulton Bank?  Was his chequered past a factor?

And what about the other members of Penny’s bellringing group. Did any of them have a reason to do Peter harm? 

As the case unfolds, DCI Carmicheal and his trusty team seek answers to a complex puzzle which leads them along various paths and, at times, way outside the comfort zone of their rural Lancashire surroundings. 

This fast-paced, cleverly crafted whodunit is the eleventh murder mystery in the gripping Carmichael series from the pen of Ian McFadyen.

To celebrate the release of The Corpse Bell, it’s over to Ian as he talks about ‘Blind Alleys’ and ‘Red Herrings’.

In my opinion, blind alleys and red herrings are crucial elements in any worthwhile murder mystery.

There’s nothing that gives me more satisfaction as a writer than injecting false trails with the aim of leading the reader off course. Whether it’s the introduction of a possible suspect with a not so plainly obvious reason to be the killer, or a tiny mention of something or other that the reader thinks they’ve picked-up on and is key to cracking the crime, these ploys are essential in creating mayhem for the reader when trying to solve the conundrum.

Even more pleasing for me is when I’m able to add to the reader’s frustration by making the person they have at the top of their suspects list, due to a subtly injected red herring, the next victim of the real killer.

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