Giovanna Fletcher

It’s day thirty and the last day of National Novel Writing Month. Giovanna Fletcher, the author of Billy and Me offers advice about first drafts and sitting down to write… 

Realise that you will occasionally look at what you’ve written and think it’s crap. Don’t panic at that. Just sit down and write. You will get distracted, it’s inevitable, just make sure you give yourself a good telling off and get back to work. Give yourself a target word count everyday. Something realistic and achievable. My target is 1,500 a day – that might seem a small amount to some people, but it works for me.

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On day twenty-nine of National Novel Writing Month, Jon Rance, the author of Happy Endings, joins us to talk about the internal editor… 

There’s a reason why publishers have editors and why every writer needs one. Because it’s a different job than being a writer. The same applies when we’re writing a novel. Writing is writing, it’s creative and visceral. It’s the difference between designing a house and building one. When you’re writing, be a writer. When you’re editing, be an editor, but never confuse the two. 

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Jane Fallon

Jane Fallon joins us for day twenty-eight of our NaNoWriMo Author Advice. Jane’s books include Getting Rid of Matthew and Foursome. Her new book, Skeletons, is out next year. Jane gives us her five tips for new writers. 

1. Keep moving forward. Don’t get stuck editing the same passage over and over again. There’s time for that later. I think that a first draft is all about getting the whole story down on paper as quickly as you can, and then sitting back and assessing what you’ve got.

2. If you have a block write through it. Don’t give up because you are stuck on a passage that’s going to be difficult to write. Write a version of it, however bad. Eventually you’ll hit a point where the story flows again. And then it’ll be easy to go back and rewrite.

3. Don’t think you have to write in perfect, grammatically correct, English. You’re Continue reading →

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We’re almost at the end of National Novel Writing Month. Today, Trisha Ashley, who’s latest book, Wish Upon a Star was released by Avon earlier this month, talks about finding your muse. 

As readers of my newsletter know, Muse slipped into my head and took up residence while I was reading Paradise Lost at school and then refused to leave. At the time I took him at face value, but I’m pretty sure now he isn’t a real muse at all, because he’s male, steely-blue, wears a lot of leather, is winged, has talons and is devilishly handsome, if you like that kind of thing. Everyone else seems to have a fairly useful female Muse, but no – I have to be landed with a creature who needs to be arm-wrestled into submission every morning.
But then, that’s not such a bad thing, because there’s no point in wafting around looking soulful and waiting for the  Muse of Inspiration to stop flitting round the room and  land.  No – get a firm grip and tell him or her to jolly well get on with it, and then soon the only thing flying will be your novel.

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Lisa Jewell joins us for day twenty-six. The author of Ralph’s Party and The House We Grew Up In, talks about finding the discipline to write…

It’s taken me many years and many books to get to the point where I could call myself a disciplined writer and the turning point for me was when I realised I couldn’t work anywhere with broadband or wifi. So now I take my laptop to a cafe to write every day, just for two to two and a half hours. I have yet to have a day when I didn’t get to my 1000 word goal. Sometimes I even finish early and go and mooch around the shops for a while. It’s all about knowing your own limitations and working around them. It’s also about routine. The best gift for a hard-working novelist is for every day to be the same as the last!

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• NaNoWriMo Author Advice: Day Twenty-Five

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Fiona Walker, the author of The Summer Wedding and The Love Letter joins us for day twenty-five of National Novel Writing Month. She’s discussing Character vs. Plot.

I’d say that characters are more important than plot because it’s really good, believable characters that ultimately create plot. That said, you need a strong kernel of a structural idea to place the characters into from the start – it can be a simple as two contrasting characters falling in love, meeting after a long absence, both wanting the same thing that only one can have etc. I find that if my characters aren’t established enough, the plot tend to become more and more extreme and farcical to try to keep the reader engaged, whereas really loveable, rounded characters should achieve that engagement in the first place

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We’re into the last week of National Novel Writing Month and on day twenty-four, Margaret James, the author of The Wedding Diary and The Silver Locket joins us to talk about creating good supporting characters….

Make sure your supporting characters add interest and depth to the central story, as opposed to start telling a story of their own, distracting the reader from the fates of the hero and heroine and splitting your story in two.

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Jill Mansell is the best-selling author of Don’t Want To Miss a Thing and Rumour Has It. She joins us on day twenty-three of NaNoWriMo to talk about what makes a perfect hero….

A perfect hero? Easy – all the good aspects and none of the less enticing ones that real men tend to have! Seriously, just make the hero someone you would LOVE to meet, both physically and mentally. But most of all, give him a charismatic personality. Identikit characters let down so many otherwise well written books. And good luck to everyone doing NaNoWriMo!

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It’s day twenty one of National Novel Writing Month. Talli Roland, the author of Last Christmas and The Pollyanna Plan, chats about finding the time to write… 

With a young baby and masses of deadlines heading my way, finding the time – or making the time – to write has become of critical importance. For me, setting targets and creating a routine is the only way to do it. If I don’t schedule in the writing hours, I know they won’t happen! Whether it’s getting up at five in morning or squeezing in a few words before bedtime, I love ending the day feeling like I’ve accomplished my goal.

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It’s day twenty of National Novel Writing Month. Paige Toon, the author of Johnny’s Girl and The Longest Holiday talks about the internal editor….

If I let my internal editor take over, I would never write a book a year – let alone two. It used to take me more time to write the first fifth of my books than the entire rest of it – mainly because I kept reading over that first fifth again and again, editing it over and over, instead of letting my thoughts flow through to the rest of the book. Far better to push on and come back to the early stuff later when you have a much better overall view of what the book needs. Of course, it’s easier said than done. I’m still a total control freak!

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Chrissie Manby

Chrissie Manby, author of Flatmates and Kate’s Wedding, joins us for day nineteen of our NaNoWriMo Author Advice. She tells us about the most important thing to remember when writing a first draft…

The most important thing to remember is that we live in a digital age. You don’t have to worry about saving paper. Stick down every sh*tty sentence that comes into your head. Write, write, write and edit afterwards. Editing as you go will only slow you down.

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It’s day eighteen of NaNoWriMo. Crime author, Mark Billingham talks to us about creating suspense… 

Crime writers are often asked how to create suspense. Now, of course there are tricks of the trade and we all use our fair share of twists and cliffhangers. We all choose when and how to reveal key pieces of information. BUT, for me, they key to creating genuine suspense is really very simple. You need to give the reader characters with whom they can genuinely engage. If you do that, if you create well-rounded characters, you will have suspense from the very first page.

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Rob Pateman (Photo Paul Stuart)

We are on day seventeen of NaNoWriMo and today, Rob Pateman, the author of The Second Life of Amy Archer, talks to us about keeping your reader gripped….

Keep your readers gripped by giving them enough new information/action to keep them guessing and interested – but not so much that it falls onto them in one go. Pace is vital.

If you’re not sure if your ‘reveals’ are in the right place, make a graph with chapter number on the left and plot on the bottom. Chart each plot point/reveal with a mark by the chapter it appears in. Your flat points will soon be exposed.

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M. Jonathan Lee

On day 16 of our NaNo Author Advice, author of The Radio, M. Jonathan Lee tells us about the feeling you have when the first draft is done…

“It took me an age to actually sit down and start writing. All the fears as to whether I could actually do it and whether I was good enough. And then, one day I sat down and I started.

All you need to do it sit down and start. Write, write and write. Forget quality control. Get your story down, let the words flow from your brain to the page. Live and feel your story. Become the characters. And keep the momentum going by continuing to write. Whenever you can.

The feeling when it’s all down is immense.  You did it, you told the story that you dreamed you would. You are halfway there. And now your story is a huge screwed up ball of paper that with a lot of careful editing will soon have all the creases flattened out.”

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Photo by Blake Little.

We’re midway through National Novel Writing Month. Well done to everyone who is still going toward that 50,000 word goal. Author, Sophie Kinsella has some great advice for the halfway point…

Halfway through your project it will all seem impossible and you will be tempted to jack it in and begin another, far more exciting idea. Trust me, that idea will get difficult halfway through, too. Don’t be afraid to experiment. You may not find your voice or style straight away. Write the book you would love to read yourself.

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On day 14 of NaNoWriMo, Victoria Fox chats to us about editing.

My advice? Keep going, keep going, keep going. Don’t look back. If I stop after every chapter and try to edit what I’ve done, I get sucked into changes and tweaks and I never push on with the word count. This can shake your confidence, especially if you’re a perfectionist. So much will change when you’ve finished – scenes you thought were terrible suddenly have a new significance; likewise others you loved might no longer be needed. You can’t know your parameters until you’ve written ‘The End’ and you have an entire book. Keep going until you get there, a little every day.

For more information on Victoria, visit  http://www.victoriafox.net/

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It’s day thirteen of National Novel Writing Month. Today, Michele Gorman, the author of Single in the City and Christmas Carol, talks about recurring characters…

Hi Laura, thanks for asking me on the blog today, and best of luck to everyone participating in NaNoWriMo!

Writing recurring characters is a bit like visiting an old friend. Of course you love her, but you also know all about her flaws. And so do your fans.

Plus: You already know the character. This makes it easy to put her into a new situation and know how she’ll behave.

Minus: You already know the character. It can be difficult to sustain your enthusiasm for the book over 80,000-100,000 words.

Plus: Continue reading →

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Freya North

Day twelve of National Novel Writing Month. Freya North gives us her writing advice. 

Write because you want to tell stories, not because you ‘want to be a writer’
Look after your posture – this is ESSENTIAL! 
Don’t spend too long faffing and editing – that’s just a fancy way of procrastinating.

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Matt Dunn is the author of A Day at The Office. On day eleven of National Novel Writing Month, he tells us how we need a good plot…

Whether you’re an author writing a novel, a gardener on an allotment, or an evil genius planning to take over the world, if there’s one thing you need, it’s a good plot. Assuming you’re reading this because you’re doing NaNoWriMo (so we’re talking about novels here), put simply, a plot is the sequence of events that make up a story – and while the order of those events (and of course, the events themselves) are up to you, getting that order (and the events) right is crucial if you’re going to engage the reader. I’m a romantic comedy novelist, and while everyone knows how romantic comedies go (girl meets boy, stuff happens, girl and boy end up together), it’s always helped me to think about my plots (the stuff that happens) not as HOW they get together, but as what STOPS them from getting together. Some writers plot their whole novels before writing a word, others just sit down, start writing, and see how the plot develops. I’ve tried both approaches, and probably prefer the latter. But if you like to plot beforehand and are having trouble, you’ll be pleased to hear seven ready-made ones already exist for you to choose from for FREE (don’t believe me? Just type ‘The Seven Basic Plots’ into Google). Presumably you know the start and end points of your novel – then ‘all’ you need to do is pick the one that applies to your story/setting/characters and get writing!

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Cecelia Ahern

Day Ten of National Novel Writing Month. Today’s advice comes from best selling author, Cecelia Ahern. 

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Day Nine of National Novel Writing Month. Julie Cohen, author of Dear Thing, talks about writing space: 

While I need to have a permanent writing space, somewhere I can spread out and make as much of a mess as I like, I often find that changing where I write can help me be more productive. Last week I spent eight hours writing in a cafe. I was stiff and hyper-caffeinated afterwards, but I got a lot of work done. My local library also has study carrels, which are great because they’re anonymous cubes with no distractions at all…though occasionally I think I startle the person in the next carrel by laughing aloud! Sneakily, against the rules, I smuggle a flask of tea into a carrel and spend hours making that bland space full of my imaginary characters.

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On day seven of our NaNoWriMo advice feature, Adele Parks says that you need to take writing seriously…

‘Write. Seriously, it astonishes me how many people tell me they want to be a writer but then confess they never write anything more elaborate than a shopping list. Write everyday even if it’s only for 20 minutes. Discipline is key. You also need to listen. Be inspired by everything that is going on around you.’

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Day Six of National Novel Writing Month and I hope that everyone is having a great first week. Continuing on with our NaNoWriMo Author Advice, Sue Moorcroft, the author of Want to Know a Secret and All That Mullarkey, tells us about why she thinks social networking is important for writers: 

‘I find social networking useful in all kinds of ways. It makes me visible, it allows readers in interact with me (which is a privilege) and allows me to get news about new books or workshops out into the world. It’s also a great source of research – not so much factual research, but opinions and ideas. For example: Is it OK to use text to ask for a second date? (Answer: yes!) My hero’s going to a fancy dress party. What should he go as that’s hot? (Answer: devil in lycra.) Twitter and Facebook seem to know the answers to any question in the world.’

For more information on Sue and her books, visit her website at www.suemoorcroft.com

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Lucy Clarke

On the fifth day of National Novel Writing Month, Lucy Clarke, author of The Sea Sisters, talks about who you should write for…

Write for yourself. Write the type of book you love reading, or on a subject you’re passionate about. That honesty will feed through your work.

Be open to inspiration. It’s all around us. Start keeping a notepad and pen on your person and make yourself write one thing in it every day, whether it’s a snippet of conversation, an interesting sight, or something you watched on TV that caught your imagination. Inspiration is out there; you just need to tune in.

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Ilana Fox

We’re on day four of National Novel Writing Month. Today, Ilana Fox, the author of Spotlight and All That Glitters talks about the importance of finding the right place to write. 

Everyone says you should write at a desk – and that you should save yourself the agony of a stiff back should you work anywhere else! – but I find it hard to be creative when writing feels like work. I really do suffer for my art! I wrote my first two novels in bed, and my second two on my sofa. Some people feel more inspired if they write in a coffeeshop or in a shared working space, but I find I can’t lose myself to my manuscript unless I’m completely alone. 

Ilana’s website. 

Twitter: @ilana

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